John Edward Heliker Paintings & Artwork for Sale | John Edward Heliker Art Value Price Guide

Oct. 02, 2024
John Heliker
Est: $600 - $900
American, 1909-2000 Landscapes: Three Works One signed J.E.HELIKER (lr) Watercolor and ink on paper Sight (largest) 11 3/4 x 16 1/4 inches (29.8 x 41.3 cm) (Framed (largest) 18 x 22 inches)
DOYLE Auctioneers & Appraisers
Oct. 02, 2024
John Heliker
Est: $300 - $500
American, 1909-2000 A Day on the Farm, 1936: three works, one double-sided Three signed Heliker and dated 36 (lr); scene depicting the butchers inscribed illegibly Ink on paper Sight 8 7/8 x 12 inches (22.5 x 30.5 cm) (Framed 14 3/4 x 18 inches)
DOYLE Auctioneers & Appraisers
Oct. 02, 2024
John Heliker
Est: $400 - $600
American, 1909-2000 A Figure in a Landscape Signed Heliker (lr) Watercolor on paper Sight 8 x 10 5/8 inches (20.3 x 27 cm) (Framed 13 3/4 x 16 1/2 inches)
DOYLE Auctioneers & Appraisers
Oct. 02, 2024
John Heliker
Est: $600 - $900
American, 1909-2000 Waiting for the Bus, 1941 Signed HELIKER and dated 41 (ll) Oil on canvas 20 x 16 inches (50.8 x 40.6 cm) (Framed 23 x 19 1/4 inches)
DOYLE Auctioneers & Appraisers
Oct. 02, 2024
John Heliker
Est: $500 - $800
American, 1909-2000 Coastal Village Scene Signed HELIKER (lr) Oil on canvas 16 x 22 inches (40.6 x 55.9 cm) (Framed 17 1/4 x 23 1/4 inches) Not examined out of the frame. The edges and overlap are lined with brown tape. Craquelure and drying cracks throughout, with scattered small losses along the lower edge.
DOYLE Auctioneers & Appraisers
Aug. 17, 2024
John Heliker (Am. 1909-2000), Cat on Bedspread, Oil on canvas, framed
Est: $2,000 - $3,000
John Heliker (Am. 1909-2000) Cat on Bedspread Oil on canvas, framed Signed l.r., Kraushaar Galleries label and Barridoff Galleries label on backing verso 20 1/8" x 24 1/8" actual, 21 1/2" x 25 1/2" framed
Barridoff Auctions
Jul. 10, 2024
John Edward Heliker, New York (1909-2000), pastoral sketch, ink on paper, 12”H x 17”W
Est: $80 - $120
John Edward Heliker New York, (1909-2000) pastoral sketch ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jul. 10, 2024
John Edward Heliker, New York (1909-2000), cityscape sketch, ink on paper, 12”H x 17”W
Est: $80 - $120
John Edward Heliker New York, (1909-2000) cityscape sketch ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jul. 06, 2024
John Edward Heliker, New York (1909-2000), abstract, 1930/40s, watercolor on paper, 12 1/4"H x 16"W(sight), 17"H x 21"W(frame)
Est: $300 - $400
John Edward Heliker New York, (1909-2000) abstract, 1930/40s watercolor on paper Unsigned. Letter of provenance verso. Provenance: From the collection of Kurt Denton Howe From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jun. 15, 2024
John Edward Heliker, Table Top Still Life
Est: $2,000 - $4,000
John Edward Heliker (American, 1909-2000), table top still life, oil on canvas, signed L/R, 30" x 40", framed 36" x 46". Provenance: Westbury, New York collection.
Kaminski Auctions
Jun. 11, 2024
John Heliker
Est: $1,500 - $2,500
American, 1909-2000 Still Life with Jug Signed Heliker (lr) Oil on canvas 26 1/4 x 26 inches (66.7 x 66 cm) Provenance: Kraushaar Galleries, New York (Framed: 32 5/8 x 32 5/8 x 1 5/8 inches) Frame rubbing. Upper right corner is lifting and cracking, with losses exposing underpaint and associated craquelure. Paint in this area is not stable. Cracking and loss along center right edge. Cracking and losses at upper left corner exposing underpaint. Cracking and losses exposing underpaint at upper center edge. Staining on reverse not apparent on face of work. Impact crack at center, to the left of blue pitcher. No evidence of restoration under UV inspection.
