Jakob Philipp Hackert Paintings & Artwork for Sale | Jakob Philipp Hackert Art Value Price Guide

Nov. 16, 2024
Jacob Philipp Hackert, View of a Lake
Est: €4,000 - €5,000
Signed lower right: Ph. Hackert f We would like to thank Dr Claudia Nordhoff, Rome, for confirming this drawing as a work by Jakob Philipp Hackert on the basis of a high-resolution photograph.
Kunsthaus Lempertz KG
Nov. 16, 2024
Jacob Philipp Hackert, Cow lying to the Left
Est: €2,000 - €3,000
Inscribed lower right: Ph. Hackert (probably by a foreign hand) Framed under glass
Kunsthaus Lempertz KG
Nov. 16, 2024
Jacob Philipp Hackert, At the Maecenas Villa in Tivoli
Est: €2,500 - €3,500
Signed and dated lower left: Villa Mecenate a Tivoli / 1776 J Ph Hackert Framed under glass The so-called Villa of Maecenas in Tivoli, located below the Villa d'Este, is an ancient Hercules sanctuary from the 2nd century BC. The ruins consist of a large underground vault, whose archways, overgrown with vegetation, Hackert draws here in great detail and presents to the viewer in a beautiful play of light and shadow.
Kunsthaus Lempertz KG
Nov. 16, 2024
Jacob Philipp Hackert, In the ruins of the Colosseum
Est: €5,000 - €6,000
Signed lower left: Ph: Hackert f. / inscribed top right: dans le colise à Rome 1775 Hackert's study of the Colosseum began in the year of his arrival in Italy and continued until 1779, during which time he produced several drawings and paintings depicting this ancient building in its original state. Our sheet should be seen in conjunction with a drawing from the collection of the Wallraf-Richartz Museum in Cologne (inv. no. 1936/136), which is only slightly smaller, also bears the French inscription, albeit without the year, and shows a similar section of the Colosseum (Nordhoff op. cit. no. 1202). There is also a chronological and motivic connection to the painting ‘Ruinen in Rom’ from the Kiel Kunsthalle, dated 1775 (Nordhoff op. cit. no. 86). A small connecting detail also stands out: In the painting, the figure of a wanderer can already be recognised in the distance, who is sitting on a piece of rubble and leaning on his stick, looking at the imposing remains of the Roman past.
Kunsthaus Lempertz KG
Nov. 16, 2024
Jacob Philipp Hackert, Landscape with a farmstead and a carriage crossing a piece of water
Est: €30,000 - €40,000
Signed and dated lower left: Ph Hackert 1767 In August 1765, Jakob Philipp Hacker and Anton Balthasar Dunker arrived in Paris, where they quickly made contact with the artists from the studio of the engraver Georg Wille. Wille was probably the key figure for Hackert during his time in France. Shortly after his arrival in France, he travelled to Normandy with Wille, followed by a walk along the Seine and tours in Picardy. He always had his sketchbook with him; back in Paris, he created his paintings. Hackert's paintings from this period must be seen in the context of landscape painting from the circle of artists around Georg Wille. These painters orientated themselves more towards Dutch painting, in which they felt a greater closeness to nature. Wille and his pupils were particularly fond of the area around Paris, the ruins of castles and churches in Normandy, ruined fortresses and picturesque barns. They saw country life as an idealised alternative to life in the city. In contrast to his later landscapes in Italy, which depict more or less real areas, Hackert's French paintings are still idealised landscapes composed of various motifs.
Kunsthaus Lempertz KG
Nov. 16, 2024
Jacob Philipp Hackert, Olive Tree in a Mountainous Landscape with Waterfall
Est: €10,000 - €12,000
Signed verso upper right: Phi. Hackert fec. and verso upper left number 4 This unusual painting by Jacob Philipp Hackert is one of his late works. In the last years before his death in 1807, the painter not only drew but also painted in oil, free from the constraints of the market and courtly patrons in nature, i.e. ‘plein-air’. Our picture belongs to a group of later tree pictures painted outdoors, including a comparable painting dated 1805 in the Germanisches Nationalmuseum in Nuremberg (GM 1977) and another in Valence in the south of France (Musée dé Valence). Commenting on the present painting, Nordhoff writes: ‘This olive tree in a mountainous landscape closes a circle that links the artist's early work with his later work. Hackert's Roman career began with a view of the waterfalls of Tivoli executed entirely in the open air (Rome, Galleria Nazionale d'Arte Antica, inv. no. 1177). This work was so spectacular for its time that Goethe wrote about it in detail in his biography’ (op. cit. p. 68).
Kunsthaus Lempertz KG
Nov. 15, 2024
Jacob Philipp Hackert (Umkreis) (1737 Prenzlau - San Piero di Careggio bei Florenz 1807) – Gebirgige Landschaft mit Wanderern (bei Civita Castellana) (Mountainous landscape with hikers (near Civita Castellana))
Est: €2,000 - €2,500
Pen and black ink, with brown wash on wove paper, laid down on firm wove paper. 52.6 x 72.6 cm. Inscribed "Forteresse de civita Castellana" lower centre.
Karl & Faber
Nov. 15, 2024
Jacob Philipp Hackert (1737 Prenzlau - San Piero di Careggi bei Florenz 1807) – Bei Vietri (With Vietri)
Est: €4,000 - €5,000
Pen and brush and brown ink, with beown wash on laid paper, laid down on cardboard. (Circa 1782). 33.6 x 45.3 cm.
Karl & Faber
Nov. 15, 2024
Jacob Philipp Hackert (1737 Prenzlau - San Piero di Careggi bei Florenz 1807) – Auf dem Monte Vergine (On the Monte Vergine)
Est: €8,000 - €12,000
Pen and brush and brown ink, with brown wash on laid paper, laid down on cardboard. (Circa 1797). 61.7 x 81.9 cm.
Karl & Faber
Nov. 15, 2024
JACOB PHILIPP HACKERT (1737-1807)
Est: -
Jacob Philipp Hackert (1737-1807), View of Sorrento, pen and ink drawing in brown on laid paper, signed and dated ''a Sorrento Filippo Hackert f. 1788'' lower left, restored, 36 x 48 cm, framed behind glass and passepartout 58 x 68 cm
Historia Auctionata
Nov. 14, 2024
Georg Abraham Hackert 1.ere vue des ruines du Pont d'Auguste sur la Nera à Narni
Est: €600 - €1,000
AFTER Jacob Philipp Hackert (Prenzlau 1737 – Florence 1807). Etching and engraving, 430 x 578 mm (sheet). Rare proof before the dedication was engraved. Very fine impression on laid paper with watermark (fleur-de-lis of Strasbourg and letters). The sheet is in good condition, except for very light stains visible on the lower margin and on the back. On the back there are also residues of gluing.
Bertolami Fine Art s.r.l.
