Adrian (1920) Heath Sold at Auction Prices

Painter, Draft draughtsman, Collage Artist, b. 1920 - d. 1992

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    • Adrian Heath, Untitled, 1973
      Nov. 21, 2024

      Adrian Heath, Untitled, 1973

      Est: £200 - £300

      Adrian Heath, British 1920-1992, Untitled, 1973; lithograph in colours on wove, from the Mark Rothko memorial portfolio, signed in pencil and dated, numbered 27/75, sheet: 80 x 58 cm, (unframed) (ARR)

      Roseberys
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Nov. 12, 2024

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £300 - £500

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled gouache and pencil 22 x 20.5 cm. (8 5/8 x 8 in.)

      Chiswick Auctions
    • § ADRIAN HEATH (1920-1992)
      Oct. 31, 2024

      § ADRIAN HEATH (1920-1992)

      Est: £25,000 - £35,000

      ADRIAN HEATH (1920-1992) BLACK PAINTING NO. 1, 1960 oil on canvas 152cm x 182cm (59 7/8in x 71 ¾in) Private Collection, U.K., acquired c.1980s. This striking, sweeping work by Adrian Heath marks a key moment in his career, as it was in 1960 that he definitively moved away from the tightly rendered geometry of his breakthrough works of the 1950s, towards a looser, more instinctual and gestural method of image-making. In the present work, especially in the use of black as the dominant colour, one thinks immediately of, say, Robert Motherwell and Franz Kline. This is certainly an ‘American’ painting in look and feel. Heath may have been a decade older than the likes of Robyn Denny, Richard Smith and Ralph Rumney, who are often seen as the earliest British artists to ‘adopt’ American Abstract Expressionism and the writings of Clement Greenberg, but the influence of the two major exhibitions of the new American painting at the Tate in London - in 1956 and 1959 - was always unlikely to pass by an artist as sophisticated as Heath, who had been up to date with anything and everything avant-garde in art since the 1940s. As well as conceptual and stylistic cues, American art also offered British painters a glimpse into the possibilities of scale – a scale that matched the philosophical ambition of Abstract Expressionism to create new worlds, rather than merely replicate the one around us. These ambitions would have been held in check in Britain in the 1950s, with rationing affecting supplies of canvas and paint, but by the late ‘50s and early ‘60s, both space to work and material to work with had become available. Heath’s work noticeably became larger in the 1960s - part of this boom in the scale of British art - the new ‘situation’, to take the title of the ground-breaking exhibition at the Royal Society of British Artists Galleries in 1960, where the only requirement to entry was that the work should be ‘not less than 30 square feet’ in size.     Another key influence on the shift in Heath’s art was his time spent teaching at the Bath Academy of Art at Corsham Court in the late ‘50s. There he worked with the likes of Peter Lanyon and Robyn Denny, in an atmosphere that prized experimentation, improvisation and the primacy of gestural painting. Heath’s work of the early ‘60s runs parallel with that of Lanyon – and Heath himself had long been embedded in the scene in St Ives, even if he stayed resolutely fixed in Fitzrovia. He was a great conduit of ideas running between these two centres of British modernism – with Patrick Heron then carrying this link over the Atlantic, creating a unique and often overlooked connection between the American and British art worlds. Yet for all that is new and different about Black Painting, it still speaks to the fundamentals of Heath’s paintings of the 1950s, in which he tracked the shape and form of spirals slowly unwinding under the pressure of their own coiled energy. In his works of the ‘60s, this energy was exploded, the elements forced apart, although a sense of circular movement remains. And whilst they look very different from his first experiments in abstraction, these paintings still adhere to the ideas that Heath laid out in 1954 in Nine Abstract Artists, edited by Lawrence Alloway, the first ‘manifesto’ of British Constructive art, namely: ‘The thing of interest is the actual life of the work: its growth from a particular white canvas or board…It is the process, the method of development that is the life of the painting and this that absorbs my interest rather than the attractions of any particular form or colour. The forms themselves, their size and position are born from the process.’

