Adrian (1920) Heath Paintings & Artwork for Sale | Adrian (1920) Heath Art Value Price Guide

Mar. 26, 2025
Adrian Heath (British, 1920-1992) Chittoe No.2
Est: £6,000 - £8,000
Adrian Heath (British, 1920-1992) Chittoe No.2 signed, titled and twice dated 'CHITTOE No2/Feb. 81/Heath. 81' (on canvas verso) oil and pencil on canvas 122 x 91.5cm (48 1/16 x 36in).
Bonhams
Mar. 20, 2025
ADRIAN HEATH (1920-1992). Opio. oil on canvas60 x 40 in. (152.4 x 101.6 cm.
Est: £10,000 - £15,000
ADRIAN HEATH (1920-1992). Opio. oil on canvas60 x 40 in. (152.4 x 101.6 cm.).
Christie's
Mar. 12, 2025
λ ADRIAN HEATH (BRITISH 1920-1992), UNTITLED
Est: £600 - £800
λ ADRIAN HEATH (BRITISH 1920-1992)UNTITLEDInk, watercolour and gouache39.5 x 50cm (15½ x 19½ in.)UnframedProvenance:Private Collection, Wiltshire
Dreweatts 1759 Fine Sales
Mar. 12, 2025
λ ADRIAN HEATH (BRITISH 1920-1992), UNTITLED
Est: £300 - £500
λ ADRIAN HEATH (BRITISH 1920-1992)UNTITLEDPencilSigned with initials and dated 69 (lower right)22 x 20cm (8½ x 7¾ in.) UnframedProvenance:Private Collection, Wiltshire
Dreweatts 1759 Fine Sales
Mar. 12, 2025
λ ADRIAN HEATH (BRITISH 1920-1992), UNTITLED
Est: £500 - £700
λ ADRIAN HEATH (BRITISH 1920-1992)UNTITLEDPencil and gouacheSigned with initials and dated 70 (lower right) 22 x 23cm (8½ x 9 in.)UnframedProvenance:Private Collection, Wiltshire
Dreweatts 1759 Fine Sales
Mar. 12, 2025
λ ADRIAN HEATH (BRITISH 1920-1992), UNTITLED
Est: £1,500 - £2,000
λ ADRIAN HEATH (BRITISH 1920-1992)UNTITLEDInk, watercolour, gouache and collageSigned and dated '58 (lower right)50.5 x 69cm (19¾ x 27 in.) UnframedProvenance:Private Collection, Wiltshire
Dreweatts 1759 Fine Sales
Nov. 27, 2024
Adrian Heath (British, 1920-1992) Study in Blue
Est: £700 - £1,000
Adrian Heath (British, 1920-1992) Study in Blue signed and dated 'Heath 64' (lower right) gouache, acrylic and charcoal on paper 73.5 x 53cm (28 15/16 x 20 7/8in).
Bonhams
Nov. 26, 2024
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £400 - £600
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed and dated 'Heath 68' (lower right) gouache and pencil 54.5 x 75 cm. (21.5 x 29.5 in.)
Chiswick Auctions
Nov. 26, 2024
Â§ ADRIAN HEATH (BRITISH, 1920â1992)
Est: £400 - £600
Â§ ADRIAN HEATH (BRITISH, 1920â1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed with initials 'A.H.' (lower right) gouache and watercolour 28 x 38 cm. (11 x 15 in.)
Chiswick Auctions
Nov. 26, 2024
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £6,000 - £8,000
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920â1992) Maelog titled 'MAELOG' (verso) oil on canvas 183 x 172.7 cm. (72 x 68 in.) Painted circa 1979 Provenance With Frederick Charles Art, London, where purchased by the present owner
Chiswick Auctions
Nov. 21, 2024
Adrian Heath, Untitled, 1973
Est: £200 - £300
Adrian Heath, British 1920-1992, Untitled, 1973; lithograph in colours on wove, from the Mark Rothko memorial portfolio, signed in pencil and dated, numbered 27/75, sheet: 80 x 58 cm, (unframed) (ARR)
Roseberys
Nov. 15, 2024
Study, Blue & Green
Est: £8,000 - £12,000
Adrian Heath 1920 - 1992 Study, Blue & Green signed Adrian Heath, titled, dated June 57, and inscribed (on the canvas overlap and stretcher); also signed Adrian Heath, titled, and dated 1957 (on the reverse of the backing board) oil on canvas unframed: 13 by 18 cm.; 5 by 7in. framed (backing board): 27 by 31cm.; 10½ by 12¼in. Executed in 1957.
