Armand Guillaumin Paintings & Artwork for Sale | Armand Guillaumin Art Value Price Guide

Oct. 24, 2024
Attributed to Armand Guillaumin (1841-1927): Falaise aux Environs de Dieppe
Est: $8,000 - $12,000
Oil on canvas, c. 1882, signed 'Guillaumin' lower right. 21 x 25 in., 26 1/2 x 30 1/2 in. (frame).
STAIR
Sep. 26, 2024
JEAN-BAPTISTE-ARMAND GUILLAUMIN, 1841 PARIS – 1927 ORLY
Est: €40,000 - €60,000
GELÉE BLANCHE, ÉCLUSE DE BOUCHARDON, CROZANT, CA. 1900 Öl auf Leinwand. 54 x 65 cm. Links unten signiert „Guillaumin“ In Impressionistenrahmen. Das vorliegende Gemälde ist im Catalogue raisonné des Künstlers unter der Referenznummer 474 aufgeführt. Blick auf eine winterliche Landschaft, in deren Mitte ein Fluß verläuft, über die im Hintergrund einen kleine Steinbrücke führt. Rechts am Ufer mehrere Nadelbäume, die sich im Wasser wiederspiegeln, während links auf einer Anhöhe ein Haus mit rauchendem Schornstein zu erkennen ist. Die Darstellung im winterlichen Licht in impressionistsich aufgefassten, überwiegend weißen, türkisen und violetten Farbtönen. Der Künstler besuchte ab 1861 die Académie Suisse. Dort begegnete er Paul Cézanne (1839-1906) und Camille Pissarro (1830-1903), mit denen er lebenslang befreundet blieb. Zu seinen späteren Freunden zählten außerdem Vincent van Gogh (1853-1890) und dessen Bruder, der Kunsthändler Theo van Gogh (1857-1891), der einige von seinen Werken verkaufte. Provenienz: Galerie Durand-Ruel et Cie., Paris. Auktion Christie´s New York, 09. November 1999, Lot 238. Literatur: G. Serret, D. Fabiani, Armand Guillaumin, Catalogue raisonné d l’oeuvre peint, Paris 1971, Nr. 474 (Abb.). (1411043) (18) Jean-Baptiste Armand Guillaumin, 1841 Paris – 1927 Orly GELÉE BLANCHE, ÉCLUSE DE BOUCHARDON, CROZANT, ca. 1900 Oil on canvas. 54 x 65 cm. Signed “Guillaumin” lower left. The present painting is listed in the catalogue raisonné of the painter under reference number 474. Provenance: Galerie Durand-Ruel et Cie., Paris. Auction, Christie´s New York, 9 November 1999, lot 238. Literature: G. Serret, D. Fabiani, Armand Guillaumin, Catalogue raisonné d l’oeuvre peint, Paris 1971, no. 474 (ill.). (†)
Hampel Fine Art Auctions
Sep. 25, 2024
Armand Guillaumin (1841-1927), Rouen , vers 1898, huile sur toile, signée, 39x55 cm
Est: CHF15,000 - CHF25,000
Armand Guillaumin (1841-1927), Rouen , vers 1898, huile sur toile, signée, 39x55 cm Avis d'inclusion au catalogue raisonné V. 2 actuellement en préparation par le Comité Guillaumin, Paris, 20.05.2009 Provenance: Vente Limoges Enchères, le 26 mars 2016, lot no. 30
Piguet Hôtel des Ventes | Genève
Sep. 25, 2024
Armand Guillaumin (1841-1927), La Seine à Alfortville, huile sur toile, signée, 22x33 cm
Est: CHF6,000 - CHF8,000
Armand Guillaumin (1841-1927), La Seine à Alfortville , huile sur toile, signée, 22x33 cm Répertorié dans le catalogue raisonné en préparation par le Comité Guillaumin Provenance: Vente Bernard d'Anjou Enchères, Rouen, le 07 décembre 2014, lot no. 78
Piguet Hôtel des Ventes | Genève
Sep. 25, 2024
Jean-Baptiste Armand Guillaumin (Parigi 1841-Orly 1927) - Le Moulin Bouchardon, Crozant, 1919
Est: €7,000 - €10,000
pastel on cardboard laid on cardboard 42.5 x 50 cm signed and dated lower right: Guillaumin 19 PROVENANCE Paris, private collection; Geneva, private collection; Turin, private collection.
Finarte
Sep. 21, 2024
Impressionistic Landscape attrib to Armand Guillaumin
Est: $400 - $600
Guillaumin, attributed to Jean-Baptiste Armand (French, 1841-1927), Impressionistic Landscape with Figure at the Pond, early 20th century, oil with impasto on canvas, unsigned, perhaps a study for a larger painting, Guillaumin is written on the stretcher bar in an unknown hand, 13 x 18 inches, in a period gilt wood frame 17 x 22 inches. Provenance: private collection, Western PA.