      Lyon & Turnbull
    • Adrian Heath,  T2, c.1985; 
      Sep. 11, 2024

      Adrian Heath,  T2, c.1985; 

      Est: £1,000 - £3,000

      Adrian Heath,  British 1920-1992 -  T2, c.1985;  oil on board, inscribed with titled on the reverse according to the label attached to the reverse of the frame, 23.5 x 18 cm (ARR)  Provenance:  the Estate of the Artist;  with Redfern Gallery, London (according to the letter of authenticity dated 2nd November 2020 attached to the reverse of the frame);  the Estate of W. J. Erroll  Note:  Heath was a major point of connection between the St Ives School (he met artists including Ben Nicholson in the 1950s) and the movement of British Constructivism, through which he was associated with contemporaries such as Anthony Hill and Victor Pasmore. Heath's work has been included in exhibitions held by the Royal Academy, the British Council, and the Tate St Ives, and is in a number of permanent collections, including that of Newnham College, Cambridge, and the Arts Council Collection.

      Roseberys
    • Adrian Heath,  Untitled, 1966;  
      Sep. 11, 2024

      Adrian Heath,  Untitled, 1966;  

      Est: £700 - £900

      Adrian Heath,  British 1920-1992 -  Untitled, 1966;   pastel, gouache and pencil on board, signed with initials and dated lower right 'AH 66', 21 x 19 cm (ARR)  Provenance:  the Estate of W. J. Erroll 

      Roseberys
    • Adrian Heath,  Abstract composition in yellow and pink, 1971; 
      Sep. 11, 2024

      Adrian Heath,  Abstract composition in yellow and pink, 1971; 

      Est: £700 - £900

      Adrian Heath,  British 1920-1992 -  Abstract composition in yellow and pink, 1971;  gouache, oil pastel and pencil on paper, signed with initials and dated lower right 'AH 71' and inscribed on the reverse, 19 x 20.8 cm (ARR)  Provenance:  the Estate of W. J. Erroll 

      Roseberys
    • Adrian Heath,  Abstract composition in yellow and pink, 1963; 
      Sep. 11, 2024

      Adrian Heath,  Abstract composition in yellow and pink, 1963; 

      Est: £700 - £900

      Adrian Heath,  British 1920-1992 -  Abstract composition in yellow and pink, 1963;  gouache, oil pastel and pencil on paper, signed with initials and dated lower right 'AH 63' and inscribed on the reverse, 24.7 x 19.2 cm (ARR)  Provenance:  the Estate of W. J. Erroll 

      Roseberys
    • Adrian Heath,  Abstract composition in blue and grey, 1973; 
      Sep. 11, 2024

      Adrian Heath,  Abstract composition in blue and grey, 1973; 

      Est: £700 - £900

      Adrian Heath,  British 1920-1992 -  Abstract composition in blue and grey, 1973;  gouache and pencil on paper, signed with initials and dated lower right 'AH 73' and inscribed on the reverse, 23.5 x 22.8 cm (ARR)  Provenance:  the Estate of W. J. Erroll 

      Roseberys
    • Adrian Heath,  Untitled, 1972; 
      Sep. 11, 2024

      Adrian Heath,  Untitled, 1972; 

      Est: £1,000 - £2,000

      Adrian Heath,  British 1920-1992 -  Untitled, 1972;  mixed media on card, signed with initials and dated lower right 'A.H.-72', 24 x 22.8 cm (ARR) Note: Heath was a major point of connection between the St Ives School (he met artists including Ben Nicholson in the 1950s) and the movement of British Constructivism, through which he was associated with contemporaries such as Anthony Hill and Victor Pasmore. Heaths work has been included in exhibitions held by the Royal Academy, the British Council, and the Tate St Ives, and is in a number of permanent collections, including that of Newnham College, Cambridge, and the Arts Council Collection. 