Sotheby's
Nov. 15, 2024
From the Left
Est: £30,000 - £50,000
Adrian Heath 1920 - 1992 From the Left signed Heath and dated '62 (lower left) oil on canvas unframed: 173 by 183cm.; 68 by 72in. Executed in 1962.
Sotheby's
Nov. 15, 2024
Turleigh No. 3
Est: £30,000 - £50,000
Adrian Heath 1920 - 1992 Turleigh No. 3 signed Heath., titled, twice dated '77 and March 77 and inscribed (on the reverse) oil and pencil on canvas unframed: 91.5 by 71.5cm.; 36 by 28in. Executed in 1977.
Sotheby's
Nov. 12, 2024
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £300 - £500
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled gouache and pencil 22 x 20.5 cm. (8 5/8 x 8 in.)
Chiswick Auctions
Oct. 31, 2024
§ ADRIAN HEATH (1920-1992)
Est: £25,000 - £35,000
ADRIAN HEATH (1920-1992) BLACK PAINTING NO. 1, 1960 oil on canvas 152cm x 182cm (59 7/8in x 71 ¾in) Private Collection, U.K., acquired c.1980s. This striking, sweeping work by Adrian Heath marks a key moment in his career, as it was in 1960 that he definitively moved away from the tightly rendered geometry of his breakthrough works of the 1950s, towards a looser, more instinctual and gestural method of image-making. In the present work, especially in the use of black as the dominant colour, one thinks immediately of, say, Robert Motherwell and Franz Kline. This is certainly an ‘American’ painting in look and feel. Heath may have been a decade older than the likes of Robyn Denny, Richard Smith and Ralph Rumney, who are often seen as the earliest British artists to ‘adopt’ American Abstract Expressionism and the writings of Clement Greenberg, but the influence of the two major exhibitions of the new American painting at the Tate in London - in 1956 and 1959 - was always unlikely to pass by an artist as sophisticated as Heath, who had been up to date with anything and everything avant-garde in art since the 1940s. As well as conceptual and stylistic cues, American art also offered British painters a glimpse into the possibilities of scale – a scale that matched the philosophical ambition of Abstract Expressionism to create new worlds, rather than merely replicate the one around us. These ambitions would have been held in check in Britain in the 1950s, with rationing affecting supplies of canvas and paint, but by the late ‘50s and early ‘60s, both space to work and material to work with had become available. Heath’s work noticeably became larger in the 1960s - part of this boom in the scale of British art - the new ‘situation’, to take the title of the ground-breaking exhibition at the Royal Society of British Artists Galleries in 1960, where the only requirement to entry was that the work should be ‘not less than 30 square feet’ in size. Another key influence on the shift in Heath’s art was his time spent teaching at the Bath Academy of Art at Corsham Court in the late ‘50s. There he worked with the likes of Peter Lanyon and Robyn Denny, in an atmosphere that prized experimentation, improvisation and the primacy of gestural painting. Heath’s work of the early ‘60s runs parallel with that of Lanyon – and Heath himself had long been embedded in the scene in St Ives, even if he stayed resolutely fixed in Fitzrovia. He was a great conduit of ideas running between these two centres of British modernism – with Patrick Heron then carrying this link over the Atlantic, creating a unique and often overlooked connection between the American and British art worlds. Yet for all that is new and different about Black Painting, it still speaks to the fundamentals of Heath’s paintings of the 1950s, in which he tracked the shape and form of spirals slowly unwinding under the pressure of their own coiled energy. In his works of the ‘60s, this energy was exploded, the elements forced apart, although a sense of circular movement remains. And whilst they look very different from his first experiments in abstraction, these paintings still adhere to the ideas that Heath laid out in 1954 in Nine Abstract Artists, edited by Lawrence Alloway, the first ‘manifesto’ of British Constructive art, namely: ‘The thing of interest is the actual life of the work: its growth from a particular white canvas or board…It is the process, the method of development that is the life of the painting and this that absorbs my interest rather than the attractions of any particular form or colour. The forms themselves, their size and position are born from the process.’
