Painter, Illustrator, Plastic Art, b. 1887 - d. 1927
José Victoriano (Carmelo Carlos) González-Pérez (23 March 1887 – 11 May 1927), better known as Juan Gris (Spanish: ['xwan 'g?is]; French: [g?i]), was a Spanish painter born in Madrid who lived and worked in France most of his life. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive.
Gris was born in Madrid and later studied engineering at the Madrid School of Arts and Sciences. There, from 1902 to 1904, he contributed drawings to local periodicals. From 1904 to 1905, he studied painting with the academic artist José Moreno Carbonero. It was in 1905 that José Victoriano González adopted the more distinctive name Juan Gris.[1]
In 1909 Lucie Belin (1891–1942)—Gris' wife—gave birth to Georges Gonzalez-Gris (1909–2003), the artist's only child. The three lived at the Bateau-Lavoir, 13 Rue Ravignan, Paris, from 1909 to 1911. In 1912 Gris met Charlotte Augusta Fernande Herpin (1894–1983), also known as Josette. Late 1913 or early 1914 they lived together at the Bateau-Lavoir until 1922. Josette Gris was Juan Gris' second companion and unofficial wife.
'Jean le Musicien' (John the Musician). 1921. Lithograph on paper. Signed and numbered '26/50' lower left in pencil. Provenance: Christie's Zurich, Prints and Multiples, March 14, 2005. Property of a Valatie, NY estate. Dimensions: Sight size: 15" h x 11" w. Frame: 25.125" h x 20.875" w.
Juan Gris (1887-1927) Nature Morte (Kahnweiler 34) Pochoir in colours, 1922, signed in pencil, from the edition of unknown but presumably small size, published by L’Esprit Nouveau, Paris, on wove paper, with full margins, 165 x 250mm., 6 ½ x 9 7/7 in. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lithograph on paper. Signed, dated and titled on the plate, signed and justified in pencil 32/50 in the lower left corner. It has oxidation spots. Dimensions: Paper: 40 x 32 cm
Artist: Juan Gris, Spanish (1887 - 1927) Title: Galerie Louise Leiris Year: 1965 Medium: Lithograph Poster Size: 24.5 x 19.5 in. (62.23 x 49.53 cm) Printer: Mourlot, Paris
Juan Gris (Madrid, 1887-Boulogne-sur-Seine, Francia, 1927) Personajes. Dibujo a tinta sobre papel. Firmado. Procedencia: Colección particular, Barcelona. 23,5 x 27 cm.
DESCRIPTION: Juan Gris (Spanish, 1887-1927) drypoint etching depicting a portrait of Picasso. Based on the same titled painting from 1912, now in the Art Institute of Chicago. Matted and Framed. CIRCA: Early 20th Century ORIGIN: Spain DIMENSIONS: (Image) H: 9.5" L: 7.5" (Overall) H: 19.5" W: 0.5" L: 15.5" CONDITION: Good condition Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.
Juan Gris (Spanish/French, 1887-1927) "Nature Morte", 1922 pochoir in colors on wove paper Kahnweiler 34, signed in pencil lower right, published by L'Esprit Nouveau, Paris. Unframed.
STILLLEBEN Farbpochoir. 32 x 38,5 cm. Rechts unten signiert „Juan Gris“. Verso mit handschriftlichem Etikett “Nature Morte d‘apres une aquarelle de Juan Gris“. Im Passepartout, hinter Glas gerahmt. In horizontaler Ausstreckung Stillleben in kubistischer Auffassung. Provenienz: Gemäß handschritlichem Etikett um 1941 in der Galerie Georges Huguenet erworben. (1421264) (13) Juan Gris, 1887 Madrid – 1927 Boulogne-sur-Seine STILL LIFE Stencil (colour). 32 x 38.5 cm. Signed “Juan Gris” lower right. Hand-written label “Nature Morte d’après une aquarelle de Juan Gris” on the reverse. Provenance: According to the hand-written label acquired in ca. 1941 at Galerie Georges Huguenet. (†)
Ancienne collection du critique Maurice RAYNAL (1884-1954) Juan GRIS (Espagne-France / 1887-1927) Bouteille, verre et tasse, 1911 Graphite sur papier vergé Ingres Signé, daté et dédicacé ‘A Maurice Raynal / son ami Juan Gris / 1911’ (en bas à gauche) 48.4 x 31.8 cm. Au revers du carton d’encadrement : - Ancienne étiquette imprimée ‘Kunsthalle Basel no. 1140’ - Deux anciennes étiquettes du transporteur Chenue, dont l’une avec une inscription à l’encre ‘Exposition de Bâle / 1 tableau par Juan Gris / Nature Morte’ - Ancienne étiquette avec inscription à l’encre et numéro imprimé ‘Caisse no. 8’ Provenance : - Maurice Raynal, Paris (don de l’artiste). - Collection privée, Paris. Exposition : - Très probablement Bâle, Kunsthalle, Juan Gris - Georges Braque - Pablo Picasso, février-mars 1948, no. 18. (deux anciennes étiquettes de transport Chenue et Kunsthalle Bâle, sur le carton d’encadrement, en rapport avec cette exposition. Le catalogue de cette exposition mentionne en outre une oeuvre de Juan Gris, Nature Morte, Collection privée, Paris, au numéro 18). Provenance : - Maurice Raynal, Paris (don de l'artiste). - Collection privée, Paris. Exposition : - Très probablement Bâle, Kunsthalle, Juan Gris - Georges Braque - Pablo Picasso, février-mars 1948, no. 18. (deux anciennes étiquettes de transport Chenue et Kunsthalle Bâle, sur le carton d'encadrement, en rapport avec cette exposition. Le catalogue de cette exposition mentionne en outre une oeuvre de Juan Gris, Nature Morte, Collection privée, Paris, au numéro 18).
