Richard Harrington Sold at Auction Prices

b. 1911 - d. 2005

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    • Richard Harrington (1911-2005), APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950
      Oct. 10, 2024

      Richard Harrington (1911-2005), APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005), Canadian APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950 signed, titled, dated, numbered 2/5, and stamped verso; printed 1979 Estimate: $1,000—1,500 CAD

      Waddington's
    • Richard Harrington (1911-2005), ANAGAIK OF BATHURST INLET, N.W.T. EATING BITS FROM CARIBOU LEG WITH ULU IN HER IGLOO, 1949
      May. 16, 2024

      Richard Harrington (1911-2005), ANAGAIK OF BATHURST INLET, N.W.T. EATING BITS FROM CARIBOU LEG WITH ULU IN HER IGLOO, 1949

      Est: $2,000 - $3,000

      Richard Harrington (1911-2005) ANAGAIK OF BATHURST INLET, N.W.T. EATING BITS FROM CARIBOU LEG WITH ULU IN HER IGLOO, 1949 gelatin silver print , signed, titled, dated, numbered 2/6 and stamped verso; printed 1980 19.8 x 15.9 in — 50.3 x 40.3 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,000—3,000

      Waddington's
    • Richard Harrington (1911-2005), ESKIMO WOMAN TENDING HER KUDELE (SEAL OIL LAMP) INSIDE IGLOO NEAR COPPERMINE N.W.T., 1949
      May. 16, 2024

      Richard Harrington (1911-2005), ESKIMO WOMAN TENDING HER KUDELE (SEAL OIL LAMP) INSIDE IGLOO NEAR COPPERMINE N.W.T., 1949

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) ESKIMO WOMAN TENDING HER KUDELE (SEAL OIL LAMP) INSIDE IGLOO NEAR COPPERMINE N.W.T., 1949 gelatin silver print , signed, titled, dated, numbered 2/6 and stamped verso; printed 1979 16 x 20 in — 40.6 x 50.8 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), YOUNG INUIT WITH SNOWKNIFE SOUTH OF COPPERMINE, 1949
      May. 16, 2024

      Richard Harrington (1911-2005), YOUNG INUIT WITH SNOWKNIFE SOUTH OF COPPERMINE, 1949

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) YOUNG INUIT WITH SNOWKNIFE SOUTH OF COPPERMINE, 1949 gelatin silver print , signed, titled, dated and stamped verso; printed 1980 14 x 11 in — 35.6 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), PADLEI INUIT MAN WITH TWO WIVES, ALL STARVING DUE TO LACK OF CARIBOU, 1950
      May. 16, 2024

      Richard Harrington (1911-2005), PADLEI INUIT MAN WITH TWO WIVES, ALL STARVING DUE TO LACK OF CARIBOU, 1950

      Est: $2,000 - $3,000

      Richard Harrington (1911-2005) PADLEI INUIT MAN WITH TWO WIVES, ALL STARVING DUE TO LACK OF CARIBOU, 1950 gelatin silver print , signed, titled, dated, numbered 2/5 and stamped verso; printed 1979 13 x 20 in — 33 x 50.8 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,000—3,000

      Waddington's
    • Richard Harrington (1911-2005), STURDY YOUNG INUIT WOMAN OF THE DORSET TRIBE, SPENCE BAY, 1951
      May. 16, 2024

      Richard Harrington (1911-2005), STURDY YOUNG INUIT WOMAN OF THE DORSET TRIBE, SPENCE BAY, 1951

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) STURDY YOUNG INUIT WOMAN OF THE DORSET TRIBE, SPENCE BAY, 1951 gelatin silver print , signed, titled, dated, numbered 1/25, and stamped verso; printed 1980 13.9 x 11 in — 35.2 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949
      May. 16, 2024

      Richard Harrington (1911-2005), ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) ESKIMO MOTHER WITH HER FIRST CHILD NEAR PERRY RIVER, N.W.T., 1949 gelatin silver print , signed, titled, dated, numbered 2/8 and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Private Collection, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), PADLEI INUIT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950
      May. 16, 2024