Concept Art Gallery
Sep. 12, 2024
Armand Guillaumin: La Côte de l'Esterel - Paysage du midi
Est: CHF8,000 - CHF10,000
Armand Guillaumin (Paris 1841 - 1927 Orly) La Côte de l'Esterel - Paysage du midi Öl auf Leinwand / Oil on canvas Um 1905 24x33 cm / 24x33 cm Signatur / Signature Unten links vom Künstler signiert "Guillaumin" Signed "Guillaumin" by the artist lower left Werkverzeichnis / Catalogue Raisonné Bestätigung der Authentizität des Werkes vom Comité Guillaumin, Paris, datiert vom 6. Juni 2013, liegt vor. Es wird in den zweiten Band des sich in Vorbereitung befindenden Werkverzeichnisses aufgenommen Confirmation of the authenticity of the work from the Comité Guillaumin, Paris, dated 6 June 2013, is available. It will be included in the second volume of the catalogue raisonné currently in preparation Provenienz / Provenance Auktion Koller, Zürich, 6. Dezember 2013, Los 3218 Privatsammlung Schweiz Auction Koller, Zurich, 6 December 2013, lot 3218 Private Collection Switzerland Zustand / Condition Auf dem originalen Chassis, in der alten Nagelung. Tadellos in der Erhaltung. On the original stretcher, with the old nailing. In impeccable condition. Erläuterungen / Comments Der malerische Küstenabschnitt zwischen Cannes und Saint-Raphaël an der Côte d’Azur war schon immer ein Anziehungspunkt für zahlreiche Künstler, so auch für Guillaumin. Er hält in diesem kleinformatigen Werk die Natur und das magische Licht des Südens auf wunderbare Weise fest. The picturesque stretch of coastline between Cannes and Saint-Raphaël on the Côte d'Azur has always attracted many artists, including Guillaumin. In this small-format work, he beautifully captures nature and the magical light of the south. Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 12.09.2024; 11:15 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 130.- Europa / Europe: CHF 230.- Übrige Länder / Other countries: CHF 290.-
Galerie Kornfeld Auktionen AG
Sep. 10, 2024
**Armand Guillaumin 1841-1927 (French) Bridge and river landscape pastel and gouache on cardboard
Est: $10,000 - $12,000
Armand Guillaumin 1841-1927 (French) Bridge and river landscape pastel and gouache on cardboard h:42.50 w: 56 cm. signed lower right Other Notes: Items marked **with a lot number indicate they have been imported into Israel. These items are subject to Israeli tax laws, including a 17% value-added tax (VAT) on the purchase price and the buyer's commission ONLY WHEN RELEASED IN ISRAEL. Location: Israel. For estimated delivery time please contact us. Condition report available upon request.
Matsart Auctioneers & Appraisers
Aug. 10, 2024
FRENCH LANDSCAPE PASTEL PAINTING BY ARMAND GUILLAUMIN
Est: $100 - $150
Jean Baptiste Armand Guillaumin, French, 1841 to 1927, a pastel painting on paper depicting a landscape. Signed lower left. Framed. Armand Guillaumin was a French impressionist painter and lithographer. In 1886, he became a friend of Vincent van Gogh, whose brother, Theo, exhibited and sold some of his works. Vincent held Guillaumins work in high regard, commenting on it in at least 36 letters written from 1888 to 1890. In the mid 1880s, Guillaumins studio was a meeting place for young artists such as Paul Gauguin, Paul Signac and Georges Seurat. Vintage and Modern European Fine Art, Impressionist Landscape Paintings, Wall Art, and Collectibles. One of a kind artwork.
Antique Arena Inc
Jul. 17, 2024
Paysage de la Creuse
Est: $8,000 - $12,000
Armand Guillaumin 1841 - 1927 Paysage de la Creuse signed Guillaumin, dated 96 and inscribed Crozant (lower right) pastel on paper laid down on board 18 by 23 ½ in. 45.7 by 59.7 cm. Executed in 1896. This work will be included in Volume II of the Catalogue Raisonné Guillaumin being prepared by the Comité Guillaumin with Dominique Fabiani, Jacques de la Béraudière and Stéphanie Chardeau-Botteri.
Sotheby's
Jul. 17, 2024
Sablière à Paris
Est: $12,000 - $18,000
Armand Guillaumin 1841 - 1927 Sablière à Paris signed Guillaumin (lower right) pastel on paper 19 ¼ by 25 ⅛ in. 49 by 64 cm. Executed circa 1893. This work will be be reproduced in the second volume of the Armand Guillaumin Catalogue Raisonné, currently in preparation by the Guillaumin Committee (Stéphanie Chardeau-Botteri, Dominique Fabiani, Jacques de la Béraudière). A certificate will be given to the purchaser.
Sotheby's
Jul. 17, 2024
Roquebrune
Est: $12,000 - $18,000
Armand Guillaumin 1841 - 1927 Roquebrune signed Guillaumin (lower left) pastel on paper laid on board 17 ¾ by 23 ⅞ in. 45 by 60.5 cm. Executed circa 1900. This work will be be reproduced in the second volume of the Armand Guillaumin Catalogue Raisonné, currently in preparation by the Guillaumin Committee (Stéphanie Chardeau-Botteri, Dominique Fabiani, Jacques de la Béraudière). A certificate will be given to the purchaser.
