Günter Haese Paintings & Artwork for Sale | Günter Haese Art Value Price Guide

Feb. 26, 2025
GUNTER HAESE Germany (1924 / 2016) "Cai Luzán exhibition poster", 1997
Est: €120 - €160
Lithograph on paper. Justified 20/100 and signed in pencil in the lower right corner. Provenance: - Theo Gallery, Madrid - Private collection, Madrid Measurements: 50 x 35 cm
Ansorena
Jun. 28, 2024
Gunter HAESE (1924-2016) 2 Handzeichnungen, 1x ca. 14x19 cm und 10x8,5 cm
Est: -
Gunter HAESE (1924-2016) 2 Handzeichnungen, 1x ca. 14x19 cm und 10x8,5 cm
Auktionshalle Cuxhaven
May. 21, 2024
GÜNTER HAESE - Nexus
Est: -
GÜNTER HAESE Hamburgo 1924-2016 Nexus. 2004 Tela metálica con elementos móviles sobre base de madera Pieza única Medidas 27 x 26 x 6,5 cm PROCEDENCIA Galerie Sfeir-Semler, Homburgo Colección particular
Subastas Segre
Dec. 02, 2023
Günter Haese, Incubo, 1986
Est: €12,000 - €15,000
Günter Haese, Incubo, 1986
Kunsthaus Lempertz KG
Jun. 30, 2023
Günter Haese (1924 Kiel – Hannover 2016) – Ohne Titel (Raumplastik) (Untitled (Spatial Sculpture))
Est: €10,000 - €15,000
Brass wire and phosphor bronze on a plexiglass plinth. (Presumably 1970s). Ca. 17 x 19 x 18 cm. The original wooden transport box signed, inscribed with “Plastik”, “30” and an arrow to show hanging direction and with a ball-point pen drawing of the sculpture.
Karl & Faber
Jun. 06, 2023
Günter Haese, Minerva, 1978
Est: €30,000 - €40,000
“For Haese, there is a wide field of possibilities for variation within the chosen limits. The scope of formal instruments between open, organ-like forms and sophisticated, crystalline symmetry opens up wide perspectives, especially when one considers Günter Haese’s diligent but entirely unvirtuous working method, his critical self-control during the different stages of the creation process. In his workshop, raw materials and semi-finished products for his works are spread out on many small surfaces, between which stand the workpieces that are created in small steps and out of which the future components literally grow gradually out the materials that surround them. More than in the past, the contours of bizarre inventions recede as opposed to calmly condensed basic forms such as circle, arc, and rectangle. In these, the fragile, mobile interior is also densely arranged in small-scale and in a compact, rhythmically animated manner. Entire arsenals of embedded elements unfold an existence that at first glance appears to be identical, but by closer consideration is varying, yet socialised. A particular area of expression is developed by the metal mesh which is transformed into spatial structures and becomes apparent as a carrier of manifold, sculptural values. Added to this is the diaphaneity, changing continually according to volume, mesh density, and angle of view, whereby combined flat and curved elements almost suggest the sensuality of living beings even without the element of movement.” (Hans von den Grinten (ed.), Ewald Matare und seine Schüler, exhib.cat. i.a. Kestner Gesellschaft Hanover, Berlin 1979, p.123)
Kunsthaus Lempertz KG
Dec. 09, 2022
GÜNTER HAESE (ATTR.) MOBILE
Est: €1,500 - €3,000
GÜNTER HAESE (ATTR.) 1924 Kiel - 2016 MOBILE Metal, brass wire, bronze. 9 x 24 x 24 cm. With traces of oxidation, partly dam. Provenance: Private collection Düsseldorf. GÜNTER HAESE (ATTR.) 1924 Kiel - 2016 MOBILE Metall, Messingdraht, Bronze. 9 x 24 x 24 cm. Mit Oxidationsspuren, part. besch. Provenienz: Privatsammlung Düsseldorf. Bitte beachten Sie, dass bei diesem Objekt wegen der Abgeltung des gesetzlichen Folgerechts § 26 UrhG eine pauschale Umlage von 2% auf den Zuschlagpreis zu entrichten ist. Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
Hargesheimer Kunstauktionen Düsseldorf
Jun. 01, 2022
Günter Haese, Minerva, 1978
Est: €35,000 - €40,000
“For Haese, there is a wide field of possibilities for variation within the chosen limits. The scope of formal instruments between open, organ-like forms and sophisticated, crystalline symmetry opens up wide perspectives, especially when one considers Günter Haese’s diligent but entirely unvirtuous working method, his critical self-control during the different stages of the creation process. In his workshop, raw materials and semi-finished products for his works are spread out on many small surfaces, between which stand the workpieces that are created in small steps and out of which the future components literally grow gradually out the materials that surround them. More than in the past, the contours of bizarre inventions recede as opposed to calmly condensed basic forms such as circle, arc, and rectangle. In these, the fragile, mobile interior is also densely arranged in small-scale and in a compact, rhythmically animated manner. Entire arsenals of embedded elements unfold an existence that at first glance appears to be identical, but by closer consideration is varying, yet socialised. A particular area of expression is developed by the metal mesh which is transformed into spatial structures and becomes apparent as a carrier of manifold, sculptural values. Added to this is the diaphaneity, changing continually according to volume, mesh density, and angle of view, whereby combined flat and curved elements almost suggest the sensuality of living beings even without the element of movement.” (Hans von den Grinten (ed.), Ewald Matare und seine Schüler, exhib. cat. i.a. Kestner Gesellschaft Hanover, Berlin 1979, p.123)
Kunsthaus Lempertz KG
Oct. 30, 2021
Günter Haese (Kiel 1924 - 2016 bei Hannover) - o.T.
