Hildegarde Haas Sold at Auction Prices

b. 1926 - d. 2002

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    • HILDEGARDE HAAS (New York/California/Germany, 1926-2002), "Rain", 1952., Color woodcut on fibrous paper, sheet 24.75" x 14.5". Unframed.
      Jun. 14, 2023

      HILDEGARDE HAAS (New York/California/Germany, 1926-2002), "Rain", 1952., Color woodcut on fibrous paper, sheet 24.75" x 14.5". Unframed.

      Est: $500 - $700

      HILDEGARDE HAAS New York/California/Germany, 1926-2002 "Rain", 1952. Signed, titled, dated and numbered 7/14 in pencil lower margin.

      Eldred's
    • HILDEGARDE HAAS (New York/California/Germany, 1926-2002), "Flaming Sky", 1947., Color woodcut on fibrous paper, sheet 9.75" x 13.25". Matted 16" x 20".
      Jun. 14, 2023

      HILDEGARDE HAAS (New York/California/Germany, 1926-2002), "Flaming Sky", 1947., Color woodcut on fibrous paper, sheet 9.75" x 13.25". Matted 16" x 20".

      Est: $400 - $600

      HILDEGARDE HAAS New York/California/Germany, 1926-2002 "Flaming Sky", 1947. Signed, titled, dated and numbered 7/15 in pencil lower margin.

      Eldred's
    • HILDEGARDE HAAS (New York/California/Germany, 1926-2002), "Seascape", 1948., Color woodcut on fibrous paper, sheet 7.25" x 14.75". Matted 16" x 20".
      Jun. 14, 2023

      HILDEGARDE HAAS (New York/California/Germany, 1926-2002), "Seascape", 1948., Color woodcut on fibrous paper, sheet 7.25" x 14.75". Matted 16" x 20".

      Est: $400 - $600

      HILDEGARDE HAAS New York/California/Germany, 1926-2002 "Seascape", 1948. Signed, titled, dated and numbered 4/15 in pencil lower margin.

      Eldred's
    • Painting, Hildegarde Haas
      Feb. 11, 2023

      Painting, Hildegarde Haas

      Est: $300 - $500

      Hildegarde Haas (American/German, 1926-2002), "October," circa 1960, casein on board, label with artist and title verso, sight: 19.5"h x 23.5"w, overall (with frame): 21"h x 25.25"w

      Clars Auctions
    • Hildegarde Haas (1926-2002) Plants; Harbor; and Light and Shadow (three works),
      Dec. 05, 2022

      Hildegarde Haas (1926-2002) Plants; Harbor; and Light and Shadow (three works),

      Est: $700 - $900

      Hildegarde Haas (1926-2002) Plants; Harbor; and Light and Shadow (three works), 1947/49 Three woodcuts in colors on paper 10-1/2 x 14-1/2 inches (26.7 x 36.8 cm) (sheet, largest) Ed. 9/11; 9/15; 10/16 Each signed, numbered, dated, and titled in pencil along lower edge HID01801242017

      Heritage Auctions
    • Hildegarde Haas, (New York / California / Germany, 1926-2002), Night, 1948, color woodcut, 16"H x 7 3/4"W (plate), 18"H x 9 1/2"W (p...
      May. 16, 2020

      Hildegarde Haas, (New York / California / Germany, 1926-2002), Night, 1948, color woodcut, 16"H x 7 3/4"W (plate), 18"H x 9 1/2"W (p...

      Est: $200 - $300

      Hildegarde Haas (New York / California / Germany, 1926-2002) Night, 1948 color woodcut pencil signed and numbered 6/14. Unframed. 16"H x 7 3/4"W (plate), 18"H x 9 1/2"W (paper)

      Ripley Auctions
    • Hildegarde Haas, (New York / California / Germany, 1926-2002), Red Island, 1948, color woodcut on rice paper, 15"H x 11 1/2"W (plate...
      May. 16, 2020

      Hildegarde Haas, (New York / California / Germany, 1926-2002), Red Island, 1948, color woodcut on rice paper, 15"H x 11 1/2"W (plate...

