Carlos de Haes Paintings & Artwork for Sale | Carlos de Haes Art Value Price Guide

Nov. 14, 2024
Carlos de Haes (signed), Landscape, Spanish school, 19th century
Est: €15,000 - €18,000
Oil on canvas. Unframed measurements: 127 x 77. Framed measurements: 164 x 113. Landscape views with meadows and a river. Over the river bridge, a shepherd, and sheep grazing on the grass. Signed. Carlos de Haes (Brussels, 1826 - Madrid, 1898), Spanish painter of Belgian origin, is one of the most prominent landscape painters of the 19th century. Winner in 1857 of the Landscape Chair at the Higher School of the Academy of Fine Arts of San Fernando, and awarded various medals in subsequent years, he managed to revalue the genre of landscapes in Spain. He advocated closely studying nature with long excursions outdoors to take sketches and notes, giving his paintings a much more realistic perspective than his predecessors did.
Templum Fine Art Auctions
Sep. 17, 2024
CARLOS DE HAES - Forest
Est: -
CARLOS DE HAES Brussels 1826 - Madrid 1898 Forest Pencil drawing with clarion touches With stamp from the painter's archive Measurements 218 x 169 mm
Subastas Segre
Sep. 12, 2024
Carlos de Haes (signed), Landscape, Spanish school, 19th century
Est: €15,000 - €18,000
Oil on canvas. Unframed measurements: 127 x 77. Framed measurements: 164 x 113. Landscape views with meadows and a river. Over the river bridge, a shepherd, and sheep grazing on the grass. Signed. Carlos de Haes (Brussels, 1826 - Madrid, 1898), Spanish painter of Belgian origin, is one of the most prominent landscape painters of the 19th century. Winner in 1857 of the Landscape Chair at the Higher School of the Academy of Fine Arts of San Fernando, and awarded various medals in subsequent years, he managed to revalue the genre of landscapes in Spain. He advocated closely studying nature with long excursions outdoors to take sketches and notes, giving his paintings a much more realistic perspective than his predecessors did.
Templum Fine Art Auctions
Jul. 18, 2024
Carlos de Haes (signed), Landscape, Spanish school, 19th century
Est: €15,000 - €18,000
Oil on canvas. Unframed measurements: 127 x 77. Framed measurements: 164 x 113. Landscape views with meadows and a river. Over the river bridge, a shepherd, and sheep grazing on the grass. Signed. Carlos de Haes (Brussels, 1826 - Madrid, 1898), Spanish painter of Belgian origin, is one of the most prominent landscape painters of the 19th century. Winner in 1857 of the Landscape Chair at the Higher School of the Academy of Fine Arts of San Fernando, and awarded various medals in subsequent years, he managed to revalue the genre of landscapes in Spain. He advocated closely studying nature with long excursions outdoors to take sketches and notes, giving his paintings a much more realistic perspective than his predecessors did.
Templum Fine Art Auctions
Jun. 26, 2024
Carlos de Haes. river landscape
Est: -
Copper engraving, signed on plate with initials in the corner. His p. right Stamp stamp from the artist's archive.
Duran Arte y Subastas
Jun. 11, 2024
Attributed to CARLOS DE HAES (Bélgica, 1829 - Madrid 1898) "Ox cart"
Est: €2,500 - €3,000
Attributed to CARLOS DE HAES (Bélgica, 1829 - Madrid 1898) "Ox cart" Oil on panel Signed 16,5 x 29,5 cm 2.500 - 3.000 €
Bayeu Subastas
May. 28, 2024
HAES, CARLOS DE (1829 - 1898)
Est: -
Pencil drawing on paper. Two stamps from the artist's testament (1898).
Duran Arte y Subastas
May. 28, 2024
HAES, CARLOS DE (1829 - 1898)
Est: -
Pencil drawing on paper. Signed in the lower right corner. Carlos de Haes Archive Stamp. Ex Libris of the Marquis of Pidal (Drawing by Haes.61. On paper by Canson Freres).