      Richard Harrington (1911-2005), PADLEI INUIT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) PADLEI INUIT WOMAN NEAR DEATH DUE TO FAMINE NEAR PADLEI, 1950 gelatin silver print , signed, titled, dated, and stamped verso, from an edition of 25; printed 1980 14 x 11 in — 35.6 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON; Private Collection, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950
      May. 16, 2024

      Richard Harrington (1911-2005), APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) APPRENTICE CLERK AT H.B.C. POST AT BAKER LAKE, N.W.T. BROUGHT HIS BAGPIPE WITH HIM FROM SCOTLAND, 1950 gelatin silver print , signed, titled, dated, numbered 1/5 and stamped verso; printed 1979 19.9 x 16 in — 50.6 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950
      May. 16, 2024

      Richard Harrington (1911-2005), GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) GEORGE LUSH, LAST OF THE WHITE TRAPPERS WITH HIS LEAD DOG 'NANOOK' SOUTH OF ESKIMO POINT, N.W.T., 1950 gelatin silver print , signed, titled, dated, numbered 2/6 and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), CHARLOTTE VOISEY (PART INUIT) WEARS THE TYPICAL BEAD COVERED 'ARTIGGI' OF THE PADLEI INUIT TRIBE, 1950
      May. 16, 2024

      Richard Harrington (1911-2005), CHARLOTTE VOISEY (PART INUIT) WEARS THE TYPICAL BEAD COVERED 'ARTIGGI' OF THE PADLEI INUIT TRIBE, 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) CHARLOTTE VOISEY (PART INUIT) WEARS THE TYPICAL BEAD COVERED 'ARTIGGI' OF THE PADLEI INUIT TRIBE, 1950 gelatin silver print , signed, titled, dated and stamped verso, from an edition of 25; printed 1980 14 x 11 in — 35.6 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), PADLEI INUIT MOTHER CARESSES HER CHILD AT 'STARVATION CAMP' INSIDE THEIR IGLOO, 1950
      May. 16, 2024

      Richard Harrington (1911-2005), PADLEI INUIT MOTHER CARESSES HER CHILD AT 'STARVATION CAMP' INSIDE THEIR IGLOO, 1950

      Est: $2,500 - $3,500

      Richard Harrington (1911-2005) PADLEI INUIT MOTHER CARESSES HER CHILD AT 'STARVATION CAMP' INSIDE THEIR IGLOO, 1950 gelatin silver print , signed, titled, dated, numbered 7/7 and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,500—3,500

      Waddington's
    • Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS WITH HER CHILD IN THEIR IGLOO AT 'STARVATION CAMP', 1950
      May. 16, 2024

      Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS WITH HER CHILD IN THEIR IGLOO AT 'STARVATION CAMP', 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) PADLEI INUIT WOMAN IN LABOUR PAINS WITH HER CHILD IN THEIR IGLOO AT 'STARVATION CAMP', 1950 gelatin silver print , signed, titled, dated and stamped verso; printed 1980 14 x 10.2 in — 35.6 x 26 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950
      May. 16, 2024

      Richard Harrington (1911-2005), PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950

      Est: $800 - $1,200

      Richard Harrington (1911-2005) PADLEI INUIT WOMAN IN LABOUR PAINS IN HER IGLOO AT 'STARVATION CAMP', 1950 gelatin silver print , signed, titled, dated and stamped verso; printed 1980 10.9 x 14 in — 27.8 x 35.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $800—1,200

      Waddington's
    • Richard Harrington (1911-2005), AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950
      May. 16, 2024

      Richard Harrington (1911-2005), AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) AN INUIT WOMAN IN HER IGLOO AT ESKIMO POINT, 1950 gelatin silver print , signed, titled, dated and stamped verso; printed 1980 13.9 x 10.8 in — 35.2 x 27.4 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), A GAUNT PADLEI INUIT WOMAN NEAR DEATH DUE TO HUNGER - AT STARVATION CAMP, DRESSED IN AN OLD HAIRLESS 'ARTIGGI' INNER CARIBOU SKIN PARKA, 1950
      May. 16, 2024