DOYLE Auctioneers & Appraisers
Jun. 06, 2024
John Edward Heliker (1909-2000): Mountain Landscape
Est: $1,500 - $2,500
Oil on canvas, signed 'Heliker' lower right. 24 1/2 x 34 in., 33 x 43 in. (frame).
STAIR
Jun. 01, 2024
John Edward Heliker, New York (1909-2000), abstract, 1930/40s, watercolor on paper, 12 1/4"H x 16"W(sight), 17"H x 21"W(frame)
Est: $400 - $600
John Edward Heliker New York, (1909-2000) abstract, 1930/40s watercolor on paper Unsigned. Letter of provenance verso. Provenance: From the collection of Kurt Denton Howe From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
May. 30, 2024
John Edward Heliker (American, 1909-2000) Still Life with Yellow Background
Est: $500 - $800
Circa 1981, oil on canvas. Signed 'Heliker' (lower left).
Cottone Auctions
May. 19, 2024
John Heliker, American (1909-2000) 2 Paintings
Est: $200 - $300
John Heliker, American (1909-2000) Lot of 2 Paintings Watercolor on Paper. Both Are Signed Lower Right. In Original Frames Under Glass. They Have Not Been Examined Out of Frames. Also, w/ Paper Labels From Kraushaar Galleries, NY Identifying them; 1 as "The Study of Fruits" & the other as "Clam Flats". Condition: Excellent. Dimensions: Larger-Sight-14.25" x 8.5". Frame-20.25" x 14.5". Provenance: From a Long Island, NY Home. Please note the absence of a Condition Report does not imply that there are no condition issues with this lot. Please contact us for a detailed Condition Report. It is the Buyer's responsibility to inspect each lot and deem their own opinions on Condition, Description, Provenance, and Validity before purchasing. Please make an appointment to preview or ask for Condition Reports. Condition Reports are rendered as an opinion by the staff of the Auction House and not as statements of fact. REMEMBER ALL SALES ARE FINAL AND ALL ITEMS ARE SOLD AS-IS, WHERE IS.
World Auction Gallery
Apr. 13, 2024
John Heliker (Am. 1909-2000), Self Portrait, Oil on masonite, framed
Est: $800 - $1,200
John Heliker (Am. 1909-2000) Self Portrait Oil on masonite, framed 23 15/16" x 31 3/4" actual, 32 1/4" x 40 1/8" framed
Barridoff Auctions
Mar. 30, 2024
John Edward Heliker, New York (1909-2000), abstract, 1930/40s, watercolor on paper, 12 1/4"H x 16"W(sight), 17"H x 21"W(frame)
Est: $400 - $600
John Edward Heliker New York, (1909-2000) abstract, 1930/40s watercolor on paper Unsigned. Letter of provenance verso. Provenance: From the collection of Kurt Denton Howe From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jan. 27, 2024
John Heliker O/C, New England House
Est: $2,400 - $2,800
John Edward Heliker (American/New York, 1909 - 2000) modernist oil on canvas landscape titled "New England House", depicting a whitewashed house surrounded by multiple outbuildings with two trees in the foreground. Rendered in muted shades of grey, blue, lavender, green, pink and white. Signed "Heliker" lower right. Two Kraushaar Galleries of New York labels en verso with title and artist information. Housed in a simple wood frame with metal edge, wide linen mat and wood liner. Sight: 25 3/4" H X 24" W. Framed: 32 1/4" H x 30 3/4" W. Copies of past appraisals from Kraushaar Galleries of this work will be available to the winning bidder. Biographical Note: John Heliker was an artist whose work evolved over the years from Cubism to Realism. He studied at the Art Students League with Kimon Nicolaides, Thomas Hart Benton, and Boardman Robinson in the late 1920s. He won a Prix de Rome in 1948 and spent the next five summers in Italy. In the 1950s, Heliker received a Guggenheim Fellowship and taught at Columbia University, the Art Students League, and Parsons. He was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston, and Nicholas Carone in the 1960s. Heliker became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries in New York City. Beginning in 1945, he had nineteen shows there, including his final in 2000 shortly before his death at age ninety-one. The Whitney Museum mounted a retrospective of his work in 1968. (Source: Smithsonian Museum of American Art).
