Harold Harvey Sold at Auction Prices

HAROLD HARVEY (BRITISH 1874-1941), READING IN THE GARDEN

HAROLD HARVEY (BRITISH 1874-1941)READING IN THE GARDENOil on canvasSigned and dated 1940 (lower right)51 x 40.5cm (20 x 15¾ in.)Exhibited: Penlee House Gallery & Museum, Penzance and tour to Newport Museum & Art Gallery and Wolverhampton Art Gallery, Harold Harvey - Painter of Cornwall, 2000-2002Literature: Kenneth McConkey, Peter Risden & Pauline Sheppard, Harold Harvey - Painter of Cornwall, 2000, illustrated p. 119

HAROLD HARVEY (British, 1874-1941)

HAROLD HARVEY (British, 1874-1941), "On the Thames", 1907, oil on canvas, signed and dated lower left. Two small dents, minor losses (one with tiny hole), craquelure, stretcher marks. Canvas 25"h, 30"w. Provenance: To present owner by descent; purchased at Hammer Galleries, New York, by Mr. & Mrs. K. Stoll as a gift for Mr. Stoll's brother, Harry Stoll; Edward S. Stearns, Paintings & Art Collections at Gimbel Brothers, NYC.

Lady in an Interior Arranging Flowers

Property from a Private Collection Harold Harvey British 1874 - 1941 Lady in an Interior Arranging Flowers signed and dated Harold Harvey 1916 lower right oil on canvas Unframed: 51 by 41cm., 20 by 16¼in. Framed: 69.5 by 58.5cm., 27¼ by 23in.

ATTRIBUTED TO HAROLD HARVEY (1878-1941) PORTRAIT STUDY OF A SEATED LADY

ATTRIBUTED TO HAROLD HARVEY (1878-1941) PORTRAIT STUDY OF A SEATED LADY Oil on canvas laid to board (59cm x 49cm)

HAROLD HARVEY, English 1874-1941, A Simple Meal, oil on canvas, 20 1/4 x 24 1/4 inches (51.4 x 61.6 cm.), Frame: 23 3/4 x 1 1/4 x 27 3/4 in. (60.3 x 3.2 x 70.5 cm.)

HAROLD HARVEY English, 1874-1941 A Simple Meal oil on canvas signed lower left "Harold Harvey"

Sea Pinks

Property from an American Private Collection Harold Harvey British 1874 - 1941 Sea Pinks signed and indistinctly dated Harold Harvey 1913 lower right oil on canvas Unframed: 36 by 42cm., 14 by 16½in. Framed: 53 by 58cm., 20¾ by 22¾in. Bid on Sotheby's

ENGLISH- AFTER HAROLD HARVEY 1874-1941 O/C IMPRESSIONIST PAINTING "PIONEER OF AERIAL NAVIGATION"

