Richard Bernard Godfrey Sold at Auction Prices

copperplate engraver

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    • FOUR ENGRAVINGS OF KENTISH MANORS
      Sep. 13, 2024

      FOUR ENGRAVINGS OF KENTISH MANORS

      Est: $100 - $200

      FOUR ENGRAVINGS OF KENTISH MANORS 19th century. Including a view of Cobham Hall by John Bayly (British, active 1755–82), a view of Harrietsham Place, and two by Richard Bernard Godfrey (1728-c 1795), Leeds Castle and Somerhill near Tunbridge. Matted and framed.

      Selkirk Auctioneers & Appraisers
    • R. GODFREY (*1728) after GRIFFITH (18th), Perth Bridge, Etching
      Aug. 31, 2024

      R. GODFREY (*1728) after GRIFFITH (18th), Perth Bridge, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ) after Moses Griffith (18th century): View of Perth Bridge with surrounding hilly landscape and tower in the background, 19th century, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "PERTH BRIDGE.". Date: 19th century Description: The artwork depicts the iconic Perth Bridge, an impressive engineering feat of harmonious architecture spanning a tranquil river. The background reveals a hilly landscape complemented by a picturesque cloud formation. A tower can be seen on the right, possibly representing a church and thus hinting at the cultural significance of the surroundings. The depiction is characterised by great clarity and attention to detail. Keywords: Perth Bridge; Bridge; River; Landscape; Architecture; Hills; Clouds; Church; Tower; Engineering; Historical; Impressive; Detailed; Riverscape; Western History; Symbolism; Culture; Clarity; Significance, 19th century, Romanticism, Architecture, Scotland, Perth (Perthshire), Size: Paper: 17,2 cm x 25,0 cm (6,8 x 9,8 in), Depiction: 14,3 cm x 20,6 cm (5,6 x 8,1 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Terrace view of Strawberry Hill, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Terrace view of Strawberry Hill, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Landscape view from the terrace on Strawberry Hill, cows and people under trees, 19th century, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "View from the Terrace at Strawberryhill". Date: 19th century Description: The artwork shows a rural scene in which mighty trees dominate the foreground. Beneath them, a person lies relaxed in the grass, while grazing cows and expansive fields are visible in the background. Richly detailed vegetation extends to the horizon, where a cluster of buildings can be recognised. This image conveys a calm and peaceful mood, emphasising the remoteness and beauty of the landscape depicted. Keywords: Landscape; nature; trees; cows; buildings; meadows; fields; tranquillity; panorama; sky; clouds; country idyll; vegetation; horizon; village; recreation; seclusion; peace; view; panorama;, 19th century, Romanticism, Landscape, United Kingdom, Size: Paper: 19,2 cm x 24,2 cm (7,6 x 9,5 in), Plate: 16,6 cm x 20,8 cm (6,5 x 8,2 in), Depiction: 13,8 cm x 19,0 cm (5,4 x 7,5 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Kertmele Priory Lancashire, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Kertmele Priory Lancashire, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Gothic architecture of Kertmele Priory in Lancashire, 19th century, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Kertmele Priory, Lancashire". Date: 19th century Description: The artwork shows Kertmele Priory, an impressive example of Gothic architecture in Lancashire. The depicted building presents itself in sublime splendour, with high pointed arch windows and a dominant central tower. The ornate geometry and detailed depiction of the stone structures point to the importance of the Priory as a historical and religious centre. The painting evokes a sublime stillness that emphasises the spiritual significance of the place. Keywords: Kertmelle Priory; Lancashire; Gothic architecture; historic building; priory; stained glass windows; pointed arch; central tower; stone structures; religious centre; sacred art; historic site; geometry; spiritual place; grandeur; church; monastic life; stone building; Gothic; architecture, 19th century, Romanticism, Cities, United Kingdom, Cartmel (Lancashire), Size: Paper: 21,6 cm x 27,2 cm (8,5 x 10,7 in), Plate: 11,8 cm x 16,6 cm (4,6 x 6,5 in), Depiction: 10,6 cm x 15,7 cm (4,2 x 6,2 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Country house of George M. Bisset, Knighton, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Country house of George M. Bisset, Knighton, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Rural idyll with the estate of Maruice George Bisset, Knighton, Isle of Wight, 19th century, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Richd. Godfrey sc.". At the lower part inscribed in the printing plate: "Knighton the Sewat of George M Bisset Esqr". Date: 19th century Description: The artwork shows an idyllic rural landscape with a harmoniously embedded estate in the centre. Gentle hills with dense trees stretch into the background, while graceful clouds adorn the sky. The estate, presumably the country residence of an important person, is flanked by an avenue. The composition conveys calm and stability, but also reflects the aesthetic idealism of the era. Historical and cultural references to architecture and landscape design are evident. Keywords: rural landscape; estate; harmonious nature; hills; trees; clouds; avenue; tranquillity; permanence; aesthetics; epoch; architecture; landscape design; idealism; rural idyll; historical references; cultural elements; rolling hills; dense vegetation; harmonious overall picture, 19th century, Romanticism, Cities, United Kingdom, Knighton (Isle Of Wight), Size: Paper: 28,7 cm x 22,6 cm (11,3 x 8,9 in), Plate: 15,7 cm x 21,2 cm (6,2 x 8,3 in), Depiction: 13,4 cm x 19,7 cm (5,3 x 7,8 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728) after SANDBY (*1725), View of Bothwell Castle, 1775, Etching
      Aug. 31, 2024