Sotheby's
Jul. 17, 2024
Untitled
Est: $5,000 - $7,000
Armand Guillaumin 1841 - 1927 Untitled signed Guillaumin and inscribed (lower right); dated 94 and inscribed Crozant (lower left) pastel on paper 18 by 23 ¼ in. 45.7 by 59 cm. Executed in 1894. This work will be included in Volume II of the Catalogue Raisonné Guillaumin being prepared by the Comité Guillaumin with Dominique Fabiani, Jacques de la Béraudière and Stéphanie Chardeau-Botteri.
Sotheby's
Jul. 14, 2024
GUILLAUMIN Armand 1841-1927 : Près de Crozant, ver…
Est: €35,000 - €50,000
GUILLAUMIN Armand 1841-1927 : Près de Crozant, vers 1910. Huile sur toile SBD 65x90 cm. Certificat d'insertion au catalogue raisonné du comité Guillaumin
Chaville Enchères
Jul. 10, 2024
ARMAND GUILLAUMIN (1841-1927) Vue de la Creuse
Est: €8,000 - €12,000
ARMAND GUILLAUMIN (1841-1927) Vue de la Creuse Huile sur toile Signée en bas à gauche Inscription au dos « Paysage offert par Mme Ribot » et n°472 24 x 34 cm Oil on canvas Signed lower left Inscription on the reverse: "Paysage offert par Mme Ribot" and n°47 29 1/2 x 13 3/8 in. Provenance Collection particulière
HVMC - Hôtel des Ventes de Monte-Carlo
Jun. 19, 2024
Armand Guillaumin 1841–1927
Est: CHF3,000 - CHF5,000
Armand Guillaumin 1841–1927 Portrait de jeune fille, um 1905 Pastell auf Papier unten rechts signiert Guillaumin 54 x 44 cm
Artcurial Beurret Bailly Widmer
Jun. 18, 2024
ARMAND GUILLAUMIN (1841-1927)
Est: €30,000 - €50,000
ARMAND GUILLAUMIN (1841-1927) PAYSAGE D’ÎLE-DE-FRANCE, VERS 1885 Huile sur toile Signée en bas à gauche Oil on canvas; signed lower left 65 X 81 CM • 25 5/8 X 31 7/8 IN.
Tajan
Jun. 15, 2024
Armand Guillaumin "Vue prise de Saardam". 1906.
Est: €240 - €280
Armand Guillaumin 1841 Paris – 1927 Orly Farbradierung mit Plattenton auf Bütten. In der Platte u.re. monogrammiert "A.G.". Erschienen in: "L''Histore des Peintres – Impressionistes" von Theodor Duret, Paris, Floury, 1906. Mit einem formatgleichen, typografisch bezeichneten Seidenhemdchen. WVZ Kraemer 23. Armand Guillaumin 1841 Paris – 1927 Orly
Schmidt Kunstauktionen Dresden OHG
Jun. 12, 2024
ARMAND GUILLAUMIN (1841-1927) Les bords de la Bièvre, 1875
Est: €40,000 - €60,000
ARMAND GUILLAUMIN (1841-1927) Les bords de la Bièvre, 1875 Huile sur toile Signée et datée '[18]75' en bas à gauche Oil on canvas, signed and dated '[18]75' lower left 60 x 73 cm - 23 5/8 x 28 3/4 in. Le Comité Guillaumin a confirmé l'authenticité de cette oeuvre. Un avis d'inclusion dans le second volume du catalogue raisonné Armand Guillaumin, en date du 21 avril 2011, sera remis à l'acquéreur. Provenance - Vente, Floralies 2012, Tableaux-XIXe, impressionnistes, modernes et contemporains [...], Éric Pillon Enchères, Versailles, Hôtel des ventes du Château, 13 mai 2012, lot 40 - Collection particulière, Europe (acquis au cours de la vente précédente) L’année 1875 sera décevante pour les impressionnistes. Il faut régler les comptes de l’exposition de 1874. Renoir prit l’initiative de réunir en décembre 74 les membres de la Société Anonyme Coopérative pour leur apprendre que le passif se montait à F : 3713 alors qu’il restait en caisse F : 227. On décida de procéder à une vente publique pour trouver des fonds. La vente eut lieu le 24 mars 1875 et il ne semble pas qu’elle comportait des œuvres de Guillaumin. Durand Ruel prit place à la table d’expert. Une cabale fut montée afin de transformer la vente en un chahut monstre. Malgré les efforts d’amis argentés tels Duret, Caillebotte, Choquet et quelques autres, le résultat fut un échec, beaucoup de tableaux durent être repris par les artistes et les sommes obtenues très inférieures aux prévisions. Berthe Morisot obtint les meilleurs prix. Pissarro, loin du découragement, préparait la constitution d’une nouvelle Association baptisée “l’Union artistique”. Cette année fut particulièrement pénible pour beaucoup d’artistes et notamment Claude Monet qui connut une véritable misère. La période noire allait malheureusement durer. Dès le début de 1875, Cézanne vient s’installer quai