English- After Harold Harvey 1874-1941 Oil On Canvas Impressionist Painting "PIONEER OF AERIAL NAVIGATION". Frame Measure 27.5" X 21 1/4", Sight 23.5" X 17.5". Please carefully read our terms of sale, shipping information, and request any condition reports or photos prior to placing a bid. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. RBFineArts CFL INC. shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Please email for a condition report and photos, if desired. Emails should be received at least 48 hours in advance of the date of the auction. Please make sure you have read the Terms and Conditions* before you bid. ALL ITEMS ARE SOLD AS IS!. Any registration and/or bid placed by you guaranteed RBFineArts CFL Inc. you have read and will abide by the following Terms and Conditions of the sale. Transportation of buyer's items: For a charge of 15.00 per invoice, RBFineArts Shipping Inc. will pick up and transport your item's from the offices of RBFineArts CFL Inc. All OTHER transport to any other third party shipper there will be a 25.00 transport fee, there will be no exceptions for this condition. The buyer is responsible for paying for shipping, packing, and transport, etc. RBFineArts CFL Inc. is not responsible for packing, shipping, or transport of any items from buyer's invoice. *Please see terms and conditions for additional information on payment and shipping options. Please note shipping is NOT included in the sale, you will have to pay for shipping. If you are not satisfied with our shipping options, please arrange shipping for your item and contact us about the shipping details. SHIPPING AND PACKING & INSURANCE: RBFineArts uses a 3rd Party Preferred shipping and packing company. Arrangements and costs are the sole responsibility of the buyer. YOU MUST EMAIL INFO@RBFINEARTS.NET TO ADVISE OUR OFFICES OF THE COMPANY YOU WOULD PREFER TO PACK AND SHIP YOUR ITEM/S. No property will be released until payment is made in full and we have been advised of your preferred shipper. Please note that a shipping charge is not included in the sale price. Any costs associated with the shipping, packing, and transport of an item are the responsibility of the buyer. RBFineArts CFL Inc. is not responsible for packing, shipping, or transport of any items from buyer’s invoice. Items must be shipped within fourteen (14) days of payment. Items remaining at RBFineArts CFL Inc.'s offices at the expiration of fourteen (14) days past payment will be subject to storage fees of $10 per day per item. All storage fees must be paid before item/s will be released to a shipper. Any items remaining forty-five (45) calendar days following the date when the buyer completed payment on an invoice will be considered Abandoned Property of items on that invoice and will be subject to resale or disposal with no refund. Transportation of buyer's items: For a charge of 15.00 per invoice, RBFineArts Shipping Inc. will pick up and transport your items from the offices of RBFineArts CFL Inc. ALL OTHER transport to any other third-party shipper there will be a 25.00 transport fee, there will be no exceptions for this condition. Your item/s will be transported one time per week only. RBFineArts CFL Inc. is not responsible for any denied claims or damages from the shipping offices the buyer chooses. Any issues with shipping or insurance are between the shipping company and the buyer. Please note local packers and shippers in our area, RBFineArts CFL Inc. is not making any warranty, guarantee, or promise as to the performance of any shipper selected from the list.US Pak N Ship 252 W. Ardice Ave. Eustis, FL 32726 352-483-0405 or sales@uspaknship.com ($25.00 fee charge for the delivery)RBFineArts Shipping 375 E Burleigh Blvd., Tavares, Fl 32778 shipping@rbfinearts.net or 877-660-3243. ($15.00 fee charge for pick up).If you are not satisfied with our shipping options, please make other arrangements to ship your item and contact us about those shipping details. RBFineArts CFL Inc. (online auction) and RBFineArts Shipping Inc. (packing and shipping) are two separate companies and should NOT be assumed to be the same business.

Harold Harvey (British, 1874-1941) Boy at the Harbour, Mousehole

Harold Harvey (British, 1874-1941) Boy at the harbour, Mousehole signed and dated 'Harold. Harvey. 18.' (lower left) oil on canvas 50.5 x 45.5cm (19 7/8 x 18in). For further information on this lot please visit the Bonhams website

HAROLD CHARLES FRANCIS HARVEY (BRITISH, 1874-1941) The Elm Tree oil on canv

HAROLD CHARLES FRANCIS HARVEY (BRITISH, 1874-1941) The Elm Tree oil on canvas 20 x 16 in. (50.8 x 40.7 cm.)

Attributed to Harold Harvey (1874-1941), Portrait of a girl wearing a blue hat, oil on canvas, 50 x 40cm

Attributed to Harold Harvey (1874-1941) Portrait of a girl wearing a blue hat oil on canvas

HAROLD HARVEY (1874 / 1941) "Lading the catch", 1898

Signed and dated in the lower left corner. On the back label of David Messum, Beaconsfield He is one of the greatest exponents of British Impressionism, belonging to the Newlyn School. It is precisely in this coastal town where is set this scene of the arrival of fishing, which can be seen in many other paintings of the painter. He painted mostly landscapes, family scenes, scenes of farmers and fishermen, perfectly reflecting the everyday life of the Cornish region. . Oil on canvas