JUAN GRIS [Spain] 1887-1927 [attributed] Untitled Cubist Composition, oil on canvas, signed upper left, 40x50cms, framed. Small paint losses & age craquelue but presents well. Private Collection. Please read the Terms & Conditions of Auction before placing a bid. These T&C's are applicable to each lot in this Auction. Any available provenance or documentation will be included with the description, if not included, assume it to be unknown or missing. Most lots are either ex estate or storage, have not been submitted for authentication, verification or expertising and for this reason, are offered UNRESERVED. It is the responsibility of intending buyers to do their own research and due diligence before submitting an offer. We do not offer returns or refunds - ALL SALES ARE FINAL.
JUAN GRIS (1887-1927). La bouteille de rhum. gouache, watercolor, brush and India ink, colored wax crayons, colored pencils and charcoal on paper 18 ¾ x 12 ¼ in. (47.7 x 31.2 cm.).
Juan Gris (1887 - 1927) Carafe et pipe signed Juan Gris,, dated 9-1917 and inscribed Paris (lower right) oil on panel 24 by 15 in. 61 by 38 cm. Executed in September 1917.
Artist: Juan Gris, Spanish (1887 - 1927) Title: Still Life with a Lemon Medium: Screenprint, signed and dated in the plate Image Size: 27 x 22 inches Size: 32 in. x 26 in. (81.28 cm x 66.04 cm) Frame Size: 36 x 31 inches
"Das Notenblatt" by Juan Gris, 1995 Unsigned Offset Lithograph. Paper size is 35.5 x 27.5 inches, with an image size of 27.5 x 19.5 inches. The Offset Lithograph is from an edition size of 500 and is not framed. The condition was rated A: Mint. Additional details: Rare exhibition poster from the series Collection of European Masters, published for the Kunstsammlung Nordrhein-Westfalen by Achenbach Editions. The museum features temporary and permanent exhibitions of German and international art, offering impressive modern installations and interactive displays. The artists whose works you can see displayed at the museum include Kandinsky and Picasso. The permanent exhibitions include works of expressionist and impressionist painters.
"Guitar and Clarinet" by Juan Gris, 1991 Unsigned Serigraph. Paper size is 16 x 19.5 inches, with an image size of 9.5 x 11.5 inches. The Serigraph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: High quality serigraph on 250g paper with deckled edges. Published by Silvio Zamorani Editore. Printed in Italy.
"Fruit Bowl and Diary" by Juan Gris, 1991 Unsigned Serigraph. Paper size is 16 x 19.5 inches, with an image size of 9.75 x 11.5 inches. The Serigraph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: High quality serigraph on 250g paper with deckled edges. Published by Silvio Zamorani Editore. Printed in Italy.
Juan Gris (1887-1927) Pierrot à la guitare, feutre et crayon, monogrammé J.G, 22x13 cm. Cette œuvre est présentée sans avoir pu obtenir l'avis de Monsieur Quentin Laurens. Comme mentionné dans les conditions générales de vente, en cas d’avis négatif, il ne sera pas possible de revenir sur la vente ni obtenir un quelconque remboursement.
