Paul Haviland Paintings & Artwork for Sale | Paul Haviland Art Value Price Guide

Nov. 03, 2022
Paul Haviland Photo, Miss G.G. ca. 1908 - ex Christie's
Est: $700 - $1,050
**Originally Listed At $800** Paul Burty Haviland (American, born in France, 1880-1950). "Miss G.G." platinum print, ca. 1908. A lovely portrait of Miss G.G. (Gladys Granger) by Paul Haviland. Haviland created a half-length portrait of the young actress when he was affiliated with Alfred Stieglitz and the Photo-Secessionist movement. In Haviland's portrait, Gladys Granger wears a high-collared white blouse, a finely tatted lace shawl, and an elegant plumed hat. While her body is in profile, she turns her head to glance at the viewer. In addition, Miss G.G. gracefully holds a bouquet of flowers in her hands. By the time this portrait was taken, Gladys Granger had appeared in three Broadway plays: "The Man Who Was" (1905), "The Brighter Side" (1905), and "Lucky Durham" (1905). Size: 9.2" L x 7.375" W (23.4 cm x 18.7 cm) Size of frame: 21.4" L x 17.375" W (54.4 cm x 44.1 cm) "During the years 1908-15, Paul Burty Haviland was a close associate of Alfred Stieglitz and a strong supporter of the Little Galleries of the Photo-Secession, popularly known as '291.' A collector, photographer, businessman, and writer, Haviland was born and raised in Paris, the son of the china manufacturer Charles Haviland, and grandson of art critic and collector Philippe Burty. Following his graduation from Harvard University in 1901, Haviland joined the family business, serving as the New York representative of Haviland & Company of Limoges. After visiting "291" in 1908, he became an enthusiastic supporter of Stieglitz and the ideals of the Photo-Secession. In 1909 he began contributing articles to Camera Work and by 1910 was serving as the journal's assistant editor. Haviland's close association with Stieglitz and "291" stimulated his artistic talent and prompted him to begin seriously experimenting with photography. From 1908-15 he produced a number of photographic portraits, figure studies, and city views. His images appeared in several issues of Camera Work (1909, 1912, 1914), and in 1910 he took part in the important exhibition of pictorial photography at the Albright Art Gallery, Buffalo. Returning to France in 1915, Haviland was preoccupied with business concerns, finding little opportunity for art. Later in life, however, he did pursue photographic portraiture for a time. M.M." (Artist Biography - Cleveland Museum of Art) Haviland's "Miss G.G." appeared in "Camera Work. Number 28 (Alfred Stieglitz, David Octavius Hill, George Davison, and more. Note: another Haviland photo of Miss G.G. from the Alfred Stieglitz collection is at the Metropolitan Museum of Art. This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: ex-private Idledale, Colorado, USA collection; ex-Ginny Williams collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #171304
Artemis Gallery
Sep. 17, 2022
Paul Haviland Photo, Miss G.G. ca. 1908 - ex Christie's
Est: $700 - $1,050
**Originally Listed At $800** Paul Burty Haviland (American, born in France, 1880-1950). "Miss G.G." platinum print, ca. 1908. A lovely portrait of Miss G.G. (Gladys Granger) by Paul Haviland. Haviland created a half-length portrait of the young actress when he was affiliated with Alfred Stieglitz and the Photo-Secessionist movement. In Haviland's portrait, Gladys Granger wears a high-collared white blouse, a finely tatted lace shawl, and an elegant plumed hat. While her body is in profile, she turns her head to glance at the viewer. In addition, Miss G.G. gracefully holds a bouquet of flowers in her hands. By the time this portrait was taken, Gladys Granger had appeared in three Broadway plays: "The Man Who Was" (1905), "The Brighter Side" (1905), and "Lucky Durham" (1905). Size: 9.2" L x 7.375" W (23.4 cm x 18.7 cm) Size of frame: 21.4" L x 17.375" W (54.4 cm x 44.1 cm) "During the years 1908-15, Paul Burty Haviland was a close associate of Alfred Stieglitz and a strong supporter of the Little Galleries of the Photo-Secession, popularly known as '291.' A collector, photographer, businessman, and writer, Haviland