(b Paisley, Scotland, 1823; d Mount Vernon, New York, 1894) Scottish-born American Painter. William McDougal Hart was born in Scotland and taken to America early in his youth by his family. His first landscape painting experience was decorating the panels of coaches while he apprenticed under a carriage painter in New York. In mid 1840s, he returned to America and concentrated on the study of American landscape. Like many of the major landscape artists of his time, he opened a studio in New York City, and embraced the mannerism of the late Hudson Rive School. By placing emphasis on the light and atmosphere, he became adept at depicting angled sunlight and foreground shadow. He is also known for his prolific and occasionally formulaic paintings of cattle, a popular motif in Hudson River School art; cows were used as diminutive symbols of man’s harmonious relationship with nature. Hart exhibited at the National Academy of Design from 1848 through the mid 1870s; the Brooklyn Art Association; he was a member of the American Watercolor Society, where he served as its president from 1870 to 1973.
WILLIAM HART New York/United Kingdom/Scotland, 1823-1894 "The Pool", with cattle at a watering hole. Signed lower right "Wm. Hart". Artist also identified verso. Titled on frame plaque.
William M. Hart Picnic on Esopus Creek oil on canvas 11 h x 17.375 w in (28 x 44 cm) Provenance: Alexander Gallery, New York | A Private Collection on the Hudson This work will ship from Lambertville, New Jersey.
Signed lower left. Label on verso from James J. Kelleher Gallery, NY. Provenance: Herbert De Pape, Westchester County, NY. By descent to his daughter, Cynthia Sammis, Westchester County, NY. By descent to her niece, Royal Oak, MI.
'A Bucolic Hudson River View with Cows'. Oil on canvas. Initialed lower right. Provenance: Old Saybrook, CT. Property from a Bronxville, NY estate. Dimensions: 24" h x 42" w. Frame: 24.75" h x 42" w.
William Hart (Am. 1823-1894) Mountain Landscape with Cows Oil on canvas, framed Signed l.r., Shannon's label on frame verso 21" x 17" actual, 33 7/8" x 30" framed
WILLIAM HART New York/United Kingdom/Scotland, 1823-1894 "The Watering Hole". Signed lower right "Wm. Hart". Artist also identified verso. Titled on frame plaque.
WILLIAM HART (NY/UK/SCOTLAND, 1823-1894) Pastoral Scene with Cows Watering under a Tree, oil on canvas, signed lower right, Windsor and Newton London stencil verso, in replica gilt gesso cove frame, OS: 15 1/2" x 17 1/2", SS: 11 1/2" x 13 1/2", light stretcher impression.
William Hart (Scottish/American 1823-1894). Untitled- Landscape, 1888, oil on canvas, pastoral scene depicting multiple cows by a body of water, signed and dated LL. Framed. Approximate dimensions: canvas h. 11.125", w. 16.125"; frame h. 17.125", w. 21", d. 1.5"
Signed William Hart (Scottish/American, 1823-1894) Oil On Canvas Landscape Painting . Measures approx. 18 1/4" X 24 1/4", Sight measures approx. 12" X 18". Please note the frame is damaged, see pics. || >>>RBFineArts CFL Inc. Shipping, Payment & Auction Policies<<< !!!DUE TO A RECENT INCREASE IN FRAUDULENT ACTIVITIES FROM BUYERS IN OUR AUCTIONS THE BELOW TERMS AND CONDITIONS WILL BE STRICTLY ADHERED TO!!! || *Please note shipping is not included in the sale, you will have to pay for shipping. If you are not satisfied with our shipping options, please arrange shipping for your item and contact us about the shipping details.* || RBFINEARTS SHIPPING IS OUR DEFAULT PACKING AND SHIPPING PARTNER. All lots will be released to them once payment has been received unless we are notified by email. 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William Hart (1823 - 1894) Oil on Canvas, Signed Lower Left, Measures (11.5 x 17 inches) w/frame (14 x 20 inches) James and Marion Hart and seven of their children, including James M. Hart age 1 yr., 9 mos., and William Hart age 6 yrs., 10 mos., came from Scotland to New York on the ship, Camillus. They landed on February 12, 1830. This information comes from a hand written record at the National Archives. The year of arrival is illegible because of the poor handwriting of the clerk at the dock. The manifest lists the parents and seven children and their ages. Based upon the known birthdates of the family and the ages listed on the manifest, my arithmetic calculates that the ship arrived in 1830.
