St. George Hare Paintings & Artwork for Sale | St. George Hare Art Value Price Guide

Dec. 29, 2022
Charles Bernard de Billy etching
Est: $150 - $200
An antique etching by Charles Bernard de Billy of "The Victory of Faith" After St. George Hare (British, 1857-1933) of the 1891 painting. This version bears an embossed stamp on the lower left corner, from Royal Columbian Exposition in Chicago in 1893. The image is about 7-1/4 x 11-3/4 in. plus wide clean margins.
East Coast Books
Sep. 27, 2021
St George Hare RI ROI (1857-1933) A MARTYR AND FOUR FEMALE FIGURES IN AN AMPHITHEATRE
Est: €2,000 - €3,000
St George Hare RI ROI (1857-1933) A MARTYR AND FOUR FEMALE FIGURES IN AN AMPHITHEATRE oil on canvas with faint typed label on frame on reverse; bears "HARE" on canvas on reverse h:36 w:26.50 in. Provenance: Whyte's, 30 May 2011, lot 63; Private collection This biblical scene possibly illustrates the death of St Ignatius of Antioch, also called Theophorus (‘God-bearer’), who died in the time of the Emperor Trajan. A convert from paganism, Ignatius was arrested, condemned to be killed by wild beasts and sent to Rome under military guard for execution in the Colosseum. Testament to the artist’s interested in this subject matter, In 1891 St. George Hare exhibited a work in the Royal Academy entitled, The Victory of Faith, [no. 489]. Graves’, The Royal Academy Index of Arts, A Complete Dictionary of Contributors and their Work, from its Foundation in 1769 to 1904 (Vol. II), p.391 lists the aforementioned painting and includes the following note from Foxe’s Martyrs, “Divers and sundrie torments were the Christians molested with, and the martyrs were in most miserable and pitiful wise handled. Those which were not tormented to death, were everie daie terrified and feared without ceasing. –”
Whyte's
Feb. 20, 2021
St.George Hare Oil, Portrait of a Young Woman
Est: $300 - $500
St.George Hare (Irish, 1857-1933) Portrait of a Young Woman in a Pearl Necklace and an Off White Dress, oil on canvas, signed upper left, framed. Dimensions: 23 x 17 in. canvas size, 31 x 24 in. as framed. Condition: Very good with no damage or repair.
Neue Auctions
Sep. 16, 2019
St George Hare RI ROI (1857-1933) A MARTYR AND FOUR FEMALE FIGURES IN AN AMPHITHEATRE
Est: €3,000 - €4,000
with faint typed label on frame on reverse; bears "HARE" on canvas on reverse
Whyte's
Mar. 01, 2019
St George Hare (1857-1933), The Man in Possession, watercolour, signed and dated 1881, titled verso, 35cm x 25cm, framed
Est: £800 - £1,200
St George Hare (1857-1933), The Man in Possession, watercolour, signed and dated 1881, titled verso, 35cm x 25cm, framed
Kinghams Auctioneers
Apr. 12, 2014
Saint George Hare? (1857-1933) Irish Oil on canvas
Est: £1,500 - £2,500
Saint George Hare? (1857-1933) Irish Oil on canvas Medieval maiden reading from a illuminated book Ascribed 'Hare' verso Bears remains of label and indistinct pencil marks verso 18 x14".
Claydon Auctioneers
Mar. 18, 2014
St. George Hare-(Irish, 1857-1933)-The Debutante
Est: £4,000 - £6,000
The Debutante signed 'Hare' (on the reverse) oil on canvas 63 x 50cm (24 13/16 x 19 11/16in).
Bonhams
Mar. 09, 2014
St. George Hare RI ROI (1857-1933) oil painting of Princesses Madeleine and Olga Von Dembinska, Pretenders to the Polish Throne
Est: €600 - €800
St. George Hare RI ROI (1857-1933) oil painting of Princesses Madeleine and Olga Von Dembinska, Pretenders to the Polish Throne The subjects of this double portrait were Polish sisters of the von Dembinski family who claimed direct lineage from King Canute and therefore a connection to the English Royal Family. Through the death of a co-lineal relative they purportedly inherited their titles and claim to the Polish throne (since beyond reclaim) and a large area of land in Poland which they believed was being denied to them by a French syndicate. They lived in Barrowgate Road, Westminster in London where they came into contact with a physicist John Fredrick Heard who rented accommodation from the family and recorded his time in their company in 1976. 1. In 1961 Madeleine was recorded by Pathé News working as a railway level crossing gate keeper near Long Melford, Suffolk. In 2009 the Princesses' story became the subject of a television series, Heir Hunters, which endeavoured to seek out the rightful heirs to their unclaimed estate. Also with this lot a collection of photographs relating to the Princesses and their family. Footnote: 1 Journal of the Royal Astronomical Society of Canada, Vol. 73, Collected Reminiscences of John Frederick Heard, My Brush with Royalty, p.195-197 h:27 w:36 in.
Whyte's
Nov. 25, 2013
St. George Hare RI ROI (1857-1933) THE PRINCESSES MADELEINE AND OLGA VON DEMBINSKA
Est: €1,500 - €2,000
signed lower left
Whyte's
May. 30, 2011
Saint George Hare RI ROI (1857-1933) - A MARTYR AND FOUR FEMALE FIGURES IN AN AMPHITHEATRE
Est: €3,000 - €4,000
oil on canvas with faint typed label on frame on reverse; bears "HARE" on canvas on reverse
Whyte's
Feb. 11, 2010
St George Hare RI ROI (1857-1933) Portrait of Muriel, 23 x 19in.