Lyon & Turnbull
Sep. 11, 2024
Adrian Heath, T2, c.1985;
Est: £1,000 - £3,000
Adrian Heath, British 1920-1992 - T2, c.1985; oil on board, inscribed with titled on the reverse according to the label attached to the reverse of the frame, 23.5 x 18 cm (ARR) Provenance: the Estate of the Artist; with Redfern Gallery, London (according to the letter of authenticity dated 2nd November 2020 attached to the reverse of the frame); the Estate of W. J. Erroll Note: Heath was a major point of connection between the St Ives School (he met artists including Ben Nicholson in the 1950s) and the movement of British Constructivism, through which he was associated with contemporaries such as Anthony Hill and Victor Pasmore. Heath's work has been included in exhibitions held by the Royal Academy, the British Council, and the Tate St Ives, and is in a number of permanent collections, including that of Newnham College, Cambridge, and the Arts Council Collection.
Roseberys
Sep. 11, 2024
Adrian Heath, Untitled, 1966;
Est: £700 - £900
Adrian Heath, British 1920-1992 - Untitled, 1966; pastel, gouache and pencil on board, signed with initials and dated lower right 'AH 66', 21 x 19 cm (ARR) Provenance: the Estate of W. J. Erroll
Roseberys
Sep. 11, 2024
Adrian Heath, Abstract composition in yellow and pink, 1971;
Est: £700 - £900
Adrian Heath, British 1920-1992 - Abstract composition in yellow and pink, 1971; gouache, oil pastel and pencil on paper, signed with initials and dated lower right 'AH 71' and inscribed on the reverse, 19 x 20.8 cm (ARR) Provenance: the Estate of W. J. Erroll
Roseberys
Sep. 11, 2024
Adrian Heath, Abstract composition in yellow and pink, 1963;
Est: £700 - £900
Adrian Heath, British 1920-1992 - Abstract composition in yellow and pink, 1963; gouache, oil pastel and pencil on paper, signed with initials and dated lower right 'AH 63' and inscribed on the reverse, 24.7 x 19.2 cm (ARR) Provenance: the Estate of W. J. Erroll
Roseberys
Sep. 11, 2024
Adrian Heath, Abstract composition in blue and grey, 1973;
Est: £700 - £900
Adrian Heath, British 1920-1992 - Abstract composition in blue and grey, 1973; gouache and pencil on paper, signed with initials and dated lower right 'AH 73' and inscribed on the reverse, 23.5 x 22.8 cm (ARR) Provenance: the Estate of W. J. Erroll
Roseberys
Sep. 11, 2024
Adrian Heath, Untitled, 1972;
Est: £1,000 - £2,000
Adrian Heath, British 1920-1992 - Untitled, 1972; mixed media on card, signed with initials and dated lower right 'A.H.-72', 24 x 22.8 cm (ARR) Note: Heath was a major point of connection between the St Ives School (he met artists including Ben Nicholson in the 1950s) and the movement of British Constructivism, through which he was associated with contemporaries such as Anthony Hill and Victor Pasmore. Heaths work has been included in exhibitions held by the Royal Academy, the British Council, and the Tate St Ives, and is in a number of permanent collections, including that of Newnham College, Cambridge, and the Arts Council Collection.
Roseberys
Sep. 11, 2024
Adrian Heath, Untitled, 1976;
Est: £700 - £900
Adrian Heath, British 1920-1992 - Untitled, 1976; pastel on paper, signed and dated lower right 'Adrian Heath '76', 20.2 x 19.7 cm (ARR)
Roseberys
Sep. 10, 2024
Adrian Heath (English, 1920-1992), 'Untitled 1990', oil on canvas, 30 x 28cm
Est: £2,500 - £3,500
§ Adrian Heath (English, 1920-1992) 'Untitled 1990' oil on canvas
Gorringes
Jun. 27, 2024
† Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
Est: £200 - £300
† Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
Dawsons Auctioneers
Jun. 25, 2024
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £400 - £600
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed and dated 'Heath 69' (lower right) gouache 73.6 x 53.3 cm. (29 x 21 in.)
