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Joseph (1600) Heintz Sold at Auction Prices

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    • Joseph Heintz II
      Nov. 09, 2022

      Joseph Heintz II

      Est: €40,000 - €60,000

      (Augsburg circa 1600–1678 Venice) Procession for the Feast of the Redeemer, Venice, oil on canvas, 59.5 x 90.5 cm, framed We are grateful to Dario Succi for suggesting the attribution and for his help in cataloguing the present lot. This composition represents the traditional Venetian celebration of the Feast of the Redeemer which is associated with the ex-voto made by Doge Alvise Mocenigo I during the plague of 1575 and held annually on the third Sunday of July around the Island of Giudecca. Indeed, for the feast a bridge of boats is arranged across the Canale della Giudecca connecting the island with the Fondamenta delle Zattere, and the Doge, accompanied by the Senators dressed in red robes, together with religious authorities advanced in procession to the church of the Redentore where they were received by the Patriarch. Part of these celebrations continue to this day. Joseph Heintz the Younger created this painting around 1640 and reprised it about ten years later in a canvas that belongs to a series which was bequeathed by count Giuseppe Volpi to the Museo Correr in 1937. At the beginning of the 1630s Heintz established himself definitively in Venice, where he branded a style that combined a Northern taste for details and light effects with the Venetian tradition of view painting, thereby creating works of extreme theatricality, populated by a multitude of figures in movement and characterised by their brilliant pallet. Heintz became celebrated in Venice and Rome for his productions in various genre, including altar pieces, genre scenes and historical subjects. He is also celebrated for his Stregozzi or witches’ Sabbaths, allegorical works inspired by those of Hieronymus Bosch. During his Roman sojourn, Pope Urban VIII conferred upon him the title of Cavaliere dello Sperone d’Oro.

      Dorotheum
    • Joseph Heintz the Younger, attributed to, Allegory of the Redemption
      May. 21, 2016

      Joseph Heintz the Younger, attributed to, Allegory of the Redemption

      Est: €28,000 - €30,000

      Certificate Prof. Riccardo Lattuada, Rome, 8.2.2016. The subject depicted in the present painting is highly unusual and references the Song of Songs, the poem from which the verses inscribed on the arches derive. The scene is divided into two narrative sequences to be read from right to left: Christ accompanies a richly dressed lady in a garden, in the background of which Adam and Eve are shown being expelled from the garden of Eden. Other figures also inhabit the space: A skeleton, a dead female figure with the attribute of justice, and demons fighting. A second narrative thread is to be followed from right to left in the foreground: Christ and the same female figure enter a garden fenced by a balustrade in the foreground, in which the symbols of the passion are shown spread out upon the grass. The sequence could be interpreted as a journey from sin and vanity, through human justice, to the redemption, represented by the arma Christi. Professor Lattuada has suggested an attribution to Joseph Heintz the Younger, the son of the painter and engraver Joseph Heintz (1564-1609), who settled in Venice in the 1620s after converting to Catholicism. He notes the strong references to Venetian art, especially Veronese, and compares the present painting to the Madonna of Loreto by the same hand. In both paintings, Heinz combines late sixteenth- century elements with a pre-baroque mood.

      Kunsthaus Lempertz KG
    • Joseph HEINTZ le JEUNE(Augsburg 1600-Venise 1678)Le bal masqué (le Ridotto)Toile123 × 170 cmDans une lumière de clair-obscur où écla...
      Jun. 18, 2015

      Joseph HEINTZ le JEUNE(Augsburg 1600-Venise 1678)Le bal masqué (le Ridotto)Toile123 × 170 cmDans une lumière de clair-obscur où écla...