was born and raised in Paris, the son of the china manufacturer Charles Haviland, and grandson of art critic and collector Philippe Burty. Following his graduation from Harvard University in 1901, Haviland joined the family business, serving as the New York representative of Haviland & Company of Limoges. After visiting "291" in 1908, he became an enthusiastic supporter of Stieglitz and the ideals of the Photo-Secession. In 1909 he began contributing articles to Camera Work and by 1910 was serving as the journal's assistant editor. Haviland's close association with Stieglitz and "291" stimulated his artistic talent and prompted him to begin seriously experimenting with photography. From 1908-15 he produced a number of photographic portraits, figure studies, and city views. His images appeared in several issues of Camera Work (1909, 1912, 1914), and in 1910 he took part in the important exhibition of pictorial photography at the Albright Art Gallery, Buffalo. Returning to France in 1915, Haviland was preoccupied with business concerns, finding little opportunity for art. Later in life, however, he did pursue photographic portraiture for a time. M.M." (Artist Biography - Cleveland Museum of Art) Haviland's "Miss G.G." appeared in "Camera Work. Number 28 (Alfred Stieglitz, David Octavius Hill, George Davison, and more. Note: another Haviland photo of Miss G.G. from the Alfred Stieglitz collection is at the Metropolitan Museum of Art. This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: ex-private Idledale, Colorado, USA collection; ex-Ginny Williams collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #171304
Artemis Gallery
Jun. 29, 2022
Paul Haviland Photo, Miss G.G. ca. 1908 - ex Christie's
Est: $1,000 - $1,500
Paul Burty Haviland (American, born in France, 1880-1950). "Miss G.G." platinum print, ca. 1908. A lovely portrait of Miss G.G. (Gladys Granger) by Paul Haviland. Haviland created a half-length portrait of the young actress when he was affiliated with Alfred Stieglitz and the Photo-Secessionist movement. In Haviland's portrait, Gladys Granger wears a high-collared white blouse, a finely tatted lace shawl, and an elegant plumed hat. While her body is in profile, she turns her head to glance at the viewer. In addition, Miss G.G. gracefully holds a bouquet of flowers in her hands. By the time this portrait was taken, Gladys Granger had appeared in three Broadway plays: "The Man Who Was" (1905), "The Brighter Side" (1905), and "Lucky Durham" (1905). Size: 9.2" L x 7.375" W (23.4 cm x 18.7 cm) Size of frame: 21.4" L x 17.375" W (54.4 cm x 44.1 cm) "During the years 1908-15, Paul Burty Haviland was a close associate of Alfred Stieglitz and a strong supporter of the Little Galleries of the Photo-Secession, popularly known as '291.' A collector, photographer, businessman, and writer, Haviland was born and raised in Paris, the son of the china manufacturer Charles Haviland, and grandson of art critic and collector Philippe Burty. Following his graduation from Harvard University in 1901, Haviland joined the family business, serving as the New York representative of Haviland & Company of Limoges. After visiting "291" in 1908, he became an enthusiastic supporter of Stieglitz and the ideals of the Photo-Secession. In 1909 he began contributing articles to Camera Work and by 1910 was serving as the journal's assistant editor. Haviland's close association with Stieglitz and "291" stimulated his artistic talent and prompted him to begin seriously experimenting with photography. From 1908-15 he produced a number of photographic portraits, figure studies, and city views. His images appeared in several issues of Camera Work (1909, 1912, 1914), and in 1910 he took part in the important exhibition of pictorial photography at the Albright Art Gallery, Buffalo. Returning to France in 1915, Haviland was preoccupied with business concerns, finding little opportunity for art. Later in life, however, he did pursue photographic portraiture for a time. M.M." (Artist Biography - Cleveland Museum of Art) Haviland's "Miss G.G." appeared in "Camera Work. Number 28 (Alfred Stieglitz, David Octavius Hill, George Davison, and more. Note: another Haviland photo of Miss G.G. from the Alfred Stieglitz collection is at the Metropolitan Museum of Art. This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: ex-private Idledale, Colorado, USA collection; ex-Ginny Williams collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #171304