HAROLD CHARLES FRANCIS HARVEY (BRITISH, 1874-1941) - Daffodils

HAROLD CHARLES FRANCIS HARVEY (BRITISH, 1874-1941) Daffodils oil on canvas 31 ¾ x 26 5/8 in. (80.7 x 67.2 cm)

Harold Harvey (British, 1874-1941) The Vegetable Cart

Harold Harvey (British, 1874-1941) The Vegetable Cart signed and dated 'Harold.Harvey.1904.' (lower left) oil on canvas laid down 31 x 40.5cm (12 3/16 x 15 15/16in). For further information on this lot please visit the Bonhams website

Harold Harvey (British, 1874-1941) Boy at the Harbour, Mousehole 19 1/4 x 17 3/4 in.

Harold Harvey (British, 1874-1941) Boy at the Harbour, Mousehole signed and dated 'Harold. Harvey. 18.' (lower left) oil on canvas 50.5 x 45.5cm (19 7/8 x 17 15/16in). 19 1/4 x 17 3/4 in. For further information on this lot please visit the Bonhams website

HAROLD CHARLES FRANCIS HARVEY (BRITISH, 1874-1941), Herding cows before a farmstead,

HAROLD CHARLES FRANCIS HARVEY (BRITISH, 1874-1941) Herding cows before a farmstead signed and dated 'Harold Harvey. 35' (lower left) oil on canvas 16 x 18 in. (40.7 x 45.7 cm.) ,

HAROLD CHARLES FRANCIS HARVEY (BRITISH, 1874-1941) - Two young girls with a butterfly

HAROLD CHARLES FRANCIS HARVEY (BRITISH, 1874-1941) Two young girls with a butterfly signed and dated 'Harold Harvey.29' (lower left) oil on canvas 243⁄8 x 22./14 in. (61.9 x 56.5 cm.)

Harold Charles Francis Harvey - White Roses 1908

Oil on canvas. 39×56 cm. Signed and dated lower right: “H. C. Harvey 1908”. Artist or Maker: Harold Charles Francis Harvey Literature: In a golden frame. 48×65 cm.

Harold Harvey (British, 1874-1941) Tulip pickers

Harold Harvey (British, 1874-1941) Tulip pickers signed and dated 'Harold Harvey/26' (lower left)oil on canvas51 x 51cm (20 1/16 x 20 1/16in). Provenance: Anon. sale, Christie's, London, 5 March 1976, lot 79.Private collection.Anon. sale, Sotheby's, London, 23 May, 2013, lot 35.Private collection, UK. Literature: Kenneth McConkey et al, Harold Harvey, Painter of Cornwall, Clifton, 2001, p. 155, no. 367.During the 1920s, Harold Harvey painted a number of studies of women working in the fields, such as The Flower Gatherers (1925), Iris Gatherers (1925), Iris pickers (1926, sold in these rooms 2 March 2016, lot 92) and The Bracken Carriers (1927). The present lot is most closely related to The Donkey Meadow (1924), which featured on the cover of the monogram on Harold Harvey published in 2001 to coincide with the major exhibition of Harvey's work at Penlee House Museum and Gallery, Penzance. Caroline Fox notes that Harvey's 'best work expresses a true joy in the countryside and a real understanding of the movements and gestures of the men, women and children he so often depicted' 1, an observation that is brilliantly demonstrated in the present lot. By contrast to the close-up perspective of Iris pickers, where there is no horizon to distract from the field of flowers, here, as with The Donkey Meadow, Harvey draws out his composition, showing the coastal town of Penzance beyond, with the patchwork of fields beyond the town harmonising with the colours of the tulips that the women are crouching to collect.The present lot is listed in Peter Risdon's online catalogue of Harold Harvey's work, www.haroldharvey.info. 1 Caroline Fox, Stanhope Forbes and the Newlyn School, Newton Abbot, 1997, p. 75.