      Richard Harrington (1911-2005), A GAUNT PADLEI INUIT WOMAN NEAR DEATH DUE TO HUNGER - AT STARVATION CAMP, DRESSED IN AN OLD HAIRLESS 'ARTIGGI' INNER CARIBOU SKIN PARKA, 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) A GAUNT PADLEI INUIT WOMAN NEAR DEATH DUE TO HUNGER - AT STARVATION CAMP, DRESSED IN AN OLD HAIRLESS 'ARTIGGI' INNER CARIBOU SKIN PARKA, 1950 gelatin silver print , signed, titled, dated, numbered 1/25 and stamped verso; printed 1980 14 x 11 in — 35.6 x 27.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949
      May. 16, 2024

      Richard Harrington (1911-2005), ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) ESKIMO DRUM DANCER AT AN INLAND CAMP NEAR BATHURST INLET, N.W.T., 1949 gelatin silver print , signed, titled, dated, numbered 2/5 and stamped verso; printed 1979 19.4 x 15.9 in — 49.4 x 40.3 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), CLEANING THE ICE WINDOW OF AN IGLOO AT POVUNGNITUK, QUEBEC, 1952
      May. 16, 2024

      Richard Harrington (1911-2005), CLEANING THE ICE WINDOW OF AN IGLOO AT POVUNGNITUK, QUEBEC, 1952

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) CLEANING THE ICE WINDOW OF AN IGLOO AT POVUNGNITUK, QUEBEC, 1952 gelatin silver print , signed, titled, dated, numbered 1/6 and stamped verso; printed 1979 15.8 x 18.7 in — 40.2 x 47.5 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), INUIT GIRL WITH HER DOLL, SOUTH OF COPPERMINE, 1949
      May. 16, 2024

      Richard Harrington (1911-2005), INUIT GIRL WITH HER DOLL, SOUTH OF COPPERMINE, 1949

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) INUIT GIRL WITH HER DOLL, SOUTH OF COPPERMINE, 1949 gelatin silver print , signed, titled, dated, numbered 3/10, and stamped verso; printed 1979 14 x 10 in — 35.6 x 25.4 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), GIRL TAKING CARE OF BABY BROTHER AT POVUNGNITUK, QUE, 1952
      May. 16, 2024

      Richard Harrington (1911-2005), GIRL TAKING CARE OF BABY BROTHER AT POVUNGNITUK, QUE, 1952

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) GIRL TAKING CARE OF BABY BROTHER AT POVUNGNITUK, QUE, 1952 gelatin silver print , signed, titled, dated, numbered 1/6, and stamped verso; printed 1979 16 x 20 in — 40.6 x 50.8 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), EEGIE WITH HER SISTER IN FULL WINTER DRESS, NEAR PADLEI, N.W.T., 1950
      May. 16, 2024

      Richard Harrington (1911-2005), EEGIE WITH HER SISTER IN FULL WINTER DRESS, NEAR PADLEI, N.W.T., 1950

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) EEGIE WITH HER SISTER IN FULL WINTER DRESS, NEAR PADLEI, N.W.T., 1950 gelatin silver print , signed, titled, dated, numbered 1/5, and stamped verso; printed 1979 20 x 14 in — 50.8 x 35.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • Richard Harrington (1911-2005), 'ARCTIC FUR SHOW' AT H.B.C. SPENCE BAY N.W.T., 1951
      May. 16, 2024

      Richard Harrington (1911-2005), 'ARCTIC FUR SHOW' AT H.B.C. SPENCE BAY N.W.T., 1951

      Est: $2,000 - $3,000

      Richard Harrington (1911-2005) 'ARCTIC FUR SHOW' AT H.B.C. SPENCE BAY N.W.T., 1951 gelatin silver print , signed, titled, dated, numbered 4/5, and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,000—3,000

      Waddington's
    • Richard Harrington (1911-2005), ESKIMO HOLDING BUNDLES OF ARCTIC FOX SKINS READY TO BE BAILED AT H.B.C. SPENCE BAY, N.W.T., HIS NAME IS ANIDAH, 1951
      May. 16, 2024

      Richard Harrington (1911-2005), ESKIMO HOLDING BUNDLES OF ARCTIC FOX SKINS READY TO BE BAILED AT H.B.C. SPENCE BAY, N.W.T., HIS NAME IS ANIDAH, 1951