      Est: $200 - $300

      Hildegarde Haas (New York / California / Germany, 1926-2002) Red Island, 1948 color woodcut on rice paper pencil signed and numbered 5/10. Unframed. 15"H x 11 1/2"W (plate), 17 1/4"H x 13 1/2"W (paper)

      Ripley Auctions
    • Hildegarde Haas woodcut
      Jun. 08, 2019

      Hildegarde Haas woodcut

      Est: $150 - $250

      Hildegarde Haas (American 1926-2002)- ''The Lighthouse''- woodcut in colors, 1947, signed, titled, dated and numbered 6/15 in pencil, good condition. 11 1/2 x 11 1/4''

      Rachel Davis Fine Arts
    • Hildegarde Haas woodcut
      Jun. 08, 2019

      Hildegarde Haas woodcut

      Est: $150 - $250

      Hildegarde Haas (American 1926-2002)- ''Boats''- woodcut in colors, 1947, signed, titled, dated and numbered 6/17 in pencil, good condition. 11 78/ x 6 7/8''

      Rachel Davis Fine Arts
    • Hildegarde Haas 'Bach - English Suite No.2.. Sarabande'
      May. 18, 2019

      Hildegarde Haas 'Bach - English Suite No.2.. Sarabande'

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - English Suite No.2 in A Minor - IV Sarabande' Medium: Watercolor and gouache on paper. Measurements: 11.75 inches x 15.75 inches sight size, and 19.5 inches x 22.75 inches x 1 inch overall including framing. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's English Suite No.2 in A Minor - IV Sarabande.

      The Modern Art Exchange
    • Hildegarde Haas 'Bach Cello Suite No.3... Courante'
      May. 18, 2019

      Hildegarde Haas 'Bach Cello Suite No.3... Courante'

      Est: $1,000 - $2,000

      Description: Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach Cello Suite No.3 in C Major - III Courante' Date: 1960s Medium: Watercolor and mixed pigments on paper Measurements: 17.75 inches x 13.75 inches sight size, and 27.25 inches x 21 inches x 1 inch overall including framing. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia, as defined by Wikipedia, is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including Vincent Van Gough, Duke Ellington, Billy Joel, and Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. In her classical music series, created in the 1960s, Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas enjoyed Bach's Cello Suite No.3 in C Major - III Courante.

      The Modern Art Exchange
    • Hildegarde Haas Abstract Painting 'Rock Formations'
      May. 18, 2019

      Hildegarde Haas Abstract Painting 'Rock Formations'

      Est: $600 - $800

      Colorful abstract landscape painting by San Francisco Bay Area artist Hildegarde Haas. This work is from Haas' nature series, a typical theme in the artist's life as Haas loved to study and paint geology and nature. This work appears to depict and golden orange colored rock formation with a warm blue skies of California behind. Quite possibly a depiction of a rock formations found in the nearby Sierra Nevada mountains. Date: 1960s Medium: Watercolor and mixed pigments on paper Measurements: 17.75 inches x 11.75 inches sight size, and 24.75 inches x 17.75 inches x 1 inch overall including framing. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University.

      The Modern Art Exchange
    • Hildegarde Haas Abstract Painting 'Rocks and Rainbow'
      May. 18, 2019

      Hildegarde Haas Abstract Painting 'Rocks and Rainbow'

      Est: $600 - $800

      Colorful abstract painting by San Francisco Bay Area artist Hildegarde Haas depicting rock formations floating in a red and rainbow colored background. This work was not titled by the artist so interpretation is up to the viewer. Haas loved to study and paint scenes from nature, but is also known for her paintings she created while employing her synesthesia. (Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway). Hildegarde Haas was born with projective synesthesia. With this condition Haas saw colors and forms while listening to music. Haas at times would employ this ability to create some of her paintings. Haas would listen to music and paint what she experienced. This work appears to be related to Haas' nature studies, and appears to depict rock formations floating in a field of bright rainbow and red colors. Date: 1960s Medium: Watercolor and mixed pigments on paper. Measurements: 11.75 inches x 17.75 inches sight size, and 18.75 inches x 23.75 inches x 1 inch overall including framing. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University.