d’Anjou, près de Guillaumin. Il reçoit de sa famille une petite pension et s’organise assez bien, de même que Guillaumin, lequel, d’esprit économe, dispose de son salaire. Les deux amis vivent modestement mais ne sont pas spécialement malheureux. Ils peignent ensemble sur les bords de la Seine et se rendent fréquemment le dimanche, à Auvers chez le Docteur Gachet. Duret, le commensal et le conseiller du Groupe apprécie la peinture de Guillaumin et nous relevons dans une lettre datée du 12 juin 1875 par Pissarro à Duret l’extrait suivant : “Je suis bien heureux d’apprendre que vous avez acquis la Mauresque de Guillaumin. C’est un brave garçon que j’aime beaucoup. Il a actuellement chez Tanguy un paysage ‘Bord de Seine’ qui est de premier ordre. Si vous avez un moment, allez le voir.” Nous retrouvons le brave Père Tanguy dans sa boutique où se tient un véritable Cénacle de l’“Impressionnisme”. Le trio Cézanne, Pissarro, Guillaumin est solidement soudé et l’on ne saurait trop insister sur l’importance et l’influence du Docteur Gachet notamment vis-à-vis de Guillaumin qui trouva auprès de lui, non seulement un appui moral et matériel mais aussi une merveilleuse détente dans le cadre agréable d’Auvers. L’Union Artistique créée par Pissarro débouchera sur l’exposition de 1876. Celle-ci se tint chez Durand Ruel mais ni Manet, Cézanne et Guillaumin n’y participèrent à la suite d’un désaccord avec certains membres de Groupe appartenant au clan de Degas lequel formait autour de lui une véritable cour. » Raymond Schmit, «Armand Guillaumin dans son temps », in. Georges Serret et Dominique Fabiani, Armand Guillaumin, 1841 - 1927, Catalogue raisonné de l’œuvre peint, Paris : Éditions Meyer, 1971, pp. 45 - 46
Aguttes
Jun. 06, 2024
Armand Guillaumin (1841-1927), Péniches sur les quais de Seine, huile sur toile, signée, 33x41 cm
Est: CHF20,000 - CHF30,000
Armand Guillaumin (1841-1927), Péniches sur les quais de Seine, huile sur toile, signée, 33x41 cm Certificat de Mlle Guillaumin et M. Caillac, 1961 Provenance: Vente Hôtel des Ventes Nice Riviera, Nice, 28 octobre 2015, lot no. 122
Piguet Hôtel des Ventes | Genève
Jun. 06, 2024
Armand Guillaumin (1841-1927) Le pont Corneille à Rouen, circa 1898
Est: €30,000 - €50,000
Armand Guillaumin (1841-1927) Le pont Corneille à Rouen, circa 1898 Oil on canvas Signed on the bottom left 55 x 65 cm Provenance: - Paris auction, Etude Loudmer, Poulain, Cornette de Saint-Cyr, 1971 - Purchased from the latter by the current owners' father - Then by descent - Private collection, Paris Exhibition: Galerie Schmidt, Paris, "Cent ans de la peinture française", 7 May - 7 June 1969 Bibliography: G. Serret, D. Fabiani, "Catalogue Raisonné Armand Guillaumin", Ed. Mayer, Paris, 1971, illustrated under no. 391 unpaginated Armand Guillaumin (1841-1927) Le pont Corneille à Rouen, circa 1898 Huile sur toile Signée en bas à gauche 55 x 65 cm Provenance : - Vente Paris, Etude Loudmer, Poulain, Cornette de Saint-Cyr, 1971 - Acquis auprès de cette dernière par le père des actuels propriétaires - Transmis par descendance familiale - Collection particulière, Paris Exposition : Galerie Schmidt, Paris, "Cent ans de la peinture française", 7 mai - 7 juin 1969 Bibliographie : G. Serret, D. Fabiani, "Catalogue Raisonné Armand Guillaumin", Edition Mayer, Paris, 1971, reproduit sous le n°391 n.p.
Piasa
Jun. 05, 2024
ARMAND GUILLAUMIN (1841-1927) La maison du curé à Crozant
Est: €5,000 - €7,000
ARMAND GUILLAUMIN (1841-1927) La maison du curé à Crozant signature partiellement effacée 'Guillaumin' (en bas à droite) huile sur toile Peint circa 1895 signature partially erased 'Guillaumin' (lower right) oil on canvas Painted circa 1895 65 x 81 cm. 25 9/16 x 31 7/8 in.
Bonhams
Jun. 05, 2024
ARMAND GUILLAUMIN (1841-1927) Prairie à Saint-Chéron
Est: €4,500 - €6,500
ARMAND GUILLAUMIN (1841-1927) Prairie à Saint-Chéron signé 'Guillaumin' (en bas à droite) huile sur toile Peint en 1893 signed 'Guillaumin' (lower right) oil on canvas Painted in 1893 60 x 73 cm. 23 5/8 x 28 3/4 in.