Oct. 23, 2024
Attributed to Jakob Philipp Hackert (German, 1737-1807), A view of the Borromean Islands
Est: £400 - £600
Attributed to Jakob Philipp Hackert (German, 1737-1807) A view of the Borromean Islands Watercolour/Gouache on paper Property of a nobleman Dimensions: (Frame) in. (H) x in. (W) (Paper) in. (H) x in. (W)
Sloane Street Auctions
Oct. 12, 2024
Hackert, Jakob Philipp (Prenzlau 1737 - 1807 Florence) Circumference,
Est: -
Hackert, Jakob Philipp (Prenzlau 1737 - 1807 Florence) Circumference, "Landscape with Roman Ruins", (Prenzlau 1737 - 1807 Florence) Circumference, "Landscape with Roman Ruins", Oil on wood, inscribed and dated on the reverse c. 1780, 20 x 26 cm Hackert, Jakob Philipp (Prenzlau 1737 - 1807 Florenz) Umkreis, "Landschaft mit römischen Ruinen", Öl auf Holz, rückseitig bezeichnet und datiert um 1780, 20 x 26 cm
Auktionshaus Plückbaum
Oct. 07, 2024
Jacob Philipp Hackert (15 September 1737 – 28 April 1807) , Attributed
Est: €1,600 - €1,800
Jacob Philipp Hackert (15 September 1737 – 28 April 1807) , Attributed Monogram bottom left J.P. Oil on canvas, 46 x 66 cm
Fine Antiques Prague s.r.o.
Sep. 19, 2024
Jakob Philipp Hackert (Prenzlau 1737 - San Pietro di Careggi 1807) attribuito
Est: €2,600 - €4,000
Jakob Philipp Hackert (Prenzlau 1737 - San Pietro di Careggi 1807) attribuito Pesaggio con figure Olio su tela 72 x 94 cm Gran viaggiatore sin da giovane, Jakob Philipp Hackert soggiornò a Roma dal 1768, guadagnandosi rapidamente grande fama come pittore di paesaggio, incontrando il favore di Papa Pio VI e la zarina Caterina la Grande. Qualche decennio più tardi, nel 1779, ricevette lincarico per decorare il Salone del Lanfranco di Villa Borghese a Roma. Nel 1786 divenne pittore di corte del re Ferdinando IV di Napoli, ma nel 1799, con l'invasione delle truppe francesi, Hackert si trasferì in Toscana, ove operò per commissioni private. Jakob Philipp Hackert (Prenzlau 1737 - San Pietro di Careggi 1807) attributed Drawing with Figures Oil on canvas 72 x 94 cm
Lucas Aste
Jul. 26, 2024
Hackert, Jakob Philipp (Attrib.): Der Tempel des Hephaistos in Athen
Est: €1,500 - €3,000
Hackert, Jakob Philipp (Attribution - The Temple of Hephaestus in Athens (Prenzlau 1737-1807 Florence) Reconstruction with groups of figures. Pen and pencil drawing, wash. Monogrammed 'J.P.H.' lower right; old reference to Hackert verso. 36.7 x 58 cm; framed under glass. - Small, backed loss, slightly stained and soiled, slightly damaged lower right. - Thieme/Becker 15. // Hackert, Jakob Philipp (Attrib.) Der Tempel des Hephaistos in Athen (Prenzlau 1737-1807 Florenz) Rekonstruktion mit Figurengruppen. Feder- und Bleistiftzeichnung, laviert. Rechts unten monogrammiert ''J.P.H.''; verso alter Verweis auf Hackert. 36,7 x 58 cm; unter Glas ger. - Kleine, unterlegte Fehlstelle, leicht fleckig und angeschmutzt, rechts unten geringfügig beschädigt. - Lit. Thieme/Becker 15.
Kunstauktionshaus Schlosser
Jul. 03, 2024
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 SAN PIETRO DI CAREGGI). A customs
Est: £40,000 - £60,000
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 SAN PIETRO DI CAREGGI). A customs house, with dancers and musicians next to a fire, boats in a bay.... oil on canvas 25 ¾ x 38 ¾ in. (65.5 x 98.5 cm.).
Christie's
Jun. 19, 2024
Hackert, Jakob Philipp (Prenzlau 1737-1807 Careggi, Florenz),
Est: €330 - €500
Italienische Landschaft mit Figuren. Feder über Bleistift auf Bütten. Nicht sign. und dat. (um 1790). 19,5 x 28,8 cm. - Unter Passepartout. - Die schwungvolle feine Zeichnung, die einen Blick in ein Tal gewährt, an dessen Brunnen im rechten Mittelgrund Frauen Wasser schöpfen, trägt eine etwas spätere Inschrift: "Wenn die Marinomänner nicht so rachsüchtig wären, hier hätte ich Eroberungen gemacht". Die Schrift in Bleistift stammt nicht von der Hand Hackerts, dessen zierliche Schrift sich nach rechts neigte. Möglicherweise schwelgt hier ein Betrachter (leicht späterer Zeit) in Erinnerungen.
Zisska & Lacher
Jun. 15, 2024
Hackert, Jakob Philipp (Prenzlau 1737 - 1807 Florence) Circumference,
Est: -
Hackert, Jakob Philipp (Prenzlau 1737 - 1807 Florence) Circumference, "Landscape with Roman Ruins", (Prenzlau 1737 - 1807 Florence) Circumference, "Landscape with Roman Ruins", Oil on wood, inscribed and dated on the reverse c. 1780, 20 x 26 cm Hackert, Jakob Philipp (Prenzlau 1737 - 1807 Florenz) Umkreis, "Landschaft mit römischen Ruinen", Öl auf Holz, rückseitig bezeichnet und datiert um 1780, 20 x 26 cm
Auktionshaus Plückbaum
Jun. 07, 2024
Hackert, Jakob Philipp (Prenzlau 1737-1807 Careggi, Florenz),
Est: €330 - €500
Italienische Landschaft mit Figuren. Feder über Bleistift auf Bütten. Nicht sign. und dat. (um 1790). 19,5 x 28,8 cm. - Unter Passepartout. - Die schwungvolle feine Zeichnung, die einen Blick in ein Tal gewährt, an dessen Brunnen im rechten Mittelgrund Frauen Wasser schöpfen, trägt eine etwas spätere Inschrift: "Wenn die Marinomänner nicht so rachsüchtig wären, hier hätte ich Eroberungen gemacht". Die Schrift in Bleistift stammt nicht von der Hand Hackerts, dessen zierliche Schrift sich nach rechts neigte. Möglicherweise schwelgt hier ein Betrachter (leicht späterer Zeit) in Erinnerungen.