      The Modern Art Exchange
    • Hildegarde Haas 'Bach - English Suite No.2... IV Gigue'
      May. 18, 2019

      Hildegarde Haas 'Bach - English Suite No.2... IV Gigue'

      Est: $750 - $1,500

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - English Suite No.2 in A Minor - IV Gigue' Medium: Watercolor and gouache on paper Measurements: 11.75 inches x 15.75 inches. sight size, and 19.5 inches x 22.75 inches x 1 inch overall including framing. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's English Suite No.2 in A Minor - IV Gigue.

      The Modern Art Exchange
    • Hildegarde Haas Abstract Painting #25
      May. 18, 2019

      Hildegarde Haas Abstract Painting #25

      Est: $500 - $700

      Abstract painting on paper board by San Francisco Bay Area artist Hildegarde Haas. Title: #25 Date: 1960s Medium: Watercolor and mixed pigments on paper Measurements: 17.75 inches x 11.75 inches sight size, and 24.75 inches x 17.75 inches x 1 inch overall including framing. Condition: Excellent condition. Notes: This work was not titled by the artist so interpretation is up to the viewer. Haas loved to study and paint scenes from nature, but is also known for her paintings she created while employing her synesthesia. (Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway). Hildegarde Haas was born with projective synesthesia. With this condition Haas saw colors and forms while listening to music. Haas at times would employ this ability to create some of her paintings. Haas would listen to music and paint what she experienced. This work appears to be related to Haas' nature studies, but again, the interpretation is up to the viewer.Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University.

      The Modern Art Exchange
    • Hildegarde Haas Abstract Painting
      May. 18, 2019

      Hildegarde Haas Abstract Painting

      Est: $500 - $750

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas. Date: 1960s Medium: Watercolor and mixed pigments on paper Measurements: 17.75 inches x 11.75 inches sight size, and 24.75 inches x 17.75 inches x 1 inch overall including framing. Condition: Excellent condition. Notes: This work was not titled by the artist so interpretation is up to the viewer. Haas loved to study and paint scenes from nature, but is also known for her paintings she created while employing her synesthesia. Hildegarde Haas was born with projective synesthesia. (Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway). With this condition Haas saw colors and forms while listening to music. Haas at times would employ this ability to create some of her paintings. Haas would listen to music and paint what she experienced. It is unknown whether this painting was created during one of the times, or whether this is the result of an examination of objects in nature. Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University.

      The Modern Art Exchange
    • Hildegarde Haas - 'Bach Suite No.2.. Ouverture'
      May. 18, 2019

      Hildegarde Haas - 'Bach Suite No.2.. Ouverture'

      Est: $1,000 - $1,500

      Hildegarde Haas painting from her Classical Music Series Titled: 'Bach Suite No.2 in B Minor - Ouverture' Medium: Mixed media with multiple pigments in paper. Measurements: 19.75 inches x 13.75 inches sight size, and 27.5 inches x 21 inches x 1 inch overall including framing. Condition: Excellent Notes: This work has been recently framed and matted under UV Plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany where she lived until the age of 11 when her family moved to Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During this time Haas became a member of The Printmakers, a prominent group of graphic artists. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows at the Dallas Museum of Fine Art, Dallas, TX and the Kaiser Aluminum Corporation. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. Haas created this work while enjoying Bach's Suite No.2 in B Minor - Ouverture.

      The Modern Art Exchange
    • Hildegarde Haas - 'Handel Organ Concerto... III Allegro
      May. 18, 2019

      Hildegarde Haas - 'Handel Organ Concerto... III Allegro

      Est: $1,000 - $1,500

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Handel Organ Concerto Opus 4 No.6 B Flat Major - III Allegro' Medium: Watercolor and mixed pigments on paper Measurements: 19.75 inches x 13.75 inches sight size, and 27.5 inches x 21 inches x 1 inch overall including framing. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas enjoyed Handel's Organ Concerto Opus 4 No.6 B Flat Major - III Allegro.