Chiswick Auctions
Jun. 25, 2024
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £300 - £500
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed and dated 'AH 69' (lower right) watercolour and pencil 22 x 27 cm. (8 5/8 x 10 3/8 in.)
Chiswick Auctions
Jun. 25, 2024
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £6,000 - £8,000
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled dated 'May 77' (verso) oil on canvas 153 x 126.3 cm. (60 1/2 x 49 3/4 in.) Born in Burma in 1920, Heath spent his formative years studying in the U.K. and eventually went onto study under and among some of the most prominent British artists. In 1938 he attended Newlyn School of Art in Cornwall, under Stanhope Forbes, and the following year had enrolled in Slade Art School. However, when during the war, Heath was captured as a Prisoner of War in German camp Stalag 383, he became acquainted with fellow artist Terry Frost. It was not only Frost who Heath nurtured relations with, he became involved with many other artist who later became defined as the St Ives School. Heath spent much time in Cornwall, visiting in both 1949 and 1951. There he met with Ben Nicholson, where the two shared a mutual interest in abstract art. Other artist Heath shared explorations and artistic pursuits with were those such as William Scott, who also resided and worked in St Ives. The collaboration between Heath, William Scott and other artistâs such as Moore, Caulfield and Hoyland and many others was chronicled in the 1973 series of prints titled The Rothko Memorial Portfolio However, Adrian Heathâs oeuvre is characterized by his often large-scale, transient canvases, as exemplified in the present work. His style reflects a true fusion of stylistic and technical elements, ranging from Constructivist and abstract tendencies, using bold colours and geometric shapes, to later works where semi-figurative elements became more prominent. This 1977 piece showcases Heathâs mastery of colour and texture, particularly through the use of a deep red palette. Heathâs contribution to British Abstraction is demonstrated through both the informal exhibitions help in his Fitzrovia studio, featuring works by Scott, Hilton and Frost, to his publication of âAbstract Painting: Its Origin and Meaningâ in 1953.
Chiswick Auctions
May. 30, 2024
† Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
Est: £350 - £450
† Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
Dawsons Auctioneers
Apr. 30, 2024
§ ADRIAN HEATH (BRITISH 1920-1992)
Est: £800 - £1,200
ADRIAN HEATH (BRITISH 1920-1992) UNTITLED, 1967 Signed and dated lower right, oil and pencil on paper 21cm x 20cm (8.25in x 8in) Park Square Gallery, Leeds
Lyon & Turnbull
Apr. 25, 2024
† Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
Est: £600 - £800
† Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
Dawsons Auctioneers
Mar. 21, 2024
ADRIAN HEATH (1920-1992) Painting Pink & Green oil on canvas 48 x 36 in. (1
Est: £15,000 - £25,000
ADRIAN HEATH (1920-1992) Painting Pink & Green oil on canvas 48 x 36 in. (121.9 x 91.4 cm.)
Christie's
Mar. 12, 2024
Adrian Heath, British 1920-1992 - Composition No.2 Brown & Black, 1954;
Est: £20,000 - £30,000
Adrian Heath, British 1920-1992 - Composition No.2 Brown & Black, 1954; oil on canvas, signed with initials lower right 'AH', also signed, titled and dated on the reverse 'Adrian Heath Composition No.2 Brown + Black 1954', 61 x 81 cm (ARR) Provenance: private collection, purchased directly from the artist; private collection, gifted by the above in 2019 Note: This is a brilliant example of Heath's constructivist style from the mid-1950s, encapsulating his method of dividing the canvas with an appreciation of the Golden Section. Heath would carefully rotate and shift shapes in order to produce new interactions and an overall balance to the composition, liberating his work from the constraints of figuration and allowing it to exist as a self-contained object. This work was produced during a hugely productive stage of his career. He had his first solo exhibition at the Redfern Gallery the previous year and in 1954 organised the publication of 'Nine British Abstract Artists' written by Lawrence Alloway, detailing the development of concurrent strands of abstraction in Britain, which lead to a landmark group exhibition at the Redfern Gallery in 1955, with William Scott and Kenneth and Mary Martin, amongst others. Related works can be seen in public works, such as 'Composition, Blue, Black and Brown, 1952' (Tate), 'Divided Form' (Sheffield Museums) and 'Composition: Red and Black, 1954-55' (Sainsbury Centre for Visual Art). Heath was a major point of connection between the St Ives School (he met artists including Ben Nicholson in the 1950s) and the movement of British Constructivism, through which he was associated with contemporaries such as Anthony Hill and Victor Pasmore. Heaths work has been included in exhibitions held by the Royal Academy, the British Council, and the Tate St Ives, and is in a number of permanent collections, including that of Newnham College, Cambridge, and the Arts Council Collection.