Zisska & Lacher
May. 31, 2024
Hackert, Jakob Philipp: Landschaft mit dem Blick auf das Tal von La Cava bei Vietri
Est: €3,000 - €4,000
Landschaft mit dem Blick auf das Tal von La Cava bei Vietri. Feder und Pinsel in Braun über Bleistift. 44,9 x 64,3 cm. Links oben mit Feder in Braun signeirt, ortsbezeichnet und datiert "à Vietri. 1782. Ph. Hackert f.". Dargestellt ist wohl das sich hinter Vietri erstreckende Tal von la Cava mit seinen steilen waldbedeckten Hängen und dem sich durch das Tal schlängelnden Fluss, der sich zur Linken in einen kleinen Wasserfall ergießt. Auf den Hängen liegt ein eindrucksvolles, an ein Kastell erinnerndes Gebäude, das sich heute nicht mehr eindeutig identifizieren lässt. Hackert schuf während seines Aufenthalts in der Region noch eine zweite Zeichnung des Motivs von einem leicht verändertem Standtpunkt aus ( vgl. Nordhoff 1256). - Provenienz: Galerie Hünerberg, Braunschweig, 10.-11. Mai 1951. Privatsammlung Süddeutschland. - Literatur: Claudia Nordhoff und Hans Reimer: Jakob Philipp Hackert 1737-1807. Verzeichnis seiner Werke, Berlin 1994, Kat.-Nr. 811. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 30, 2024
Jakob Philipp Hackert Prenzlau 1737 – 1807 San Piero di Careggio - ”Ruines du Temple d'Hercule à Girgente”. 1777
Est: €8,000 - €12,000
Jakob Philipp Hackert Prenzlau 1737 – 1807 San Piero di Careggio ”Ruines du Temple d'Hercule à Girgente”. 1777 Brown India ink over pencil, washed 13 5/8 × 17 7/8 in. (16 1/8 × 20 1/2 in.) Signed and dated lower right: Ph. Hackert. f. 1777. Described upper left: Ruines du Temple d'Hercule à Girgente avec l'arbre nomé Caroubi
Grisebach
May. 25, 2024
Jakob Philipp Hackert, Alter Baum am Wegesrand
Est: -
Jakob Philipp Hackert, Alter Baum am Wegesrand knorriger Baum mit spärlichen Trieben, am Weg mit Bauern und Packesel in gebirgiger Landschaft, lavierte Tuschezeichnung in Schwarz und Sepia auf Büttenkarton, 2. Hälfte 18. Jh., unten signiert "J. P. Hackert del.", rückseitig diverse Annotationen und Sammlerstempel, hinter Glas und Passepartout gerahmt, Blattmaße ca. 42 x 27 cm. Künstlerinfo: dt. Portrait-, Prospekt- und Landschaftsmaler sowie Kopist und Zeichner (1737 Prenzlau bis 1807 San Piero di Careggio bei Florenz), bedeutender Vertreter der Landschaftsmalerei des Klassizismus, Schüler seines Vaters, des Malers Philipp Hackert und seines Onkels, eines Berliner Dekorationsmalers, studierte ab 1758 an der Berliner Akademie, trat 1761 mit Veduten an die Öffentlichkeit, welche die Aufmerksamkeit des schwedischen Regierungsrates Adolf Friedrich von Olthof erweckten, dieser lud den Künstler nach Stralsund, Rügen und Stockholm ein, wo Hackert Wandmalereien in dessen Stadthaus und Landsitz, dem Gutshaus Boldevitz ausführte, 1765–68 Aufenthalt in Paris, hier Förderung durch Johann Georg Wille und Claude Joseph Vernet, unternahm anschließend Studienreise in die Normandie und die Picardie, 1768 Übersiedlung mit seinem Bruder Georg Abraham Hackert (1755–1805) nach Italien, bereiste neben Stationen in Rom und Neapel ganz Italien, erwarb sich in Italien den Ruf eines bedeutenden Landschaftsmalers und stand zeitweise als Hofmaler im Dienste Ferdinando Antonio Pasquale Giovanni Nepomuceno Serafino Gennaro Benedetto von Bourbon, als König von Neapel Ferdinand IV., der ihm in Caserta eine Villa zur Verfügung stellte, hier 1786 Bekanntschaft mit Johann Wolfgang von Goethe, der Zeichenunterricht bei Hackert nahm, um 1803 wegen Unruhen Flucht über Livorno und Pisa nach San Piero di Careggio bei Florenz, hier Erwerb eines Landgutes, 1806 bat Goethe um Hackerts biographische Daten und veröffentlichte posthum 1811 dessen Biographie, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Allgemeine Deutsche Biographie und Wikipedia. Jakob Philipp Hackert, Alter Baum am Wegesrand knorriger Baum mit spärlichen Trieben, am Weg mit Bauern und Packesel im gebirgigen Landschaft, washed ink drawing in black and sepia on laid cardboard, 2nd half 18th century, signed "J. P. Hackert del." at the bottom, various annotations and collector's stamp on the reverse, framed behind glass and passepartout, sheet dimensions approx. 42 x 27 cm. Artist info: German portrait, brochure and landscape painter. German portrait, prospect and landscape painter as well as copyist and draughtsman (1737 Prenzlau to 1807 San Piero di Careggio near Florence), important representative of landscape painting of classicism, pupil of his father, the painter Philipp Hackert and his uncle, a Berlin decorative painter, studied at the Berlin Academy from 1758, went public in 1761 with vedutas that attracted the attention of the Swedish councillor Adolf Friedrich von Olthof, who invited the artist to Stralsund, Rügen and Stockholm, where Hackert painted murals in his town house and country residence, 1765-68 stay in Paris, where he received support from Johann Georg Wille and Claude Joseph Vernet, then undertook a study trip to Normandy and Picardy, 1768 moved to Italy with his brother Georg Abraham Hackert (1755-1805), travelled throughout Italy as well as making stops in Rome and Naples, acquired a reputation as an important landscape painter in Italy and was temporarily in the service of Ferdinando Antonio Pasquale Giovanni Nepomuceno Serafino Gennaro Benedetto of Bourbon as court painter to Ferdinand IV, King of Naples., who provided him with a villa in Caserta, here he met Johann Wolfgang von Goethe in 1786, who took drawing lessons from Hackert, around 1803 he fled via Livorno and Pisa to San Piero di Careggio near Florence due to unrest, here he acquired a country estate, in 1806 Goethe asked for Hackert's biographical data and published his biography post
Auktionshaus Mehlis GmbH
May. 17, 2024
Jakob Philipp Hackert: Two Pine Trees Near Albano
Est: €1,500 - €2,000
HACKERT, JAKOB PHILIPP 1737 Prenzlau - 1807 Florence Title: Two Pine Trees Near Albano. Date: 1771. Technique: Red chalk on beige paper. Measurement: 52 x 40cm. Notation: Inscribed and dated upper left: "Á Albano 1771". Provenance: Private ownership for three generations, Germany. Certificate: Claudia Nordhoff, Rome, 13.02.2024, copy available: The landscape painter Jakob Philipp Hackert had received his first training in Berlin (1753-1762). After spending time in Stralsund and on the island of Rügen (1762-1765), he lived and worked in Paris for three years and then travelled to Italy in the summer of 1768. He arrived in Rome in December of the same year. Here Hackert quickly became the most famous landscape painter not only in the Eternal City, but in the whole of Europe. Immediately after his arrival, Hackert began to explore the surrounding landscape. In Rome, he had made the acquaintance of the Swedish sculptor Johan Tobias Sergel (1740-1814) and the French painter Antoine François Callet (1741-1823), with whom he undertook a hike in the Alban Hills south-east of Rome in the spring of 1769. During this first hike, Hackert, who was used to the northern vegetation, must have been fascinated not least by the southern tree species, which were unknown to him at the time. In fact, the artist had already begun to draw trees from nature in Berlin; in Italy, the "tree portrait" became his speciality. Botanical studies were indispensable for such a detailed investigation of trees, which Hackert pursued with almost scientific fervour. One of the trees that