      The Modern Art Exchange
    • Hildegarde Haas -'Bach - Suite for Unaccompanied Cello
      May. 18, 2019

      Hildegarde Haas -'Bach - Suite for Unaccompanied Cello

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - Suite for Unaccompanied Cello - no.6 in D - V Gavotte' Medium: Watercolor and gouache on paper Measurements: 17.75 inches x 11.75 inches sight size, and 25.5 inches x 18.75 inches x 1 inch overall including framing. Condition: Excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's - Suite for Unaccompanied Cello - no.6 in D - V Gavotte.

      The Modern Art Exchange
    • Hildegarde Haas 'Beethoven - String Quartet... Vivace'
      May. 18, 2019

      Hildegarde Haas 'Beethoven - String Quartet... Vivace'

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Beethoven - String Quartet Opus 135 - II Vivace' Medium: Watercolor and mixed pigments on paper Measurements: 15.75 inches x 21.75 inches sight size, and 22.25 inches x 27.75 inches x 1 inch overall including framing. Condition: Excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas enjoyed Beethoven's String Quartet Opus 135 - II Vivace.

      The Modern Art Exchange
    • Hildegarde Haas - 'Haydn's Cello Concerto... Moderato'
      May. 18, 2019

      Hildegarde Haas - 'Haydn's Cello Concerto... Moderato'

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Haydn Cello Concerto No.2 in D Major - I Allegro Moderato' Date: 1960s Medium: Watercolor and mixed pigments on paper Measurements: 19.75 inches x 13.75 inches sight size, and 27.25 inches x 21 inches x 1 inch overall including framing. Condition: Excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia, as defined by Wikipedia, is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including Vincent Van Gough, Duke Ellington, Billy Joel, and Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. In her classical music series, created in the 1960s, Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas enjoyed Haydn's Cello Concerto No.2 in D Major - I Allegro Moderato.

      The Modern Art Exchange
    • Hildegarde Haas - Bach's English Suite... III Courante
      May. 18, 2019

      Hildegarde Haas - Bach's English Suite... III Courante

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - English Suite No.2 in A Minor - III Courante' Medium: Watercolor and gouache on paper Measurements: 11.75 inches x 15.75 inches sight size, and 19.5 inches x 22.75 inches x 1 inch overall including framing. Condition: The art is in excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's English Suite No.2 in A Minor - III Courante.

      The Modern Art Exchange
    • Hildegarde Haas - 'Bach - Suite No.2... Polonaise'
      May. 18, 2019

      Hildegarde Haas - 'Bach - Suite No.2... Polonaise'

      Est: $1,000 - $2,000

      Description: Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - Suite No.2 in B Minor - 5 Polonaise' Medium: Watercolor on paper. Measurements: 15.75 inches x 11.75 inches sight size, and 23.25 inches x 18.75 inches x 1 inch overall including framing. Condition: The art is in excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's Suite No.2 in B Minor - 5 Polonaise.

      The Modern Art Exchange
    • Hildegarde Haas - 'Bach - English Suite... V Bourree'
      May. 18, 2019

      Hildegarde Haas - 'Bach - English Suite... V Bourree'

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - English Suite No.2 in A Minor - V Bourree' Medium: Watercolor on paper. Measurements: 11.75 inches x 15.75 inches sight size, and 19.5 inches x 22.75 inches x 1 inch overall including framing. Condition: The art is in excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's English Suite No.2 in A Minor - V Bouree.

      The Modern Art Exchange
    • Hildegarde Haas - 'Bach - Suite No.2 in B... 4 Bourre
      May. 18, 2019

      Hildegarde Haas - 'Bach - Suite No.2 in B... 4 Bourre

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Titled 'Bach - Suite No.2 in B Minor - 4 Bourree' Watercolor on paper and mixed pigments on paper. Measurements: 15.75 inches x 11.75 inches sight size, and 23.25 inches x 18.75 inches x 1 inch overall including framing. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's Suite No.2 in B Minor - 4 Bourree.