Juan Gris (Madrid 1887 - 1927 Boulogne-sur-Seine) Le raisin Öl auf Leinwand / Oil on canvas 1927 41x33 cm / 41x33 cm Werkverzeichnis / Catalogue Raisonné Douglas Cooper/Margaret Potter, Juan Gris, Catalogue raisonné de l’œuvre peint, Bd. II, Paris 1977, Nr. 616 Douglas Cooper/Margaret Potter, Juan Gris, Catalogue raisonné de l'œuvre peint, vol. II, Paris 1977, no. 616 Provenienz / Provenance Atelier des Künstlers Galerie Simon/Galerie Louise Leiris, Paris, rückseitig mit Etikett und den Nummern 11452/5815, von dort an Privatsammlung, Barcelona Galerie Louise Leiris, Paris, mit der Nummer 11452, dort im November 1957 erworben von Saidenberg Gallery, New York, rückseitig mit Etikett, von dort an Privatsammlung USA, durch Erbschaft an Privatsammlung USA Studio of the artist Galerie Simon/Galerie Louise Leiris, Paris, labelled and numbered 11452/5815 on the reverse, from there to Private collection, Barcelona Galerie Louise Leiris, Paris, with the number 11452, acquired there in November 1957 from Saidenberg Gallery, New York, labelled on the reverse, from there to Private collection USA, by inheritance to Private collection USA Literatur / Literature Daniel-Henry Kahnweiler, Juan Gris, sa vie, son œuvre, ses écrits, Paris 1946, Abb. Tf. XLIV Daniel-Henry, übersetzt von Douglas Cooper, Juan Gris: His Life and Work, New York 1947, Abb. Tf. 110 Juan-Antonio Gaya Nuño, Juan Gris, Boston/Barcelona 1974, Nr. 220, S. 193, 195, 246 Daniel-Henry Kahnweiler, Juan Gris, sa vie, son œuvre, ses écrits, Paris 1946, ill. Tf. XLIV Daniel-Henry, translated by Douglas Cooper, Juan Gris: His Life and Work, New York 1947, ill. Tf. 110 Juan-Antonio Gaya Nuño, Juan Gris, Boston/Barcelona 1974, no. 220, pp. 193, 195, 246 Ausstellungen / Exhibitions Paris 1957, Galerie Louise Leiris, L'atelier de Juan Gris: peintures de 1926 et 1927, Kat. Nr. 14 (abgebildet auf dem Umschlag und auf dem Ausstellungsplakat) Paris 1957, Galerie Louise Leiris, L'atelier de Juan Gris: peintures de 1926 et 1927, cat. no. 14 (illustrated on the cover and on the exhibition poster) Zustand / Condition Farbfrisch und in tadelloser Gesamterhaltung, eine unauffällige, kleine Retouche im Rot des Tischtuchs An inconspicuous, small retouch in the red of the tablecloth. In overall impeccable condition and fresh in colour Erläuterungen / Comments Juan Gris war neben Pablo Picasso und Georges Braque einer der Begründer und Hauptvertreter des "synthetischen Kubismus". Nach dem Ersten Weltkrieg entwickelten die Kunstschaffenden eine Sehnsucht nach einem klassischeren Ideal ("Retour à l’ordre"). Im Gegensatz zu Picasso und Braque blieb Gris dem Kubismus aber weiterhin verpflichtet, entwickelte ihn jedoch in eine neue Richtung. Immer noch malte er seine bahnbrechenden Stillleben, in denen er Bildelemente als Collage neben- und übereinandersetzte, nannte seinen neuen Stil nun aber "deduktiv". Er meinte dazu, dass die farbigen Formen bestimmte private Beziehungen zwischen den Elementen einer imaginären Realität suggerieren sollten. Es ist eine viel freiere Art der Darstellung und die Farbigkeit verblüfft mit einer vorher nicht dagewesenen Üppigkeit. Sein Stil wurde poetischer, oft verwendete er als Umrissgestaltung eine Wellenform. Vermehrt arbeitete er auch für das Theater und schuf unter anderem Kostüme und Dekorationen für Serge Diaghilevs "Ballets Russes" oder für eine Inszenierung von Charles Gounods Oper "La colombe". Gris fühlte sich von Anfang an der Vermittlung seiner Kunst verpflichtet. 1924 hielt er an der Pariser Sorbonne den berühmten Vortrag mit dem Titel "Des possibilités de la peinture" (über die Möglichkeiten in der Malerei). Er war in dieser Zeit auf dem Höhepunkt seiner Karriere und ein vielgefragter Künstler; die Sammlerin Gertrude Stein (1874-1946) schrieb 1924, Gris sei ein perfekter Maler. Eine Niereninsuffizienz führte ab 1925 zu einer rapiden Verschlechterung seines Gesundheitszustandes, 1927 verstarb er mit nur 40 Jahren viel zu früh an der heimtückischen Krankheit. Das hier angebotene Gemälde entstand kurz vor seinem Tod. Es gilt als eines der wichtigen Werke seines reifen Stils. Noch immer gibt er dem Werk einen zweiten, inneren Rahmen und differenziert die Formen durch klare Abgrenzungen, aber die Umsetzung des Stilllebens ist viel freier