Francisco Javier Gosé Paintings & Artwork for Sale | Francisco Javier Gosé Art Value Price Guide

Dec. 12, 2024
XAVIER GOSÉ (Alcalá de Henares, 1876 - Lleida, 1915). "Chula con mantilla", ca. 1900. Charcoal and pastel on paper. Signed in the lower left corner.
Est: €9,000 - €11,000
XAVIER GOSÉ (Alcalá de Henares, 1876 - Lleida, 1915). "Chula con mantilla", ca. 1900. Charcoal and pastel on paper. Signed in the lower left corner. A piece of identical characteristics, dimensions and subject matter is in the Museu Morera de Lleida. The esmentada piece (photo attached red shawl) is catalogued in the book "Xavier Gosé El París de La Belle Époque", Fundación Mapfre Vida - September 1999 - Pág 68 Nº18. Measurements: 50 x 35,4 cm; 77 x 62 cm (frame). Gosé was a voyeur of human passions and his work constitutes a documentary archive of the bourgeois society of the early 20th century. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth century. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from an early age in Barcelona publications, from "La Esquella de la Torratxa", "La saeta", in which it is clear his attachment to modernism, to "Mundial Magazine" and "Fémina", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with "La vie Illustrée", "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially because of his beginning in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others. Javier Gosé's style oscillates between modernism and French art-deco, reflecting the life of Parisian society. Inspired by the mundane life of the cafés-concert, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt of a certain picaresque characteristic of the carefree Paris.
Setdart Auction House
Nov. 28, 2024
XAVIER GOSÉ (1876-1915). "SEMI-NAKED GIRL".
Est: €1,800 - €2,500
Charcoal on paper. Partially blurred stamp. 44.5 x 27.5 cm; 65 x 48.5 cm (frame). This lot will not be included in our post-auction sale.
Subarna Subastas
Oct. 23, 2024
XAVIER GOSÉ. A girl.
Est: €900 - €1,100
Pencil, gouache and watercolour drawing on paper stuck to cardboard 28.5x34.8 cm.
Balclis
Jul. 11, 2024
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with dog", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed in plate.
Est: €2,800 - €3,000
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with dog", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed in plate. Work cataloged in "Xavier Gosé, Il.lustrador de la modernitat", Ed. Museu Nacional d'Art de Catalunya (MNAC), 2015, Barcelona, p. 18. Collection: Monografies (Museu Nacional d'Art de Catalunya), 3. Presents some damage, wrinkles and lateral faults of the paper. Measurements: 50 x 35 cm. Javier Gosé's style oscillates between modernism and French art-deco and reflects the life of Parisian society. Inspired by the mundane life of the cafés-concert, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt of certain picaresque characteristic of the carefree Paris. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth centuries. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from an early age in Barcelona publications, from "La Esquella de la Torratxa", "La saeta", in which it is clear his attachment to modernism, to "Mundial Magazine" and "Fémina", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with "La vie Illustrée", "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially because of his beginning in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Jul. 11, 2024
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "L'arbre de Mai. Robes simples pour l'eté". Pochoir illuminated by hand on Velin paper. Signed.
Est: €1,500 - €1,600
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "L'arbre de Mai. Robes simples pour l'eté". Pochoir illuminated by hand on Velin paper. Signed. State proof of L'Arbre de Mai-Revista La Gazette du Bon Ton 1914, nº5, p. 42. Measurements: 19 x 34 cm; 26 x 40 cm (passe-partout). Javier Gosé's style oscillates between modernism and French art-deco and reflects the life of Parisian society. Inspired by the mundane life of the cafés-concert, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt of a certain picaresque characteristic of the carefree Paris. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth centuries. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from an early age in Barcelona publications, from "La Esquella de la Torratxa", "La saeta", in which it is clear his attachment to modernism, to "Mundial Magazine" and "Fémina", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with "La vie Illustrée", "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially because of his beginning in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Jul. 11, 2024
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with cat", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed in plate.