Harold Harvey (British, 1874-1941) The blue beret

Harold Harvey (British, 1874-1941) The blue beret signed and dated 'HAROLD HARVEY.08' (lower right)oil on canvas30.5 x 25.5cm (12 x 10 1/16in). Provenance: Anon. sale, Christie's, London, 12 June 1986, lot 87.Richard Green Gallery, London.Private collection, UK.The present lot is listed in Peter Risdon's online catalogue of Harold Harvey's work, as Portrait of a girl, www.haroldharvey.info.

Harold Charles Francis Harvey

Description: Oil on canvas. 39×56 cm. Signed and dated lower right: “H. C. Harvey 1908”. Artist or Maker: Harold Charles Francis Harvey Literature: In a golden frame. 48×65 cm.

Harold Charles Francis Harvey - White Roses 1908

Description: Oil on canvas. 39×56 cm. Signed and dated lower right: “H. C. Harvey 1908”. Artist or Maker: Harold Charles Francis Harvey Literature: In a golden frame. 48×65 cm.

Harold Harvey (British, 1874-1941) Portrait of a girl in a checked blouse

Harold Harvey (British, 1874-1941) Portrait of a girl in a checked blouse signed and dated 'Harold Harvey.22' (upper right)oil on canvas41 x 30.5cm (16 1/8 x 12in).presented in the original hand painted frame Provenance: Lucy Wertheim Collection, London.Thence by descent.It has been suggested that the sitter in the present work may be the same unknown girl who appears in Young Girl in a Blue Blouse (1918) and The Flower Gatherers (1925).The present lot was in the collection of renowned art collector and gallery owner Lucy Wertheim. Wertheim was a patron and supporter of multiple modern British artists, notably including Christopher Wood, Henry Moore and Cedric Morris. Artists such as Walter Sickert, Alfred Wallis, Frances Hodgkins and John Melville were exhibited at her Mayfair gallery, which she opened in 1930. It would seem significant therefore, that she decided to keep the present lot in her private collection.We are grateful to Peter Risdon for his assistance in cataloguing this lot. The work will appear in his online catalogue, www.haroldharvey.info.

Harold Harvey (British, 1874-1941) Sandy Bay

Harold Harvey (British, 1874-1941) Sandy Bay signed 'Harold Harvey' (lower left)oil on canvas30.5 x 40.6cm (12 x 16in). Harold Harvey was an artist whose career straddled the first two generations of Newlyn School painters. Born in Penzance, Harvey spent his entire life based in Cornwall, and he would have grown up witnessing the growth of an artistic community, as Walter Langley, Stanhope Forbes and many others, invigorated with the principle of living among their subjects, and painting them in a natural setting, began to move to Newlyn, a tiny fishing village adjacent to Penzance. Harvey studied under Norman Garstin at the Penzance School of Art. An Irish-born artist who settled in Cornwall, Gartsin was, like many of his contemporaries, hugely influenced by Bastien-Lepage, a painter who typified the principles of realism, working en plein air, and living within the communities where he was working. The young Harvey then travelled to Paris, where like Thomas Cooper Gotch and Henry Scott Tuke, he studied under Benjamin Constant and Jean-Paul Laurens at the Academie Julian. Returning to the family home in Penzance, and later settling in Newlyn, Harvey's first exhibited work was at the inaugural exhibition of the Passmore Edwards Art Gallery in 1896, where he would have hung alongside the likes of Forbes, Langley and Garstin. Two years later, Harvey had his first work exhibited at the Royal Academy (In a Cornish cottage, 1898, no. 44). He continued to exhibit at the RA until his death, as well as at Institutes and Academies in Birmingham, Liverpool, Glasgow and elsewhere. He also held several one-man exhibitions in London, at the Mendoza Galleries, Barbizon House and the Leicester Galleries. Harvey's output was prolific and his style was sensitive to the changing styles of the Newlyn artistic community. In his early work we see his palette and his choice of subject very influenced by Forbes; in later years we see the influence of artists such as Laura Knight, with a greater use of bright colours, and later still we see a much broader range of subjects, and a style reminiscent of painters such as Dod Procter. As the author of an article published in Colour magazine in 1920 notes, we can identify 'certain successive phases in which different influences are traceable in turn. Starting out with a purely naturalistic realism, of which Bastien-Lepage was, via Stanhope Forbes, the inspirer, he in common with the other members of the younger Newlyn generation passes through a stage of pre-Raphaelite and then primitive Italian realism, which is 'natural' only by a stretching of the term, to rest a while at present on the borders of 'expressionism', in which he, whilst preserving naturalism and realism in subject matter, simplifies beyond optical, i.e. photographic accuracy'.1The present lot is consistent with the first 'phase' of Harvey's work, where his subjects are dominated by the harbours, fishing vessels and the fisherfolk of West Cornwall. The location has been identified as Sandy Bay, between Newlyn and Mousehole in West Cornwall. Peter Risdon has suggested that the work was painted circa 1900-1910.We are grateful to Peter Risdon for his assistance in cataloguing this lot. The present lot is listed in his online catalogue of Harold Harvey's work, www.haroldharvey.info. 1 Colour, October 1920, pp. 48-54, quoted in McKonkey et al, Harold Harvey, Painter of Cornwall, Falmouth, 2001, pp. 93-95.