Est: £1,000 - £1,500
St George Hare RI ROI (1857-1933) oil on canvas Portrait of Muriel, daughter of Seymour Hare, label verso, 23 x 19in.
Gorringes
Feb. 08, 2010
St. George Hare (1857-1933) What Lies Ahead oil on
Est: €8,000 - €12,000
St. George Hare (1857-1933) What Lies Ahead oil on canvas signed verso (91.5 x 66 cm) (36 x 26 in)
Morgan O'Driscoll
Nov. 30, 2009
St George Hare RI ROI (1857-1933) PORTRAIT OF A
Est: €800 - €1,000
St George Hare RI ROI (1857-1933) PORTRAIT OF A LADY WITH AMBER BEADS oil on canvas signed upper left 61 by 46cm., 24 by 18in. Born in Limerick, St George Hare's father was a dentist from Ipswich, Suffolk, who married the daughter of his employer, St George Freeman, from Waterford. His uncle, Jabez Hare, was an artist who died at the tender age of seventeen; a tablet was erected to his memory in the town of Ipswich, as "a record of early talent and worth". St George Hare studied at the Limerick School of Art for three years under Nicholas A. Brophy, before moving to London to study at the Royal College of Art, South Kensington. He first exhibited at the RHA in 1881 and at the RA in 1884. Subjects included portraits, landscape, still life and - surprising for an Irish academic artist of the period - exotic nudes. One such was donated to the National Gallery in Victoria, whilst a carefully modelled still life of fish hangs in the Limerick City Gallery. Hare also exhibited regularly at the ROI and the RI, as well as with the Chelsea Arts Club, of which he was a founder member. Sir Hugh Lane included his work in the London Guildhall exhibition of Irish painters in 1906 and his work was also exhibited regularly at the Walker Gallery, Liverpool and the Manchester City Art Gallery (see Snoddy, pp. 224-5).
Whyte's
Oct. 23, 2009
ST. GEORGE HARE (1857-1933) "Christians in the
Est: £5,000 - £7,000
ST. GEORGE HARE (1857-1933) "Christians in the Arena", a white haired man in robe holding a red haired woman to his chest, a child and negress at his feet, another figure lying down at their side, the crowd looking on from above, an apparition of Christ upon the Cross projected against the stone wall behind them, oil on canvas, unsigned, signed verso, 92 x 68 cm (ILLUSTRATED)
Moore Allen & Innocent
Dec. 05, 2008
St George Hare RI ROI (1857-1933) Irish Oil on
Est: £1,000 - £1,500
St George Hare RI ROI (1857-1933) Irish Oil on Canvas Portrait of a young lady Signed 'Hare' in red top left Bears 'ESK' stamp verso 18 x 15"
Claydon Auctioneers
Nov. 24, 2008
St George Hare RI ROI (1857-1933) PORTRAIT OF A
Est: €3,000 - €4,000
St George Hare RI ROI (1857-1933) PORTRAIT OF A LADY WITH AMBER BEADS signed upper left oil on canvas 61 by 46cm., 24 by 18in. Born in Limerick, St George Hare's father was a dentist from Ipswich, Suffolk, who married the daughter of his employer, St George Freeman, from Waterford. His uncle, Jabez Hare, was an artist who died at the tender age of seventeen; a tablet was erected to his memory in the town of Ipswich, as "a record of early talent and worth". St George Hare studied at the Limerick School of Art for three years under Nicholas A. Brophy, before moving to London to study at the Royal College of Art, South Kensington. He first exhibited at the RHA in 1881 and at the RA in 1884. Subjects included portraits, landscape, still life and - surprising for an Irish academic artist of the period - exotic nudes. One such was donated to the National Gallery in Victoria, whilst a carefully modelled still life of fish hangs in the Limerick City Gallery. Hare also exhibited regularly at the ROI and the RI, as well as with the Chelsea Arts Club, of which he was a founder member. Sir Hugh Lane included his work in the London Guildhall exhibition of Irish painters in 1906, and his work was also exhibited regularly at the Walker Gallery, Liverpool, and the Manchester City Art Gallery (see Snoddy, pp. 224-5).
Whyte's
Nov. 24, 2008
St George Hare RI ROI (1857-1933) STILL LIFE WITH
Est: €3,000 - €5,000
St George Hare RI ROI (1857-1933) STILL LIFE WITH MELONS, RASPBERRIES AND GOOSEBERRIES signed lower left oil on canvas 35 by 55cm., 13.7 5 by 21.7 5i
Whyte's
Nov. 11, 2008
St George Hare, R.I. (1857-1933)
Est: £500 - £700
St George Hare, R.I. (1857-1933) The kiss signed 'Hare' (lower left) pastel 21¼ x 13¾ in. (54 x 34.9 cm.)
Christie's
May. 14, 2004
St George Hare, R.I., R.O.I. (1857-1933)
Est: £15,000 - £20,000
'Fifty years since our wedding day' signed 'HARE' (lower right) and further signed and indistinctly inscribed 'G.Hare 10 Mo..' (on the reverse) oil on canvas 25 3/4 x 32 in. (65.5 x 81.3 cm.)
Christie's