Est: €2,800 - €3,000
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with cat", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed in plate. Work cataloged in "Xavier Gosé, Il.lustrador de la modernitat", Ed. Museu Nacional d'Art de Catalunya (MNAC), 2015, Barcelona, p. 18. Collection: Monografies (Museu Nacional d'Art de Catalunya), 3. Presents some damage, wrinkles and lateral faults of the paper. Measurements: 50 x 35 cm. Javier Gosé's style oscillates between modernism and French art-deco and reflects the life of Parisian society. Inspired by the mundane life of the cafés-concert, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt of certain picaresque characteristic of the carefree Paris. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth centuries. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from an early age in Barcelona publications, from "La Esquella de la Torratxa", "La saeta", in which it is clear his attachment to modernism, to "Mundial Magazine" and "Fémina", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with "La vie Illustrée", "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially because of his beginning in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Jun. 06, 2024
XAVIER GOSÉ (1876-1915). SKETCH FOR A WOMAN IN PROFILE.
Est: €120 - €250
Charcoal on paper. Partially erased artist's stamp. 18.5 x 12.5 cm; 34 x 28 cm (frame).
Subarna Subastas
Apr. 23, 2024
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with dog", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed in plate.
Est: €2,800 - €3,000
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with dog", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed in plate. Work cataloged in "Xavier Gosé, Il.lustrador de la modernitat", Ed. Museu Nacional d'Art de Catalunya (MNAC), 2015, Barcelona, p. 18. Collection: Monografies (Museu Nacional d'Art de Catalunya), 3. Presents some damage, wrinkles and lateral faults of the paper. Measurements: 50 x 35 cm. Javier Gosé's style oscillates between modernism and French art-deco and reflects the life of Parisian society. Inspired by the mundane life of the cafés-concert, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt of certain picaresque characteristic of the carefree Paris. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth centuries. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from an early age in Barcelona publications, from "La Esquella de la Torratxa", "La saeta", in which it is clear his attachment to modernism, to "Mundial Magazine" and "Fémina", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with "La vie Illustrée", "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially because of his beginning in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Apr. 23, 2024
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with cat", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed in plate.
Est: €2,800 - €3,000
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with cat", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed in plate. Work cataloged in "Xavier Gosé, Il.lustrador de la modernitat", Ed. Museu Nacional d'Art de Catalunya (MNAC), 2015, Barcelona, p. 18. Collection: Monografies (Museu Nacional d'Art de Catalunya), 3. Presents some damage, wrinkles and lateral faults of the paper. Measurements: 50 x 35 cm. Javier Gosé's style oscillates between modernism and French art-deco and reflects the life of Parisian society. Inspired by the mundane life of the cafés-concert, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt of certain picaresque characteristic of the carefree Paris. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth centuries. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from an early age in Barcelona publications, from "La Esquella de la Torratxa", "La saeta", in which it is clear his attachment to modernism, to "Mundial Magazine" and "Fémina", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with "La vie Illustrée", "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially because of his beginning in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Apr. 23, 2024
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "L'arbre de Mai. Robes simples pour l'eté". Pochoir illuminated by hand on Velin paper.
Est: €1,500 - €1,600
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "L'arbre de Mai. Robes simples pour l'eté". Pochoir illuminated by hand on Velin paper. Signed. State proof of L'Arbre de Mai-Revista La Gazette du Bon Ton 1914, nº5, p. 42. Measurements: 19 x 34 cm; 26 x 40 cm (passe-partout). Javier Gosé's style oscillates between modernism and French art-deco and reflects the life of Parisian society. Inspired by the mundane life of the cafés-concert, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt of a certain picaresque characteristic of the carefree Paris. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth centuries. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from an early age in Barcelona publications, from "La Esquella de la Torratxa", "La saeta", in which it is clear his attachment to modernism, to "Mundial Magazine" and "Fémina", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with "La vie Illustrée", "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially because of his beginning in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Mar. 12, 2024
XAVIER GOSÉ (Alcalá de Henares, 1876 - Lleida, 1915). "Lady". Mixed media on paper. Signed on the right side.