Bonhams
May. 25, 2024
FRENCH MARINE DRAWING BY ARMAND GUILLAUMIN
Est: $100 - $150
Jean-Baptiste Armand Guillaumin, French, 1841 to 1927, a pastel drawing on paper depicting a marine scene with boats. Signed by the artist lower left. Matted and framed. Armand Guillaumin was a French impressionist painter and lithographer. Antique French Drawings And Art Collectibles.
Antique Arena Inc
May. 18, 2024
ARMAND GUILLAUMIN (1841-1927) La vallée de la Creuse et le Puy Barriou oil
Est: $40,000 - $60,000
ARMAND GUILLAUMIN (1841-1927) La vallée de la Creuse et le Puy Barriou oil on canvas 25 ½ x 31 7⁄8 in. (65 x 81 cm.)
Christie's
May. 18, 2024
ARMAND GUILLAUMIN (1841-1927) Agay oil on canvas 25 5⁄8 x 31 ¾ in. (65 x 80
Est: $80,000 - $120,000
ARMAND GUILLAUMIN (1841-1927) Agay oil on canvas 25 5⁄8 x 31 ¾ in. (65 x 80.7 cm.)
Christie's
May. 18, 2024
ARMAND GUILLAUMIN (1841-1927) Chemin de l'abreuvoir, après la pluie oil on
Est: $35,000 - $55,000
ARMAND GUILLAUMIN (1841-1927) Chemin de l'abreuvoir, après la pluie oil on canvas 19 5⁄8 x 24 in. (50 x 61 cm.)
Christie's
May. 18, 2024
ARMAND GUILLAUMIN (1841-1927) Une rue en Ile-de-France pastel and black Con
Est: $7,000 - $10,000
ARMAND GUILLAUMIN (1841-1927) Une rue en Ile-de-France pastel and black Conté crayon on toned paper 25 5⁄8 x 19 ¾ in. (65 x 50.4 cm.)
Christie's
May. 18, 2024
ARMAND GUILLAUMIN (1841-1927) Bord de mer pastel on paper 18 7⁄8 x 24 5⁄8 i
Est: $7,000 - $10,000
ARMAND GUILLAUMIN (1841-1927) Bord de mer pastel on paper 18 7⁄8 x 24 5⁄8 in. (48 x 61.9 cm.)
Christie's
May. 17, 2024
Armand Guillaumin: Morning Atmosphere on the Banks of the Seine near Samois
Est: €18,000 - €25,000
GUILLAUMIN, ARMAND Paris 1841 - 1927 Title: Morning Atmosphere on the Banks of the Seine near Samois. Technique: Oil on canvas. Mounting: Relined. Measurement: 43.5 x 61cm. Notation: Signed lower right: "Guillaumin". Frame: Framed. Provenance: Private ownership, Germany. The luminous reflections of moving water are the main subject of many Impressionist works. No other subject reveals itself to painters as shimmering and lively as the moving current of a river or the sometimes gentle, sometimes violently surging waves of the sea, which reflect the light of the sky and the colours of the surroundings at any time of day. Ideally situated between the river and the forest, Samois-sur-Seine, south of Paris, attracted a number of Impressionist painters in the 19th century, who drew strength and inspiration from the banks of the river. Armand Guillaumin visited the village several times and created around a dozen paintings here, preferably in the morning hours. Like his colleagues Claude Monet, Camille Pissarro and Paul Signac, Guillaumin was also fascinated by the play of light on the water. For his paintings, the artist set up his easel on the banks of the Seine along a path lined with poplars. The ideal place to capture the changing light of the sky in the Ile-de-France on the surface of the water. He repeats the almost identical motif here several times, as is typical of the serial work of the Impressionists, who were interested in moods: from the viewer's point of view, one looks from the centre of the river to a small group of houses on the right and to bushes and trees on the left. Guillaumin applies loose brushstrokes to a light-coloured ground, layering soft shades of pink, violet, and blue next to bright nuances of blue and green and a few dabs of red. He focused on the contrast of colours, whose strong use was initially criticised, but later made Guillaumin an inspiration for Fauvism. His painting is considered innovative and trend-setting for the development of modern painting. Estimated shipping costs for this lot: Arrangement after auction. Explanations to the Catalogue Armand Guillaumin 2nd half of 19th C. Paintings Framed River Painting France
Van Ham Kunstauktionen
May. 16, 2024
ARMAND GUILLAUMIN (1841-1927) Retour des champs 22 1/8 x 30 11/16 in (56.2 х 78 cm) (Painted circa 1887)
Est: $30,000 - $50,000
ARMAND GUILLAUMIN (1841-1927) Retour des champs signed 'Guillaumin' (lower left) oil on canvas 22 1/8 x 30 11/16 in (56.2 х 78 cm) Painted circa 1887
Bonhams
May. 16, 2024
ARMAND GUILLAUMIN (1841-1927) Village sur le Coteau, Vallée de Chevreuse 35 1/16 x 45 5/8 in (89 x 116 cm) (Painted circa 1885)
Est: $40,000 - $60,000
ARMAND GUILLAUMIN (1841-1927) Village sur le Coteau, Vallée de Chevreuse signed and dated 'Guillaumin. 85' (lower right) oil on canvas 35 1/16 x 45 5/8 in (89 x 116 cm) Painted circa 1885
Bonhams
May. 16, 2024
Armand Guillaumin (French, 1841–1927) Gelée blanche à Crozant, écluse de Bouchardon, c. 1895
Est: $20,000 - $30,000