attracted Hackert's attention as early as 1769 was the maritime pine, currently recognised as the Italian national tree. This tree species, native to the northern Mediterranean region, grows up to 30 metres high and is 250 years old. Pine trees characterise the Roman cityscape, but they can be found throughout Lazio. In the drawing now on offer (lot 1044), we see two tall trees whose crowns seem to merge into one above the slender trunks. Below them, two countrywomen are resting with a bundle of wood, which on the one hand can be interpreted as typical representatives of the local population and on the other hand provide a scale. The drawing was executed in red chalk. This reminds us that Hackert was still experimenting with various drawing techniques in the early Roman years. In later years, the artist would limit himself to pencil or pen, with which the contours of the landscape elements could be reproduced precisely, and then later rework them with a sepia brush. The warm red tones, on the other hand, allowed the artist to create a painterly rendition of the southern atmosphere, which is also characterised by the pine trees. In our drawing, the trees rise up into a cloudless sky against which the branches elaborate their filigree pattern; dark shadows lie beneath the sunlit bundles of needles, lending the treetops a spatial dimension. Under Hackert's pencil, the pines themselves seem to transform into a work of art - and the painter shows you nothing but the reality of the area near Albano. The drawing thus proves to be a high-quality work of art in its own right. At the same time, however, it is a valuable addition to the group of "tree portraits" executed in the Alban Hills in the 1770s, in which Hackert took an inventory, as it were, of the trees in the area. The wanderers or country folk who appear repeatedly in the sheets emphasise the principle of movement in the pictorial space and remind us that each drawing is only part of a larger whole. And so Hackert takes the viewer on a journey that leads into the depths to the two pine trees, which are presented in all their beauty. The path will lead the artist further, towards new views and new trees, which can be captured in ever new drawings. This transfer of landscape into art was Hackert's final goal. We are grateful to Claudia Nordhoff, Rome, who confirmed the attribution of the present drawing on the basis of a high-resolution digital photograph, for her help in cataloguing it. Estimated shipping costs for this lot: Germany: 30,25 Euro plus 5,75 Euro VAT EU: 46,22 Euro plus 8,78 Euro VAT Worldwide: 92,44 Euro plus 17,56 Euro VAT additional shipping insurance Explanations to the Catalogue Jakob Philipp Hackert Germany Classicism German School 18th C. Watercolour / Drawings Landscape Drawing Italy
Van Ham Kunstauktionen
May. 17, 2024
Jakob Philipp Hackert: From the Series: Principes pour apprendre a dessiner le paysage d'apres natur
Est: €1,000 - €2,000
HACKERT, JAKOB PHILIPP 1737 Prenzlau - 1807 Florence Title: From the Series: Principes pour apprendre a dessiner le paysage d'apres nature. Panel VII and VIII: Pin / Saphin. Date: 1801/02. Technique: Etching on paper. Mounting: Mounted. Measurement: Plate size: 53,5 x 34 cm, sheet size: 59,5 x 49cm. Notation: Signed and dated in the plate lower left: "Ph. Hacker f: 1802". Frame: Framed. Provenance: Private ownership, Germany. Estimated shipping costs for this lot: Arrangement after auction. Explanations to the Catalogue Jakob Philipp Hackert Germany Classicism German School 18th C. Graphics Framed Trees Print
Van Ham Kunstauktionen
May. 17, 2024
Jakob Philipp Hackert: Goat in front of Cliffs
Est: €5,000 - €8,000
HACKERT, JAKOB PHILIPP 1737 Prenzlau - 1807 Florence Title: Goat in front of Cliffs. Date: 1801. Technique: Oil on wood. Measurement: 36 x 27,5cm. Notation: Signed and dated lower left: "Filippo / Hackert / 1801". Frame: Framed. Provenance: Private ownership, Germany. Claudia Nordhoff wrote to us about this work in March 2024: "Jakob Philipp Hackert had also devoted himself to small-format animal portraiture at all times, but it was only after his escape from French-occupied Naples in 1799 and his final settlement in Florence in 1800 that he began to occupy himself with it in greater detail. The decisive factor was his friendship with the Englishwoman Jane Woodburn, wife of Colonel David Woodburn (1745-1804). The couple had acquired a country estate in the small town of Settignano near Florence and allowed Hackert to use the property during her absence. On 28 September 1802, the painter wrote to his friend Count Bogislaus Dönhoff zu Dönhoffstädt (1754-1809) in Berlin on 28 September 1802: "Nahe hier bey der Stadt [Florenz] 4 Milien bey Settimiano hat eine Englische Freundin Mdme Woodburn zwey poteri [gemeint ist ein Landhaus mit zwei Wirtschaftsgebäuden], die Sie mir 17 Monath während ihrer Abwesenheit in England gelaßen hat, um ihr Landhauß zu genißen, da Mahle ich Ziegen, und Esel, Ochsen nach der Natur aber so daß es fertige Bilder werden. Außerdem noch felsen, und vorgründe" ["Not far from the city [Florence] 4 miles from Settimiano, an English friend, Madame Woodburn, has a country house with two farm buildings, which she left me 17 months during her absence in England to enjoy her country house, where I paint goats, donkeys and oxen according to nature, but so that they become finished pictures. Also rocks and foregrounds."] (quoted by Claudia Nordhoff, Jakob Philipp Hackert, Briefe (1761-1806). Göttingen 2012, p. 187). From 1804, Hackert executed his animal portraits on his own estate in Careggi, which he acquired at this time. The small-format pictures share goats, sheep, donkeys and cows in front of a small section of landscape; they are always executed lovingly and with great care. The present portrait of a goat was painted in the first year of Hackert's involvement with animals on Mrs Woodburn's estate and (together with two other goat pictures from 1801) marks the beginning of the series. The importance that the animal pictures had for Hackert can also be seen from the fact that he sent five of them to the Academy exhibition in Berlin in 1806 (see Nordhoff 2012, p. 614)." We are grateful to Claudia Nordhoff, Rome, who confirmed the attribution of the present painting on the basis of a high-resolution digital photograph, for her help in cataloguing it. Estimated shipping costs for this lot: Arrangement after auction. Explanations to the Catalogue Jakob Philipp Hackert Germany Classicism German School 18th C. Old Masters Framed Animal Painting
Van Ham Kunstauktionen
May. 16, 2024
Jacob Philipp Hackert, Landscape near Cajazzo
Est: €5,000 - €7,000
Signed and dated lower left: A Cajazzo / Filippo Hackert f. 1798 Framed under glass
Kunsthaus Lempertz KG
May. 16, 2024
Jacob Philipp Hackert, The Furlo Gorge
Est: €2,000 - €3,000
Signed upper left: a Furlo Ph. Hackert f Framed under glass The Furlo Gorge, also known as the Furlo Pass, is a mountain pass on the ancient Roman road Via Flaminia in the Marche region. This road was built in the second century BC and connected Rome with Ariminum on the Adriatic coast, today's Rimini. Emperor Vespasian later had a tunnel built here to make it easier to pass through the narrowest part of the gorge. The name comes from the Latin "forulum", which means small hole.