Est: €3,500 - €4,000
XAVIER GOSÉ (Alcalá de Henares, 1876 - Lleida, 1915). "Lady". Mixed media on paper. Signed on the right side. Measurements: 16 x 16 cm; 35 x 33 cm (frame). Gosé was a voyeur of human passions and his work constitutes a documentary archive of the bourgeois society of the early twentieth century. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth century. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from an early age in Barcelona publications, from "La Esquella de la Torratxa", "La saeta", in which it is clear his attachment to modernism, to "Mundial Magazine" and "Fémina", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with "La vie Illustrée", "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially because of his beginning in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others. Javier Gosé's style oscillates between modernism and French art-deco, reflecting the life of Parisian society. Inspired by the mundane life of the cafés-concert, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt of a certain picaresque characteristic of the carefree Paris.
Setdart Auction House
Feb. 08, 2024
Original 1900s LES SPORTSMEN Magazine + 4 Assiette au B
Est: $300 - $400
Gosé, Xavier 1876 - 1915 Les Sportsmen - L´Assiette au Beurre (5 Magazines) Letterpress Print 1902 12.2 x 9.8 in. (31 x 25 cm) Printer: no information Condition Details: (B+) incl. Les Sportsmen and 4 other issues of L'Assiette au Beurre-, 1901-1907, small tears, tiny losses and minimal staining, some with loose pages#France #Sports #Autos #Polo #Tennis #Horses
PosterConnection Inc.
Dec. 20, 2023
XAVIER GOSÉ. Girl with a headdress.
Est: €2,500 - €2,800
Mixed media on paper Signed Made circa 1910-1915 With a label of Sala d'Art Artur Ramon 16.5x16.5 cm.
Balclis
Dec. 20, 2023
XAVIER GOSÉ. The Reading.
Est: €2,500 - €3,000
Charcoal, pastel and watercolour on paper Signed 35x25 cm.
Balclis
Nov. 30, 2023
XAVIER GOSÉ (1876-1915). "AMAZON".
Est: €1,200 - €2,000
Mixed media, crayon, gouache on paper adhered to cardboard. Signed. On the back, handwritten: "En el "Bois" por las mañanas" and no. 34, as well as a label of Oulie framing shop from Paris. 28.5 x 25 cm; 51 x 44.5 cm (frame).
Subarna Subastas
Oct. 24, 2023
XAVIER GOSÉ - Noia asseguda
Est: -
XAVIER GOSÉ Alcalá de Henares 1876-Lérida 1915 Seated girl Gouache on paper Signed with monogram Measures 32 x 25.5 cm PROVENANCE ( label on back) Sala Parés Barcelona Private collection
Subastas Segre
Jul. 04, 2023
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with a Dog", 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed on plate.
Est: €3,000 - €3,500
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady with a Dog, 1913. Lithographic poster. Estampes D'Art Devambez. With publisher's stamp. Signed on plate. Work catalogued in "Xavier Gosé, Il.lustrador de la modernitat", Ed. Museu Nacional d'Art de Catalunya (MNAC), 2015, Barcelona, p. 18. Collection: Monographs (Museu Nacional d'Art de Catalunya), 3. Size: 50 x 32 cm. Javier Gosé's style oscillates between modernism and French art-deco and reflects the life of Parisian society. Inspired by the mundane life of the café-concerts, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of French society at the time, although it is not exempt from a certain picaresque characteristic of carefree Paris. Francisco Javier Gosé was an essential draughtsman and painter in the world of graphics and fashion in the transition from the 19th to the 20th century. He studied in Barcelona, where he was assistant to the draughtsman José Luis Pellicer. From a very early age he collaborated in Barcelona publications, from "La Esquella de la Torratxa" and "La saeta", in which his attachment to modernism is clear, to "Mundial Magazine" and "Fémina", where a pre-cubist line can already be seen. His first exhibition was held at Els Quatre Gats. During his Barcelona period he portrayed the proletariat, although in 1900 he travelled to Paris, where he collaborated with "La vie Illustrée" and "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Up to this point his works showed a satirical and realistic view of the bourgeoisie, snobs and prostitutes, although this view changed in 1907, when he began a more stylised, less realistic and less ironic period, above all because of his entry into the world of fashion, in which Gosé sought to set a trend among women in society. His period in Paris was the turning point in his life and artistic production, as the French capital was the place where he broadened his knowledge, becoming a successful artist who obtained interesting commissions as an illustrator for the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance which, together with serious health problems, deprived him of the elegant Parisian environment, and he moved to the city of Vichy, famous for its spas. Shortly afterwards Gosé moved back to Barcelona, spending the last days of his life in Lleida. His posthumous exhibitions include the one at the Círculo Artístico in the same year as his death, the retrospective at the Rovira gallery (1970) and the one at the Fundación La Caixa (1984). He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Jun. 21, 2023
XAVIER GOSÉ (1876-1915). "SEMI-NAKED GIRL".