      Roseberys
    • Adrian Heath, Untitled, 1976;
      Sep. 11, 2024

      Adrian Heath, Untitled, 1976;

      Est: £700 - £900

      Adrian Heath, British 1920-1992 -  Untitled, 1976; pastel on paper, signed and dated lower right 'Adrian Heath '76', 20.2 x 19.7 cm (ARR)

      Roseberys
    • Adrian Heath (English, 1920-1992), 'Untitled 1990', oil on canvas, 30 x 28cm
      Sep. 10, 2024

      Adrian Heath (English, 1920-1992), 'Untitled 1990', oil on canvas, 30 x 28cm

      Est: £2,500 - £3,500

      § Adrian Heath (English, 1920-1992) 'Untitled 1990' oil on canvas

      Gorringes
    • † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
      Jun. 27, 2024

      † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm

      Est: £200 - £300

      † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm

      Dawsons Auctioneers
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Jun. 25, 2024

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £400 - £600

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed and dated 'Heath 69' (lower right) gouache 73.6 x 53.3 cm. (29 x 21 in.)

      Chiswick Auctions
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Jun. 25, 2024

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £300 - £500

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed and dated 'AH 69' (lower right) watercolour and pencil 22 x 27 cm. (8 5/8 x 10 3/8 in.)

      Chiswick Auctions
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Jun. 25, 2024

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £6,000 - £8,000

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled dated 'May 77' (verso) oil on canvas 153 x 126.3 cm. (60 1/2 x 49 3/4 in.) Born in Burma in 1920, Heath spent his formative years studying in the U.K. and eventually went onto study under and among some of the most prominent British artists. In 1938 he attended Newlyn School of Art in Cornwall, under Stanhope Forbes, and the following year had enrolled in Slade Art School. However, when during the war, Heath was captured as a Prisoner of War in German camp Stalag 383, he became acquainted with fellow artist Terry Frost. It was not only Frost who Heath nurtured relations with, he became involved with many other artist who later became defined as the St Ives School. Heath spent much time in Cornwall, visiting in both 1949 and 1951. There he met with Ben Nicholson, where the two shared a mutual interest in abstract art. Other artist Heath shared explorations and artistic pursuits with were those such as William Scott, who also resided and worked in St Ives. The collaboration between Heath, William Scott and other artist’s such as Moore, Caulfield and Hoyland and many others was chronicled in the 1973 series of prints titled The Rothko Memorial Portfolio However, Adrian Heath’s oeuvre is characterized by his often large-scale, transient canvases, as exemplified in the present work. His style reflects a true fusion of stylistic and technical elements, ranging from Constructivist and abstract tendencies, using bold colours and geometric shapes, to later works where semi-figurative elements became more prominent. This 1977 piece showcases Heath’s mastery of colour and texture, particularly through the use of a deep red palette. Heath’s contribution to British Abstraction is demonstrated through both the informal exhibitions help in his Fitzrovia studio, featuring works by Scott, Hilton and Frost, to his publication of ‘Abstract Painting: Its Origin and Meaning’ in 1953.

      Chiswick Auctions
    • † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
      May. 30, 2024

      † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm

      Est: £350 - £450

      † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm

      Dawsons Auctioneers
    • § ADRIAN HEATH (BRITISH 1920-1992)
      Apr. 30, 2024

      § ADRIAN HEATH (BRITISH 1920-1992)

      Est: £800 - £1,200

      ADRIAN HEATH (BRITISH 1920-1992) UNTITLED, 1967 Signed and dated lower right, oil and pencil on paper 21cm x 20cm (8.25in x 8in) Park Square Gallery, Leeds

      Lyon & Turnbull
    • † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm
      Apr. 25, 2024

      † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm

      Est: £600 - £800

      † Adrian Heath (1920 -1992), Untitled, initialled 'AH' and dated '78 (lower right), pencil and gouache on paper, 22.5 x 20 cm, framed and glazed 39 x 36 cm

      Dawsons Auctioneers
    • ADRIAN HEATH (1920-1992) Painting Pink & Green oil on canvas 48 x 36 in. (1
      Mar. 21, 2024

      ADRIAN HEATH (1920-1992) Painting Pink & Green oil on canvas 48 x 36 in. (1

      Est: £15,000 - £25,000

      ADRIAN HEATH (1920-1992) Painting Pink & Green oil on canvas 48 x 36 in. (121.9 x 91.4 cm.)