Duran Arte y Subastas
May. 28, 2024
HAES, CARLOS DE (1829 - 1898)
Est: -
Charcoal drawing on paper. Signed in the lower right corner. Stamp from the C. de Haes archive in the upper right corner.
Duran Arte y Subastas
May. 23, 2024
VIEW OF THE HOLANDÉS RIVER, SIGNED CARLOS DE HAES (BRUSSELS, 1826-MADRID, 1898)
Est: €10,000 - €11,000
Charcoal on paper, 70 x 105 cm, framed measurements: 143 x 110 cm
Templum Fine Art Auctions
Apr. 25, 2024
CARLOS DE HAES (SIGNED), LANDSCAPE, SPANISH SCHOOL, 19TH CENTURY
Est: €15,000 - €18,000
Oil on canvas. Unframed measurements: 127 x 77. Framed measurements: 164 x 113. Landscape views with meadows and a river. Over the river bridge, a shepherd, and sheep grazing on the grass. Signed. Carlos de Haes (Brussels, 1826 - Madrid, 1898), Spanish painter of Belgian origin, is one of the most prominent landscape painters of the 19th century. Winner in 1857 of the Landscape Chair at the Higher School of the Academy of Fine Arts of San Fernando, and awarded various medals in subsequent years, he managed to revalue the genre of landscapes in Spain. He advocated closely studying nature with long excursions outdoors to take sketches and notes, giving his paintings a much more realistic perspective than his predecessors did.
Templum Fine Art Auctions
Mar. 21, 2024
Carlos de Haes (signed), Landscape, Spanish school, 19th century
Est: €15,000 - €18,000
Oil on canvas. Unframed measurements: 127 x 77. Framed measurements: 164 x 113. Landscape views with meadows and a river. Over the river bridge, a shepherd, and sheep grazing on the grass. Signed. Carlos de Haes (Brussels, 1826 - Madrid, 1898), Spanish painter of Belgian origin, is one of the most prominent landscape painters of the 19th century. Winner in 1857 of the Landscape Chair at the Higher School of the Academy of Fine Arts of San Fernando, and awarded various medals in subsequent years, he managed to revalue the genre of landscapes in Spain. He advocated closely studying nature with long excursions outdoors to take sketches and notes, giving his paintings a much more realistic perspective than his predecessors did.
Templum Fine Art Auctions
Mar. 14, 2024
CARLOS DE HAES (Brussels, 1826 - Madrid, 1898) "A sunset landscape"
Est: €4,250 - €4,750
CARLOS DE HAES (Brussels, 1826 - Madrid, 1898) "A sunset landscape" Oil on canvas Signed lower right 115 x 69 cm 4.250 - 4.750 €
Bayeu Subastas
Jan. 24, 2024
Carlos de Haes. Windmill
Est: -
Etching, signed with anagram in the corner. His p. left Slight mottling. Small ant tampon stamp. owner in the lower margin
Duran Arte y Subastas
Jan. 24, 2024
Carlos de Haes. Landscape
Est: -
Oil on cardboard. Signed in the lower left corner.
Duran Arte y Subastas
Jan. 24, 2024
Carlos de Haes. Landscape
Est: -
Oil on canvas. Signed in the lower right corner.
Duran Arte y Subastas
Dec. 27, 2023
Carlos de Haes. Peaks of Europe
Est: -
Etching on paper with dry stamp. Signed in plate (CH) in the upper right corner. Edited by the National Calcography. Bibliography: - GUTIERREZ, Ana: Carlos de Haes in the Prado Museum. Ministry of Education, Culture and Sports, National Prado Museum. Madrid, 2002. Pages. 410-411. Rep. Col. Cat. No.: G-1870.