Artemis Gallery
May. 12, 2022
Paul Haviland Photo, Miss G.G. ca. 1908 - ex Christie's
Est: $1,600 - $2,500
Paul Burty Haviland (American, born in France, 1880-1950). "Miss G.G." platinum print, ca. 1908. A lovely portrait of Miss G.G. (Gladys Granger) by Paul Haviland. Haviland created a half-length portrait of the young actress when he was affiliated with Alfred Stieglitz and the Photo-Secessionist movement. In Haviland's portrait, Gladys Granger wears a high-collared white blouse, a finely tatted lace shawl, and an elegant plumed hat. While her body is in profile, she turns her head to glance at the viewer. In addition, Miss G.G. gracefully holds a bouquet of flowers in her hands. By the time this portrait was taken, Gladys Granger had appeared in three Broadway plays: "The Man Who Was" (1905), "The Brighter Side" (1905), and "Lucky Durham" (1905). Size: 9.2" L x 7.375" W (23.4 cm x 18.7 cm) Size of frame: 21.4" L x 17.375" W (54.4 cm x 44.1 cm) "During the years 1908-15, Paul Burty Haviland was a close associate of Alfred Stieglitz and a strong supporter of the Little Galleries of the Photo-Secession, popularly known as '291.' A collector, photographer, businessman, and writer, Haviland was born and raised in Paris, the son of the china manufacturer Charles Haviland, and grandson of art critic and collector Philippe Burty. Following his graduation from Harvard University in 1901, Haviland joined the family business, serving as the New York representative of Haviland & Company of Limoges. After visiting "291" in 1908, he became an enthusiastic supporter of Stieglitz and the ideals of the Photo-Secession. In 1909 he began contributing articles to Camera Work and by 1910 was serving as the journal's assistant editor. Haviland's close association with Stieglitz and "291" stimulated his artistic talent and prompted him to begin seriously experimenting with photography. From 1908-15 he produced a number of photographic portraits, figure studies, and city views. His images appeared in several issues of Camera Work (1909, 1912, 1914), and in 1910 he took part in the important exhibition of pictorial photography at the Albright Art Gallery, Buffalo. Returning to France in 1915, Haviland was preoccupied with business concerns, finding little opportunity for art. Later in life, however, he did pursue photographic portraiture for a time. M.M." (Artist Biography - Cleveland Museum of Art) Haviland's "Miss G.G." appeared in "Camera Work. Number 28 (Alfred Stieglitz, David Octavius Hill, George Davison, and more. Note: another Haviland photo of Miss G.G. from the Alfred Stieglitz collection is at the Metropolitan Museum of Art. This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: ex-private Idledale, Colorado, USA collection; ex-Ginny Williams collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #171304
Artemis Gallery
Apr. 21, 2022
Paul Haviland Photo, Miss G.G. ca. 1908 - ex Christie's
Est: $1,600 - $2,500
Paul Burty Haviland (American, born in France, 1880-1950). "Miss G.G." platinum print, ca. 1908. A lovely portrait of Miss G.G. (Gladys Granger) by Paul Haviland. Haviland created a half-length portrait of the young actress when he was affiliated with Alfred Stieglitz and the Photo-Secessionist movement. In Haviland's portrait, Gladys Granger wears a high-collared white blouse, a finely tatted lace shawl, and an elegant plumed hat. While her body is in profile, she turns her head to glance at the viewer. In addition, Miss G.G. gracefully holds a bouquet of flowers in her hands. By the time this portrait was taken, Gladys Granger had appeared in three Broadway plays: "The Man Who Was" (1905), "The Brighter Side" (1905), and "Lucky Durham" (1905). Size: 9.2" L x 7.375" W (23.4 cm x 18.7 cm) Size of frame: 21.4" L x 17.375" W (54.4 cm x 44.1 cm) "During the years 1908-15, Paul Burty Haviland was a