Est: €1,800 - €2,500
Charcoal on paper. Partially blurred stamp. 44.5 x 27.5 cm; 65 x 48.5 cm (frame). This lot will not be included in our post-auction sale.
Subarna Subastas
Jun. 21, 2023
XAVIER GOSÉ (1876-1915). "YOUNG WOMAN TAKING OFF HER STOCKINGS".
Est: €900 - €1,500
Black pencil on paper. Almost erased stamp. The paper has foxing and fold marks. 33 x 22.5 cm; 55.5 x 45.5 cm (frame). This lot will not be included in our post-auction sale.
Subarna Subastas
May. 30, 2023
Xavier Gosé. Restaurant
Est: -
Oily pencil on paper. Paper picket. Provenance: - Sala Rovira, Barcelona (Cutting with exhibition review on the back).
Duran Arte y Subastas
May. 30, 2023
Xavier Gosé. lady from behind
Est: -
Pencil drawing on paper.
Duran Arte y Subastas
May. 30, 2023
Xavier Gosé. Notes of elegant ladies
Est: -
Ink drawing on paper. Stamp with the author's monogram in the lower right corner.
Duran Arte y Subastas
Apr. 26, 2023
Xavier Gose. lady point
Est: -
Pencil drawing on paper. Provenance: - Sala Rovira, Barcelona (Label on the back). - Private collection.
Duran Arte y Subastas
Mar. 09, 2023
XAVIER GOSÉ. Flamenco dance.
Est: €2,400 - €2,800
Charcoal drawing on paper Signed 35.7x26.1 cm.
Balclis
Dec. 13, 2022
FRANCISCO JAVIER GOSÉ - Chula with yellow mantilla
Est: -
FRANCISCO JAVIER GOSÉ Alcalá de Henares 1876-Lérida 1915 Chula with yellow mantilla Pastel and pencil drawing Signed Size 505 x 354 mm
Subastas Segre
Dec. 13, 2022
FRANCISCO JAVIER GOSÉ - Fashionable lady of the 20s
Est: -
FRANCISCO JAVIER GOSÉ Alcalá de Henares 1876-Lérida 1915 Fashionable lady from the 20s Pencil, ink and oil drawing Frimado Size 360 x 245 mm
Subastas Segre
Dec. 13, 2022
XAVIER GOSÉ (Alcalá de Henares, 1876 – Lleida, 1915). "The school hut". Ink and clarion on paper. It presents an informative label on the back of the Artur Ramon Gallery (Barcelona). Signed in the lower right corner.
Est: €2,500 - €3,000
XAVIER GOSÉ (Alcalá de Henares, 1876 - Lleida, 1915). "La barraca escola". Ink and chalk on paper. With an information label on the back of the Artur Ramon Gallery (Barcelona). Signed in the lower right-hand corner. Size: 18 x 18 cm; 31 x 31 cm (frame). Xavier Gosé has several works dedicated to the idea of the barraca, this type of building associated with the farmers, is presented in this case as a school, populated by young people who enjoy themselves happily in their free time. The architecture, the landscape and the costumes of the characters show us an everyday scene, a summary of 19th-century life, with an aesthetic close to Catalan noucentisme. This is visible not only through the characters, already mentioned, but also in the way the landscape is conceived, where we can appreciate the dominance of a sinuous line, tending towards curved and fluid finishes. Gosé was a voyeur of human passions and his work constitutes a documentary archive of bourgeois society at the beginning of the 20th century. Francisco Javier Gosé was an essential draughtsman and painter in the world of graphics and fashion in the transition from the 19th to the 20th century. He studied in Barcelona, where he was assistant to the draughtsman José Luis Pellicer. From a very early age he collaborated in Barcelona publications, from "La Esquella de la Torratxa" and "La saeta", in which his attachment to modernism is evident, to "Mundial Magazine" and "Fémina", where a pre-cubist line can already be seen. His first exhibition was held at Els Quatre Gats. During his Barcelona period he portrayed the proletariat, although in 1900 he travelled to Paris, where he collaborated with "La vie Illustrée" and "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Up to this point his works showed a satirical and realistic view of the bourgeoisie, snobs and prostitutes, although this view changed in 1907, when he began a more stylised, less realistic and less ironic period, above all because of his entry into the world of fashion, in which Gosé sought to set a trend among women in society. His period in Paris was the turning point