      The Modern Art Exchange
    • Hildegarde Haas Colorful MCM Abstract Painting
      May. 18, 2019

      Hildegarde Haas Colorful MCM Abstract Painting

      Est: $800 - $1,200

      Bright and boldly colored abstract painting by San Francisco Bay Area artist Hildegarde Haas. Date: 1960s Medium: Watercolor and mixed pigments on paper Measurements: 11.75 inches x 17.75 inches sight size, and 18.75 inches x 23.75 inches x 1 inch overall including framing. Condition: Excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. This work was not titled by the artist so interpretation is up to the viewer. Haas loved to study and paint scenes from nature, but is also known for her paintings she created while employing her synesthesia. (Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway). Hildegarde Haas was born with projective synesthesia. With this condition Haas saw colors and forms while listening to music. Haas at times would employ this ability to create some of her paintings. Haas would listen to music and paint what she experienced. This work appears to be related to Haas' nature studies, but again, the interpretation is up to the viewer.

      The Modern Art Exchange
    • Hildegarde Haas - 'Bach - Suite No.2... Badinerie'
      May. 18, 2019

      Hildegarde Haas - 'Bach - Suite No.2... Badinerie'

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Titled 'Bach - Suite No.2 in B Minor - 6 - Minuet - Badinerie' Watercolor on paper and mixed pigments on paper. Measures 15.75 inches x 11.75 inches sight size, and 23.25 inches x 18.75 inches x 1 inch overall including framing. Housed in a brand new frame under UV plexiglass. From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's Suite No.2 in B Minor - 6 - Minuet - Badinerie.

      The Modern Art Exchange
    • Hildegarde Haas 'Bach - English Suite No.. II Allemande
      May. 18, 2019

      Hildegarde Haas 'Bach - English Suite No.. II Allemande

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - English Suite No.2 in A Minor - II Allemande' Medium: Watercolor on paper Measurements: 11.75 inches x 15.75 inches sight size, and 19.5 inches x 22.75 inches x 1 inch overall including framing. Condition: The art is in excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's English Suite No.2 in A Minor - II Allemande.

      The Modern Art Exchange
    • Hildegarde Haas 'Bach - Suite No.2... 3 Sarabande'
      May. 18, 2019

      Hildegarde Haas 'Bach - Suite No.2... 3 Sarabande'

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - Suite No.2 in B Minor - 3 Sarabande'. Medium: Watercolor on paper. Measurements: 15.75 inches x 11.75 inches sight size, and 23.25 inches x 18.75 inches x 1 inch overall including framing. Condition: The art is in excellent condition. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's Suite No.2 in B Minor - 3 Sarabande.

      The Modern Art Exchange
    • Hildegarde Haas 'Bach - Suite No.2 in B... Rondeau'
      May. 18, 2019

      Hildegarde Haas 'Bach - Suite No.2 in B... Rondeau'