Duran Arte y Subastas
Dec. 18, 2023
CARLOS DE HAES Brussels, Belgium (1826) / Madrid (1898) "Dutch Landscape" and "Autumn"
Est: €150 - €200
Two steel engravings, etching and aquatint on paper Signed in plate. Editions of the National Chalcography Measurements: Imprint: 17.5 x 11 cm and 9 x 9 cm; Paper: 25 x 18 cm and 23 x 17 cm
Ansorena
Sep. 14, 2023
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Forest", 1873. Oil on canvas. Signed and dated in the lower right corner. With label on the back of Beaskoa Art Gallery. It has some flaws in the polychrome and a small circular hole.
Est: €3,500 - €3,800
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Forest", 1873. Oil on canvas. Signed and dated in the lower right corner. With label on the back of Beaskoa Galería de Arte. It has some faults in the polychromy and a small circular hole. Measurements: 26 x 34 cm; 49 x 56 cm (frame). The Haes family moved from Brussels to Spain in 1835, specifically to Malaga, where Carlos began his training as a disciple of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists who exhibited regularly at the Brussels Salons. Once there he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. On his return to Spain Haes began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of realist plein air painting. His pupils were Aureliano Beruete and Darío de Regoyos. During his artistic career he continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the San Fernando Academy, the same year he won another first medal at the National Exhibition. Nevertheless, he cannot be considered a follower of Plenilism, as he was in favour of working only the sketches from life, while he considered that the painting should be finished in the classical manner, in the studio. Nevertheless, he introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, albeit with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered landscape to be a genre for connoisseurs, as it is difficult to treat and understand. He argued that the aim of art was the truth to be found in the faithful imitation of nature, for which the painter had to have a profound knowledge of nature and not allow himself to be carried away by his imagination. This is why he preferred to finish his works in the studio, in order to capture the concrete moment, since nature itself is constantly changing. Artistic genius lies not only in technique, but in the painter's own personal way of contemplating nature. Most of Carlos de Haes's work is in the Prado Museum, although he is also represented in the Fine Arts Museums of Bilbao, Malaga, Valencia and Lleida, in the Jaime Moreda Foundation and in the National Gallery in London.
Setdart Auction House
Jun. 29, 2023
CARLOS DE HAES. Cliff.
Est: €5,000 - €6,000
Signed and dated 1885. We would like to thank Enrique Arias Anglés for his collaboration in cataloging this work. 76x60cm.
Balclis
Jun. 12, 2023
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Mountain landscape with river and figures". Oil on canvas. Signed in the lower right corner.
Est: €15,000 - €18,000
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "Mountain landscape with river and figures". Oil on canvas. Signed in the lower right corner. Size: 62 x 92 cm; 86 x 118 cm (frame). The landscape painting of Carlos De Haes reached high plastic quotas, as it is appreciated in this painting of panoramic composition. Sublime massifs are silhouetted in the distance, framing a lake scene in which the two figures with their backs to us are dwarfed by the magnificence of the landscape. Tight brushstrokes to depict the foliage with the utmost verism are combined with loose brushstrokes to capture the atmosphere, while the reflective surface of the water is rendered with accomplished glazes. The Haes family moved from Brussels to Spain in 1835, specifically to Malaga, where Carlos began his training as a pupil of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists who exhibited regularly at the Brussels Salons. Once there he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. On his return to Spain Haes began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of realist plein air painting. His pupils were Aureliano Beruete and Darío de Regoyos. During his artistic career he continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the San Fernando Academy, the same year he won another first medal at the National Exhibition. Nevertheless, he cannot be considered a follower of Plenilism, as he was in favour of working only from life on sketches, while he considered that the painting should be finished in the classical manner, in the studio. Nevertheless, he introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, albeit with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered landscape to be a genre for connoisseurs, as it is difficult to treat and understand. He argued that the aim of art was the truth to be found in the faithful imitation of nature, for which the painter had to have a profound knowledge of nature and not allow himself to be carried away by his imagination. This is why he preferred to finish his works in the studio, in order to capture the concrete moment, since nature itself is constantly changing. Artistic genius lies not only in technique, but in the painter's own personal way of contemplating nature. Most of Carlos de Haes's work is in the Prado Museum, although he is also represented in the Fine Arts Museums of Bilbao, Malaga, Valencia and Lleida, in the Jaime Moreda Foundation and in the National Gallery in London.