Case Antiques, Inc. Auctions & Appraisals
Jan. 06, 2024
John Edward Heliker, New York (1909-2000), landscape with city scene, ink on paper, 13 3/4"H x 16"W
Est: $100 - $200
John Edward Heliker New York, (1909-2000) landscape with city scene ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jan. 06, 2024
John Edward Heliker, New York (1909-2000), pastoral sketch, ink on paper, 12”H x 17”W
Est: $100 - $200
John Edward Heliker New York, (1909-2000) pastoral sketch ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jan. 06, 2024
John Edward Heliker, New York (1909-2000), cityscape sketch, ink on paper, 12”H x 17”W
Est: $100 - $200
John Edward Heliker New York, (1909-2000) cityscape sketch ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jan. 06, 2024
John Edward Heliker, New York (1909-2000), figural sketches, ink on paper, 12”H x 17”W
Est: $100 - $200
John Edward Heliker New York, (1909-2000) figural sketches ink on paper Unsigned, partial logging scene sketch on verso. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jan. 06, 2024
John Edward Heliker, New York (1909-2000), figural sketches, ink on paper, 14”H x 16”W
Est: $100 - $200
John Edward Heliker New York, (1909-2000) figural sketches ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Dec. 16, 2023
John Edward Heliker, New York (1909 - 2000), Still Life with Fruit, Oil on fiberboard, 14 5/8"H x 23 1/2"W (sight), 20"H x 29 1/8"W (frame)
Est: $3,500 - $4,500
John Edward Heliker New York, (1909 - 2000) Still Life with Fruit Oil on fiberboard Signed lower left. Exhibited: Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, D.C. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Oct. 26, 2023
John Edward Heliker (American, 1909-2000) Interior with Lilacs
Est: $1,000 - $2,000
John Edward Heliker (American, 1909-2000) Interior with Lilacs oil on canvas signed Heliker (lower right) 20 x 16 1/4 inches. The Collection of Philip and Judith Sieg, Bellefonte, Pennsylvania Provenance: Kraushaar Galleries, New York Acquired from the above by the present owners, 1977
Hindman
Jul. 16, 2023
JOHN EDWARD HELIKER (American, 1909-2000)
Est: $100 - $300
Stormy Sky, Spain Watercolor on paper Signed lower left h. 12-1/2 in. w. 11-1/2 in. overall: 19 x 17-1/2 in. [In Situ Item] This Item will not be on display in our saleroom during our preview period. If you wish to view it in-person please make a request with the gallery.
Butterscotch Auction Gallery LLC
Jul. 16, 2023
JOHN EDWARD HELIKER (American, 1909-2000)
Est: $200 - $400
Woman in Green Striped Dress, 1966 Watercolor on paper Signed lower left h. 13 1/2 in. w. 10 in. overall: 19 x 15-3/4 in Exhibited: John Heliker Exhibition, April 1 - May 12, 1968, Whitney Museum of American Art, New York, NY
Butterscotch Auction Gallery LLC
Jul. 16, 2023
JOHN EDWARD HELIKER (American, 1909-2000)
Est: $2,000 - $4,000
Boatshed and Summer Light Oil on canvas Signed lower right, Kraushaar gallery label on verso, framed h. 52 w. 48 in.