und lyrischer. Die Obstschale mit Birnen und Trauben sowie die daneben liegende Zitrone und die angedeutete Flasche rechts sprengen die Bildanlage auf dem roten Tischtuch. "Le raisin" ist eines der letzten Werke, die Gris schuf – eine Hommage an den Kubismus und zugleich eine Befreiung davon. Alongside Pablo Picasso and Georges Braque, Juan Gris was one of the founders and main representatives of "Synthetic Cubism". After the First World War, artists developed a longing for a more classical ideal ("retour à l'ordre"). Unlike Picasso and Braque, Gris remained committed to Cubism, but developed it in a new direction. He continued to paint his groundbreaking still lifes, in which he juxtaposed and superimposed pictorial elements as a collage, but now called his new style "deductive". He believed that the coloured forms should suggest certain private relationships between the elements of an imaginary reality. It is a much freer form of representation and the colourfulness is astonishing with an unprecedented opulence. His style became more poetic and he often used a wavy outline. He also increasingly worked for the theatre and created costumes and decorations for Serge Diaghilev's "Ballets Russes" and for a production of Charles Gounod's opera "La colombe", among others. Gris was committed to communicating his art from the very beginning. In 1924, he gave the famous lecture entitled "Des possibilités de la peinture" ("on the possibilities of painting") at the Sorbonne in Paris. At this time, he was at the height of his career and a much sought-after artist; the collector Gertrude Stein (1874-1946) wrote in 1924 that Gris was a perfect painter. Renal insufficiency led to a rapid deterioration in his health from 1925 onwards, and he died of the insidious disease far too early in 1927, aged just 40. The painting on offer here was created shortly before his death. It is considered one of the most important works of his mature style. He still gives the work a second, inner frame and differentiates the forms through clear delineations, but the rendering of the still life is much freer and more lyrical. The fruit bowl with pears and grapes as well as the lemon lying next to it and the implied bottle on the right break up the pictorial arrangement on the red tablecloth. "Le raisin" is one of the last works that Gris created - a homage to Cubism and at the same time a liberation from it. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 13.09.2024; 15:55 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 145.- Europa / Europe: CHF 255.- Übrige Länder / Other countries: CHF 330.-
Juan Gris (Madrid 1887 - 1927 Boulogne-sur-Seine) Carafe et verre Öl auf Leinwand / Oil on canvas 1919 41x33 cm / 41x33 cm Signatur / Signature Unten links vom Künstler signiert und datiert "Juan Gris / 4 - 19" Signed and dated "Juan Gris / 4 - 19" by the artist lower left Werkverzeichnis / Catalogue Raisonné Douglas Cooper/Margaret Potter, Juan Gris, Catalogue raisonné de l'œuvre peint, Bd. II, Paris 1977, Nr. 300 Douglas Cooper/Margaret Potter, Juan Gris, Catalogue raisonné de l'œuvre peint, vol. II, Paris 1977, no. 300 Provenienz / Provenance Slg. Léonce Rosenberg, Paris Slg. Pierre Faure, Paris Galerie Simon, Paris Slg. Douglas Cooper, London Slg. Maurice d'Arquian, Brüssel Galerie Georges Moos, Genf, 1951 dort angekauft von Slg. Anna Blankart, Zürich (1987), durch Erbschaft an Privatsammlung Schweiz Collection Léonce Rosenberg, Paris Pierre Faure Collection, Paris Simon Gallery, Paris Collection Douglas Cooper, London Collection Maurice d'Arquian, Brussels Galerie Georges Moos, Geneva, purchased there in 1951 by Collection Anna Blankart, Zurich (1987), by inheritance to Private collection Switzerland Literatur / Literature Daniel-Henry Kahnweiler, Juan Gris - Leben und Werk, Stuttgart 1968, S. 213-214 Juan-Antonio Gaya Nuño, Juan Gris, Paris 1974, Kat. Nr. 358 Daniel-Henry Kahnweiler, Juan Gris - Leben und Werk, Stuttgart 1968, pp. 213-214 Juan-Antonio Gaya Nuño, Juan Gris, Paris 1974, cat. No. 358 Ausstellungen / Exhibitions Wohl Paris 1919, Galerie de L'Éffort moderne, Léonce Rosenberg Zürich 1933, Kunsthaus, Juan Gris, Kat. Nr. 90, dort betitelt "Bouteille, verre et journal" Probably Paris 1919, Galerie de L'Éffort moderne, Léonce Rosenberg Zurich 1933, Kunsthaus, Juan Gris, cat. no. 90, there titled "Bouteille, verre et journal" Zustand / Condition Am Bildrand leicht durch eine ehemalige Rahmung berieben. In sehr guter Erhaltung Slightly rubbed in the image margin due to former framing. In very good condition Erläuterungen / Comments Im April 1919 stellte Léonce Rosenberg in Paris die neuesten Werke von Gris aus. So schrieb der Künstler an Daniel-Henry Kahnweiler im Brief vom 25.8.1919. "Meine Ausstellung im April hatte einigen Erfolg. Ich hatte einigen Erfolg. Der Gesamtausdruck war nicht schlecht, und es sind viele Leute gekommen [...]