Roseberys
Mar. 12, 2024
Adrian Heath, British 1920-1992 - Abstract composition with yellow; oi
Est: £700 - £900
Adrian Heath, British 1920-1992 - Abstract composition with yellow; oil and pencil on paper, signed with initials lower right 'AH', 25 x 23.5 cm (ARR)
Roseberys
Dec. 13, 2023
• ADRIAN HEATH (BRITISH 1920-1992)
Est: £6,000 - £8,000
• ADRIAN HEATH (BRITISH 1920-1992) H.D.D. 1969 inscribed, dated and signed "H.d.d' 1969 / Heath on the reverse oil on canvas 170 x 140cm/ 67 x 55in 176 x 146.5cm/ 69 1/4 x 57 3/4in (framed) Property from a Deceased Estate, London See note to previous lot
Olympia Auctions
Dec. 13, 2023
• ADRIAN HEATH (BRITISH 1920-1992)
Est: £500 - £700
• ADRIAN HEATH (BRITISH 1920-1992) ABSTRACT WITH RED AND ORANGE signed with initials AH lower right pencil, watercolour and bodycolour on paper 49 x 36cm/ 19 1/4 x 14 1/4in 59.5 x 47cm/ 23 1/2 x 18 1/2in (framed) Executed circa 1980. Property from a Deceased Estate, London Born in Burma, after attending Bryanston school in Dorset, Heath took classes with Stanhope Forbes in Newlyn, Cornwall before enrolling at the Slade. During the Second World War he served with the RAF as a tail gunner on Wellington Bombers. Taken prisoner after a failed mission, he spent the majority of the war incarcerated at Stalag 383 in Bavaria. There he met fellow prisoner Terry Frost (1915-2003), and taught him to paint. Following an unsuccessful attempt to escape, Heath spent much of his time in solitary confinement during which he developed his abstract approach to form. After the War he finished his course at the Slade, and spent time in Paris and Carcassonne. In the late 1940s and early 1950s he lived in Cornwall where he met Ben Nicholson and William Scott in St Ives. He was also a close associate of both Victor Pasmore and Anthony Hill. Heath became the main link between the emerging St Ives School in Cornwall and the British Constructivists based in London. He helped to organise the first post-war show of abstract art at the Artists International Association gallery in 1951, wrote on the origin and meaning of Abstract Art, and became the AIA's chairman (1954-1964). He served on the Arts Council's advisory art panel from 1964 to 1967.
Olympia Auctions
Nov. 29, 2023
Adrian Heath (British, 1920-1992) Untitled (unframed)
Est: £700 - £1,000
Adrian Heath (British, 1920-1992) Untitled signed and dated 'Adrian Heath 77' (lower right) watercolour, pencil and gouache on paper 75.5 x 56cm (29 3/4 x 22 1/16in). (unframed)
Bonhams
Nov. 29, 2023
Adrian Heath, Abstract composition in black and white, 1986;
Est: £700 - £900
Adrian Heath, British 1920-1992 - Abstract composition in black and white, 1986; gouache and pencil on paper, signed with initials lower right 'AH 86', 25.2 x 17.5 cm (ARR)
Roseberys
Nov. 29, 2023
Adrian Heath, Study for 'Orange, Black and White', c.1956;
Est: £700 - £900
Adrian Heath, British 1920-1992 - Study for 'Orange, Black and White', c.1956; gouache on paper, 36.5 x 47 cm (unframed) (ARR) Provenance: the Estate of Henry Cliffe; private collection, purchased from the above Note: this work is a study for the artist's print 'Orange, Black and White, 1956', a lithograph in three colours on wove. The artist taught alongside Henry Cliffe at the celebrated Bath School of Art, alongside William Scott, Peter Lanyon and Howard Hodgkin.