Est: -
Günter Haese (Kiel 1924 - 2016 bei Hannover) o.T. Messing u. Phosphorbronze. Um 1981. 20 x 20,5 x 17 cm. Auf schwarz lackiertem Holzsockel (Höhe: 2,8 cm). Vermutlich Postel 154 (nicht abgebildet), vgl. auch Postel 156 - Provenienz: 1984 in der Galerie Hella Nebelung im Ratinger Tor, Düsseldorf, erworben (Rechnung in Kopie beiliegend), seitdem in Familienbesitz. - Haese studierte an der Kunstakademie Düsseldorf Bildhauerei bei Ewald Mataré, dessen Meisterschüler er wurde. Gemeinsam mit Joseph Beuys assistierte er ihm bei der Schaffung der Kölner Domtüren am Südportal. Zunächst orientierte Haese sich an Matarés oder Marino Marinis volumenbetonter Plastik, entdeckte aber um 1960/61 einen neuen Werkstoff für seine eigene Bildhauerei: Er nahm einen Wecker auseinander, verlötete dessen Innenleben zu feinen Plastiken und hatte - im reiferen Alter von 38 Jahren - sein Material und ästhetisches Wirkungsfeld gefunden. - Seit den 1960er Jahren schuf Haese leichte kinetische Gebilde: Es genügen minimalste Erschütterungen, Luftbewegungen im Raum oder der Atem des Betrachtenden, um die feinen verlöteten Spiralen, Federn und Gitterkügelchen in Schwingung zu bringen. Der betrachtende Mensch interagiert dadurch mit dem Kunstwerk, das seine Präsenz scheinbar wahrnimmt und auf ihn reagiert. Das zarte Zittern, das eine Plastik durchläuft, wenn jemand sich nähert oder vorübergeht, verleiht den in langen Arbeitsprozessen entstandenen Formen Lebendigkeit und Anmut. - "In der Zeit kinetischer Plastik war das durchaus zeitgemäß, aber die Bewegung war hier stets nur leise vibrierend und damit zutiefst poetisch. Die Formen bieten mal anthropomorphe, mal biomorphe, mal architektonische, mal technische Anklänge [...]. Der Erfolg ließ nicht lange auf sich warten. Und es ging rasant: 1964 documenta III, im gleichen Jahr Einzelausstellung im New Yorker Museum of Modern Art. Ein Schwergewicht des Kunstmarkts, die international tätige Marlborough Gallery, nahm ihn in ihr Programm auf. 1966 vertrat er Deutschland auf der XXXIII. Biennale von Venedig, 1969 auf der X. Biennale von São Paulo. Er wurde mit bedeutenden Preisen bedacht, wie z. B. dem Cornelius-Preis der Stadt Düsseldorf und dem Preis der Solomon R. Guggenheim Foundation in New York." Jedoch lag dem Künstler dieser Rummel wenig, denn er widersprach völlig seinem Arbeitstempo. Elementar für das Gelingen seiner Werke war seine besonnene Arbeitsweise. (Isa Bickmann, in: faustkultur.de) Schaetzpreis €10000
Dr. Irene Lehr Kunstauktionen GmbH
Dec. 04, 2020
Günter Haese - ”Relief I”
Est: €15,000 - €20,000
”Relief I” Label of Galerie Lopes, Zurich on the reverse Haese, Günter Postel 190
Grisebach
Sep. 18, 2020
HAESE, GÜNTER
Est: CHF10,000 - CHF20,000
(Kiel 1924–2016 bei Hannover) "Kleiner Bruder". Messing und Phosphorbronze. Höhe 28,5 auf Plexiglassockel 30 cm. -Am Fuss eine gelöste, gelötete Stelle. Dadurch leichte Schieflage.