Kunsthaus Lempertz KG
May. 16, 2024
Jacob Philipp Hackert, Landscape near Vaucluse in the French Maritime Alps
Est: €3,000 - €4,000
Signed lower left: J. Ph. Hackert, upper left: á Vaucluse 1768 Framed under glass The drawing shows a view of the Sorgue with a steeply rising rock face and castle ruins as well as a village with a bridge and a medieval church on the left. It was painted in 1768 when Jakob Philipp Hackert was travelling from France to Italy accompanied by his younger brother Johann Gottlieb.
Kunsthaus Lempertz KG
May. 16, 2024
Jacob Philipp Hackert, Sitting dog in a landscape
Est: €10,000 - €12,000
Signed and dated lower left: Ph. Hackert f. à Florence 1778 Certificate Dr Claudia Nordhoff, Rome, 10.7.2002. "Sit! Stay, stay...", and yet it again took too long to put the dog in the picture! What dog owners know from today's attempts to photograph their four-legged friend spontaneously but as favourably as possible with a mobile phone, Jacob Philipp Hackert must have experienced in a very similar way - in his medium of painting, of course. In her expertise on this painting, Claudia Nordhoff notes brushstrokes in many details, "which reveal that the dog portrait was created in the countryside and relatively quickly - perhaps with the intention of completing it before the dog moved." The quality that Hackert had achieved in this way convinced him so much that he signed and dated the painting and labelled it with the reference to Florence as the place of origin. It was probably not his own, but the dog of Charles Nassau, 3rd Earl Cowper, at whose Villa Palmieri in Fiesole near Florence Hackert was a guest.
Kunsthaus Lempertz KG
May. 16, 2024
Jacob Philipp Hackert, View of Aci Castello
Est: €8,000 - €12,000
Signed and dated lower right: Castel d'Aci au pied dell'Etna / Ph. Hackert f. 1781 Framed under glass Certificate Dr Claudia Nordhoff, Rome, 22.5.1995. The picture shows a view of the small village of Aci Castello at the foot of Mount Etna in Sicily. Hackert had travelled to Sicily in 1777 together with two English fellow travellers, Charles Gore and Richard Payne Knight. At the time, Sicily was not yet a major travel destination; the so-called "Grand Tour" of travellers to Italy ended in Naples and the coast of Amalfi. After the "discovery" of Sicily by Johann Joachim Winckelmann, the Hessian baron Johann Hermann von Riedesel also travelled to the island in 1767 and subsequently published a small travel guide. This process of cultural exploration of Sicily also included Hackert's journey of 1777, the purpose of which was to publish an illustrated travel guide: Hackert and Charles Gore produced drawings, while Richard Payne Knight kept a travel diary. The project failed in the end, probably mainly because the first volume of the Abbé de Saint-Non's great work "Voyage pittoresque ou Description des royaumes de Naples et de Sicile" was published in 1781. This was the first time that the principle of juxtaposing text and image, which Richard Payne Knight had envisaged, was realised. 24 dated and five undated drawings from Hackert's journey to Sicily have survived (Nordhoff / Reimer , nos. 709 - 732, 1009, 1010, 1207-1209). Back in Rome, he produced various paintings in the following years and an undated series of etchings with twelve views, probably made in 1786, entitled "Vues de la Sicile" (quoted from the certifcate by C. Nordhoff 1996).
Kunsthaus Lempertz KG
May. 16, 2024
Jacob Philipp Hackert, Fishermen with boat on a beach
Est: €50,000 - €70,000
Signed and dated lower left: J. Ph. Hackert f. 1772 Jacob Philipp Hackert was in his fourth year in Italy and had recently been on his way to Europe-wide fame when he painted "Fishermen with Boat on a Beach" in 1772. His landscape and coastal views were particularly successful: gouaches painted in France in 1768 found prominent buyers in François Boucher, among others, and three years later he produced a whole cycle of sea battles, for which Tsarina Catherine II reserved a separate room in Peterhof Palace. Hackert's views of the coast and boats in Italy, on the other hand, radiate peaceful tranquillity. On the coasts beyond the Grand Tour end point of Naples, which had only just been discovered by travellers, Hackert found respite after recovering from illness. In his paintings from this period, the necessary balanced mood can be found. After work, the fishermen are back with full baskets, looking forward to the end of the day.
Kunsthaus Lempertz KG
Apr. 24, 2024
Jakob Philipp Hackert
Est: €40,000 - €60,000
(Prenzlau 1737–1807 San Pietro di Careggio) A wooded mountainous landscape with the Copper-Mill in Vietri signed, inscribed and dated lower right: a Vietri pre[s]. de Salern[o]/ Hackert f. 1772, oil on canvas, 63.5 x 87.2 cm, framed Provenance: sale, Sotheby’s, Amsterdam, 14 May 2002, lot 111; where acquired by the present owner Claudia Nordhoff confirmed the attribution after examination of the present painting in the original in 2002 (written communication in copy, dated 7 July 2002). The present painting depicts a collection of buildings situated at the foot of a mountain. At the right end of the outbuildings the mill wheel is set in motion by a stream of water coming from the higher area and filling the pond. A small group of figures have gathered in front of the doorstep of the mill, whilst a cattle herder and his dog are passing by. The landscape is gently lit, typical for Jakob Philipp Hackert and his contemporaries. After arriving in Rome in 1768, Hackert undertook a trip to Naples in 1770. According to Goethe, whom the artist befriended, Hackert fell ill and was advised to seek recovery in the nearby coastal villages of Vietri and Lacava. In their surroundings the 'Valle del Moline', the Valley of the Mills, was a popular destination and it is there that the present composition finds its origin. Hackert’s body of work often contains multiple versions of pictorial motifs that were particularly popular with his clientele. The area of Lacava and Vietri offers a unique variety of plants, and the motif depicted by Hackert was an opportunity to present the diversity of this southern Italian landscape and its vegetation. According to Nordhoff this may have contributed to the composition’s success. As the described studio practice by Nordhoff suggests, the present painting is part of a group of works of similar composition. Aside from minor differences, the present work relates to a watercolour, which is signed and dated 1770 and bears an inscription that identifies the building as the copper mill in Vietri. The watercolour is conserved in the Staatliche Kunstsammlungen in Dresden (inv. no. C 1963-1602). A year later, the artist composed a drawing in brown colour tones, depicting the copper mill from a closer point of view and altered the figures slightly. The drawing is dated to 1771 and privately owned (see C. Nordhoff, H. Reimer, Jakob Philipp Hackert, 1737–1807. Verzeichnis seiner Werke, Berlin, 1994, p. 267, 268, no. 647, illustrated p. 252). The watercolour and the drawing are a prelude to the present painting and to a similar work in oils on canvas which is dated 1773 and in a private collection (see C. Nordhoff, H. Reimer, ibid., 1994, p. 30, no. 76). Comparing the watercolour and the drawing with the two paintings it is noticeable how Hackert chose to set the mill in an extensive landscape in both canvasses. Apart from minor alterations, the most striking difference between the 1773 painting and the present work is the addition of a group of women doing laundry on the banks of the pond in the 1773 painting. Trained by his father Philipp Hackert, the artist continued his studies at the Akademie der Künste in Berlin. As a young artist Hackert drew inspiration from the 17th century Dutch landscape painters and the works of Claude Lorrain. Working in different areas and cities in Germany and Sweden, the artist departed for Italy in 1768, where he settled in Rome and joined the international circle of artists under the direction of Anton Raphael Mengs and Johann Joachim Winckelmann. Later Hackert worked for King Ferdinand IV of Naples and befriended Goethe, who edited and published Hackert’s memoirs posthumously.