Roseberys
Nov. 29, 2023
Adrian Heath, Abstract composition with red;
Est: £700 - £900
Adrian Heath, British 1920-1992 - Abstract composition with red; gouache and pencil on paper, signed with initials lower right 'AH', 23 x 21.3 cm (ARR)
Roseberys
Oct. 19, 2023
ADRIAN HEATH (1920-1992) Untitled, 1964 oil on canvas 65 ¾ x 65 ¾ in. (167
Est: £30,000 - £50,000
ADRIAN HEATH (1920-1992) Untitled, 1964 oil on canvas 65 ¾ x 65 ¾ in. (167 x 167 cm.)
Christie's
Oct. 19, 2023
ADRIAN HEATH (1920-1992) Painting Black and Pink oil on canvas 72 x 48 in.
Est: £40,000 - £60,000
ADRIAN HEATH (1920-1992) Painting Black and Pink oil on canvas 72 x 48 in. (182.8 x 121.9 cm.)
Christie's
Sep. 12, 2023
Adrian Heath, Untitled, 1961
Est: £2,500 - £3,500
Adrian Heath, British 1920-1992 - Untitled, 1961; oil on paper, signed and dated lower right 'Adrian Heath 61', 76 x 56 cm (ARR) Provenance: the family of the artist; Osborne Samuel, London; private collection, purchased from the owner; private collection, UK Note: Adrian Heath was a leading abstract artist in twentieth-century Britain. He was taught by Stanhope Forbes whilst studying art at Newlyn in 1938, and later attended the Slade School of Art. As a prisoner of war throughout much of WWII he met and befriended the famous abstract artist Terry Frost, whom he taught to paint. Heath was a major point of connection between the St Ives School (he met artists including Ben Nicholson in the 1950s) and the movement of British Constructivism, through which he was associated with contemporaries such as Anthony Hill and Victor Pasmore. Heaths work has been included in exhibitions held by the Royal Academy, the British Council, and the Tate St Ives, and is in a number of permanent collections, including that of Newnham College, Cambridge, and the Arts Council Collection.
Roseberys
Jul. 12, 2023
Adrian Heath (British, 1920-1992) Dalau (unframed)
Est: £8,000 - £12,000
Adrian Heath (British, 1920-1992) Dalau signed, titled and dated 'Heath '79/June'79/Sept'79/DALAU' (on canvas verso) oil on canvas 153 x 147cm (60 1/4 x 57 7/8in). (unframed)
Bonhams
Jul. 04, 2023
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £700 - £1,000
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled mixed media on paper 76 x 56 cm. (30 x 22 in.) Executed in 1990 Provenance The Estate of the Artist ARR
Chiswick Auctions
Jul. 04, 2023
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £800 - £1,200
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled oil, watercolour and pencil on paper 56 x 44.5 cm. (22 x 17 1/2 in.) Executed circa 1972 Provenance The Estate of the Artist ARR
Chiswick Auctions
Jul. 04, 2023
Â§ ADRIAN HEATH (BRITISH, 1920-1992)
Est: £1,200 - £1,800
Â§ ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed and dated 'Heath 89' (lower left) oil and pencil on paper 58 x 52 cm. (22 5/8 x 20 1/2 in.) Provenance The Estate of the Artist ARR
Chiswick Auctions
Jun. 28, 2023
Composition
Est: £25,000 - £35,000
Adrian Heath 1920 - 1992 Composition inscribed and incorrectly dated (on the reverse) oil on canvas unframed: 76 by 63cm.; 30 by 24¾in. framed: 95 by 82.5cm.; 37½ by 32½in. Executed in 1951.
Sotheby's