close associate of Alfred Stieglitz and a strong supporter of the Little Galleries of the Photo-Secession, popularly known as '291.' A collector, photographer, businessman, and writer, Haviland was born and raised in Paris, the son of the china manufacturer Charles Haviland, and grandson of art critic and collector Philippe Burty. Following his graduation from Harvard University in 1901, Haviland joined the family business, serving as the New York representative of Haviland & Company of Limoges. After visiting "291" in 1908, he became an enthusiastic supporter of Stieglitz and the ideals of the Photo-Secession. In 1909 he began contributing articles to Camera Work and by 1910 was serving as the journal's assistant editor. Haviland's close association with Stieglitz and "291" stimulated his artistic talent and prompted him to begin seriously experimenting with photography. From 1908-15 he produced a number of photographic portraits, figure studies, and city views. His images appeared in several issues of Camera Work (1909, 1912, 1914), and in 1910 he took part in the important exhibition of pictorial photography at the Albright Art Gallery, Buffalo. Returning to France in 1915, Haviland was preoccupied with business concerns, finding little opportunity for art. Later in life, however, he did pursue photographic portraiture for a time. M.M." (Artist Biography - Cleveland Museum of Art) Haviland's "Miss G.G." appeared in "Camera Work. Number 28 (Alfred Stieglitz, David Octavius Hill, George Davison, and more. Note: another Haviland photo of Miss G.G. from the Alfred Stieglitz collection is at the Metropolitan Museum of Art. This photograph was in the collection of pioneering patron of the arts, Ginny Williams. Sotheby's hosted a series of auctions featuring art and photography in the Ginny Williams Collection in June and July of 2020. Their press release began as follows, "Born in rural Virginia in 1927, Ginny moved to Denver, Colorado in the late 1950s with her husband, Carl Williams. An avid photographer herself, who studied with Austrian-American photojournalist and photographer Ernst Haas, her collecting journey began with classical figurative photography. Her passion and keen eye eventually prompted her to open her namesake gallery in Denver in the 1980s. While her passion for photography never waned, remaining a primary focus of both her gallery and private collection, her voracious curiosity quickly widened her curatorial focus. Over time, Ginny became increasingly courageous and experimental in her selections, venturing into Abstract Expressionism and Contemporary Art and following her artists themselves through gallery shows and museum exhibitions. As the years passed, Ginny became as much of a trailblazer as the artists she collected." Provenance: private Idledale, Colorado, USA collection; ex-Ginny Williams collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #171304
Artemis Gallery
Jan. 27, 2022
Paul Haviland, Portrait of Edward J. Steichen
Est: $1,000 - $1,500
Paul Haviland Portrait of Edward J. Steichen 1910 platinum print 6.5 h × 4.5 w in (17 × 11 cm) Provenance: Robert Mann Gallery, New York | Acquired from the previous in 1995, Private Collection, Chicago | Thence by descent This work will ship from Wright in Chicago, Illinois. condition: Dimensions are of sight and work has not been examined out of the frame. Photo shows a possible wear mark to lower left corner, otherwise appearing in good condition. Framed behind glass measuring 17 x 13 x 1 inches.
Wright
Oct. 06, 2021
Paul Haviland, Portrait of Edward J. Steichen
Est: $2,000 - $3,000
Paul Haviland Portrait of Edward J. Steichen 1910 platinum print sight: 6.5 h × 4.5 w in (17 × 11 cm) Provenance: Robert Mann Gallery, New York | Acquired from the previous in 1995, Private Collection, Chicago | Thence by descent This work will ship from Wright in Chicago, Illinois. Condition of the item is not included in this description. Condition reports are available from Wright upon request. Wright strongly recommends that you review a condition report for each item on which you plan to bid. Email condition@wright20.com to request a condition report.
