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Nan Goldin Art for Sale and Sold Prices

Photographer, b. 1953 -

(born 1953, Washington, D.C.) American photographer. Nan Goldin grew up in an upper-middle-class Jewish family from Lexington, Massachusetts. Goldin was introduced to photography at fifteen, and began her career by taking snapshots of the Boston transvestite scene in the 1970’s. Her work was first shown in 1973 at Project, Inc. in Boston. Goldin graduated from Tufts University in 1977 with a BFA, and received an additional Fifth Year Certificate in 1978. Shortly after graduating, she moved to New York City, which would be the setting for her most renowned photographs. “Goldin's works, though taken over nearly thirty years, celebrate the friendships which inspired the content of the photographs and serve as homage to those that remain only in the images and memory. Within this very personal selection of works are what have become known as Goldin's most famous images, her stills of an entire generation, and there is probably not an exhibition that has not included at least a few of these works. When Goldin was given a camera as a teenager, it replaced the pen as the means ‘to [hold] on to my version of things. I realized that it was a way to make a real record of what I had actually seen and done. It came from a very deep place, this need to record. It was all about keeping myself alive, keeping myself sane, and grounded. About being able to trust my own experience.’ ‘Generated through intimacy rather than critique, the images have the quality of uncut gems, which are only cut and fit into thematic categories at a later date. Thanksgiving, Goldin's selection of her greatest works, is in a way a pause for her after several decades, a taking stock. Bound together only by the title and Goldin's memory, these images have survived numerous exposures in slide and gallery shows and book publishing, yet remain resilient in their emotional provocation. The grouping and title shift the focus from cultural documentation to personal survival. One could trace much of Goldin's biography in these photos, from her Boston days, to New York post 1978, stints in Europe, lovers and friends, ex-lovers and ex-friends. If Goldin is true to her word and image, these should allow us to see her life. She cannot entirely separate her life from her images. She lives to photograph and photographs to live. Because her fingers continue to snap photos, her images and groupings, no matter how oft seen, continue to avoid historicizing and being frozen in time.” Nan Goldin currently lives and works between New York, Paris and London.
Credit: Christie's, New York, Post War and Contemporary (Evening Sale), May 14, 2002, Lot 48

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About Nan Goldin

Photographer, b. 1953 -

Related Styles/Movements

Contemporary Photography

Biography

(born 1953, Washington, D.C.) American photographer. Nan Goldin grew up in an upper-middle-class Jewish family from Lexington, Massachusetts. Goldin was introduced to photography at fifteen, and began her career by taking snapshots of the Boston transvestite scene in the 1970’s. Her work was first shown in 1973 at Project, Inc. in Boston. Goldin graduated from Tufts University in 1977 with a BFA, and received an additional Fifth Year Certificate in 1978. Shortly after graduating, she moved to New York City, which would be the setting for her most renowned photographs. “Goldin's works, though taken over nearly thirty years, celebrate the friendships which inspired the content of the photographs and serve as homage to those that remain only in the images and memory. Within this very personal selection of works are what have become known as Goldin's most famous images, her stills of an entire generation, and there is probably not an exhibition that has not included at least a few of these works. When Goldin was given a camera as a teenager, it replaced the pen as the means ‘to [hold] on to my version of things. I realized that it was a way to make a real record of what I had actually seen and done. It came from a very deep place, this need to record. It was all about keeping myself alive, keeping myself sane, and grounded. About being able to trust my own experience.’ ‘Generated through intimacy rather than critique, the images have the quality of uncut gems, which are only cut and fit into thematic categories at a later date. Thanksgiving, Goldin's selection of her greatest works, is in a way a pause for her after several decades, a taking stock. Bound together only by the title and Goldin's memory, these images have survived numerous exposures in slide and gallery shows and book publishing, yet remain resilient in their emotional provocation. The grouping and title shift the focus from cultural documentation to personal survival. One could trace much of Goldin's biography in these photos, from her Boston days, to New York post 1978, stints in Europe, lovers and friends, ex-lovers and ex-friends. If Goldin is true to her word and image, these should allow us to see her life. She cannot entirely separate her life from her images. She lives to photograph and photographs to live. Because her fingers continue to snap photos, her images and groupings, no matter how oft seen, continue to avoid historicizing and being frozen in time.” Nan Goldin currently lives and works between New York, Paris and London.
Credit: Christie's, New York, Post War and Contemporary (Evening Sale), May 14, 2002, Lot 48