Armand Guillaumin (French, 1841–1927) Gelée blanche à Crozant, écluse de Bouchardon, c. 1895 oil on canvas signed Guillaumin (lower left) 25 5/8 x 32 inches. This lot is located in Chicago. Provenance: Acquavella Gallery, New York Sold: Sotheby's, New York, May 12, 1999, Lot 496 R.S. Johnson Fine Art, Chicago Private Collection, acquired from the above Exhibited: Chicago, R.S. Johnson Fine Art, Traditions and Reflections: A Selection of works from England, France, Germany, Hungary, Italy, Spain, and Switzerland, Fall 2019, no. 2, pp. 12-13 Literature: Georges Serret and Dominique Fabiani, Armand Guillamin, Catalogue Raisonné de l'Oeuvre Peint, Paris, 1971, no. 352, illus. Lot note: Gelée blanche à Crozant, écluse de Bouchardon, c. 1895, was painted in Crozant, located in the Creuse region, central France, and a subject that Armand Guillaumin revisited in his oils on numerous occasions. As in the present work, many of the Crozant paintings feature the dam associated with the Bouchardon mill, located along the Creuse River. Guillaumin was a leader of the École de Crozant, a loose group of artists who depicted landscapes in the Creuse region. More importantly, he was also a founding member of the Impressionist movement, painting alongside Paul Cézanne, Camille Pissarro, and Pierre-Auguste Renoir among others. Guillaumin's path to becoming an artist was far from ordinary. His interest began at a young age while living in Moulins, but from the time he moved to Paris in 1857 until 1891, he had to put work before painting in order to earn a living. His jobs ranged from being a clerk in his uncle's lingerie shop, to working for the Paris-Orléans railroad, to taking evening shifts digging for the Highway Department. Despite the hard work, he painted throughout and exhibited at the Salon des Refusés in 1863, along with a group of artists soon to be dubbed the "Impressionists" and participated in six of the eight Impressionist group shows. Guillaumin was also a close friend of Vincent van Gogh, with whom he had in common paintings featuring bold coloration combined with painterly brushwork, as in the present lot. In 1891, Guillaumin was finally able to quit his day job and concentrate on painting full-time when he won 100,000 francs in the state lottery. This money allowed him to settle permanently in the Creuse region. Much like Claude Monet, who likewise painted in the area, Guillaumin often painted in the same locale, in different atmospheric conditions and at different times of day. In the present painting, the view shows only the dam along the river in the foreground, with the Bouchardon mill unseen to the right. Other examples of the same scene but from varying perspectives include The Bouchardon Mill, Crozant, c. 1898 (Metropolitan Museum of Art, New York) and The Bouchardon Mill, Crozant, c. 1894 (Philadelphia Museum of Art). In Gelée blanche à Crozant, écluse de Bouchardon, the frosty environment is conveyed through the brilliant pinks, violets, and oranges laid down with thick, energetic brushstrokes. What remained consistent through Guillaumin’s landscapes in Crozant is the almost complete lack of any human life and presence, as if the landscape was enough, contrary to his earlier cityscapes. Similar to Monet, Guillaumin was equally fascinated by the region, as it represented to both of them the purest form of Nature, an area where modernity, progress, and industrialization had not yet invaded. The landscape offered dramatic, isolated views in which the artist could paint transcendental depictions of nature through expressive use of contrasting colors and gestural brushwork. The works, including the present painting, produced by Guillaumin in the late 1890s would go on to considerably influence the forthcoming Post-Impressionist artists. His evolving technique, from the early realistic period to his Impressionist approach, placed him as a key figure in the development of early 20th century painting.
Hindman
May. 16, 2024
Madame Guillaumin lisant
Est: $30,000 - $50,000
Property from the Meier Family Collection Armand Guillaumin 1841 - 1927 Madame Guillaumin lisant signed Guillaumin (lower right) oil on canvas 18 ¼ by 15 in. 46.4 by 38.1 cm. Executed circa 1888. This work will be included in Volume II of the Catalogue Raisonné Guillaumin being prepared by the Comité Guillaumin with Dominique Fabiani, Jacques de la Béraudière and Stéphanie Chardeau-Botteri.
Sotheby's
May. 14, 2024
GUILLAUMIN Armand (1841 - 1927) Huile sur toile marouflée sur toile "Paysage montagneux". Sign
Est: €5,000 - €7,000
GUILLAUMIN Armand (1841 - 1927) Huile sur toile marouflée sur toile "Paysage montagneux". Signé en bas à droite Guillaumin. Ecole française. Dim.:+/-24x34cm.