      Est: $1,000 - $2,000

      Non-objective abstract painting by San Francisco Bay Area artist Hildegarde Haas from her classical music series. Title: 'Bach - Suite No.2 in B Minor - 2 Rondeau' Medium: Watercolor on paper and mixed pigments on paper. Measurements: 15.75 inches x 11.75 inches sight size, and 23.25 inches x 18.75 inches x 1 inch overall including framing. Notes: Housed in a brand new frame under UV plexiglass. Provenance: From the estate of the artist. About the artist: Hildegarde Haas, (German/American 1926-2002), was born in Frankfurt, Germany. At the age of 11 her family moved to the United States, settling in Colorado Springs, Colorado. While living in Colorado Springs Haas studied art at Colorado Springs Fine Art Center which piqued her interest in art and fueled her desire to dedicate herself to creating art. As a young adult Haas moved to Chicago, IL and studied at the University of Chicago before moving to New York City to further her career as an artist. In New York Haas studied with highly influential American modernists, Vaclav Vytlacil and Morris Kantor at the Arts Students League. During her time in New York Haas became a member of The Printmakers, a prominent group of graphic artists based in New York. In 1953 Haas' woodcuts were included in a significant exhibition at the Museum of Modern Art titled 'Young American Printmakers'. Although very successful as an American printmaker in the 1950s Haas found the physical demands of printmaking too much for her body and she gave up printmaking after 7 years of work. From this point forward Haas refocused her creative energies on creating paintings. Haas moved to the sunshine of northern California in the 1950s and immediately became engrossed in the thriving San Francisco Bay Area art scene. In the Bay Area Haas became an active member of the San Francisco Art Association, the Oakland Art Association, and the Art and Crafts Co-op of Berkeley, while continuing to exhibit her works in national art exhibitions. Haas lived and worked in the Bay Area until she passed away in 2002. During her lifetime Haas exhibited in countless exhibitions including one person shows. Haas' works are held in the permanent collections of the Museum of Modern Art, the Library of Congress, the City of San Francisco, the Seattle Museum of Art, the Dallas Museum of Fine Art, the Worcester Art Museum, and the Cleveland Art Museum. Hildegarde Haas was among 83 artists profiled in 'Paths to the Press: Printmaking and American Women Artists 1910-1960', edited by Elizabeth G. Seaton and published by Beach Museum, Kansas State University. Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including painters Wassily Kandinsky and Vincent Van Gough, musicians Duke Ellington and Billy Joel, and writer and poet Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used this condition to her advantage in creating some of her works of art. While working in her studio she would listen to music, and paint what she 'saw'. This is a work from Haas' classical music series. In her classical music series Haas created paintings while she listened to classical music pieces by Bach, Handel, and Beethoven, and painted what she experienced. The work offered here was created while Haas' enjoyed Bach's Suite No.2 in B Minor - 2 Rondeau.

      The Modern Art Exchange
    • Casein on Masonite, Hildegarde Haas
      Apr. 14, 2019

      Casein on Masonite, Hildegarde Haas

      Est: $400 - $600

      Hildegarde Haas (German/American, 1926-2002), Six Women, casein on masonite, signed lower right, sight: 12"h x 23.5"w, overall (with frame): 17.75"h x 29.5"w

      Clars Auctions
    • Print, Hildegarde Haas
      Apr. 13, 2019

      Print, Hildegarde Haas

      Est: $100 - $200

      Hildegarde Haas (German/American, 1926-2002), 'Pillars of the canyon,' 1951, woodcut in colors, pencil signed and dated lower right, titled lower left, edition 12/12, overall (with frame): 21.75"h x 21.75"w

      Clars Auctions
    • Hildegarde Haas (1926-2002) "Mountain Paths", 1952
      Oct. 29, 2018

      Hildegarde Haas (1926-2002) "Mountain Paths", 1952

      Est: $400 - $600

      Hildegarde Haas (American, 1926-2002) "Mountain Paths", 1952, Casein painting on board, signed. Size: 28'' x 36'', 71 x 91 cm (board).

      Material Culture
    • Hildegarde Haas (1926-2002) "The Island", 1951
      Oct. 29, 2018

      Hildegarde Haas (1926-2002) "The Island", 1951

      Est: $400 - $600

      Hildegarde Haas (American, 1926-2002) "The Island", 1951, Casein painting on masonite, signed. Size: 28'' x 36'', 71 x 91 cm (board).

      Material Culture
    • Hildegarde Haas (1926-2002) "Fog Illusions", 1952
      Oct. 29, 2018

      Hildegarde Haas (1926-2002) "Fog Illusions", 1952

      Est: $300 - $500

      Hildegarde Haas (American, 1926-2002) "Fog Illusions", 1952, Casein painting on board, signed. Size: 20'' x 32'', 51 x 81 cm (board).

      Material Culture
    • Hildegarde Haas (1926-2002) "Still Life", 1946
      Oct. 29, 2018

      Hildegarde Haas (1926-2002) "Still Life", 1946

      Est: $400 - $600

      Hildegarde Haas (American, 1926-2002) Still Life, 1946, oil painting on canvas, signed. Unframed. Size: 26'' x 36'', 66 x 91 cm (stretcher).