. Seit einiger Zeit bin ich mit meiner Arbeit nicht unzufrieden, denn ich glaube, dass ich nun endlich wieder etwas zustande bringe [...]. Es ist mir auch gelungen, mich in der Malerei von einer allzu brutalen, beschreibenden Realität zu lösen. Meine Malerei ist poetischer geworden, um es einmal so auszudrücken. Ich hoffe, es gelingt mir, eine vorgestellte Realität mit reinen Elementen des Geistes so präzis wie möglich zum Ausdruck zu bringen: das heisst also, ungenau und präzis zu malen, im Gegensatz zur schlechten Malerei, die genau und unpräzis ist.". Das vorliegende Werk entstand in dieser vom Künstler beschriebenen Zeit im April 1919 und wird wohl auch in der Ausstellung bei Rosenberg ausgestellt worden sein. In April 1919, Léonce Rosenberg exhibited the latest works by Gris in Paris. The artist wrote to Daniel-Henry Kahnweiler in a letter dated 25 August 1919: "My exhibition in April had some success. I had some success. The overall expression was not bad, and many people came [...]. I have not been dissatisfied with my work for some time, because I believe that I am finally producing something again [...]. I have also managed to free myself from an overly brutal, descriptive reality in my painting. My painting has become more poetic, to put it that way. I hope to succeed in expressing an imagined reality with pure elements of the spirit as precisely as possible: in other words, to paint imprecisely and precisely, in contrast to bad painting, which is precise and imprecise.". The present work was created during the period described by the artist in April 1919 and was probably also exhibited at Rosenberg's exhibition. Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 13.09.2024; 15:50 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 130.- Europa / Europe: CHF 230.- Übrige Länder / Other countries: CHF 290.-
Juan Gris (Madrid 1887 - 1927 Boulogne-sur-Seine) Le Journal - Journal et bouteille de vin Öl auf Holz / Oil on wood 1915 42,5x28,5 cm / 42.5x28.5 cm Signatur / Signature Oben links im Rahmen einer teilweise gelöschten Dedikation vom Künstler in Tusche signiert und datiert "A mon ami M... / Avec mes amitiés / Juan Gris / 12-15" Signed and dated in ink by the artist in the upper left within a partially erased dedication "A mon ami M... / Avec mes amitiés / Juan Gris / 12-15" Werkverzeichnis / Catalogue Raisonné Douglas Cooper, Juan Gris, Catalogue raisonné de l’œuvre peint, Paris 1977, Nr. 154 Douglas Cooper, Juan Gris, Catalogue raisonné de l'œuvre peint, Paris 1977, no. 154 Provenienz / Provenance Geschenk des Künstlers an Slg. Jean Metzinger, Paris Galerie Louise Leiris, Paris (Inv.-Nr. 14963, Photo Nr. 11084), dort angekauft von Slg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913b Gift of the artist to Jean Metzinger Collection, Paris Galerie Louise Leiris, Paris (inv. no. 14963, photo no. 11084), purchased there by The Eberhard W. Kornfeld Collection, Bern, with the collector's stamp on the reverse, Lugt 913b Ausstellungen / Exhibitions Paris 1974, Musée de l’Orangerie, Juan Gris, Kat. Nr. 39, Abb. Davos 1998-1999, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 16, Abb. Wien 2008/2009, Albertina, Wege der Moderne, Aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 33, S. 287, Abb. S. 64 Paris 1974, Musée de l'Orangerie, Juan Gris, cat. no. 39, ill. Davos 1998-1999, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, cat. no. 16, ill. Vienna 2008/2009, Albertina, Wege der Moderne, Aus der Sammlung Eberhard W. Kornfeld, cat. no. 33, p. 287, ill. p. 64 Zustand / Condition Bildträger leicht gewölbt. Mit leichten Abreibungen am oberen Bildrand. In