      Est: $2,000 - $3,000

      Richard Harrington (1911-2005) ESKIMO HOLDING BUNDLES OF ARCTIC FOX SKINS READY TO BE BAILED AT H.B.C. SPENCE BAY, N.W.T., HIS NAME IS ANIDAH, 1951 gelatin silver print , signed, titled, dated, numbered 1/6, and stamped verso; printed 1979 20 x 16 in — 50.8 x 40.6 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $2,000—3,000

      Waddington's
    • Richard Harrington (1911-2005), SMALL IGLOO AT NIGHT (WITH STAR MARKS DUE TO TIME EXPOSURE) NEAR PERRY RIVER, N.W.T., 1949
      May. 16, 2024

      Richard Harrington (1911-2005), SMALL IGLOO AT NIGHT (WITH STAR MARKS DUE TO TIME EXPOSURE) NEAR PERRY RIVER, N.W.T., 1949

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005) SMALL IGLOO AT NIGHT (WITH STAR MARKS DUE TO TIME EXPOSURE) NEAR PERRY RIVER, N.W.T., 1949 gelatin silver print , signed, titled, dated, numbered 1/5, and stamped verso; printed 1979 15.8 x 20 in — 40.2 x 50.9 cm Provenance: Deja Vue Gallery, Toronto, ON Note: With a program centred on photography, the Deja Vue Gallery was one of the first spaces in Toronto to champion the medium. The diversity of the Gallery’s collection includes Canadian artists Richard Harrington and Yousuf Karsh. Harrington, known for his work in the Canadian Arctic, recorded the vanishing nomadic lifestyle of the Inuit. In his later book, “The Face of the Arctic”, he wrote that “in the midst of this misery, I took photographs. These pictures would, I hope, show the outside world what real suffering was. They would also show the strength, endurance, courage and ingenuity of an almost exhausted people.” (1) In contrast, Karsh believed that a portrait should be more than just a representation of the physical appearance of a person, and should also convey their inner spirit and character. Thanks to a variety of light techniques, each portrait included in this auction – “Georges Braque”, 1941, “Joan Baez”, 1970, “George Bernard Shaw”, 1943 – are distinctly represented, each existing within their own world. American masters are also represented by the Deja Vue collection, with offerings by Edward Weston and his Western landscapes. “Rancho Sonoma,” 1937, “Point Lobos,” 1929, “Kelp”, 1930, and “Wing of Pelican”, 1931 all represent quintessential parts of the artist’s oeuvre. Part of the Group f/64 along with Ansel Adams, Willard Van Dyke and Imogen Cunningham, Weston focused on precise studies, and his work greatly influenced the aesthetics of American photography. The final images made by the artist were taken in Point Lobos in 1948, before Parkinson's disease made his work no longer possible. His legacy is carefully maintained by his sons Brett and Cole, who have produced prints using the original negatives per the instructions of their father for approximately 40 years. (1) https://www.waddingtons.ca/richard-harrington-arctic-photographs-from-the-collection-of-lorraine-monk/ Estimate: $1,000—1,500

      Waddington's
    • RICHARD C. HARRINGTON, America, Contemporary, "Days' Sunset"., Monotype on paper, 15" x 20" sight. Framed 25.5" x 29".
      Aug. 20, 2020

      RICHARD C. HARRINGTON, America, Contemporary, "Days' Sunset"., Monotype on paper, 15" x 20" sight. Framed 25.5" x 29".

      Est: $400 - $600

      RICHARD C. HARRINGTON America, Contemporary "Days' Sunset". Signed lower right "Harrington". Titled and signed verso. Monotype on paper, 15" x 20" sight. Framed 25.5" x 29".

      Eldred's
    • RICHARD C. HARRINGTON, United States, Contemporary, "Sea Whisper"., Monotype, 10" x 10". Framed 18" x 17".
      Apr. 02, 2020

      RICHARD C. HARRINGTON, United States, Contemporary, "Sea Whisper"., Monotype, 10" x 10". Framed 18" x 17".