Setdart Auction House
May. 30, 2023
CARLOS DE HAES (Brussels, 1829 – Madrid, 1898). “High mountain lake landscape with fishermen”. Oil on canvas. Work reproduced in the Spanish Art Archive. CSIC History Institute. LXXX, 318, 2007. p. 178.
Est: €25,000 - €30,000
CARLOS DE HAES (Brussels, 1829 – Madrid, 1898). “High mountain lake landscape with fishermen”. Oil on canvas. Work reproduced in the Spanish Art Archive. CSIC History Institute. LXXX, 318, 2007. p. 178. It presents slight restorations and repainting on the pictorial surface. Signed in the lower left corner Measurements: 100 x 180 cm; 128 x 207 cm (frame). Large canvas showing a spectacular panoramic view of a high mountain valley with a lagoon. The group of fishermen is similar to the one that appears in the work “Fishermen and fishermen. Boat Note” which belongs to the collection of the Museo del Prado in Madrid. The view is framed by the artist with the harmonious sense and balance characteristic of Haes's painting, being essential elements to maintain the consonance of vertical and horizontal lines in the structuring of the work in the style of classical Flemish landscapes of the 17th century. The landscape presents an environmental serenity determined by the atmospheric and lighting study of the atmosphere, which Haes recreates with progressive plays of light. Trait with which he manages to convey great realism wrapped in a poetic vision. It is possible that it is a representation of the Picos de Europa or the Pyrenees, where he was between 1872 and 1875, although it is a workshop work, so it may have been finished some time after the indicated date, probably at the latest. artist stage. The Haes family moved from Brussels to Spain in 1835, specifically to Malaga, where Carlos began his training as a disciple of Luis de la Cruz. In 1850 he decided to continue his studies in his homeland, learning from the great Flemish landscape painters. In parallel, he came into contact with contemporary Belgian artists, who exhibited regularly at the Brussels Salons. Once there he worked together with the landscape painter Joseph Quinaux, who introduced him to outdoor painting, key to the formation of his artistic personality. On his return to Spain, Haes began to reap successes, an example of which is the third medal in the National Exhibition of 1856. The following year he obtained the chair as landscape professor at the San Fernando Academy of Fine Arts, a position from which he formed to a whole generation of landscapers in the exercise of painting in the open air, within realism. His students were Aureliano Beruete and Darío de Regoyos. During his artistic career he continued to reap awards, such as the first medal of the National Exhibition of 1858. In 1860 he was appointed academician of San Fernando, the same year that he obtained another first medal in the National. Despite everything, he cannot be considered a follower of plenairism, since he was in favor of working only the sketches from life, while he considered that the painting should be finished in the classical way, in the workshop. However, he was the introducer of landscape painting in Spanish painting, to the point that the first chair of landscape at the Academy of San Fernando was created for him. His views are composed in the classical manner, although with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered the landscape as a genre of connoisseurs, being difficult to treat and understand. He argued that the end of art is the truth found in the faithful imitation of nature, for which the painter had to know nature deeply and not be carried away by imagination. Hence, he preferred to finish the works in the workshop, to capture the specific moment, since nature itself is constantly changing. The artistic genius would lie not only in the technique, but in the own and personal way of contemplating nature by each painter. Most of Carlos de Haes' production is in the Prado Museum, although he is also represented in the Bilbao, Malaga, Valencia and Lleida Fine Arts Museums, in the Jaime Moreda Foundation, etc.
Setdart Auction House
May. 30, 2023
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "High Mountain Landscape with Road and Stream". Oil on canvas.