Dorotheum
Apr. 17, 2024
Jacob Philipp Hackert (Prenzlau 1737-Florence 1807) Landscape painting with putti Oil on canvas 100x132 cm - with frame 131x161 cm
Est: €12,000 - €20,000
Jacob Philipp Hackert (Prenzlau 1737-Florence 1807) Landscape painting with putti Oil on canvas 100x132 cm - with frame 131x161 cm
Casa d'aste ARCADIA
Mar. 22, 2024
HACKERT, JACOB PHILIPP
Est: CHF2,000 - CHF3,000
HACKERT, JACOB PHILIPP (Prenzlau 1737 - 1807 S. Piero di Corr.) Ferry across a river. Black pen and watercolour on laid paper. Signed, dated and inscribed in pen and black ink on the lower margin: Jacques Phil:Hackert de 1767 à Paris. Old mount. 19.5 x 27.5 cm. Framed. Provenance: - Private collection, Germany --------------- HACKERT, JACOB PHILIPP (Prenzlau 1737–1807 S. Piero di Corr.) Fähre über einen Fluss. Feder in Schwarz, Aquarell auf Bütten. Mit schwarzer Feder am unteren Rand signiert, datiert und bezeichnet: Jacques Phil:Hackert de 1767 à Paris. Alte Montierung. 19,5 x 27,5 cm. Gerahmt. Proveniez: - Privatsammlung Deutschland Hackerts Aquarell zeigt den sogenannten Pavillon d`Entree des Chateâu de Gaillon bei Rouen, das im 16. Jahrhundert unter Kardinal Georges d`Amboise, dem Erzbischof von Rouen, errichtet wurde. Es basiert auf einer Zeichnung des in Weimar aufbewahrten Skizzenbuches, das der Künstler während einer Normandie-Reise 1766 anlegte (Blatt 32). Die Zeichnung ist nur mit "a Rouen" bezeichnet, und zeigt denselben Bildentwurf mit dem diagonalen Fluss, der allerdings nicht der Wirklichkeit entspricht - denn am Chateâu de Gaillon führt kein Fluss vorbei. Es kann davon ausgegangen werden, dass Hackert das Bildmotiv von Anfang an für eine an niederländischen Vorbildern angelehnte, idealisierte Normandie-Landschaft vorgesehen hatte; tatsächlich ist ja auch das Aquarell nur mit "Paris" bezeichnet, ohne Hinweis auf den tatsächlichen Ort. Hackert zeigt das Chateâu noch einmal in einem unveröffentlichten Ölbild von 1766, das sich in Privatbesitz befindet. Wir danken Frau Dr. Claudia Nordhoff für die Bestätigung der Eigenhändigkeit und Informationen zur Katalogisierung dieses Werks. ---------------
Koller Auctions
Mar. 21, 2024
Maler des 18./19. Jahrhunderts, aus dem Kreis des Philipp Hackert (1737-1807)
Est: €1,400 - €1,600
HERBSTLICHE BERGIGE LANDSCHAFT MIT BAUERN BEI DER KORNERNTE Öl auf Leinwand. Doubliert. 57 x 68 cm. In dekorativem vergoldeten Rahmen. Im Zentrum dieser sonnenbeschienenen bergigen Landschaft steht eine kleine Gruppe von prachtvollen, hoch in den hellblauen Himmel ragenden Bäumen mit zahlreichen Verästelungen und erstem, leicht herbstlich braun verfärbtem Blattwerk. Darunter zwei Frauen mit Kindern im Gespräch, rechtsseitig eine alte Scheune und ein Mann mit zwei Körbe schleppenden Mulis, die sich in Richtung eines Kornfeldes bewegen, bei dem zahlreiche Schnitter bei ihrer Arbeit sind. Linksseitig ein sich in die Tiefe des Bildes schlingender Fluss und ein in der Ferne liegendes Dorf mit Kirche vor Bergkulisse. Feine qualitätvolle Malerei mit gekonnter Licht- und Schatteninszenierung. Vereinzelt Retuschen. (1390935) (1) (18)
Hampel Fine Art Auctions
Mar. 09, 2024
JAKOB PHILIPP HACKERT
Est: €3,000 - €6,000
JAKOB PHILIPP HACKERT 1737 Prenzlau - 1807 San Piero di Careggio (Florence) AT SESSA AURUNCA - CASCADE ET FONTAINE Pen and brush and brown ink, some light washes on beige paper. 557 x 683 mm (visible dimensions), 750 x 870 mm frame dimensions (original sheet dimensions 563 x 690 mm Nordhoff). Signed, dated and inscribed lower centre: 'a Sessa 1794 Filippo Hackert del.'. Verso: inscribed on old paper label of Dom Galerie Ed. Arthur Schmidt Cologne: 'Jacob Philipp Hackert (1737-1807) Original-Sepia-Aquarell Nr. 2132'. With collection number '699' on the cardboard on the reverse. Margins minimally browned (insignificant). Framed in passepartout and behind glass. 'In his official capacity as court painter, Hackert had spent April 1794 with the King, the Queen and General Acton in S. Maria della Piana - in the immediate vicinity of Sessa Aurun-ca - where infantry and cavalry were assembled for a gigantic military display. However, although the painter must have been busy studying for the painting in Caserta (see the undated sketch cat. no. 1061), he found enough time for excursions into the immediate surroundings, which were already familiar to him from his travels in 1792. From Sessa, which lies on a hill of the extinct volcano of Roccamonfina - the Monte S.Croce - Hackert hiked to the Monti Aurun-ci ...' (Cf. Nordhoff op. cit., p. 357). Literature: Nordhoff, Claudia and Hans Reimer: Jakob Philipp Hackert 1737-1807. Verzeichnis seiner Werke. Volume II, p. 358, no. 876. Provenance:Bergische company collection. Previously possibly Dom Galerie Ed. Arthur Schmidt Cologne. Auction catalogue no. L, Dessin anciens et modernes, Gutekunst & Klipstein, Bern, 21-22 June 1949, no. 615. JAKOB PHILIPP HACKERT 1737 Prenzlau - 1807 San Piero di Careggio (Florenz) BEI SESSA AURUNCA - CASCADE ET FONTAINE Feder und Pinsel in Braun, teilweise leicht laviert auf beigefarbenem Papier. 