      Christie's
    • Adrian Heath,  British 1920-1992 -  Composition No.2 Brown & Black, 1954; 
      Mar. 12, 2024

      Adrian Heath,  British 1920-1992 -  Composition No.2 Brown & Black, 1954; 

      Est: £20,000 - £30,000

      Adrian Heath,  British 1920-1992 -  Composition No.2 Brown & Black, 1954;  oil on canvas, signed with initials lower right 'AH', also signed, titled and dated on the reverse 'Adrian Heath Composition No.2 Brown + Black 1954', 61 x 81 cm (ARR)  Provenance:  private collection, purchased directly from the artist;  private collection, gifted by the above in 2019  Note:  This is a brilliant example of Heath's constructivist style from the mid-1950s, encapsulating his method of dividing the canvas with an appreciation of the Golden Section. Heath would carefully rotate and shift shapes in order to produce new interactions and an overall balance to the composition, liberating his work from the constraints of figuration and allowing it to exist as a self-contained object. This work was produced during a hugely productive stage of his career. He had his first solo exhibition at the Redfern Gallery the previous year and in 1954 organised the publication of 'Nine British Abstract Artists' written by Lawrence Alloway, detailing the development of concurrent strands of abstraction in Britain, which lead to a landmark group exhibition at the Redfern Gallery in 1955, with William Scott and Kenneth and Mary Martin, amongst others. Related works can be seen in public works, such as 'Composition, Blue, Black and Brown, 1952' (Tate), 'Divided Form' (Sheffield Museums) and 'Composition: Red and Black, 1954-55' (Sainsbury Centre for Visual Art).  Heath was a major point of connection between the St Ives School (he met artists including Ben Nicholson in the 1950s) and the movement of British Constructivism, through which he was associated with contemporaries such as Anthony Hill and Victor Pasmore. Heaths work has been included in exhibitions held by the Royal Academy, the British Council, and the Tate St Ives, and is in a number of permanent collections, including that of Newnham College, Cambridge, and the Arts Council Collection. 

      Roseberys
    • Adrian Heath,  British 1920-1992 -  Abstract composition with yellow;  oi
      Mar. 12, 2024

      Adrian Heath,  British 1920-1992 -  Abstract composition with yellow;  oi

      Est: £700 - £900

      Adrian Heath,  British 1920-1992 -  Abstract composition with yellow;  oil and pencil on paper, signed with initials lower right 'AH', 25 x 23.5 cm (ARR) 

      Roseberys
    • • ADRIAN HEATH (BRITISH 1920-1992)
      Dec. 13, 2023

      • ADRIAN HEATH (BRITISH 1920-1992)

      Est: £6,000 - £8,000

      • ADRIAN HEATH (BRITISH 1920-1992) H.D.D. 1969 inscribed, dated and signed "H.d.d' 1969 / Heath on the reverse oil on canvas 170 x 140cm/ 67 x 55in 176 x 146.5cm/ 69 1/4 x 57 3/4in (framed) Property from a Deceased Estate, London See note to previous lot

      Olympia Auctions
    • • ADRIAN HEATH (BRITISH 1920-1992)
      Dec. 13, 2023

      • ADRIAN HEATH (BRITISH 1920-1992)

      Est: £500 - £700

      • ADRIAN HEATH (BRITISH 1920-1992) ABSTRACT WITH RED AND ORANGE signed with initials AH lower right pencil, watercolour and bodycolour on paper 49 x 36cm/ 19 1/4 x 14 1/4in 59.5 x 47cm/ 23 1/2 x 18 1/2in (framed) Executed circa 1980. Property from a Deceased Estate, London Born in Burma, after attending Bryanston school in Dorset, Heath took classes with Stanhope Forbes in Newlyn, Cornwall before enrolling at the Slade. During the Second World War he served with the RAF as a tail gunner on Wellington Bombers. Taken prisoner after a failed mission, he spent the majority of the war incarcerated at Stalag 383 in Bavaria. There he met fellow prisoner Terry Frost (1915-2003), and taught him to paint. Following an unsuccessful attempt to escape, Heath spent much of his time in solitary confinement during which he developed his abstract approach to form. After the War he finished his course at the Slade, and spent time in Paris and Carcassonne. In the late 1940s and early 1950s he lived in Cornwall where he met Ben Nicholson and William Scott in St Ives. He was also a close associate of both Victor Pasmore and Anthony Hill. Heath became the main link between the emerging St Ives School in Cornwall and the British Constructivists based in London. He helped to organise the first post-war show of abstract art at the Artists International Association gallery in 1951, wrote on the origin and meaning of Abstract Art, and became the AIA's chairman (1954-1964). He served on the Arts Council's advisory art panel from 1964 to 1967.