      Est: €40,000 - €60,000

      Joseph HEINTZ le JEUNE (Augsburg 1600-Venise 1678) Le bal masqué (le Ridotto) Toile 123 × 170 cm Dans une lumière de clair-obscur où éclatent les couleurs vives des vêtements, Joseph Heintz traite la fête et le spectacle de Venise, mêlant musique, jeux et costumes. Ce sujet devient vite le sujet de prédilection des artistes vénitiens du XVIIIème siècle, tel que Pietro Longhi et Le Maître du Ridotto (voir T. Pignatti, Pietro Longhi. Paintings and Drawings, Londres, 1969, n° 168, 170, 456, 458 et 459, reproduits). Francesco Guardi peint aussi le même sujet en pendant avec Le parloir du couvent. Les deux tableaux (Toiles, 108 x 208 cm) sont conservés à Ca' Rezzonico à Venise (voir A. Morassi, Guardi. I dipinti, Venise, 1984, n° 232 et 233, reproduits fig. 252 et 253).

      Piasa
    • Joseph Heintz the Younger - Capriccio of the Piazza di Colonna Trajana with St Maria di Loreto and the Biblioteca Marciana
      Nov. 27, 2014

      Joseph Heintz the Younger - Capriccio of the Piazza di Colonna Trajana with St Maria di Loreto and the Biblioteca Marciana

      Est: €80,000 - €100,000

      Joseph Heintz the Younger - Capriccio of the Piazza di Colonna Trajana with St Maria di Loreto and the Biblioteca Marciana. On the stretcher, a red wax signet of circa 1800. Coat of arms under a crown of flowers with the joined letters "AT". Oil on canvas. Circa 1625

      Grisebach
    • ATTRIBUTED TO JOSEPH HEINTZ THE YOUNGER AUGSBURG CIRCA 1600 - 1678 VENICE
      Dec. 07, 2006

      ATTRIBUTED TO JOSEPH HEINTZ THE YOUNGER AUGSBURG CIRCA 1600 - 1678 VENICE

      Est: £60,000 - £80,000

      A LARDER STILL LIFE WITH FISH AND SHELLFISH, TWO YOUNG MEN ARGUING WATCHED BY A GIRL BEHIND; A LARDER STILL LIFE WITH DEAD GAME, A WOLFHOUND, A HEDGEHOG, A CAT AND A MOUSE, WITH TWO MEN CONVERSING measurements note each: 135 by 166.5 cm.; 52 3/4 by 65 1/2 in. a pair, both oil on canvas Quantity: 2 NOTE This pair of paintings represents a fascinating continuation of the late mannerist traditions of market and larder still lifes, as exemplified in central and northern Europe by the work of Maerten and Lucas van Valckenborch or Jeremias van Winghe in Frankfurt, and in northern Italy by artists such as Vincenzo Campi in Cremona. Heintz himself was born in Augsburg around 1600, the son and pupil of the Prague painter Joseph Heintz the Elder. His career was, however, largely spent in Italy, notably in Venice and Rome, where in 1644 Pope Urban VIII made him a Knight of the Golden Spur. Although he is far better remembered for his Venetian capricci, he is known to have turned his hand to genre paintings. The present paintings may be compared, for example, to his equally large canvas of a Fish Seller in the Bloch collection in Rome, which is signed and indistinctly dated from the 1650s (exhibited in Naples, Palazzo Reale, Zurich and Rotterdam, La Natura morta italiana, October - November 1964, no. 259). The handling of the fish elements in particular would suggest that the artist had also seen Italian examples of this genre, such as the works of his contemporary Giovanni Battista Recco in Naples.

      Sotheby's
    • Attributed to Joseph Heintz the Younger (1600-1678) martyrdom of st. james the less. Pen and black
      Jan. 23, 2001

      Attributed to Joseph Heintz the Younger (1600-1678) martyrdom of st. james the less. Pen and black

      Est: $4,000 - $6,000

      Attributed to Joseph Heintz the Younger (1600-1678) martyrdom of st. james the less. Pen and black ink with watercolor and touches of white heightening, the lower half lightly squared in black chalk. 753 by 583mm. Attributed to Joseph Heintz the Younger (1600-1678) martyrdom of st. james the less. Pen and black ink with watercolor and touches of white heightening, the lower half lightly squared in black chalk. 753 by 583mm.

      Sotheby's
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