Wright
Sep. 21, 2021
PAUL HAVILAND The Japanese Lantern 1912
Est: $300 - $500
PAUL B. HAVILAND. The Japanese Lantern, 1912. 8.1x6.25" photogravure on 11x8" handmade tissue paper. From Camera Work Issue 39, July 1912. Printed c. 1912. Inscribed in pencil on print verso: C32658. Paul Burty Haviland (1880-1950) was born in Paris, the son of the founder of Haviland and Company, a china manufacturer in Limoges. In 1898, he obtained a bachelor's degree in philosophy from the University of Paris, and three years later, another undergraduate degree from Harvard University. Shortly thereafter, he became the American representative for his father's firm, working in New York and summering back in France. In early 1908, Haviland went to the Little Galleries of the Photo-Secession to view a show of drawings by August Rodin, where he met Alfred Stieglitz. A few months later, he put up the money to allow Stieglitz to continue operating the gallery, which soon was known simply as 291, after its address on Fifth Avenue. Haviland became close to Stieglitz, began making creative photographs himself, and was admitted into the Photo-Secession, the exclusive group of pictorial photographers. He produced portraits, figure studies, and pictures of New York at night, printed in platinum and gum-bichromate. His most striking image, however, was made on one of his trans-Atlantic trips, in 1910. Titled Passing Steamer, it features railings and other geometrical elements in the foreground, making for a modernist image, despite its soft-focus effects. This image, along with others by Haviland, appeared as a photogravure in Stieglitz's exquisite publication, Camera Work. A total of nine by him were featured, in the issues of October 1909, July 1912, and April 1914. In 1910, Haviland became an associate editor for the quarterly, regularly contributing articles, reviews, and French translations, over the next four years. For the special issue of July 1914, comprising many essays addressing "What 291 Means to Me," he described the gallery as a "unique oasis of cultivation." Haviland rarely exhibited his pictures. Some were seen in 1909 at the photographic salon organized by the Photo-Club de Paris. The next year, seven were included in Buffalo's International Exhibition of Pictorial Photography, which Haviland assisted Stieglitz in hanging. And, in 1912, he won first place in the annual exhibition sponsored by the John Wanamaker department store in Philadelphia. Christian A. Peterson, Pictorial Photography at the Minneapolis Institute of Arts (Christian A. Peterson: Privately printed, 2012). This biography is courtesy and copyright of Christian Peterson and is included here with permission. christianapeterson.com Credit: http://www.luminous-lint.com/app/photographer/Paul_Burty__Haviland/ABCDEF/
Andrew Smith Gallery Photography Auctions, LLC
Oct. 14, 2020
PAUL HAVILAND (1880–1950) - The Japanese Lantern, 1909
Est: $1,000 - $1,500
PAUL HAVILAND (1880–1950) The Japanese Lantern, 1909 platinum-palladium print, mounted on tissue, secondarily mounted on card artist insignia and date in ink (recto); signed and variously annotated in pencil (mount, verso); credited, titled and dated on affixed exhibition labels (frame backing board) image/sheet: 9 1/2 x 7 3/4 in. (24.1 x 19.6 cm.) mount/secondary mount: 16 1/2 x 12 1/4 in. (41.9 x 31.1 cm.) ",
Christie's
Oct. 19, 2019
Paul Burty Haviland: Miss Doris Keane, 1912, photogravure from Camera Work XXXIX
Est: $400 - $600
Miss Doris Keane, 1912, photogravure from Camera Work XXXIX, , Image size: 8.125"x6.25"; Sheet Size: on mount 11.75"x8.25"
The Photo Review
Dec. 11, 2014
HAVILAND, PAUL (1880-1950) "New York at Night."
Est: $4,000 - $6,000
HAVILAND, PAUL (1880-1950) "New York at Night." Platinum print, 6 1/8x8 1/8 inches (15.6x20.6 cm.). 1914
Swann Auction Galleries
Oct. 17, 2013
HAVILAND, PAUL (1880-1950) "New York at Night."
Est: $4,500 - $5,500
HAVILAND, PAUL (1880-1950) "New York at Night." Platinum print, 6 1/8x8 1/8 inches (15.6x20.6 cm.). 1914
Swann Auction Galleries
Apr. 18, 2013
HAVILAND, PAUL (1880-1950) Stands at a race course.
Est: $2,000 - $3,000
HAVILAND, PAUL (1880-1950) Stands at a race course. Platinum print, 6 1/2x8 1/4 inches (16.5x21 cm.). 1908-1915
Swann Auction Galleries