      Olympia Auctions
    • Adrian Heath (British, 1920-1992) Untitled (unframed)
      Nov. 29, 2023

      Adrian Heath (British, 1920-1992) Untitled (unframed)

      Est: £700 - £1,000

      Adrian Heath (British, 1920-1992) Untitled signed and dated 'Adrian Heath 77' (lower right) watercolour, pencil and gouache on paper 75.5 x 56cm (29 3/4 x 22 1/16in). (unframed)

      Bonhams
    • Adrian Heath,  Abstract composition in black and white, 1986; 
      Nov. 29, 2023

      Adrian Heath,  Abstract composition in black and white, 1986; 

      Est: £700 - £900

      Adrian Heath,  British 1920-1992 -  Abstract composition in black and white, 1986;  gouache and pencil on paper, signed with initials lower right 'AH 86', 25.2 x 17.5 cm (ARR) 

      Roseberys
    • Adrian Heath,  Study for 'Orange, Black and White', c.1956; 
      Nov. 29, 2023

      Adrian Heath,  Study for 'Orange, Black and White', c.1956; 

      Est: £700 - £900

      Adrian Heath,  British 1920-1992 -   Study for 'Orange, Black and White', c.1956;  gouache on paper, 36.5 x 47 cm (unframed) (ARR)  Provenance:  the Estate of Henry Cliffe;  private collection, purchased from the above  Note:  this work is a study for the artist's print 'Orange, Black and White, 1956', a lithograph in three colours on wove.  The artist taught alongside Henry Cliffe at the celebrated Bath School of Art, alongside William Scott, Peter Lanyon and Howard Hodgkin. 

      Roseberys
    • Adrian Heath,  Abstract composition with red; 
      Nov. 29, 2023

      Adrian Heath,  Abstract composition with red; 

      Est: £700 - £900

      Adrian Heath,  British 1920-1992 -  Abstract composition with red;  gouache and pencil on paper, signed with initials lower right 'AH', 23 x 21.3 cm (ARR) 

      Roseberys
    • ADRIAN HEATH (1920-1992) Untitled, 1964 oil on canvas 65 ¾ x 65 ¾ in. (167
      Oct. 19, 2023

      ADRIAN HEATH (1920-1992) Untitled, 1964 oil on canvas 65 ¾ x 65 ¾ in. (167

      Est: £30,000 - £50,000

      ADRIAN HEATH (1920-1992) Untitled, 1964 oil on canvas 65 ¾ x 65 ¾ in. (167 x 167 cm.)

      Christie's
    • ADRIAN HEATH (1920-1992) Painting Black and Pink oil on canvas 72 x 48 in.
      Oct. 19, 2023

      ADRIAN HEATH (1920-1992) Painting Black and Pink oil on canvas 72 x 48 in.

      Est: £40,000 - £60,000

      ADRIAN HEATH (1920-1992) Painting Black and Pink oil on canvas 72 x 48 in. (182.8 x 121.9 cm.)

      Christie's
    • Adrian Heath, Untitled, 1961
      Sep. 12, 2023

      Adrian Heath, Untitled, 1961

      Est: £2,500 - £3,500

      Adrian Heath, British 1920-1992 - Untitled, 1961; oil on paper, signed and dated lower right 'Adrian Heath 61', 76 x 56 cm (ARR) Provenance: the family of the artist; Osborne Samuel, London; private collection, purchased from the owner; private collection, UK Note: Adrian Heath was a leading abstract artist in twentieth-century Britain. He was taught by Stanhope Forbes whilst studying art at Newlyn in 1938, and later attended the Slade School of Art. As a prisoner of war throughout much of WWII he met and befriended the famous abstract artist Terry Frost, whom he taught to paint. Heath was a major point of connection between the St Ives School (he met artists including Ben Nicholson in the 1950s) and the movement of British Constructivism, through which he was associated with contemporaries such as Anthony Hill and Victor Pasmore. Heaths work has been included in exhibitions held by the Royal Academy, the British Council, and the Tate St Ives, and is in a number of permanent collections, including that of Newnham College, Cambridge, and the Arts Council Collection. 