Schuler Auktionen
Sep. 29, 2017
GÜNTER HAESE (B. 1924) | Melia, 1986
Est: $6,000 - $8,000
brass and phosphorous bronze mounted on Plexiglas base
Sotheby's
Dec. 03, 2016
Haese Günter, Dido, 1981
Est: €8,000 - €12,000
Signed 'HAESE' on the underside of the wooden plinth. In original wooden box.
Kunsthaus Lempertz KG
Jun. 04, 2016
Haese Günter, Tukano I, 1998
Est: €18,000 - €22,000
The wooden box with a sketch of the sculpture and directional arrows and information.
Kunsthaus Lempertz KG
Jun. 02, 2016
HAESE, GÜNTER
Est: €15,000 - €20,000
HAESE, GÜNTER 1924 Kiel Morning star. 1975/81. Brass (fumed), spring steel, aluminium, mat lacquer, and phosphorus bronze. 32 x 35 x 7,5cm. On white-lacquered wooden base. Enclosed is a handsigned photo certificate. Literature: Postel, Claudia: Günter Haese - Verzeichnis der Skulpturen, Schloss Gottorf 2002, no. 158 Ex.cat. Moderne Galerie Quadrat Bottrop, 1984, cat.no. 22, without ill., without place.
Van Ham Kunstauktionen
Jun. 05, 2015
Günter Haese, Untitled, Signed on the underside of
Est: €8,000 - €12,000
Günter Haese, Untitled, Signed on the underside of the base in black felt-tip pen: HAESE, Brass and phosphor bronze, mounted on white lacquered wooden base, 2008, 7 7/8 in.
Grisebach
May. 30, 2015
Haese Günter, Odessa, 1986
Est: €10,000 - €12,000
The wooden box with a sketch of the sculpture as well as directional arrow and information. Height 33.5 cm, mounted on wooden plinth, overall dimension hight 40 cm Kinetic brass sculpture Height 33.5 cm, mounted on wooden plinth, overall dimension hight 40 cm 1986
Kunsthaus Lempertz KG
Nov. 28, 2014
Günter Haese - Klariden
Est: €10,000 - €15,000
Günter Haese - Klariden. Brass wire object, mounted on plexiglass plate. 1991
Grisebach
May. 31, 2014
Günter Haese, Sesam, 1987
Est: €8,000 - €12,000
The wooden box titled 'SESAM' with a sketch of the sculpture, directional arrow and directional information. Kinetic sculpture made of brass In original wooden box.
Kunsthaus Lempertz KG
May. 30, 2014
„Ohne Titel"
Est: €10,000 - €15,000
Günter Haese „Ohne Titel" Brass and phosphorbronze, mounted on wooden base 7 7/8 in.
Grisebach
May. 18, 2014
Gunter Haese: Gärten der Semiramis
Est: $12,000 - $15,000
Gunter Haese: Gärten der Semiramis. Brass and phosphor bronze, 1982, , Signed "Haese" underneath base. 8.25" (9.25" with base) x 7" x 7" (8" x 8" with base). Provenance: Galerie Lopes, Zürich, Switzerland; Private Collection, United States (acquired directly from the above, 1983); Thence by descentLiterature: Postel, Claudia. Günter Haese: Verzeichnis der Skulpturen. Ostfildern: Hatje Cantz, 2002. p 93 for similar example.Together with receipt from Galerie Lopes
Los Angeles Modern Auctions
Jan. 21, 2014
Günter Haese (né en 1924) Sculpture, 1964
Est: €3,000 - €4,000
Günter Haese (né en 1924) Sculpture, 1964 Fil de bronze, treillage de cuivre, plexiglas H 17 × L 10 × P 11 cm
Piasa
Nov. 27, 2009
HAESE, Gunther (*1924), "Der Einsiedler",
Est: - €2,000
HAESE, Gunther (*1924), "Der Einsiedler", Metalldraht-Objekt, Holzkasten, 48 x 23,5 x 22, oben auf dem Kasten bez."Eremit"
Auktionshaus von Zengen
Nov. 30, 2007
Haese, Günter 1924 Kiel Lives in Düsseldorf Butterfly.
Est: - €1,700
Brass wire and phosphorbronze, 14 x 22,5 x 4cm.
Van Ham Kunstauktionen
Nov. 30, 2007
Haese, Günter 1924 Kiel Lives in Düsseldorf Mobile.
Est: - €2,700
Brass wire and phosphorbronze, 72 x 14,5 x 11,5cm.
Van Ham Kunstauktionen