farbfrischer Erhaltung Wood slightly curved. With slight abrasions in the upper edge of the image. Fresh in colour Erläuterungen / Comments Der spanische Maler Juan Gris zählt zusammen mit Pablo Picasso und Georges Braque zur Kerngruppe des klassischen Kubismus in Paris. Seit 1908 lebte er im Bateau-Lavoir, wo er ein Atelier in der Nähe von Picasso bezog. Die beiden Künstler waren eng befreundet und pflegten einen regen künstlerischen Austausch. Sie waren damals fasziniert von afrikanischer Kunst und besuchten unter anderem etwa das "Musée dʼEthnographie du Trocadéro". Aus dieser Beschäftigung heraus entwickelte sich sukzessive das kubistische Denken, was schliesslich zur Entstehung des Kubismus als stilprägende Kunstrichtung – die gemeinhin als der Beginn der klassischen Moderne angesehen wird – führte. Ab 1913 schuf Gris Werke im Sinne des "synthetischen Kubismus". Elemente wie Zeitungspapier, Tapeten, Flaschen, Spielkarten oder Musikinstrumente wurden in den Werken in neuer Anordnung zum Gemälde komponiert. "Le Journal" beruht auf der Flächenkonstruktion mit einer strengen Geometrie und ist auf die Reduktion der Farbe auf wenige sparsame Töne ausgerichtet. Der damals 28-jährige Gris hat 1915 mit diesem Werk eine charakteristische und attraktive Bildkomposition geschaffen. Er verarbeitete, ganz im Sinn der kubistischen Maxime, alltägliche Bildelemente wie eine Zeitung, eine Flasche, ein Glas, aber auch eine Tischplatte mit imitierter Holzmaserung sowie Teile von textilen Stoffen bzw. gemusterten Tapeten zu einem eindrücklichen Ganzen. Das vorliegende Stillleben steht für die reife Schaffenszeit des Malers und ist Beweis für seinen innovativen Geist und seine künstlerische Meisterschaft. Together with Pablo Picasso and Georges Braque, the Spanish painter Juan Gris was part of the core group of classical Cubism in Paris. From 1908, he lived in the Bateau-Lavoir, where he moved into a studio near Picasso. The two artists were close friends and cultivated a lively artistic exchange. At the time, they were fascinated by African art and visited the Musée dʼEthnographie du Trocadéro, among other places. This interest gradually developed into Cubist thinking, which ultimately led to the emergence of Cubism as a style-defining art movement - generally regarded as the beginning of classical modernism. From 1913 onwards, Gris created works in the spirit of "synthetic cubism". Elements such as newspapers, wallpaper, bottles, playing cards and musical instruments were rearranged and composed into paintings. "Le Journal" is based on the construction of surfaces with a strict geometry and focuses on the reduction of colour to a few tones. Painted in 1915, the then 28-year-old Gris created a characteristic and attractive pictorial composition. In keeping with the Cubist maxim, he used everyday pictorial elements such as a newspaper, a bottle, a glass, but also a tabletop with imitation wood grain and pieces of fabric or patterned wallpaper to create a striking whole. The present still life symbolises the painter's mature creative period and is a testament to his innovative spirit and artistic mastery. MWST / VAT Mehrwertsteuer auf dem Zuschlagspreis plus Aufgeld / VAT on hammer price plus buyer's premium Erwartete Ausrufzeit / Estimated Auction Time of Lot (+/- 30min) 13.09.2024; 14:00 h (MEST / CET) For further information visit our website (www.kornfeld.ch) Versandkosten / Shipping cost Schweiz / Switzerland: CHF 130.- Europa / Europe: CHF 230.- Übrige Länder / Other countries: CHF 290.-
"Das Notenblatt" by Juan Gris, 1995 Unsigned Offset Lithograph. Paper size is 35.5 x 27.5 inches, with an image size of 27.5 x 19.5 inches. The Offset Lithograph is from an edition size of 500 and is not framed. The condition was rated A: Mint. Additional details: Rare exhibition poster from the series Collection of European Masters, published for the Kunstsammlung Nordrhein-Westfalen by Achenbach Editions. The museum features temporary and permanent exhibitions of German and international art, offering impressive modern installations and interactive displays. The artists whose works you can see displayed at the museum include Kandinsky and Picasso. The permanent exhibitions include works of expressionist and impressionist painters.