      Roseberys
    • Adrian Heath (British, 1920-1992) Dalau (unframed)
      Jul. 12, 2023

      Adrian Heath (British, 1920-1992) Dalau (unframed)

      Est: £8,000 - £12,000

      Adrian Heath (British, 1920-1992) Dalau signed, titled and dated 'Heath '79/June'79/Sept'79/DALAU' (on canvas verso) oil on canvas 153 x 147cm (60 1/4 x 57 7/8in). (unframed)

      Bonhams
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Jul. 04, 2023

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £700 - £1,000

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled mixed media on paper 76 x 56 cm. (30 x 22 in.) Executed in 1990 Provenance The Estate of the Artist ARR

      Chiswick Auctions
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Jul. 04, 2023

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £800 - £1,200

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled oil, watercolour and pencil on paper 56 x 44.5 cm. (22 x 17 1/2 in.) Executed circa 1972 Provenance The Estate of the Artist ARR

      Chiswick Auctions
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Jul. 04, 2023

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £1,200 - £1,800

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed and dated 'Heath 89' (lower left) oil and pencil on paper 58 x 52 cm. (22 5/8 x 20 1/2 in.) Provenance The Estate of the Artist ARR

      Chiswick Auctions
    • Composition
      Jun. 28, 2023

      Composition

      Est: £25,000 - £35,000

      Adrian Heath 1920 - 1992 Composition inscribed and incorrectly dated (on the reverse) oil on canvas unframed: 76 by 63cm.; 30 by 24¾in. framed: 95 by 82.5cm.; 37½ by 32½in. Executed in 1951.

      Sotheby's
    • ADRIAN HEATH (BRITISH 1920-1992)
      Apr. 26, 2023

      ADRIAN HEATH (BRITISH 1920-1992)

      Est: £100 - £200

      ADRIAN HEATH (BRITISH 1920-1992) ADRIAN HEATH (BRITISH 1920-1992) Untitled signed 'A.H' (lower right) and inscribed indinstinctly (lower left) watercolour and pencil 29 x 23 cm. (11 3/8 x 9 1/8 in.) together with; Reclining figure (Cardiff) signed, titled and dated 'Cardiff 5/4/78 (L) A' Heath' (upper right) pencil 35 x 28.5 cm. ( 13 3/4 x 11 1/4 in.)

      Chiswick Auctions
    • ADRIAN HEATH (1920-1992)
      Apr. 25, 2023

      ADRIAN HEATH (1920-1992)

      Est: €1,500 - €2,000

      'Study 1953, Curved forms'. Oil on cardboard. Signature, date and title on the reverse. Description FR 'Study 1953, Curved forms'. Huile sur carton. Signature, date et titre au revers. Beschrijving NL 'Study 1953, Curved forms'. Olie op karton. Signatuur, datum en titel op verso.

      Bernaerts Auctioneers
    • ADRIAN HEATH (BRITISH 1920-1992)
      Mar. 31, 2023

      ADRIAN HEATH (BRITISH 1920-1992)

      Est: £200 - £400

      ADRIAN HEATH (BRITISH 1920-1992) ADRIAN HEATH (BRITISH 1920-1992) Untitled signed 'A.H' (lower right) and inscribed indinstinctly (lower left) watercolour and pencil 29 x 23 cm. (11 3/8 x 9 1/8 in.) together with; Reclining figure (Cardiff) signed, titled and dated 'Cardiff 5/4/78 (L) A' Heath' (upper right) pencil 35 x 28.5 cm. ( 13 3/4 x 11 1/4 in.)

      Chiswick Auctions
    • Adrian Heath (British, 1920-1992) Untitled
      Mar. 22, 2023

      Adrian Heath (British, 1920-1992) Untitled

      Est: £10,000 - £15,000

      Adrian Heath (British, 1920-1992) Untitled dated 'July 89/Sept/June 90' (on canvas verso) oil, charcoal and pencil on canvas 152.5 x 153cm (60 1/16 x 60 1/4in).