      Material Culture
    • Hildegarde Haas woodcut
      Aug. 11, 2018

      Hildegarde Haas woodcut

      Est: $150 - $250

      Hildegarde Haas (American 1926-2002)- ''The Quarry''- woodcut in color, 1947, signed, titled, dated and numbered 4/13 in pencil, good condition. 9 5/8 x 12 1/8''

      Rachel Davis Fine Arts
    • Hildegarde Haas pen and ink
      Jun. 09, 2018

      Hildegarde Haas pen and ink

      Est: $100 - $200

      Hildegarde Haas (American 1926-2002)- ''The Egyptian''- pen and ink on paper, 1946, signed H. Haas 46 lower right, good condition. 10 1/2 x 8 1/2''

      Rachel Davis Fine Arts
    • HILDEGARDE HAAS (1926-2002), Headlands, 1950, Oil on panel
      Apr. 14, 2018

      HILDEGARDE HAAS (1926-2002), Headlands, 1950, Oil on panel

      Est: $400 - $600

      HILDEGARDE HAAS (1926-2002), Headlands, 1950, Oil on panel

      Bakker Auctions
    • Hildegarde Haas, painting
      Mar. 14, 2018

      Hildegarde Haas, painting

      Est: $200 - $300

      Hildegarde Haas (American/Californian, 1926-20002), "The Flutist", oil on board, signed lower right "Haas", gallery label verso, 16"h x 11.5"w (sight), 25"h x 21"w (framed)

      Millea Bros Ltd
    • HAAS, Hildegarde. Woodcut. "Flaming Sky". 1947.
      Feb. 12, 2018

      HAAS, Hildegarde. Woodcut. "Flaming Sky". 1947.

      Est: $50 - $1,000

      No. 4/15. Hildegarde Haas (German, active in America, 1926-2002). From a Larchmont, NY storage.

      Clarke Auction Gallery
    • Hildegarde Haas casein
      Oct. 22, 2016

      Hildegarde Haas casein

      Est: $250 - $450

      Hildegarde Haas (American 1926-2002)- ''Contemplation''- casein on panel, signed Haas lower right. 22 x 15''

      Rachel Davis Fine Arts
    • Painting by Hildegarde Haas
      Dec. 14, 2014

      Painting by Hildegarde Haas

      Est: $600 - $800

      Hildegarde Haas (American, 1926-2002), "Desert Shadows," casein on masonite, signed lower right, titled verso, masonite: 24"h x 30"w, overall (framed): 26"h x 32.25"w

      Clars Auctions
    • Painting by Hildegarde Haas
      Dec. 14, 2014

      Painting by Hildegarde Haas

      Est: $600 - $800

      Hildegarde Haas (American, 1926-2002), "The Clearing," casein on masonite, signed lower center, titled verso, masonite: 32"h x 26"w, overall (framed): 35"h x 29"w

      Clars Auctions
    • Hildegarde Haas- ''October''- woodcut in colors,
      Oct. 22, 2011

      Hildegarde Haas- ''October''- woodcut in colors,

      Est: $100 - $200

      Hildegarde Haas- ''October''- woodcut in colors, 1949, signed, dated a

      Rachel Davis Fine Arts
    • Painting, Hildegarde Haas, Californian
      Dec. 05, 2010

      Painting, Hildegarde Haas, Californian

      Est: $400 - $600

      Framed oil on masonite, ''Red Mesa'', by Hildegarde Haas (Californian, 1926-2002), signed ''Haas'' lower right, circa 1960s, title inscribed verso, sight: 21''h x 25.5''w, overall: 23''h x 26.5''w

      Clars Auctions
    • Painting, Hildegarde Haas, California
      Dec. 05, 2010

      Painting, Hildegarde Haas, California

      Est: $400 - $600

      Framed oil on masonite, ''Mountain Meadow'', by Hildegarde Haas (Californian, 1926-2002), signed ''Haas'' lower right, title inscribed verso, sight: 16''h x 20''w, overall: 19''h x 23''w

      Clars Auctions
    • Painting, Hildegarde Haas, Californian
      Dec. 05, 2010

      Painting, Hildegarde Haas, Californian

      Est: $400 - $600

      Framed oil on masonite, ''Boulders of the Deep'', by Hildegarde Haas (Californian, 1926-2002), signed ''Haas'' lower right, sight: 28''h x 36''w, overall: 29''h x 37''w

      Clars Auctions
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