Harold Charles Francis Harvey (1874-1941) British. Figures on the Quay, Oil on Canvas, Signed and Dated '39, 12" x 16".

HAROLD HARVEY | The Watering Place

oil on canvas

Harold Charles Francis Harvey (1874-1941) - Winding Wool

Harold Charles Francis Harvey (1874-1941) Winding Wool oil on canvas 25 x 30 ¼ in. (63.5 x 76.8 cm.)

Harold Harvey Clarke, Woodland scene, and another painting by the same hand

Harold Harvey Clarke, Woodland scene, and another painting by the same hand. (2)

Harold Harvey Clarke, four landscapes (The Seasons), oil on board, signed,

Harold Harvey Clarke, four landscapes (The Seasons), oil on board, signed, 45cm x 61cm.

Harold Harvey Clarke, Woodland scene, and another painting by the same hand

Harold Harvey Clarke, Woodland scene, and another painting by the same hand. (2)

Harold Harvey (British, 1874-1941) A Haywain near Lamorna

Harold Harvey (British, 1874-1941) A Haywain near Lamorna signed and dated 'Harold Harvey 1934' (lower right)oil on canvas51.5 x 51cm (20 1/4 x 20 1/16in). ProvenanceGertrude Harvey.Private collection, UK (acquired from the above).Thence by descent.Harvey painted a number of roadside compositions in the late 1930s which share a similar tonality with the present lot; for example A Wooded Lane, 1937 (Harvey catalogue, no. 494), and Cornish Lane, 1939 (Harvey catalogue, no. 512).We are grateful to Peter Risdon for his assistance in cataloguing this lot. The work will be included in the online catalogue, www.haroldharvey.info.

Harold Harvey (British, 1874-1941) On the Sands

Harold Harvey (British, 1874-1941) On the Sands signed and dated 'Harold. Harvey. 19.' (lower left)oil on canvas41 x 40.5cm (16 1/8 x 15 15/16in). ProvenancePrivate collection, UK (reputedly gifted by the artist).Property of a deceased's estate.ExhibitedLondon, Barbizon House, 1932.LiteratureMcConkey, Risdon et al, Harold Harvey, Painter of Cornwall, Clifton, 2001, no. 274, p. 149.Harvey revisited the theme of children resting on the beach numerous times throughout his career. In 1917 he painted a work titled On the beach at Newlyn (sold Phillips, 12 November 1958, lot 98). In this work, children similar to the present lot, also surround a fire, perhaps boiling winkles, with Penzance shimmering in the distance. Another work, painted a year earlier, titled Children on the surf depicts a girl with fair hair and white dress on rocks beside the sea; to the left two girls sit close to the sea, the waves foaming on the rocks. In 1928, Harvey painted a similar scene, also titled On the Sands (sold Sotheby's 13 May 1987, lot 130). A more worked composition, two girls lie full length on a yellow sandy beach, with sparkling sea and cliffs beyond. All of Harvey's seaside views, including the present lot, successfully transport the viewer into a haven of warmth, restfulness and peace.Harvey's solo exhibition at Barbizon House in 1932 received positive reviews. Notably, The Times reviewed it on the 5 February and observed 'Mr Harvey appears to be a perfectly logical development from the Newlyn School of Mr Stanhope Forbes, RA, with the brighter and more decoratively considered colour and the more deliberately plastic ambitions which belong to the present day.' In addition, a letter from George Clausen (dated 13 February 1932) said 'We saw your show this morning and were quite charmed with it ! ...the clean fresh colour and honest outlook are so refreshing'. Barbizon House was founded in 1918 at 8 Henrietta Street and ran until 1938. Harvey's exhibition probably toured to Frost & Reed at Clare Street, Bristol in September-October of the same year. We are grateful to Peter Risdon for his assistance in cataloguing this lot.