      Est: $300 - $400

      RICHARD C. HARRINGTON United States, Contemporary "Sea Whisper". Signed lower right "Richard Harrington". Monotype, 10" x 10". Framed 18" x 17".

      Eldred's
    • RICHARD HARRINGTON (1911-2005), A KAYAK OF SKIN, BUILT FOR TWO, BUT ONLY ON CALM WATERS - SPENCY BAY, 1951, gelatin silver print (framed), 9.5 x 13.5 in — 24.1 x 34.3 cm
      Sep. 20, 2018

      RICHARD HARRINGTON (1911-2005), A KAYAK OF SKIN, BUILT FOR TWO, BUT ONLY ON CALM WATERS - SPENCY BAY, 1951, gelatin silver print (framed), 9.5 x 13.5 in — 24.1 x 34.3 cm

      Est: $800 - $1,200

      RICHARD HARRINGTON (1911-2005)A KAYAK OF SKIN, BUILT FOR TWO, BUT ONLY ON CALM WATERS - SPENCY BAY, 1951gelatin silver print, signed, titled and dated 1951, framed, sight9.5 x 13.5 in — 24.1 x 34.3 cmEstimate: $800—1,200

      Waddington's
    • Richard Harrington Signed Landscape
      May. 21, 2018

      Richard Harrington Signed Landscape

      Est: $75 - $100

      Nicely Framed Print Signed Richard Harrington, "New Day" Monotype.

      Symphony Auction Gallery
    • Richard Harrington (1911-2005), KALUT WITH SEAL, 1952, Gelatin silver print; given to the artist, titled, dated 1952 and numbered 2/5 to the gallery label verso, Sheet 18 x 15 in — 45.7 x 38.1 cm
      Apr. 12, 2018

      Richard Harrington (1911-2005), KALUT WITH SEAL, 1952, Gelatin silver print; given to the artist, titled, dated 1952 and numbered 2/5 to the gallery label verso, Sheet 18 x 15 in — 45.7 x 38.1 cm

      Est: $800 - $1,000

      RICHARD HARRINGTON (1911-2005), CANADIANKALUT WITH SEAL, 1952Gelatin silver print; given to the artist, titled, dated 1952 and numbered 2/5 to the gallery label versoSheet 18 x 15 in — 45.7 x 38.1 cmProvenance:The Burton Gallery, Toronto;Private Collection, TorontoEstimate: $800—1,000

      Waddington's
    • RICHARD HARRINGTON (1911-2005), ESKIMO SOAPSTONE CARVER WITH HIS WORK AT POVUNGNITUK, QUE, 1952, gelatin silver print (unframed), 13 x 10 in — 33 x 25.4 cm
      Mar. 15, 2018

      RICHARD HARRINGTON (1911-2005), ESKIMO SOAPSTONE CARVER WITH HIS WORK AT POVUNGNITUK, QUE, 1952, gelatin silver print (unframed), 13 x 10 in — 33 x 25.4 cm

      Est: $800 - $1,200

      RICHARD HARRINGTON (1911-2005)ESKIMO SOAPSTONE CARVER WITH HIS WORK AT POVUNGNITUK, QUE, 1952gelatin silver print, signed, dated 1979, 1/6, unframed13 x 10 in — 33 x 25.4 cmNote:stamped in red “RICHARD HARRINGTON CANADA”Estimate: $800—1,200

      Waddington's
    • RICHARD HARRINGTON (1911-2005), DOG TEAM TRAVEL DURING ARCTIC WINTER SOUTHEAST OF COPPERMINE, 1949, Gelatin silver print; signed, titled, dated 1949, numbered 2/40, and annotated "Toronto, Ont 1980" in pencil, with photographer's credit stamp verso.
      Mar. 10, 2015

      RICHARD HARRINGTON (1911-2005), DOG TEAM TRAVEL DURING ARCTIC WINTER SOUTHEAST OF COPPERMINE, 1949, Gelatin silver print; signed, titled, dated 1949, numbered 2/40, and annotated "Toronto, Ont 1980" in pencil, with photographer's credit stamp verso.