in his life and artistic production, as the French capital was the place where he broadened his knowledge, becoming a successful artist who would obtain interesting commissions as an illustrator in the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance which, together with serious health problems, deprived him of the elegant Parisian environment, and he moved to the city of Vichy, famous for its spas. Shortly afterwards Gosé moved back to Barcelona, spending the last days of his life in Lleida. His posthumous exhibitions include the one at the Círculo Artístico in the same year as his death, the retrospective at the Rovira gallery (1970) and the one at the Fundación La Caixa (1984). He is represented in the Museums of Modern Art in Barcelona and Madrid, among others. Javier Gosé's style oscillates between modernism and French art-deco, reflecting the life of Parisian society. Inspired by the worldly life of the café-concerts, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of French society at the time, although it is not without a certain mischievousness characteristic of carefree Paris.
Setdart Auction House
Oct. 20, 2022
XAVIER GOSÉ. A girl.
Est: €300 - €360
Pencil drawing on paper With stamped signature of the artist's will 23.5x18 cm.
Balclis
Aug. 31, 2022
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady". Charcoal on paper. Signed with a testamentary seal on the lower part. Discolouration on the paper.
Est: €2,000 - €2,500
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady". Charcoal on paper. Signed with a testamentary seal at the bottom. Discolouration on the paper. Size: 17 x 14.5 cm; 32.5 x 28 cm (frame). Javier Gosé's style oscillates between modernism and French art-deco, reflecting the life of Parisian society. Inspired by the worldly life of the café-concerts, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of French society at the time, although it is not without a certain mischievousness characteristic of carefree Paris. Francisco Javier Gosé was an essential draughtsman and painter in the world of graphics and fashion in the transition from the 19th to the 20th century. He studied in Barcelona, where he was assistant to the draughtsman José Luis Pellicer. From a very early age he collaborated in Barcelona publications, from "La Esquella de la Torratxa" and "La saeta", in which his attachment to modernism is clear, to "Mundial Magazine" and "Fémina", where a pre-cubist line can already be seen. His first exhibition was held at Els Quatre Gats. During his Barcelona period he portrayed the proletariat, although in 1900 he travelled to Paris, where he collaborated with "La vie Illustrée" and "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Up to this point his works showed a satirical and realistic view of the bourgeoisie, snobs and prostitutes, although this view changed in 1907, when he began a more stylised, less realistic and less ironic period, above all because of his entry into the world of fashion, in which Gosé sought to set a trend among women in society. His period in Paris was the turning point in his life and artistic production, as the French capital was the place where he broadened his knowledge, becoming a successful artist who would obtain interesting commissions as an illustrator for the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance which, together with serious health problems, deprived him of the elegant Parisian environment, and he moved to the city of Vichy, famous for its spas. Shortly afterwards Gosé moved back to Barcelona, spending the last days of his life in Lleida. His posthumous exhibitions include the one at the Círculo Artístico in the same year as his death, the retrospective at the Rovira gallery (1970) and the one at the Fundación La Caixa (1984). He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Jun. 30, 2022
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady". Charcoal on paper. Signed with a testamentary seal on the lower part. Discolouration on the paper.