Est: €20,000 - €25,000
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898). "High Mountain Landscape with Road and Stream". Oil on canvas. Work reproduced in Archivo Español de Arte. Institute of History CSIC. LXXXI, 322, 2008. p.132. It has repainting on the pictorial surface. Signed in the lower right corner. Measurements: 97 x 147 cm; 139 x 190 cm (frame). Mountainous landscape divided in two by a torrent or stream that flows into the foreground, thus forming an axis with the mountain that dominates the horizon of the composition. This structure was common to many of the artist's paintings. This is a large, meticulously finished studio work, which makes it quite different stylistically and technically from the numerous sketch sketches that the artist made from life and which he used to compose works like the present one. From the technical characteristics it could be said that the work belongs to the artist's second stage, between 1870 and 1880, when he clarified his palette more and used a looser technique, offering a wealth of chromatic nuances and soft contrasts of light, playing with variations in colour. The work has certain similarities with the painting "Peña de Rodrigo" which belongs to the collection of the Prado Museum in Madrid. The Haes family moved from Brussels to Spain in 1835, specifically to Malaga, where Carlos began his training as a pupil of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists who exhibited regularly at the Brussels Salons. Once there he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. On his return to Spain Haes began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of realist plein air painting. His pupils were Aureliano Beruete and Darío de Regoyos. During his artistic career he continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the San Fernando Academy, the same year he won another first medal at the National Exhibition. Nevertheless, he could not be considered a follower of Plenilism, as he was in favour of working only from life on sketches, while he considered that the painting should be finished in the classical manner, in the studio. Nevertheless, he introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, albeit with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered landscape to be a genre for connoisseurs, as it is difficult to treat and understand. He argued that the aim of art was the truth to be found in the faithful imitation of nature, for which the painter had to have a profound knowledge of nature and not be carried away by the imagination. This is why he preferred to finish his works in the studio, in order to capture the concrete moment, since nature itself is constantly changing. Artistic genius lies not only in technique, but in the painter's own personal way of contemplating nature. Most of Carlos de Haes's work is in the Prado Museum, although he is also represented in the Fine Arts Museums of Bilbao, Malaga, Valencia and Lleida, in the Jaime Moreda Foundation and in the National Gallery in London.
Setdart Auction House
May. 10, 2023
CARLOS DE HAES Brussels (1826) / Madrid (1898) "Picos de Europa"
Est: €150 - €200
Etching. Signed on the plate. Measurements: 31.8 x 24.1 cm.
Ansorena
Mar. 15, 2023
CARLOS DE HAES (Bélgica, 1829 - Madrid 1898) "Figures on a path"
Est: €125 - €175
CARLOS DE HAES (Bélgica, 1829 - Madrid 1898) "Figures on a path" Charcoal drawing on paper Signed 11,5 x 17 cm 125 - 175 €
Bayeu Subastas
Jan. 25, 2023
Charles deHaes. Pheasant Island
Est: -
Oil on canvas. Relined. Signed in the lower right corner. Provenance: - Private collection. Exhibitions: - Castillo de Maya Cultural Center, Caja de Ahorros de Navarra, 2000 (Loan label). Bibliography: - DÍAZ, Gregorio et al..: Carlos de Haes. Navarra Box. Pamplona, 2000. Pages. 44-45. Rep. Col
Duran Arte y Subastas
Jan. 25, 2023
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898) and JAUME MORERA GALICIA (Lleida, 1854 - Madrid, 1927). "Landscape with figures". Oil on canvas.