      Est: $800 - $1,200

      RICHARD HARRINGTON (1911-2005), CANADIANDOG TEAM TRAVEL DURING ARCTIC WINTER SOUTHEAST OF COPPERMINE, 1949Gelatin silver print; signed, titled, dated 1949, numbered 2/40, and annotated "Toronto, Ont 1980" in pencil, with photographer's credit stamp verso. Matted and unframed.Together with:CANADIAN MUSEUM OF PHOTOGRAPHY, 1987Poster: RICHARD HARRINGTON, THE INCREDIBLE JOURNEYS - PHOTOGRAPHS FROM THE CANADIAN FAR NORTH: 1947 - 1952, The Gallery College Park, May 20 - June 13, 1987 Lithographic exhibition poster; signed by the photographer in ink lower right. Unframed.Image 10.25" x 13.75" - 26 x 34.9 cm.; 35" x 24.5" - 88.9 x 62.2 cm.Provenance:Collection of the Late Mr. Gerald B. WhiteEstimate: $800-1,200

      Waddington's
    • RICHARD HARRINGTON (1911-2005), DUCK LAKE, MANITOBA, 1947, Selenium-toned print; signed, titled and dated 1947 in pen and ink to margin, signed in pencil, stamped with photographer's credit and with stamped date "May 21 1987" verso. Matted and
      Mar. 10, 2015

      RICHARD HARRINGTON (1911-2005), DUCK LAKE, MANITOBA, 1947, Selenium-toned print; signed, titled and dated 1947 in pen and ink to margin, signed in pencil, stamped with photographer's credit and with stamped date "May 21 1987" verso. Matted and

      Est: $1,000 - $1,500

      RICHARD HARRINGTON (1911-2005), CANADIANDUCK LAKE, MANITOBA, 1947Selenium-toned print; signed, titled and dated 1947 in pen and ink to margin, signed in pencil, stamped with photographer's credit and with stamped date "May 21 1987" verso. Matted and unframed.12" x 18" - 30.5 x 45.7 cm.Provenance:Collection of the late Mr. Gerald B. WhiteEstimate: $1,000-1,500

      Waddington's
    • RICHARD HARRINGTON (1911-2005), IGLOO AT NIGHT, CANADIAN ARCTIC, 1949, Gelatin silver print; signed, titled, dated 1949, and annotated "Toronto, Ont 1980" in pencil, with photographer's credit stamp verso. Matted and unframed., 11" x 14" - 27.9 x
      Mar. 10, 2015

      RICHARD HARRINGTON (1911-2005), IGLOO AT NIGHT, CANADIAN ARCTIC, 1949, Gelatin silver print; signed, titled, dated 1949, and annotated "Toronto, Ont 1980" in pencil, with photographer's credit stamp verso. Matted and unframed., 11" x 14" - 27.9 x

      Est: $800 - $1,200

      RICHARD HARRINGTON (1911-2005), CANADIANIGLOO AT NIGHT, CANADIAN ARCTIC, 1949Gelatin silver print; signed, titled, dated 1949, and annotated "Toronto, Ont 1980" in pencil, with photographer's credit stamp verso. Matted and unframed.11" x 14" - 27.9 x 35.6 cm.Provenance:Collection of the Late Mr. Gerald B. WhiteEstimate: $800-1,200

      Waddington's
    • Richard Harrington (1911 - 2005), ARCTIC FUR SHOW, HBC SPENCE BAY, NWT, 1951, gelatin silver print (framed), 15.5" x 9.5" - 39.4 x 24.1 cm.
      Jun. 02, 2014

      Richard Harrington (1911 - 2005), ARCTIC FUR SHOW, HBC SPENCE BAY, NWT, 1951, gelatin silver print (framed), 15.5" x 9.5" - 39.4 x 24.1 cm.

      Est: $1,000 - $1,500

      RICHARD HARRINGTON (1911 - 2005)ARCTIC FUR SHOW, HBC SPENCE BAY, NWT, 1951gelatin silver print, 1979, signed and titled on verso, framed, sight15.5" x 9.5" - 39.4 x 24.1 cm.Provenance:Corkin Gallery, Toronto, ONNote:The print was created in 1979 from negatives from the Archives of Canada.