Est: €2,000 - €2,500
FRANCISCO JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "Lady". Charcoal on paper. Signed with a testamentary seal at the bottom. Discolouration on the paper. Size: 17 x 14.5 cm; 32.5 x 28 cm (frame). Javier Gosé's style oscillates between modernism and French art-deco, reflecting the life of Parisian society. Inspired by the worldly life of the café-concerts, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of French society at the time, although it is not without a certain mischievousness characteristic of carefree Paris. Francisco Javier Gosé was an essential draughtsman and painter in the world of graphics and fashion in the transition from the 19th to the 20th century. He studied in Barcelona, where he was assistant to the draughtsman José Luis Pellicer. From a very early age he collaborated in Barcelona publications, from "La Esquella de la Torratxa" and "La saeta", in which his attachment to modernism is clear, to "Mundial Magazine" and "Fémina", where a pre-cubist line can already be seen. His first exhibition was held at Els Quatre Gats. During his Barcelona period he portrayed the proletariat, although in 1900 he travelled to Paris, where he collaborated with "La vie Illustrée" and "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Up to this point his works showed a satirical and realistic view of the bourgeoisie, snobs and prostitutes, although this view changed in 1907, when he began a more stylised, less realistic and less ironic period, above all because of his entry into the world of fashion, in which Gosé sought to set a trend among women in society. His period in Paris was the turning point in his life and artistic production, as the French capital was the place where he broadened his knowledge, becoming a successful artist who would obtain interesting commissions as an illustrator for the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance which, together with serious health problems, deprived him of the elegant Parisian environment, and he moved to the city of Vichy, famous for its spas. Shortly afterwards Gosé moved back to Barcelona, spending the last days of his life in Lleida. His posthumous exhibitions include the one at the Círculo Artístico in the same year as his death, the retrospective at the Rovira gallery (1970) and the one at the Fundación La Caixa (1984). He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Dec. 16, 2021
CATALAN SCHOOL, EARLY 20TH CENTURY. FOLLOWER OF XAVIER GOSÉ (1876-1915). "GIRL GETTING DRESSED".
Est: €200 - €500
Gouache, watercolour and pencil on paper stuck to poster board. 19 x 10.5 cm; 30 x 20.6 cm (frame).
Subarna Subastas
Dec. 14, 2021
FRANCISCO JAVIER GOSÉ - Lady and dog
Est: €180 - €360
FRANCISCO JAVIER GOSÉ Alcalá de Henares 1876-Lérida 1915 Lady with dog. c. 1902 Watercolor and ink on paper Signed size 31.5 x 21.5 cm.
Subastas Segre
Oct. 28, 2021
XAVIER GOSÉ. Study of a woman.
Est: €500 - €550
First quarter of the 20th Century Charcoal on paper stuck to paper With testamentary stamp 25.3x19.5 cm.
Balclis
Sep. 29, 2021
JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "En el paseo de Gracia". Mixed media on paper. Signed in the lower right corner.
Est: €6,000 - €7,000
JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "En el paseo de Gracia". Mixed media on paper. Signed in the lower right corner. Published in La Esquella de la Torratxa, num 1282, Barcelona 31 July 1903. Size: 30 x 40 cm; 59 x 69 cm (frame). Javier Gosé's style oscillates between modernism and French art-deco, reflecting the life of Parisian society, but also that of Barcelona. Inspired by the worldly life of the café-concerts, the prostitutes, the horse races, the sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of French society at the time, although it is not without a certain mischievousness characteristic of carefree Paris. Francisco Javier Gosé was an essential draughtsman and painter in the world of graphics and fashion in the transition from the 19th to the 20th century. He studied in Barcelona, where he was assistant to the draughtsman José Luis Pellicer. From a very early age he collaborated in Barcelona publications, from "La Esquella de la Torratxa" and "La saeta", in which his attachment to modernism is clear, to "Mundial Magazine" and "Fémina", where a pre-cubist line can already be seen. His first exhibition was held at Els Quatre Gats. During his Barcelona period he portrayed the proletariat, although in 1900 he travelled to Paris, where he collaborated with "La vie Illustrée" and "Le frou-frou", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Up to this point his works showed a satirical and realistic view of the bourgeoisie, snobs and prostitutes, although this view changed in 1907, when he began a more stylised, less realistic and less ironic period, above all because of his entry into the world of fashion, in which Gosé sought to set trends in female society. His period in Paris was the turning point in his life and artistic production, as the French capital was the place where he broadened his knowledge, becoming a successful artist who obtained interesting commissions as an illustrator for the best satirical magazines. In 1910 he began to collaborate with German magazines such as "Ulk". In 1914 the First World War broke out, a circumstance which, together with serious health problems, deprived him of the elegant Parisian environment, and he moved to the city of Vichy, famous for its spas. Shortly afterwards Gosé moved back to Barcelona, spending the last days of his life in Lleida. His posthumous exhibitions include the one at the Círculo Artístico in the same year as his death, the retrospective at the Rovira gallery (1970) and the one at the Fundación La Caixa (1984). He is represented in the Museums of Modern Art in Barcelona and Madrid, among others.