Est: €3,500 - €3,700
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898) and JAUME MORERA GALICIA (Lleida, 1854 - Madrid, 1927). "Landscape with figures". Oil on canvas. Signed "C. de Morera" - "C. de" corresponding to Carlos de Haes and "Morera" to Jaume Morera- by both painters in the lower right-hand corner. This signature was made jointly during the trip that both painters made in 1884 to Holland, Normandy and Brittany. Measurements: 46 x 67 cm. Two great master landscape painters combine their knowledge in this painting, resulting in a singular capture of nature. This rural corner, in which a peasant family gathers firewood for their home, has been resolved with rapid brushstrokes, with a double pulse. A misty sky of silvery light reverberates on the vegetation, giving it a cottony quality. Carlos de Haes, who came from a Belgian family in Malaga, began his training as a pupil of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists, who exhibited regularly at the Brussels Salons. Once there, he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. He returned to Spain and began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of plein air painting, within realism. His pupils were Aureliano Beruete and Darío de Regoyos. He continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the Academy of San Fernando, the same year he won another first medal at the National Exhibition. He again won the first medal in 1862. He introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, albeit with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered landscape to be a genre for connoisseurs, as it is difficult to treat and understand. He stated that the aim of art is the truth to be found in the faithful imitation of nature, for which the painter must have a profound knowledge of nature and not be carried away by the imagination. This is why he prefers to finish his works in the studio, in order to capture the concrete moment, since nature itself is constantly changing. Most of Carlos de Haes's work is in the Prado Museum, but he is also represented in the Fine Arts Museums of Bilbao, Malaga, Valencia and Lleida, in the Jaime Moreda Foundation and in the National Gallery in London. A landscape painter, Morera trained in Barcelona, Madrid and Rome. On his return to Spain in 1877, he set up his studio in Lleida and made numerous trips around the Iberian Peninsula, painting his various landscapes. He finally settled in Madrid, from where he travelled to Holland, Belgium and France, following in the footsteps of his master. He took part in exhibitions in Spain and abroad, particularly at the Universal Exhibition in Paris. He won numerous distinctions throughout his career, including the second medal at the National Exhibition of Fine Arts in Madrid in 1878, the first medals at the 1892 and 1901 editions, and the posthumous diploma of honour at the Barcelona International Exhibition of 1929. Morera Galicia represented a landscape movement opposed to Impressionism and Luminism, in favour of direct experience of nature and attracted by Nordic landscapes. In 1917 he founded the Morera Galicia Museum of Modern Art in Lleida, which houses an extensive collection of his own works and those of other excellent artists, including those bequeathed to him by
Setdart Auction House
Nov. 08, 2022
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898) and JAUME MORERA GALICIA (Lleida, 1854 - Madrid, 1927). "Landscape with figures". Oil on canvas. Signed by both painters in the lower right corner. Work revised by the Museu Jaume Morera.
Est: €5,000 - €6,000
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898) and JAUME MORERA GALICIA (Lleida, 1854 - Madrid, 1927). "Landscape with figures". Oil on canvas. Signed by both painters in the lower right corner. Measurements: 46 x 67 cm. Two great master landscape painters combine their knowledge in this painting, resulting in a singular capture of nature. This rural corner, in which a peasant family gathers firewood for their home, has been resolved with rapid brushstrokes, with a double pulse. A misty sky of silvery light reverberates on the vegetation, giving it a cottony quality. Carlos de Haes, who came from a Belgian family in Malaga, began his training as a pupil of Luis de la Cruz. In 1850 he decided to continue his studies in his native land, learning from the great