      Waddington's
    • Richard Harrington (1911-2005), PADLEI, NWT, 1950 (MOTHER AND CHILD RUBBING NOSES), Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985., Image 11.75" x 17.5" - 29.8 x 44.5 cm.; 15.75" x 19.75" - 40 x 50.2 cm.
      Mar. 11, 2014

      Richard Harrington (1911-2005), PADLEI, NWT, 1950 (MOTHER AND CHILD RUBBING NOSES), Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985., Image 11.75" x 17.5" - 29.8 x 44.5 cm.; 15.75" x 19.75" - 40 x 50.2 cm.

      Est: $1,500 - $2,000

      Richard Harrington (1911-2005), German/CanadianPADLEI, NWT, 1950 (MOTHER AND CHILD RUBBING NOSES); Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985.Image 11.75" x 17.5" - 29.8 x 44.5 cm.; 15.75" x 19.75" - 40 x 50.2 cm.Provenance: Private Collection, TorontoLiterature: See Richard Harrington's "The Inuit Life As It Was", p. 3, illustrated

      Waddington's
    • Richard Harrington (1911-2005), PADLEI, NWT., 1950 (INUIT PULLING A SLED), Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985., Image 11.75" x 17.5" - 29.8 x 44.5 cm.
      Mar. 11, 2014

      Richard Harrington (1911-2005), PADLEI, NWT., 1950 (INUIT PULLING A SLED), Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985., Image 11.75" x 17.5" - 29.8 x 44.5 cm.

      Est: $1,000 - $1,500

      Richard Harrington (1911-2005), German/CanadianPADLEI, NWT., 1950 (INUIT PULLING A SLED); Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985.Image 11.75" x 17.5" - 29.8 x 44.5 cm.Provenance: Private Collection, Toronto

      Waddington's
    • Richard Harrington (1911-2005), PADLEI, NWT, 1950 ("ONE MAN HAD FASHIONED A VIOLIN FROM A BACON TIN AND SINEWS, AND WAS PLAYING IT FOR HIS FAMILY" ), Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985., Image
      Mar. 11, 2014

      Richard Harrington (1911-2005), PADLEI, NWT, 1950 ("ONE MAN HAD FASHIONED A VIOLIN FROM A BACON TIN AND SINEWS, AND WAS PLAYING IT FOR HIS FAMILY" ), Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985., Image

      Est: $1,500 - $2,000

      Richard Harrington (1911-2005), German/CanadianPADLEI, NWT, 1950 ("ONE MAN HAD FASHIONED A VIOLIN FROM A BACON TIN AND SINEWS, AND WAS PLAYING IT FOR HIS FAMILY" ); Gelatin silver print; signed, titled and dated 1950 in ink to margin. Printed circa 1985.Image 11.75" x 17.5" - 29.8 x 44.5 cm.Provenance: Private Collection, TorontoLiterature: See Richard Harrington's "The Inuit Life As It Was", p. 120, illustrated p. 24 for the descriptive quote to this scene

      Waddington's
    • Richard Harrington (1911-2005), ESKIMO CHILD WITH PUPPY, 1949, Gelatin silver print; signed, titled and dated 1949 in ink to margin. Printed circa 1985., Image 17.75" x 11.75" - 45.1 x 29.8 cm.; 19.75" x 16" - 50.2 x 40.6 cm.
      Mar. 11, 2014

      Richard Harrington (1911-2005), ESKIMO CHILD WITH PUPPY, 1949, Gelatin silver print; signed, titled and dated 1949 in ink to margin. Printed circa 1985., Image 17.75" x 11.75" - 45.1 x 29.8 cm.; 19.75" x 16" - 50.2 x 40.6 cm.