Butterscotch Auction Gallery LLC
Jul. 01, 2023
John Edward Heliker, New York (1909-2000), figural sketches, ink on paper, 12”H x 17”W
Est: $200 - $400
John Edward Heliker New York, (1909-2000) figural sketches ink on paper Unsigned, partial logging scene sketch on verso. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jul. 01, 2023
John Edward Heliker, New York (1909-2000), pastoral sketch, ink on paper, 12”H x 17”W
Est: $200 - $400
John Edward Heliker New York, (1909-2000) pastoral sketch ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jul. 01, 2023
John Edward Heliker, New York (1909-2000), cityscape sketch, ink on paper, 12”H x 17”W
Est: $200 - $400
John Edward Heliker New York, (1909-2000) cityscape sketch ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jul. 01, 2023
John Edward Heliker, New York (1909-2000), landscape with city scene, ink on paper, 13 3/4"H x 16"W
Est: $300 - $500
John Edward Heliker New York, (1909-2000) landscape with city scene ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
Jul. 01, 2023
John Edward Heliker, New York (1909-2000), figural sketches, ink on paper, 14”H x 16”W
Est: $200 - $400
John Edward Heliker New York, (1909-2000) figural sketches ink on paper Unsigned. From the archives of AskArt: Born in Yonkers, New York, John Heliker was originally a Cubist painter working with shattered planes of color, and then he evolved into a realist with loose modernist brushwork and bright color in the painting of interiors and the Maine coast. He studied at the Art Students League from 1927 to 1929 and showed early interest in precise arrangements of forms and formal relationships. Between 1948 and 1958, he made several trips to Italy, which influenced complexity in his works. He received a Guggenheim Fellowship in 1951. In 1958, Heliker took part in a conference on the visual arts at the University of Illinois. He taught at three New York City institutions, including Columbia University, from 1950-1977, the Art Students League, and Parsons. In 1965, Heliker was a founding member of the New York Studio School with Mercedes Matter, Alex Katz, Leland Bell, Philip Guston and Nicholas Carone. He became an Associate of the National Academy of Design, New York City, in 1979, and an Academician in 1981. He exhibited extensively at the Kraushaar Galleries, in New York City. Beginning in 1945, he had nineteen shows there, including his final one in 2000 that would be on the gallery walls shortly before his death on February 22nd at age ninety-one. He was a friend of John Cage, Merce Cunningham, Mark Rothko and Walker Evans. In an unusual two-year exhibition from 1964-1966, The American Federation of Arts included John Heliker's painting, "Beach and Driftwood," in their Maine - 50 Artists of the 20th Century. At the time of the show, the painting was in the collection of the New Britain Museum of American Art, Connecticut. A retrospective of his work was shown at the Whitney Museum in 1968, with a catalogue of ninety-four works authored by Lloyd Goodrich and Patricia Fitzgerald Mandel. This exhibition had 38 landscapes, still lifes, interiors, seascapes and portraits, and included many drawings in pencila and charcoal. In Volume Four (1985-1986) of "The New Criterion", John Heliker's work is discussed in 'Versions of Pastoral', as it is in Volume Eighteen (1999-2000) in a review of his final show at Kraushaar, "A State of Being: Drawings of John Heliker". A work by John Heliker is in the collection of the National Museum of American Art.
Ripley Auctions
May. 20, 2023
John Heliker (Am. 1909-2000), Male Nude, 1992, Charcoal on paper, framed under glass
Est: $300 - $500
John Heliker (Am. 1909-2000) Male Nude, 1992 Charcoal on paper, framed under glass Signed and dated l.r. 11 15/16" x 9 7/16" sight, 19 3/16" x 16 11/16" framed
Barridoff Auctions
Apr. 01, 2023
John Heliker, Am. 1909-2000, Still Life: Blue Bottle, 1965, Oil on canvas, framed, 26" x 24" actual, 28 1/2" x 26 5/8" framed
Est: $1,500 - $2,500
John Heliker Am., 1909-2000 Still Life: Blue Bottle, 1965 Oil on canvas, framed Signed l.l., exhibition label verso
Barridoff Auctions
Feb. 15, 2023
John Heliker American, 1909-2000 Apple Trees, 1957
Est: $2,000 - $4,000
John Heliker American, 1909-2000 Apple Trees, 1957 Signed and dated J. Heliker 57 (lr) Oil on canvas 25 x 40 inches (63.5 x 102 cm) Provenance: Kraushaar Galleries, New York Des Moines Art Center, Rose F. Rosenfield Collection Exhibited: John Heliker Retrospective, Apr. 1 - May 12, 1968, Whitney Museum of Art, New York C
DOYLE Auctioneers & Appraisers
Jan. 17, 2023
John Heliker American, 1909-2000 Still Life with Coffee Grinder, circa 1988
Est: $1,500 - $2,500
John Heliker American, 1909-2000 Still Life with Coffee Grinder, circa 1988 Signed Heliker (lr); inscribed as titled on the stretcher Oil on canvas 26 x 34 inches (66 x 86.4 cm) Provenance: Kraushaar Galleries, New York C The Flower Family Collection
DOYLE Auctioneers & Appraisers
Dec. 13, 2022
John Heliker American, 1909-2000 Interior with Two Figures
Est: $600 - $900
John Heliker American, 1909-2000 Interior with Two Figures Signed Heliker (lr) Oil on canvas 16 1/8 x 12 5/8 inches (41 x 32 cm) Provenance: Kraushaar Galleries, New York C The Flower Family Collection
DOYLE Auctioneers & Appraisers
Dec. 13, 2022
John Heliker American, 1909-2000 Gray Day, Maine
Est: $1,000 - $1,500
John Heliker American, 1909-2000 Gray Day, Maine Signed Heliker (lr) Oil on canvas 18 x 20 inches (45.7 x 50.8 cm) Provenance: Kraushaar Galleries, New York C The Flower Family Collection
DOYLE Auctioneers & Appraisers
Nov. 17, 2022
John Heliker (1909-12000: Portrait of Bob
Est: $1,500 - $3,000
Oil on canvas, signed 'Heliker' lower left, with label from Kraushaar Galleries, NY. 14 x 14 in., 18 x 18 in. (frame).