Vanderkindere
May. 03, 2024
* GUILLAUMIN, ARMAND (AUCH JEAN-BAPTISTE ARMAND): "Le Pont de Corneille à Rouen".
Est: CHF80,000 - CHF120,000
GUILLAUMIN, ARMAND (AUCH JEAN-BAPTISTE ARMAND) (1841 Paris 1927) * : "Le Pont de Corneille à Rouen"; Öl auf Leinwand; 46x61 cm; verso betitelt sowie a. Keilrahmen Künstler-Stpl.
Dobiaschofsky Auktionen AG
Apr. 24, 2024
ARMAND GUILLAUMIN - VUE PRES DE SAARDEM
Est: $100 - $200
Lot 56 Armand Guillaumin French (1841-1927) Vue pres de Saardem etching plate: 5 x 7 7/8 inches frame dimensions: 13 5/8 x 16 1/8 x 3/4 inches, wood frame with glazing Provenance: From a Wellesley, MA collection
Capsule Gallery Auction
Apr. 18, 2024
ARMAND GUILLAUMIN (1841-1927) Seine à Ivry (Executed in Ivry circa 1884)
Est: £3,000 - £5,000
ARMAND GUILLAUMIN (1841-1927) Seine à Ivry signed, inscribed and dated 'Guillaumin Ivry 84' (lower right) pastel on card 47.9 x 63.5cm (18 7/8 x 25in). Executed in Ivry circa 1884
Bonhams
Apr. 10, 2024
Armand Guillaumin (1841-1927) Madame Guillaumin à l'éventail huile sur toil
Est: €15,000 - €20,000
Armand Guillaumin (1841-1927) Madame Guillaumin à l'éventail huile sur toile 92 x 73.2 cm.
Christie's
Apr. 10, 2024
Armand Guillaumin (1841-1927) L’Eglise Saint-Sulpice, Paris huile sur toile
Est: €30,000 - €50,000
Armand Guillaumin (1841-1927) L’Eglise Saint-Sulpice, Paris huile sur toile 73.1 x 60 cm.
Christie's
Apr. 10, 2024
Armand Guillaumin (1841-1927) Jeune femme nue drapée huile sur toile 73.3 x
Est: €20,000 - €30,000
Armand Guillaumin (1841-1927) Jeune femme nue drapée huile sur toile 73.3 x 60.3 cm.
Christie's
Mar. 26, 2024
Armand Guillaumin (French, 1841–1927) Market scene, signed lower right, 6 3/4 x 8 1/2 inches, 13 1/4 x 15 inches overall frame
Est: $1,000 - $2,000
Armand Guillaumin (French, 1841–1927) Market scene, signed lower right, 6 3/4 x 8 1/2 inches, 13 1/4 x 15 inches overall frame
Bill Hood & Sons Arts & Antiques Auctions
Mar. 24, 2024
Armand GUILLAUMIN (1841-1927) Barrage de Genétin à Crozant, 1916
Est: €28,000 - €30,000
Armand GUILLAUMIN (1841-1927) Barrage de Genétin à Crozant, 1916 Huile sur toile Signé en bas à droite, titré Genetin au revers 54 x 65 cm ; avec cadre : 68 x 80 cm
Osenat
Mar. 24, 2024
Armand GUILLAUMIN (1841-1927) Bord de canal en Ile-de-France, vers 1
Est: €15,000 - €18,000
Armand GUILLAUMIN (1841-1927) Bord de canal en Ile-de-France, vers 1869 Huile sur toile Signé en bas à gauche 33 x 46 cm Un certificat du Comité Guillaumin sera remis à l'acquéreur
Osenat
Mar. 21, 2024
Armand Guillaumin, 1841 Paris – 1927 Orly
Est: €160,000 - €200,000
PAYSAGE DE DAMIETTE, UM 1887 Öl auf Leinwand. 60 x 73,3 cm. Links unten signiert „Guillaumin“. Verso Stempel des Pariser Malmittelherstellers Paul Denis. Etikett auf Keilrahmen mit Nummer „21982 Guillaumin paysage“. Auf diesem Weg entdeckt man einen kleinen Weiler, der aus einigen wenigen Häusern besteht. Die roten Ziegeldächer sind umso auffälliger, als sie inmitten einer grünen Landschaft liegen, in der das Gras am Wegesrand sorgfältig gemäht wird. Die Hecken und dann die dahinter aufgereihten Baumreihen bilden konvergierende Linien, die einen einsamen Wanderer auf seinem Weg begleiten. Die Farbe Rot taucht hier und da in der Vegetation oder in der freigelegten Erde auf und erinnert an die Dächer, die dahinter liegen. Es ist auch der weite und dichte Himmel mit seinen Wolken, der der Komposition ihre malerische Dimension verleiht. Die Spuren des Pinsels sind allgegenwärtig, verwaschen die Blautöne bis ins Weiße, sie bilden einen ätherischen Kontrapunkt zu den Erdmassen. Im Frühjahr 1882 entdeckte Armand Guillaumin das Dörfchen Damiette am Rande von Gif-sur-Yvette, wo ihn das Licht begeisterte. Er widmete dem Ort etwa 30 Gemälde und Pastelle, die er 1886 auf der Ausstellung der Impressionisten präsentierte. Der