      Est: $1,500 - $2,000

      Richard Harrington (1911-2005), German/CanadianESKIMO CHILD WITH PUPPY, 1949; Gelatin silver print; signed, titled and dated 1949 in ink to margin. Printed circa 1985.Image 17.75" x 11.75" - 45.1 x 29.8 cm.; 19.75" x 16" - 50.2 x 40.6 cm.Provenance: Private Collection, TorontoLiterature: See Richard Harrington's "The Inuit Life As It Was", p. 35, illustratedNote: Harrington's Arctic photographs provide a historical record of a vanishing way of life in the Canadian Arctic as the Inuit people were soon to abandon their nomadic lifestyle to settle permanently into various camps.The Inuit called Harrington "Adderioli" (the man with a box). He travelled to Padlei on hi fourth trip to the Arctic

      Waddington's
    • Richard Harrington 1911 - 2005 Canadian gelatin
      Oct. 28, 2010

      Richard Harrington 1911 - 2005 Canadian gelatin

      Est: $3,000 - $4,000

      Richard Harrington 1911 - 2005 Canadian gelatin silver print Padlei, NWT 12 1/2 x 17 3/4 inches 31.7 x 45.1 centimeters signed, titled and dated 1950 Provenance:Private Collection, Toronto

      Heffel
    • Richard Harrington 1911 - 2005 Canadian gelatin
      Oct. 28, 2010

      Richard Harrington 1911 - 2005 Canadian gelatin

      Est: $3,000 - $4,000

      Richard Harrington 1911 - 2005 Canadian gelatin silver print Padlei, NWT 17 3/4 x 12 inches 45.1 x 30.5 centimeters signed, titled and dated 1950 Provenance:Private Collection, Toronto

      Heffel
    • Richard Harrington Photograph (Canadian 1911-2005)
      Sep. 10, 2010

      Richard Harrington Photograph (Canadian 1911-2005)

      Est: $1,500 - $2,000

      Richard Harrington Photograph (Canadian 1911-2005) Padleimuit Woman and Child silver gelatin dated, titled, and signed in ink below image; verso titled with caption Padleimuit Woman and her child inside their igloo during a period of famine in the Padlei area, Canadian Arctic, 1950; with artist's stamp; photograph taken in 1950, print B printed in 1984, 14 in. x 11 in. 1950 Richard Harrington adventured to the Arctic on six separate trips between 1948 - 1953, for the sole reason of documenting Arctic life. Known as the man with the box, Adderiorli, Harrington's fourth trip was spent in Padlei, a remote community which was starving due to the lack of caribou that year. Harrington captured this hardship in a sensitive light. This image was reprinted by Richard Harrington in 1984, and the negative, along with his diaries, reside in the Archives of Canada in Ottawa.

      Cowan's Auctions
    • Richard Harrington (Canadian, 1911-2005) Arctic Wing Plane Calling...Padlei, N.W.T.
      May. 31, 2010

      Richard Harrington (Canadian, 1911-2005) Arctic Wing Plane Calling...Padlei, N.W.T.

      Est: £1,500 - £2,000

      Arctic Wing Plane Calling...Padlei, N.W.T. stamped with artist stamp, titled and inscribed 45 on the reverse black and white photograph 20.3 x 25.4cm (8 x 10in). unframed

      Bonhams
    • Richard Harrington (Canadian, 1911-2005) Untitled (Dog sled pulling a young girl)
      May. 31, 2010

      Richard Harrington (Canadian, 1911-2005) Untitled (Dog sled pulling a young girl)

      Est: £1,500 - £2,000

      Untitled (Dog sled pulling a young girl) stamped with artist stamp and inscribed #33 on the reverse black and white photograph 20.3 x 25.4cm (8 x 10in). unframed

      Bonhams
    • Richard Harrington 1911 - 2005 Canadian gelatin
      May. 29, 2010

      Richard Harrington 1911 - 2005 Canadian gelatin

      Est: $4,000 - $5,000

      Richard Harrington 1911 - 2005 Canadian gelatin silver print Padlei, N.W.T. 17 3/4 x 12 inches 45.1 x 30.5 centimeters signed, titled and dated 1950 Provenance:Private Collection, Toronto

      Heffel
    • Richard Harrington 1911 - 2005 Canadian gelatin
      May. 28, 2009

      Richard Harrington 1911 - 2005 Canadian gelatin

      Est: $3,000 - $4,000

      Richard Harrington 1911 - 2005 Canadian gelatin silver print Padleimiut Woman 20 x 16 inches 50.8 x 40.6 centimeters on verso signed, titled, editioned 5/6, dated 1950, inscribed ""Print by R. Harrington, 1979, Negative with Archives of Canada"" and stamped with the artist's stamp

      Heffel
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