557 x 683 mm (Sichtmass), 750 x 870 mm Rahmen (563. Mittig unten signiert, datiert und ortsbezeichnet: 'a Sessa 1794 Filippo Hackert del.'. Verso: Auf altem Papierlabel der Dom Galerie Ed. Arthur Schmidt Köln bezeichnet: 'Jacob Philipp Hackert (1737-1807) Original-Sepia-Aquarell Nr. 2132'. Auf der rückseitigen Kartonage mit Sammlungsnummer: '699. Ränder minimals gebräunt (unbedeutend). Im Passepartout und hinter Glas gerahmt. 'Hackert hatte in seiner offiziellen Funktion als Hofmaler den April des Jahres 1794 mit dem König, der Königin und General Acton in S. Maria della Piana - in unmittelbarer Nähe von Sessa Aurun-ca - verbracht, wo sich Infanterie und Kavallerie zu einer gigantischen Heerschau versammelt waren. Doch obwohl den Maler die Studien für das Gemälde in Caserta beschäftigt haben werden (siehe die undatierte Skizze Kat. Nr. 1061), fand er genügend Zeit für Ausflüge in die unmittelbare Umgebung, die ihm bereits von seinen Wanderungen aus Jahr 1792 bekannt waren. Von Sessa aus, das auf einem Hügel des erloschenen Vulkans von Roccamonfina - dem Monte S.Croce - liegt, wanderte Hackert in die Monti Aurun-ci ...' (Vgl. Nordhoff a.a.O., S. 357). Literatur: Nordhoff, Claudia und Hans Reimer: Jakob Philipp Hackert 1737-1807. Verzeichnis seiner Werke. Band II, S. 358, Nr. 876. Provenienz: Bergische Unternehmenssammlung. Zuvor möglicherweise Dom Galerie Ed. Arthur Schmidt Köln. Auktionskatalog Nr. L, Dessin anciens et modernes, Gutekunst & Klipstein, Bern, 21.-22. Juni 1949, Nr. 615.
Hargesheimer Kunstauktionen Düsseldorf
Mar. 09, 2024
JAKOB PHILIPP HACKERT
Est: €3,000 - €6,000
JAKOB PHILIPP HACKERT 1737 Prenzlau - 1807 San Piero di Careggio (Florence) ON THE MONTE VERGINE Pen and brush and brown ink, partly lightly washed on beige paper. 550 x 683 mm (visible size), 750 x 870 mm (frame) (original sheet size 558 x 690 mm, Nordhoff). Signed, dated and inscribed lower left: ''a Monte Vergine Filippo Hackert f. 1795''. Verso: Verso: inscribed on old paper label of Dom Galerie Ed. Arthur Schmidt Cologne: ''Jacob Philipp Hackert (1737-1807) Original-Sepia-Aquarell Nr. 2131''. Right margin and lower right corner slightly rubbed. Framed in passepartout and behind glass. 'Perhaps on his way back from Auletta to Naples the artist walked in a large arc in the direction of Avellino, which is dominated by the 1493 m high Monte Vergine. The mountain, which is part of the Partenio chain, is best known for the abbey founded here in the 12th century, which is still a popular pilgrimage destination today. The lost drawing, which has not been preserved in a photograph, is the first in a series of depictions Hackert dedicated to the wooded surroundings of the sanctuary (see cat. nos. 897-900); according to the auction catalogue, it shows a view of a rocky valley'. Nordhoff (op. cit., p. 363). Literature: Nordhoff, Claudia and Hans Reimer: Jakob Philipp Hackert 1737-1807. Verzeichnis seiner Werke. Volume II, p. 362f., no. 887. Provenance: Bergische company collection. Previously possibly Dom Galerie Ed. Arthur Schmidt Cologne. Auction catalogue no. L, Dessin anciens et modernes, Gutekunst & Klipstein, Bern, 21-22 June 1949, no. 618. JAKOB PHILIPP HACKERT 1737 Prenzlau - 1807 San Piero di Careggio (Florenz) AUF DEM MONTE VERGINE Feder und Pinsel und braune Tusche, teilweise leicht laviert auf beigem Papier. 550 x 683 mm (sichtbares Maß), 750 x 870 mm (Rahme. Signiert, datiert und bezeichnet halblinks unten: "a Monte Vergine Filippo Hackert f. 1795". Verso: Verso: bezeichnet auf altem Papieretikett der Dom Galerie Ed. Arthur Schmidt Köln: "Jacob Philipp Hackert (1737-1807) Original-Sepia-Aquarell Nr. 2131". Rechter Rand und untere rechte Ecke min. berieben. Im Passepartout und hinter Glas gerahmt. 'Vielleicht wanderte der Künstler auf dem Rückweg von Auletta nach Neapel in einem großen Bogen in Richtung Avellino, das von dem 1493 m hohen Monte Vergine dominiert wird. Der Berg, der zu der Kette des Partenio gehört, ist vor allem auf Grund der hier im 12. Jahrhundert gegründeten Abtei bekannt, die heute noch ein beliebtes Pilgerziel ist. Die verschollene und durch keine Photographie überlieferte Zeichnung steht am Anfang einer Reihe von Darstellungen, die Hackert der bewaldeten Umgebung des Sanktuariums gewidmet hat (siehe Kat.-Nr. 897-900); sie zeigte dem Auktionskatalog zufolge einen Blick auf ein felsiges Tal.' Nordhoff (a.a.O., S.363). Literatur: Nordhoff, Claudia und Hans Reimer: Jakob Philipp Hackert 1737-1807. Verzeichnis seiner Werke. Band II, S. 362f., Nr. 887. Provenienz: Bergische Unternehmenssammlung. Zuvor möglicherweise Dom Galerie Ed. Arthur Schmidt Köln. Auktionskatalog Nr. L, Dessin anciens et modernes, Gutekunst & Klipstein, Bern, 21-22. Juni 1949, Nr. 618.