Setdart Auction House
Jul. 15, 2021
JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "In the Paseo de Gracia". Mixed media on paper.
Est: €8,000 - €10,000
JAVIER GOSÉ ROVIRA (Alcalá de Henares, 1876 - Lleida, 1915). "In the Paseo de Gracia". Mixed media on paper. Signed in the lower right corner. Published in La Esquella de la Torratxa, num 1282, Barcelona July 31, 1903. Size: 30 x 40 cm; 59 x 69 cm (frame). Javier Gosé's style oscillates between modernism and French art-deco, reflecting the life of Parisian society, but also that of Barcelona. Inspired by the worldly life of the cafés-concert, prostitutes, horse races, sportsmen and the well-known Montmartre, his style reflects the finesse and delicacy of the French society of the time, although it is not exempt from a certain picaresque characteristic of carefree Paris. Francisco Javier Gosé was an essential draftsman and painter in the graphic world and fashion in the transition from the nineteenth to the twentieth centuries. He studied in Barcelona, where he was assistant to the draftsman José Luis Pellicer. He collaborated from a very early age in Barcelona publications, from ""La Esquella de la Torratxa"", ""La saeta"", in which his attachment to modernism is evident, to ""Mundial Magazine"" and ""Fémina"", where a pre-cubist line is already beginning to be seen. His first exhibition was held at Els Quatre Gats. During his time in Barcelona he portrayed the proletariat, although in 1900 he traveled to Paris, where he collaborated with ""La vie Illustrée"", ""Le frou-frou"", among others. He exhibited in the Barcelona galleries Parés and Dalmau, the Vilches gallery (Madrid), Georges Petit and Ritlinger (both in Paris). Until this moment his works showed a satirical and realistic look on the bourgeois, snobs and prostitutes, although this look changed in 1907, when he began a more stylized, less realistic and less ironic stage, especially for his start in the world of fashion, in which Gosé sought to set a trend among the female society. His time in Paris was the turning point in his life and artistic production, since the French capital was the place where he expanded his knowledge, becoming a successful artist who would get interesting commissions as illustrators in the best satirical magazines. In 1910 he began to collaborate with German magazines such as ""Ulk"". In 1914 the First World War broke out, a circumstance that, together with the serious health problems he was suffering, deprived him of the elegant Parisian environment, moving to the city of Vichy, famous for its spas. Soon after, Gosé moved back to Barcelona, spending the last days of his life in Lleida. Among the posthumous exhibitions, the Círculo Artístico, the same year of his death, the retrospective at the Rovira Gallery (1970) and the La Caixa Foundation (1984) stand out. He is represented in the Museums of Modern Art in Barcelona and Madrid, among others."
Setdart Auction House
May. 13, 2021
XAVIER GOSÉ (1876-1915). "LADY WEARING A HAT"
Est: €400 - €500
Charcoal on paper. With stamped seal. With foxing on the paper. 24 x 19 cm; 41 x 35.5 cm (frame).
Subarna Subastas
Dec. 15, 2020
LERIDA 1912. FIESTAS DE MAYO EN HONOR DE SAN ANASTASIO. 1912. GOSE i ROVIRA Xavier
Est: -
LERIDA 1912. FIESTAS DE MAYO EN HONOR DE SAN ANASTASIO. 1912. GOSE i ROVIRA Xavier. 38 x 73 inch. 187 x 97 cm. Spain - Catalonia. LLEIDA (LERIDA) . Lithography. On linen. AFFICHES SEIX & BARRAL. Condition: B+ // LERIDA 1912. FIESTAS DE MAYO EN HONOR DE SAN ANASTASIO. 1912. GOSE i ROVIRA Xavier. 38 x 73 inch. 187 x 97 cm. España - Catalunya. LLEIDA (LERIDA). Litografía. Entelado. AFFICHES SEIX & BARRAL. Condición: B+.