Künstler besuchte ab 1861 die Académie Suisse. Dort begegnete er Paul Cézanne (1839-1906) und Camille Pissarro (1830-1903) mit denen er lebenslang befreundet blieb. Zu seinen späteren Freunden zählten außerdem Vincent van Gogh (1853-1890) und dessen Bruder, der Kunsthändler Theo van Gogh (1857-1891), der einige von seinen Werken verkaufte.Der Künstler besuchte ab 1861 die Académie Suisse. Dort begegnete er Paul Cézanne (1839-1906) und Camille Pissarro (1830-1903), mit denen er lebenslang befreundet blieb. Zu seinen späteren Freunden zählten außerdem Vincent van Gogh (1853-1890) und dessen Bruder, der Kunsthändler Theo van Gogh (1857-1891), der einige von seinen Werken verkaufte. Seine Werke zeichnen sich vor allem durch die schnelle spontane Malweise der Impressionisten aus und sind für eine intensive leuchtende Farbgebung bekannt. In seinem Spätwerk sind Einflüsse des Fauvismus erkennbar. Er zeigte seine Gemälde in den Ausstellungen der impressionistischen Gruppe in den Jahren 1874, 1877, 1880, 1881, 1882, 1886 und im Salon des Indépendants von 1886. Seine Werke sind heutzutage in Paris im Musée d´Orsay und in vielen anderen, überwiegend französischen Museen zu sehen. Provenienz: Galerie Bernheim - Jeune, Paris. Privatsammlung im Erbgang. Literatur: Das vorliegende Gemälde ist aufgeführt in: Georges Serret / Dominique Fabiani, Armand Guillaumin. Catalogue raisonné de l'oeuvre peint, Paris 1971, Nr. 159 mit Abbildung. (1391504) (13) Armand Guillaumin, 1841 Paris – 1927 Orly PAYSAGE DE DAMIETTE, CA. 1887 Oil on canvas. 60 x 73.3 cm. Signed “Guillaumin” lower left. Verso stamp by Paris paint manufacturer Paul Denis. Label on stretcher with no. “21982 Guillaumin paysage”. In the spring of 1882, Armand Guillaumin discovered the hamlet of Damiette on the outskirts of Gif-sur-Yvette, where he was enchanted by the light. He dedicated about thirty paintings and pastels to this site, which he presented at the Impressionist Exhibition in 1886. The artist attended the Académie Suisse from 1861, where he made the acquaintance of Paul Cézanne (1839-1906) and Camille Pissarro (1830-1903), with whom he remained lifelong friends. His later friends also included Vincent van Gogh (1853-1890) and his brother, the art dealer Theo van Gogh (1857-1891), who sold some of his works. Provenance: Galerie Bernheim-Jeune, Paris. Private collection by inheritance. Literature: The present painting is listed in: G. Serret & D. Fabiani, Armand Guillaumin: Catalogue raisonné de l'oeuvre peint, Paris, 1971, no. 159 with ill. (†)
Hampel Fine Art Auctions
Mar. 20, 2024
GUILLAUMIN Armand (1841 - 1927) Etude d'un cocher" pierre noire sur papier. Signé …
Est: €400 - €600
Etude d'un cocher" pierre noire sur papier. Signé en bas à droite GUILLAUMIN Armand (1841 - 1927) daté (18)67. Ecole française. On y joint une attestation de chez De Bayser S.A. à Paris en 2007. Dim.:+/-235x250mm.
Vanderkindere
Mar. 13, 2024
ARMAND GUILLAUMIN (1814-1927) Damiette, Île-de-France, vers 1885
Est: €8,000 - €12,000
ARMAND GUILLAUMIN (1814-1927) Damiette, Île-de-France, vers 1885 Huile sur toile (Petit enfoncement et possiblement quelques restaurations dans le ciel) Oil on canvas, signed lower right 46 x 61 cm - 18 1/8 x 24 in. Un certificat du Comité Armand Guillaumin sera remis à l'acquéreur. Provenance Collection particulière, France
Aguttes
Mar. 05, 2024
Le Puy Barriou, Paysage de la Creuse
Est: $10,000 - $15,000
Armand Guillaumin 1841 - 1927 Le Puy Barriou, Paysage de la Creuse signed Guillaumin (lower left) pastel on paper 18 ¼ by 24 ½ in. 46.5 by 62.4 cm. Executed circa 1910. This work will be included in Volume II of the Catalogue Raisonné Guillaumin being prepared by the Comité Guillaumin with Dominique Fabiani, Jacques de la Béraudière and Stéphanie Chardeau-Botteri.
Sotheby's