Harold Harvey (British, 1874-1941) Gertrude Harvey with parrot in the artist's home

Harold Harvey (British, 1874-1941) Gertrude Harvey with parrot in the artist's home signed and dated 'Harold.Harvey.16' (lower left)oil on canvas46 x 46cm (18 1/8 x 18 1/8in). ProvenanceAnon. sale, David Lay, Penzance, 5 October 1989, lot 229, as Woman with Parrot in Interior.Anon. sale, Christie's, London, 21 March 1996, lot 34.Anon. sale, Christie's, London, 27 March 1997, lot 168.Portscatho Gallery.Private collection, UK.ExhibitedBristol, West of England Academy, Artists from Cornwall, 1992, no. 88 (illustrated).Plymouth, White Lane Gallery, Artists of Newlyn (1880-1930), 1993, no. 27 (illustrated). LiteratureTom Cross, The Shining Sands, Artists in Newlyn and St. Ives, Tiverton, 1994 (illustrated p. 190).B. Simpson, Art and Antiques, 16 October 1993, p. 13.McConkey, Risdon et al, Harold Harvey, Painter of Cornwall, Clifton, 2001, no. 207, p. 145.The present lot makes an interesting comparison to a later work, Girl with a Parrot, by Harvey's great friend Dod Procter (circa 1925, sold Christie's, South Kensington, 26 June 2015, lot 140); both subjects stand face on to the viewer, cautiously engaging with a caged bird in the upper left of the composition.We are grateful to Peter Risdon for his assistance in cataloguing this lot.

HAROLD HARVEY (BRITISH, 1874-1941) Lighting up signed and dated ‘Harold Harvey./

HAROLD HARVEY (BRITISH, 1874-1941) Lighting up signed and dated ‘Harold Harvey./1902’ (lower left) oil on canvas 30.8 x 25.7cm (12 1/8 x 10 1/8in).

Harold Charles Francis Harvey (1874-1941) - A windy day

Harold Charles Francis Harvey (1874-1941) A windy day oil on canvas 17 1/8 x 20 5/8 in. (43.5 x 52.3 cm.)

Harold Charles Francis Harvey (1874-1941) - Herding cows before a farmstead

Harold Charles Francis Harvey (1874-1941) Herding cows before a farmstead oil on canvas 16 x 18 in. (40.7 x 45.7 cm.)

Harold Charles Francis Harvey (1874-1941) - Summer Milking

Harold Charles Francis Harvey (1874-1941) Summer Milking 24 7/8 x 29 7/8 in. (63.3 x 76 cm.)

Harold Charles Francis Harvey (1874-1941) - Figures on the cliff, Newlyn

Harold Charles Francis Harvey (1874-1941) Figures on the cliff, Newlyn oil on canvas 12 x 16 in. (30.5 x 40.7 cm.)

Harold Charles Francis Harvey (1874-1941) - Whiffing in Mount's Bay

Harold Charles Francis Harvey (1874-1941) Whiffing in Mount's Bay oil on canvas 12 x 16 in. (30.5 x 40.6 cm.)