Juan Gris (Spanish-French, 1887-1927) Nature morte, originally executed 1922, ed.1953 pochoir print, unsigned 29 x 21cm, framed 59 x 49cm Provenance: The Estate of Max Clendinning and Ralph Adron.
Juan Gris 1887 - 1927 Assiette et pomme signed Juan Gris and dated 24 (centre left) oil on canvas 23.9 by 41 cm. 9⅜ by 16⅛ in. Framed: 42 by 59 cm. 16½ by 23¼ in. Executed between February and August 1924.
This description has been translated automatically: Juan GRIS (1887-1927) Cubist harlequin, 1953 Collotype (process similar to photolithography) Signed in the plate On thick paper 56 x 46 cm Published by Valart Co in 1953 and produced in the workshops of Arthur Jaffé (USA) Very beautiful original period edition Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Juan GRIS (1887-1927) Arlequin cubiste, 1953 Collotype (procédé proche de la photolithographie) Signé dans la planche Sur papier épais 56 x 46 cm Edité par Valart Co en 1953 et réalisé dans les ateliers d'Arthur Jaffé (USA) Très belle édition originale d'époque Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Juan GRIS (1887-1927) Cubist harlequin, 1953 Collotype (process similar to photolithography) Signed in the plate On thick paper 56 x 46 cm Published by Valart Co in 1953 and produced in the workshops of Arthur Jaffé (USA) Very beautiful original period edition Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Juan GRIS (1887-1927) Arlequin cubiste, 1953 Collotype (procédé proche de la photolithographie) Signé dans la planche Sur papier épais 56 x 46 cm Edité par Valart Co en 1953 et réalisé dans les ateliers d'Arthur Jaffé (USA) Très belle édition originale d'époque Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
Juan Gris (Spanish 1887-1927) and Tristan Tzara (1896-1963). 'Mouchoir de Nauges' (Cloud Handkerchief) partial printer proof booklet - circa 1925, parts of act VIII, IX, XI, XII and two etchings on Arches laid paper, ink signed 'Juan Gris" and inscribed in French to cover page, Galerie Simon stamp to LR of cover page, artists pencil inscription and date to lower margin of figural etching. Unframed. Approximate dimensions: booklet cover 8.125", w. 5"; figural etching 2.875", w. 3.125".
Juan Gris (Spanish 1887-1927). Untitled - Young Man - 1924, black and off-white lithograph on laid paper from The Plate Breakers (Le Casseur d'Asiettes) written by Armand Salacrou (French 1899-1989), monogrammed in plate. Unframed. Provenance: The Collection of Jerome & Bridget Dobson, Atlanta, GA; acquired from Christie's New York, Sale 7448 "Important Modern Works of Art from the Collection of William A. McCarty Cooper and property from the Douglas Cooper Collection, May 11, 1992, part of Lot 77. Approximate dimensions: image h. 6", w. 4.625"; paper h. 9.625", w. 7.625".
Juan Gris (Spanish 1887-1927). Untitled - Dancer - 1924, black and off-white lithograph on laid paper from The Plate Breakers (Le Casseur d'Asiettes) written by Armand Salacrou (French 1899-1989), initialed in plate. Unframed. Provenance: The Collection of Jerome & Bridget Dobson, Atlanta, GA; acquired from Christie's New York, Sale 7448 "Important Modern Works of Art from the Collection of William A. McCarty Cooper and property from the Douglas Cooper Collection, May 11, 1992, part of Lot 77. Approximate dimensions: image h. 5.75", w. 4.625"; paper h. 9.625", w. 7.625".
Juan Gris (Spanish 1887-1927). Untitled - Still Life with Violin - circa 1924, color and off white lithograph on laid paper from 'Denise' by Raymond Radiguet; Editions de la Galerie Simon, monogrammed in plate, inscribed in French (likely by the artist) to lower margin. Unframed. Provenance: The Collection of Jerome & Bridget Dobson, Atlanta, GA; acquired from Christie's New York, Sale 7448 "Important Modern Works of Art from the Collection of William A. McCarty Cooper and property from the Douglas Cooper Collection, May 11, 1992, part of Lot 77. Approximate dimensions: image h. 6.125", w. 4.75"; paper h. 9.625", w. 7.5".