Flemish landscape painters. At the same time he came into contact with contemporary Belgian artists, who exhibited regularly at the Brussels Salons. Once there, he worked with the landscape painter Joseph Quinaux, who introduced him to plein air painting, a key to the formation of his artistic personality. He returned to Spain and began to reap success, such as the third medal at the National Exhibition of 1856. The following year he was appointed professor of landscape painting at the San Fernando Academy of Fine Arts, a position from which he trained a whole generation of landscape painters in the practice of plein air painting, within realism. His pupils were Aureliano Beruete and Darío de Regoyos. He continued to win prizes, such as the first medal at the National Exhibition of 1858. In 1860 he was appointed a member of the Academy of San Fernando, the same year he won another first medal at the National Exhibition. He again won the first medal in 1862. He introduced landscape painting into Spanish painting, to the extent that the first chair of landscape painting at the San Fernando Academy was created for him. His views are composed in the classical manner, albeit with a predominance of the earth over the sky, which normally occupies a third of the canvas. Haes considered landscape to be a genre for connoisseurs, as it is difficult to treat and understand. He stated that the aim of art is the truth to be found in the faithful imitation of nature, for which the painter must have a profound knowledge of nature and not be carried away by the imagination. This is why he prefers to finish his works in the studio, in order to capture the concrete moment, since nature itself is constantly changing. Most of Carlos de Haes's work is in the Prado Museum, but he is also represented in the Fine Arts Museums of Bilbao, Malaga, Valencia and Lleida, in the Jaime Moreda Foundation and in the National Gallery in London. A landscape painter, Morera trained in Barcelona, Madrid and Rome. On his return to Spain in 1877, he set up his studio in Lleida and made numerous trips around the Iberian Peninsula, painting his various landscapes. He finally settled in Madrid, from where he travelled to Holland, Belgium and France, following in the footsteps of his master. He took part in exhibitions in Spain and abroad, particularly at the Universal Exhibition in Paris. He won numerous distinctions throughout his career, including the second medal at the National Exhibition of Fine Arts in Madrid in 1878, the first medals at the 1892 and 1901 editions, and the posthumous diploma of honour at the Barcelona International Exhibition of 1929. Morera Galicia represented a landscape movement opposed to Impressionism and Luminism, in favour of direct experience of nature and attracted by Nordic landscapes. In 1917 he founded the Morera Galicia Museum of Modern Art in Lleida, which houses an extensive collection of his own works and those of other excellent artists, including those bequeathed to him by his master. He is also represented in the Prado Museum, the Valencia Fine Arts Museum and the San Telmo Museum.
Setdart Auction House
Oct. 25, 2022
CARLOS DE HAES Brussels 1826 - Madrid 1898 Landscape Pencil drawing on paper
Est: -
CARLOS DE HAES Brussels 1826 - Madrid 1898 Landscape Pencil drawing on paper Measures 152 x 171 mm With author's archive stamp.
Subastas Segre
Sep. 28, 2022
Carlos de Haes. Beach
Est: -
Oil on canvas. Signed in the lower left corner.
Duran Arte y Subastas
Jun. 22, 2022
Pastor con su perro
Est: -
.
Isbilya Subastas
Jun. 07, 2022
CARLOS DE HAES. PAISAJE CON FIGURAS.
Est: €300 - €800
Carlos de Haes (Bruselas, 1826-Madrid, 1898) Paisaje con figuras. Óleo sobre tabla. Firmado. 24 x 33,5 cm.
Aletheia Subastas
Jan. 26, 2022
Carlos de Haes. Hunter and dog
Est: -
Etching on paper. Plate signed with artist's monogram in the upper right. Probably later printing (c. 1910-1930).
Duran Arte y Subastas
Jun. 03, 2021
CARLOS DE HAES. Netherlands landscape.
Est: €7,000 - €8,000
Oil on canvas Signed. Made circa 1877-1884. Provenance: Acquired from the painter by Rafael Casademunt Valldejuli (1849-1912) and inherited from his great-grandchildren 57x100 cm.
Balclis
Feb. 25, 2021
Carlos de Haes. Rural view
Est: -
Grabado al cobre, firmado en plancha con anagrama en la esq. sup. ext. Papel con sus barbas; sello en seco de Calcografía Nacional.