William McDougal Hart (New York / Scotland, 1823-1894), "Rural Scene near Hamilton, Lanarkshire, 10 Miles from Glasgow", late 19th C., oil on board, depicting a stream, with figures walking by, signed lower right, ornately framed, wear consistent with age, including scattered inpainting, minor craquelure, etc., ss: 18 1/2" h. x 13" w. [Provenance: Pencil note on reverse indicates artist sold the work directly to its first owner, W.G. Leonard in March 1894, and that it was painted in Scotland. Later sold by an old Newport RI family to the Roger King Gallery and to the consigner in 2003]
William Hart (1823-1894) "Autumn In Kent Valley," 1880 Oil on panel Signed and dated lower right: Wm Hart; titled on an exhibition label affixed to the frame, verso
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
William M. Hart (American, 1823-1894) Cattle in a Landscape, 1884 oil on canvas signed WM HART and dated (lower right) 16 3/4 x 14 inches. The Collection of Philip and Judith Sieg, Bellefonte, Pennsylvania Provenance: Alexander Walsh, South Woodstock, Connecticut Acquired from the above by the present owners, 1982 Exhibited: University Park, Pennsylvania, The Pennsylvania State University Museum of Art, Bellefonte Collects, August 13 - October 22, 1989, no. 18, p. 19, illus.
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
(Scottish/America, 1823-1894) Landscape with Cows, 1879, signed and dated lower left "Wm Hart 1879", oil on panel, 9-3/4 x 8-1/4 in.; period carved gilt wood frame, 17-3/4 x 16-3/4 in. Provenance: Dave and Chris Knoke, Marietta, Georgia
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
William Hart (American, 1823-1894) Landscape with Cattle oil on board signed "Wm. Hart" (lower right) 5 1/4 x 7 1/4 inches (sight) 12 1/2 x 14 1/2 inches (frame)
(American, 1823-1894) Cows in a Stream, signed lower left "Wm Hart", oil on board, 9-1/4 x 16 in.; period carved gilt wood and composition frame, 16-3/4 x 23-1/2 in. Provenance: Private Collection, Scarsdale, New York
William Hart (1823 - 1894) Mountain Landscape Oil on Board. Artist signed on lower left. William Hart became known for serene, bucolic, romantic landscapes with smooth finely executed brush-work. Many of his paintings had cattle and realistic figures diminished in the landscape, a motif he began in the late 1880s when he was inspired by the Lower Keene Valley in northern New York state. His work is represented in the Metropolitan Museum, the Brooklyn Museum of Art, the National Gallery, Corcoran Gallery of Art, Museum of Fine Arts, Boston and in many other museums and institutions. Artist: William Hart Title: Mountain Landscape Medium: Oil on Board Signature Type: Hand Signed Signature Location: Lower Left Keywords: Antique, Landscape; Ref: BD1782
William Hart (1823 - 1894) oil on wood board, autumn landscape with figures by river side, signed lower left Wm. Hart 1871, with Godel & Co. NYC label on reverse. Board 9” x 10.25”, overall in gilt wood frame 15.75” x 16.25”.
William Hart N.A. (American, 1823-1894), Etching on paper, depicting cows at pasture, illegibly signed in pencil "William Hart N.A." lower left and (?) lower right, matted and framed under glass, 20"h x 23.5"w (sight), 31"h x 35"w (frame)
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
William Hart (1823-1894) Country Circus signed 'WM. HART' (lower right) and dated 'July 77' (lower left) oil on canvas laid down on board 5 3/4 x 12 3/4 in. (14.6 x 32.4 cm.) Painted in 1877.
William Hart Scottish/American, 1823-1894 Cows By A River, circa 1870s signed Wm Hart and dated indistinctly 187... Oil on canvas 12 1/2 x 10 1/2 inches C Property from a North Carolina Collection
Original steel-engraving, Lake Superior (Entrance to Baptism Bay) after a painting by William Hart (1823-1894), an artist of the Hudson River School. Engraved by Robert Hinshelwood. Published by D. Appleton & Co., New York. Entered according to Act of Congress A.D. 1873. Beautifully detailed print. Very good condition. Image approx. 8 x 5-3/4 in. Plus margins. From the collection of Katherine Ebert, author of OLD AMERICAN PRINTS FOR COLLECTORS. VG
William Hart (American, 1823-1894) Landscape with Cows oil on canvas signed "Wm. Hart" (lower right) 10 x 7 3/4 inches (sight) 15 1/2 x 13 1/2 inches (frame)
William Hart (American, 1823-1894) Landscape with Cows oil on canvas signed and dated "Wm. Hart, 1883" (lower left) 10 x 8 inches (sight) 22 x 20 inches (frame)
Upstate New York Mountains, oil on canvas, unsigned, stencil on back of canvas reads "P. Deschaux & Co. Artist's Colourman, New York" (Paul Deschaux was in business 1869-1874). in gold painted deep cove frame, OS: 19 1/2" x 17 1/2", SS: 11 3/4" x 9 3/4", cleaned and revarnished.