Hargesheimer Kunstauktionen Düsseldorf
Feb. 03, 2024
Tempel des Hephaistos oder Theseion zu Athen mit Figurenstaffage, Monogramm "JPH", verso Hinweis auf
Est: -
Tempel des Hephaistos oder Theseion zu Athen mit Figurenstaffage, Monogramm "JPH", verso Hinweis auf Jacob Philipp Hackert (1737-1807) lavierte Feder- und Bleistiftzeichnung, 36,7 x 58 cm, Altersspuren. /Temple of Hephaestus or Theseion in Athens with figural staffage, monogram "JPH", verso reference to Jacob Philipp Hackert (1737-1807) washed pen and pencil drawing, 36.7 x 58 cm, traces of age
Auktionshaus Mars
Jan. 31, 2024
Jakob Philipp Hackert: Zwei Kühe
Est: €2,000 - €4,000
HACKERT, JAKOB PHILIPP 1737 Prenzlau - 1807 Florenz Titel: Zwei Kühe. Technik: Öl auf Holz. Maße: 28 x 36cm. Bezeichnung: Datiert unten rechts: à Frascati 1781. Rahmen: Rahmen. Rückseitig: Von fremder Hand bezeichnet: Jac. Philipp Hackert. Gutachten: Claudia Nordhoff, o.J. Provenienz: Privatbesitz, Deutschland. Jakob Philipp Hackert Germany Classicism German School 18th C. Old Masters Framed Animals Sketch Explanations to the Catalogue Estimated shipping costs for this lot: Germany: 36,97 Euro plus 7,03 Euro VAT EU: 58,82 Euro plus 11,18 Euro VAT Worldwide: 100,84 Euro plus 19,16 Euro VAT additional shipping insurance
Van Ham Kunstauktionen
Jan. 29, 2024
JACOB PHILIPP HACKERT (1737-1807
Est: -
Jacob Philipp Hackert (1737-1807) (attrib.), ''A monte Rotondo 1780'', Landscape around the mountain in the center of Corsica with staffage figures and a small settlement, washed sepia drawing, watercolour over pencil on laid paper with white gouache in the sky, unsigned, inscribed and dated ''A monte Rotondo 1780'' upper left, 34.5 x 46 cm, framed behind glass and passepartout 64 x 73 cm
Historia Auctionata
Dec. 13, 2023
Hackert, Jakob Philipp (Prenzlau 1737-1807 Careggi, Florenz),
Est: €500 - €700
Italienische Landschaft mit Figuren. Feder über Bleistift auf Bütten. Nicht sign. und dat. (um 1790). 19,5 x 28,8 cm. - - Unter Passepartout. - Die schwungvolle feine Zeichnung, die einen Blick in ein Tal gewährt, an dessen Brunnen im rechten Mittelgrund Frauen Wasser schöpfen, trägt eine etwas spätere Inschrift: "Wenn die Marinomänner nicht so rachsüchtig wären, hier hätte ich Eroberungen gemacht". Die Schrift in Bleistift stammt nicht von der Hand Hackerts, dessen zierliche Schrift sich nach rechts neigte. Möglicherweise schwelgt hier ein Betrachter (leicht späterer Zeit) in Erinnerungen.
Zisska & Lacher
Dec. 13, 2023
Boar hunting
Est: €30,000 - €50,000
Jacob Philipp Hackert 1737 - 1807 Boar hunting Oil on canvas Signed and dated lower centre Ph.Hackert,p.1786 65,7 x 98 cm ; 25⅞ by 38⅝ in. ____________________________________________ Jacob Philipp Hackert 1737 – 1807 Chasse aux sangliers Huile sur toile Signé et daté en bas au centre Ph.Hackert,p.1786 65,7 x 98 cm ; 25⅞ by 38⅝ in.
Sotheby's
Dec. 08, 2023
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 FLORENCE) - A landscape in Sweden with peasants burning woodland and a couple resting near...
Est: £3,000 - £4,000
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 FLORENCE) A landscape in Sweden with peasants burning woodland and a couple resting near... bodycolour, pen and black ink framing lines 6 1⁄8 x 7 3⁄4 in. (15.7 x 19.8 cm)
Christie's
Dec. 08, 2023
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 FLORENCE) - View of the pottery factory of Marieberg near Stockholm, with boats and...
Est: £6,000 - £8,000
JACOB PHILIPP HACKERT (PRENZLAU 1737-1807 FLORENCE) View of the pottery factory of Marieberg near Stockholm, with boats and... bodycolour, pen and black ink framing lines 6 1⁄8 x 7 3⁄4 in. (15.8 x 20 cm)
Christie's
Dec. 06, 2023
Jacob Philipp Hackert (German, 1737-1807) View of the convent of San Cosimato from the Aniene valley with a group of musicians in the foreground
Est: £6,000 - £8,000
Jacob Philipp Hackert (German, 1737-1807) View of the convent of San Cosimato from the Aniene valley with a group of musicians in the foreground gouache on vellum laid on card 37.2 x 50.5cm (14 5/8 x 19 7/8in).
Bonhams
Dec. 02, 2023
Hackert, Jacob Philipp (1737 Prenzlau - 1807 San Piero di Careggio) "Landsc
Est: -
Hackert, Jacob Philipp (1737 Prenzlau - 1807 San Piero di Careggio) "Landschaft bei Tivoli" (Landscape near Tivoli), brush drawing (India ink wash) in brown over pencil, 28x42cm (detail), matted, 48x62cm with frame *Provenance: on the reverse inscribed in pencil "Dr. Heinemann", probably Fritz David Heinemann (completed his dissertation in art history at the University of Munich in 1928), later Galerie Heinemann, Munich, then private property Hackert, Jacob Philipp (1737 Prenzlau - 1807 San Piero di Careggio) "Landschaft bei Tivoli", Pinselzeichnung (Tusche laviert) in Braun über Bleistift, 28x42cm (Bildausschnitt), Passepartout, 48x62cm mit Rahmen *Provenienz: Rückseitig bezeichnet mit Bleistift "Dr. Heinemann", wohl Fritz David Heinemann (abgeschlossene Dissertation in Kunstgeschichte Uni München 1928), später Galerie Heinemann, München, danach Privatbesitz
Auktionshaus am See
Dec. 01, 2023
Hackert, Jakob Philipp (Prenzlau 1737-1807 Careggi, Florenz),
Est: €500 - €700
Italienische Landschaft mit Figuren. Feder über Bleistift auf Bütten. Nicht sign. und dat. (um 1790). 19,5 x 28,8 cm. - - Unter Passepartout. - Die schwungvolle feine Zeichnung, die einen Blick in ein Tal gewährt, an dessen Brunnen im rechten Mittelgrund Frauen Wasser schöpfen, trägt eine etwas spätere Inschrift: "Wenn die Marinomänner nicht so rachsüchtig wären, hier hätte ich Eroberungen gemacht". Die Schrift in Bleistift stammt nicht von der Hand Hackerts, dessen zierliche Schrift sich nach rechts neigte. Möglicherweise schwelgt hier ein Betrachter (leicht späterer Zeit) in Erinnerungen.
Zisska & Lacher