Duran Arte y Subastas
Feb. 16, 2021
CARLOS DE HAES - House in the country
Est: €250 - €500
CARLOS DE HAES Belgium 1829-Madrid 1898 House in the country. 1880 - Pencil drawing on paper Signed and dated Sizes 16.5 x 14.5 cm
Subastas Segre
Dec. 15, 2020
FRANCISCO GIMENO Tortosa 1858 - Barcelona 1927
Est: -
Anointed horse Oil on canvas Signed Size 27 x 22 cm
Subastas Segre
Jul. 14, 2020
CARLOS DE HAES - Vriesland Landscape, Holland
Est: €5,000 -
CARLOS DE HAES Belgium 1829-Madrid 1898 Vriesland Landscape, Holland Oil on cardboard Signed Size 29.5 x 41 cm
Subastas Segre
Jun. 03, 2020
Carlos Sebastián Pedro Hubert de Haes (Spanish, 1829-1898) Cattle watering by a river
Est: £10,000 - £15,000
Carlos Sebastián Pedro Hubert de Haes (Spanish, 1829-1898) Cattle watering by a river signed and dated 'C. de Haes/1857' (lower left) oil on canvas 48 x 65cm (18 7/8 x 25 9/16in). For further information on this lot please visit the Bonhams website
Bonhams
May. 28, 2020
HAES, CARLOS DE (Bruselas, 25 enero, 1829 - Madrid
Est: -
HAES, CARLOS DE (Bruselas, 25 enero, 1829 - Madrid, 17 junio, 1898) Canal de Pancorbo, Picos de Europa 97 x 68 cm
Duran Arte y Subastas
Feb. 19, 2020
DE HAES, Carlos, Óleo s/madeira, 18 x 24 cm.
Est: €700 - €1,000
Carlos DE HAES (1826-1898) Paisagem com figura Óleo sobre madeira Assinado Dim. aprox.: 18 x 24 cm.
Palácio do Correio Velho
Jan. 22, 2020
CARLOS DE HAES 1826 / 1898 - "Paisaje escarpado"
Est: -
CARLOS DE HAES 1826 / 1898 "Paisaje escarpado" Firmado en el ángulo inferior derecho 24 x 15 cm Óleo sobre lienzo
Ansorena
Dec. 13, 2019
CARLOS DE HAES S. XIX / ? DRAWING "Paisaje" Graphite on paper br br CAR
Est: -
CARLOS DE HAES S. XIX / ? DRAWING "Paisaje" Graphite on paper CARLOS DE HAES S. XIX / ? "Paisaje" Grafito sobre papel 31 x 46 cm Firmado en el ángulo inferior derecho
Ansorena
Jul. 23, 2019
HAES, CARLOS DE (1829 - 1898). "Tejar". Óleo sobre cartón. Firmado en el án
Est: -
HAES, CARLOS DE (1829 - 1898). "Tejar". Óleo sobre cartón. Firmado en el ángulo inferior izquierdo. Procedencia: - Colección del pintor Álvaro Alcalá Galiano y Vildósola. - Por desdencencia al actual propietario. 29 x 39 cm Carlos de Haes. Tile house
Duran Arte y Subastas
May. 07, 2019
Carlos de Haes (Bruselas, 1826 - Madrid, 1898) - "Landscape with a bridge"
Est: -
Carlos de Haes (Bruselas, 1826 - Madrid, 1898) "Landscape with a bridge" Oil on panel Signed 49,5 x 38,5 cm 3.500 - 4.000 €
Goya Subastas
May. 07, 2019
Carlos de Haes (Bruselas, 1826 - Madrid, 1898) - "Landscape with walker"
Est: -
Carlos de Haes (Bruselas, 1826 - Madrid, 1898) "Landscape with walker" Oil on panel Signed 34,5 x 49,5 cm 3.000 - 3.500 €
Goya Subastas
Feb. 26, 2019
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898) Landscape. Oil on canvas
Est: -
CARLOS DE HAES (Brussels, 1829 - Madrid, 1898) Landscape. Oil on canvas CARLOS DE HAES (Bruselas, 1829 - Madrid, 1898) Paisaje Óleo sobre lienzo de 34 x 55 cm. Firmado y fechado en 1870. Reproducido en Antiquaria nº 77, pg. 205
Sala Retiro Subastas
Dec. 20, 2018
HAES, CARLOS DE (1826-1898). "Paisaje montañés con
Est: -
HAES, CARLOS DE (1826-1898). "Paisaje montañés con lago". Óleo sobre lienzo, de 59,5x48 cm. Firmado. Al dorso, numerado 12. English Translations HAES, CARLOS DE (1826-1898). "Paisaje montañés con lago". Oil on canvas, 59.5x48 cm. Signed. On the back, numbered 12.
Subastas Galileo