Original Poster Barcelona
Dec. 04, 2019
XAVIER GOSÉ. Couple.
Est: €2,500 - €2,900
Charcoal, ink and gouache drawing on paper Signed Illegible nscription in blue pencil on the upper right corner 50x32cm.
Balclis
Jul. 26, 2019
Francisco Javier Gosé
Est: -
Francisco Javier Gosé. (Alcalá de Henares, 1876-Lérida, 1915). Retrato de dama, dibujo a lápiz sobre papel, 34x22 cm.
Sala de Ventas
Jul. 10, 2019
Francisco Javier Gosé
Est: -
Francisco Javier Gosé. (Alcalá de Henares, 1876-Lérida, 1915). Retrato de dama, dibujo a lápiz sobre papel, 34x22 cm.
Sala de Ventas
Jun. 20, 2019
FRANCISCO JAVIER GOSÉ (1876-1915). "LADY".
Est: €600 - €780
FRANCISCO JAVIER GOSÉ (1876-1915). Charcoal on paper. Art Deco's style circular drawing. 26 cm. diam; 55 x 54 cm. (frame).
Subarna Subastas
May. 29, 2019
Xavier Gosé
Est: €9,000 - €10,000
Xavier Gosé (Alcalá de Henares, Madrid, 1876-Lleida, 1915) Personajes. 28 x 15
Arte Hispanico Subastas
May. 29, 2019
Xavier Gosé
Est: €9,000 - €10,000
Xavier Gosé (Alcalá de Henares, Madrid, 1876-Lleida, 1915) Personajes. 28 x 15
Arte Hispanico Subastas
May. 29, 2019
XAVIER GOSÉ. A girl.
Est: €6,000 - €7,000
Gouache on paper Signed 31.3x31.3 cm.
Balclis
Jun. 06, 2018
Xavier Gosé Alcalá de Henares 1876 - Lleida 1915 Flamenco dance Charcoal and gouache drawing on poster board Signed. On the back, label of the framer N. Lembrée from Brussels. 34.1x45.1 cm
Est: €3,500 - €4,500
Xavier Gosé Alcalá de Henares 1876 - Lleida 1915 Flamenco dance Charcoal and gouache drawing on poster board Signed. On the back, label of the framer N. Lembrée from Brussels. 34.1x45.1 cm
Balclis
May. 22, 2018
Original 1900s LES SPORTSMEN Magazine + 4 Assiette au B
Est: $120 - $500
Artist: Gosé, Xavier 1876 - 1915. Les Sportsmen - L´Assiette au Beurre (5 Magazines). Technique: Letterpress Print 1902. Size: 12.2 x 9.8 in. (31 x 25 cm). Printer: no information. Condition Details: (B+) incl. Les Sportsmen and 4 other issues of L'Assiette au Beurre-, 1901-1907, small tears, tiny losses and minimal staining, some with loose pages. Estimate: $500. Reserve / Starting Price: $120.
PosterConnection Inc.
Oct. 25, 2017
Xavier Gosé Alcalá de Henares 1876 - Lleida 1915 Young woman wearing a hat
Est: €400 -
Xavier Gosé Alcalá de Henares 1876 - Lleida 1915 Young woman wearing a hat Charcoal on paper En el reverso, certificado de Segimon Rovira i Cambra, firmado en Barcelona en 2000 21x14 cm Xavier Gosé Alcalá de Henares 1876 - Lleida 1915 Joven con sombrero Carboncillo sobre papel En el reverso, certificado de Segimon Rovira i Cambra, firmado en Barcelona en 2000 21x14 cm
Balclis
May. 31, 2017
Xavier Gosé Alcalá de Henares 1876 - Lleida 1915 Young Woman Wearing a Hat
Est: €700 -
Xavier Gosé Alcalá de Henares 1876 - Lleida 1915 Young Woman Wearing a Hat Charcoal on paper En el reverso, certificado de Segimon Rovira i Cambra, firmado en Barcelona en 2000 21x14 cm Xavier Gosé Alcalá de Henares 1876 - Lleida 1915 Joven con sombrero Carboncillo sobre papel En el reverso, certificado de Segimon Rovira i Cambra, firmado en Barcelona en 2000 21x14 cm
Balclis