Juan Gris Nature morte 1922-23 pochoir in colors image: 6.625 h x 9.75 w in (17 x 25 cm) sheet: 9.25 h x 12 w in (23 x 30 cm) Signed to lower right 'Juan Gris'. This work is from the edition published by L'Esprit Nouveau as a gift to its subscribers. Literature: Juan Gris, Nuno, no. 162 This work will ship from Los Angeles, California.
"Guitar and Clarinet" by Juan Gris, 1991 Unsigned Serigraph. Paper size is 16 x 19.5 inches, with an image size of 9.5 x 11.5 inches. The Serigraph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: High quality serigraph on 250g paper with deckled edges. Published by Silvio Zamorani Editore. Printed in Italy.
"Fruit Bowl and Diary" by Juan Gris, 1991 Unsigned Serigraph. Paper size is 16 x 19.5 inches, with an image size of 9.75 x 11.5 inches. The Serigraph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: High quality serigraph on 250g paper with deckled edges. Published by Silvio Zamorani Editore. Printed in Italy.
This description has been translated automatically: Juan GRIS (1887-1927) Cubist harlequin, 1953 Collotype (process similar to photolithography) Signed in the plate On thick paper 56 x 46 cm Published by Valart Co in 1953 and produced in the workshops of Arthur Jaffé (USA) Very beautiful original period edition Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Juan GRIS (1887-1927) Arlequin cubiste, 1953 Collotype (procédé proche de la photolithographie) Signé dans la planche Sur papier épais 56 x 46 cm Edité par Valart Co en 1953 et réalisé dans les ateliers d'Arthur Jaffé (USA) Très belle édition originale d'époque Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
JUAN GRIS Nature morte. Color pochoir, 1922. 165x250 mm; 6½x9⅞ inches, wide margins. Published by L'Esprit Nouveau, Paris. A very good impression of this scarce, early print with strong colors. Kahnweiler 34.
This description has been translated automatically: Juan GRIS (1887-1927) Cubist harlequin, 1953 Collotype (process similar to photolithography) Signed in the plate On thick paper 56 x 46 cm Published by Valart Co in 1953 and produced in the workshops of Arthur Jaffé (USA) Very beautiful original period edition Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Juan GRIS (1887-1927) Arlequin cubiste, 1953 Collotype (procédé proche de la photolithographie) Signé dans la planche Sur papier épais 56 x 46 cm Edité par Valart Co en 1953 et réalisé dans les ateliers d'Arthur Jaffé (USA) Très belle édition originale d'époque Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Juan GRIS (1887-1927) Cubist harlequin, 1953 Collotype (process similar to photolithography) Signed in the plate On thick paper 56 x 46 cm Published by Valart Co in 1953 and produced in the workshops of Arthur Jaffé (USA) Very beautiful original period edition Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Juan GRIS (1887-1927) Arlequin cubiste, 1953 Collotype (procédé proche de la photolithographie) Signé dans la planche Sur papier épais 56 x 46 cm Edité par Valart Co en 1953 et réalisé dans les ateliers d'Arthur Jaffé (USA) Très belle édition originale d'époque Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
This description has been translated automatically: Juan GRIS (1887-1927) Cubist harlequin, 1953 Collotype (process similar to photolithography) Signed in the plate On thick paper 56 x 46 cm Published by Valart Co in 1953 and produced in the workshops of Arthur Jaffé (USA) Very beautiful original period edition Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Juan GRIS (1887-1927) Arlequin cubiste, 1953 Collotype (procédé proche de la photolithographie) Signé dans la planche Sur papier épais 56 x 46 cm Edité par Valart Co en 1953 et réalisé dans les ateliers d'Arthur Jaffé (USA) Très belle édition originale d'époque Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.
"Das Notenblatt" by Juan Gris, 1995 Unsigned Offset Lithograph. Paper size is 35.5 x 27.5 inches, with an image size of 27.5 x 19.5 inches. The Offset Lithograph is from an edition size of 500 and is not framed. The condition was rated A: Mint. Additional details:
![JUAN GRIS [SPAIN] 1887-1927 [ATTRIBUTED] UNTITLED CUBIST COMPOSITION, OIL ON CANVAS, SIGNED UPPER LEFT, 40X50CMS, FRAMED.](https://stageimg.invaluable.com/housePhotos/WAArtAuctions/50/782650/H4675-L389445392.jpg)