      Bonhams
    • ADRIAN HEATH (1920-1992) Black + Lemon Abstract oil on canvas 41 x 36 in. (
      Mar. 22, 2023

      ADRIAN HEATH (1920-1992) Black + Lemon Abstract oil on canvas 41 x 36 in. (

      Est: £20,000 - £30,000

      ADRIAN HEATH (1920-1992) Black + Lemon Abstract oil on canvas 41 x 36 in. (104.2 x 91.4 cm.)

      Christie's
    • ADRIAN HEATH (1920-1992) Composition - Black & Orange with Grey oil on boar
      Mar. 22, 2023

      ADRIAN HEATH (1920-1992) Composition - Black & Orange with Grey oil on boar

      Est: £30,000 - £50,000

      ADRIAN HEATH (1920-1992) Composition - Black & Orange with Grey oil on board 33 1/2 x 23 3/4 in. (85 x 60 cm.)

      Christie's
    • ADRIAN HEATH (1920-1992) Composition - Curved Forms: Black, White & Grey oi
      Mar. 22, 2023

      ADRIAN HEATH (1920-1992) Composition - Curved Forms: Black, White & Grey oi

      Est: £12,000 - £18,000

      ADRIAN HEATH (1920-1992) Composition - Curved Forms: Black, White & Grey oil on canvas-board 9 7/8 x 7 7/8 in. (25.1 x 20 cm.)

      Christie's
    • ADRIAN HEATH (1920-1992) Composition - Black & Pink with Orange & Green oil
      Mar. 22, 2023

      ADRIAN HEATH (1920-1992) Composition - Black & Pink with Orange & Green oil

      Est: £15,000 - £25,000

      ADRIAN HEATH (1920-1992) Composition - Black & Pink with Orange & Green oil on canvas-board 10 x 8 in. (25.4 x 20.3 cm.)

      Christie's
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Dec. 13, 2022

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £500 - £700

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled gouache and pencil 24.5 x 23.4 cm. (9 5/8 x 9 1/4 in.) ARR

      Chiswick Auctions
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Dec. 13, 2022

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £500 - £700

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled gouache and pencil 26 x 25 cm. (10 1/4 x 9 7/8 in.) ARR

      Chiswick Auctions
    • § ADRIAN HEATH (BRITISH, 1920-1992)
      Dec. 13, 2022

      § ADRIAN HEATH (BRITISH, 1920-1992)

      Est: £500 - £700

      § ADRIAN HEATH (BRITISH, 1920-1992) ADRIAN HEATH (BRITISH, 1920-1992) Untitled signed with initials and dated 'AH 72' (lower right) gouache and pencil 24 x 21.5 cm. (9 1/2 x 8 1/2 in.) ARR

      Chiswick Auctions
    • Adrian Heath (British, 1920-1992) Untitled
      Nov. 23, 2022

      Adrian Heath (British, 1920-1992) Untitled

      Est: £700 - £1,000

      Adrian Heath (British, 1920-1992) Untitled signed and dated 'Heath '64' (lower right) gouache, acrylic and charcoal on paper 76.5 x 55.5cm (30 1/8 x 21 7/8in).

      Bonhams
    • Adrian Heath (British, 1920-1992) Orange Forms 18.5 x 18.5cm (7 5/16 x 7 5/16in) each painting; 20.5 x 45cm (8 1/16 x 17 11/16in) sheet overall
      Nov. 23, 2022

      Adrian Heath (British, 1920-1992) Orange Forms 18.5 x 18.5cm (7 5/16 x 7 5/16in) each painting; 20.5 x 45cm (8 1/16 x 17 11/16in) sheet overall

      Est: £1,200 - £1,800

      Adrian Heath (British, 1920-1992) Orange Forms signed with initials and dated 'AH'80' (on sheet verso) watercolour, gouache and pencil on paper 18.5 x 18.5cm (7 5/16 x 7 5/16in) each painting; 20.5 x 45cm (8 1/16 x 17 11/16in) sheet overall

      Bonhams
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