STAIR
Nov. 05, 2022
JOHN HELIKER, (American, 1909-2000), Glen, oil on canvas, 26 x 26 in., frame: 27 x 27 in.
Est: $1,500 - $2,500
JOHN HELIKER (American, 1909-2000) Glen oil on canvas
Grogan & Company
Oct. 18, 2022
John Edward Heliker (AMERICAN, 1909–2000) "Collage", Kraushaar Galleries, signed bottom right, dated '58, 12 1/4" x 9 3/4" sight, 17" x 13 1/2" overall
Est: $100 - $300
John Edward Heliker (AMERICAN, 1909–2000) "Collage", Kraushaar Galleries, signed bottom right, dated '58, 12 1/4" x 9 3/4" sight, 17" x 13 1/2" overall
Bill Hood & Sons Arts & Antiques Auctions
Sep. 14, 2022
John Heliker American, 1909-2000 Red Interior
Est: $3,000 - $5,000
John Heliker American, 1909-2000 Red Interior Signed Heliker (lr) Oil on canvas 40 1/2 x 50 inches (103 x 127 cm) Provenance Kraushaar Galleries, New York Acquired from the above in 1992 by the current owner C Property from the Collection of Sandra and Fred Pine
DOYLE Auctioneers & Appraisers
Jul. 23, 2022
John Edward Heliker, New York (1909-2000), Town Outside Rome, oil on board, 10 1/4"H x 17 3/4"W (sight), 17 1/8"H x 24 3/8"W (frame)
Est: $700 - $900
John Edward Heliker New York, (1909-2000) Town Outside Rome oil on board signed lower right. Provenance: Kaushaar Galleries, NYC.
Ripley Auctions
Jul. 14, 2022
John Heliker American, 1909-2000 Still Life with Pitcher
Est: $4,000 - $6,000
John Heliker American, 1909-2000 Still Life with Pitcher Signed Heliker (lr) Oil on canvas 50 1/2 x 40 1/4 inches (128 x 102 cm) C Property from the Collection of Sandra and Fred Pine
DOYLE Auctioneers & Appraisers
Jul. 14, 2022
John Heliker American, 1909-2000 Red Interior
Est: $5,000 - $7,000
John Heliker American, 1909-2000 Red Interior Signed Heliker (lr) Oil on canvas 40 1/2 x 50 inches (103 x 127 cm) Provenance Kraushaar Galleries, New York Acquired from the above in 1992 by the current owner C Property from the Collection of Sandra and Fred Pine
DOYLE Auctioneers & Appraisers
Jun. 02, 2022
John Heliker (1909-2000): Self Portrait
Est: $1,000 - $2,000
Oil on canvas, 1959, signed 'Heliker' lower right, with label from Kraushaar Galleries, NY and Whitney Museum of American Art, NY. 24 1/2 x 20 in., 35 x 30 1/4 in. (frame). Exhibited: The American Federation of the Arts, As Artists See Artists, October 1962- May 1963; Whitney Museum of Art, John Heliker, April 1-May 12, 1968. From the Collection of a Prominent Collector
STAIR
Dec. 14, 2021
John Heliker American, 1909-2000 Self Portrait - Red Robe, 1966
Est: $3,000 - $5,000
John Heliker American, 1909-2000 Self Portrait - Red Robe, 1966 Signed Heliker. (lr) Oil on canvas 52 1/4 x 46 3/4 inches (132.7 x 118.7 cm) Provenance: Kraushaar Galleries, New York I. A. Weinstein Exhibited: New York, Whitney Museum of American Art, John Heliker, Apr. 1 - May 12, 1968, cat. no. 51 C
DOYLE Auctioneers & Appraisers