Harold Charles Francis Harvey (1874-1941) - Boys on the harbour wall, Penzance

Harold Charles Francis Harvey (1874-1941) Boys on the harbour wall, Penzance oil on canvas 11 x 15 in. (28 x 38.1 cm.)

HAROLD HARVEY | The Watering Place

oil on canvas

Harold C. HARVEY (1874-1941), Oil on canvas, The Fish Market, Newlyn Harbou

Harold C. HARVEY (1874-1941), Oil on canvas, The Fish Market, Newlyn Harbour, Signed & dated 1939, 11.5" x 15.5" (29.2cm x 39.4cm), Provenance: W.H. Lane 24th April 2001

Harold C. HARVEY (1874-1941), Oil on canvas, The Fish Market, Newlyn Harbour, Signed & dated 1939, 11.5" x 15.5" (29.2cm x 39.4cm), Provenance: W.H. Lane 24th April 2001

Harold C. HARVEY (1874-1941), Oil on canvas, The Fish Market, Newlyn Harbour, Signed & dated 1939, 11.5" x 15.5" (29.2cm x 39.4cm), Provenance: W.H. Lane 24th April 2001

HAROLD C. HARVEY (1874-1941) - Study in green

HAROLD C. HARVEY (1874-1941) Study in green signed and dated ‘Harold. Harvey./1931.’ (upper right) oil on canvas 20 x 18 in. (50.8 x 45.7 cm.)

Harold Harvey (1874-1941) A Cornish Girl 13.5 x 9.75in.

Harold Harvey (1874-1941) oil on wooden panel A Cornish Girl signed and dated 1916 13.5 x 9.75in.

Harold Harvey (British, 1874-1941) Marsh landscape

Harold Harvey (British, 1874-1941) Marsh landscape signed and dated 'Harold Harvey 1922' (lower left) oil on canvas 75.5 x 91cm (29 3/4 x 35 13/16in). Footnotes Provenance Private collection, Italy The present work bears close comparison with several works that Harvey produced in the early 1920s. Marazion Marsh (1923) is very similar in composition, subject and treatment, and the present work may also depict the same marshes. Harvey also painted a work entitled Marazion Marshes, which is known from an exhibition of 1922, but a slightly smaller size at 30 x 25 inches. Another work which is stylistically comparable is Chy an Mor (1922), also known as Near Zennor which again depicts a scrubby pastoral landscape with distant farm buildings. We are grateful to Peter Risdon for his assistance in cataloguing this lot. The work will appear in his online catalogue, www.haroldharvey.info.

HAROLD HARVEY | The Lilac Doll

oil on canvas

Harold C. HARVEY (1874-1941), Oil on canvas, The Fish Market, Newlyn Harbou

Harold C. HARVEY (1874-1941), Oil on canvas, The Fish Market, Newlyn Harbour, Signed & dated 1939, 11.5" x 15.5" (29.2cm x 39.4cm), Provenance: W.H. Lane 24th April 2001

HAROLD HARVEY (ENGLISH, 1874-1941)

HAROLD HARVEY (ENGLISH, 1874-1941) Taking the donkey through the water Oil on canvas Signed and dated [19]14 Harold Harvey (1874-1941) was a member of the Newlyn School of Painters. He was born in Penzance, Cornwall. He commenced his artistic training under Norman Garstin (1847-1926). Afterwards he travelled to France to study at The Academie Julian. His first exhibit at The Royal Academy was in 1898. He exhibited here regularly between 1907 and 1941. He also exhibited 18 works at The Royal Hibernian Academy between 1928 and 1939. He painted landscapes, portraits, interior scenes and coastal views. Throughout his career he depicted scenes of daily life in Cornwall: fisherfolk and farm labourers. His paintings can be seen at The National Museum of Wales, Cardiff; The Plymouth Art Gallery; Penlee House Art Gallery; and The Royal Cornwall Museum.15 x 19 inches (38 x 48 cm.)