      R. GODFREY (*1728) after SANDBY (*1725), View of Bothwell Castle, 1775, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ) after Paul Sandby (1725 Nottingham - 1809 London): Bothwell Castle - depiction of the castle ruins above the Clyde, 1775, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Bothwell Castle. / Engraved from an Original Drawing.". Date: 1775 Description: The artwork shows Bothwell Castle, an impressive castle ruin on a gentle hill surrounded by lush nature. A river flows in the foreground, across which a group of people are travelling in a boat, suggesting a narrative structure. The depiction combines architectural splendour with an idyllic landscape and refers to the historical and cultural relevance of the location. Both aspects emphasise the harmony between people and their surroundings. Keywords: Bothwell Castle; castle ruins; hill; river; boat; people; architecture; nature; landscape; historical relevance; cultural heritage; harmony; narrative structure; idyllic; lush; historical depiction; picturesque; landscape painting; cultural symbiosis; art historical;, 18th century, Romanticism, Cities, Scotland, Bothwell (South Lanarkshire), Size: Paper: 21,7 cm x 29,1 cm (8,5 x 11,5 in), Plate: 18,6 cm x 23,0 cm (7,3 x 9,1 in), Depiction: 15,2 cm x 21,6 cm (6 x 8,5 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728) after SANDBY (*1725), Pembroke Castle, 1778, Etching
      Aug. 31, 2024

      R. GODFREY (*1728) after SANDBY (*1725), Pembroke Castle, 1778, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ) after Paul Sandby (1725 Nottingham - 1809 London): Historical depiction of Pembroke Castle with surrounding nature and buildings, 1778, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "PEMBROKE CASTLE". Date: 1778 Description: The artwork shows a depiction of Pembroke Castle, majestically situated on a rock above a river. The fortress, surrounded by dense foliage, rises monumentally in the centre of the picture. Smaller buildings and boats in the foreground complement the scenery, lending the picture a narrative depth. The artist captures the impressive historical and cultural context of the castle's architecture, suggesting a deep-rooted history and significance. Keywords: Pembroke Castle; fortress; castle; river; boats; landscape; historic; architecture; foliage; scenery; monument; rock; heritage; artwork; narrative; history; buildings; culture; nature; medieval, 18th century, Romanticism, Cities, United Kingdom, Pembroke (Pembrokeshire), Size: Paper: 21,0 cm x 28,6 cm (8,3 x 11,3 in), Plate: 16,5 cm x 23,5 cm (6,5 x 9,3 in), Depiction: 13,5 cm x 22,0 cm (5,3 x 8,7 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728) after SANDBY (*1725), Manorbier Castle on a hill, 1778, Etching
      Aug. 31, 2024

      R. GODFREY (*1728) after SANDBY (*1725), Manorbier Castle on a hill, 1778, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ) after Paul Sandby (1725 Nottingham - 1809 London): Historical depiction of Mannorbier Castle on a hill, 1778, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "MANNORBEER CASTLE". Date: 1778 Description: This work of art depicts the impressive image of a historic fortress perched on a hill overlooking a vast landscape. The masonry of Mannorbeer Castle rises majestically, characterised by its fortified towers and massive stone structures. Two small figures on the right enliven the scene. The richness of detail testifies to a conscientious power of observation that does justice to the cultural significance of the place. Keywords: Mannorbier Castle; historic fortress; landscape; hill; masonry; towers; stone structures; richness of detail; cultural significance; historic site; architecture; fortification; right figures; ruins; hill; fortification; massive building; medieval; work of art; engraving, 18th century, Romanticism, Cities, United Kingdom, Manorbier (Pembrokeshire), Size: Paper: 22,0 cm x 27,5 cm (8,7 x 10,8 in), Plate: 18,7 cm x 22,8 cm (7,4 x 9 in), Depiction: 15,2 cm x 21,9 cm (6 x 8,6 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728) after SANDBY (*1725), Manorbier Castle, ruins of the castle, 1778, Etching
      Aug. 31, 2024

      R. GODFREY (*1728) after SANDBY (*1725), Manorbier Castle, ruins of the castle, 1778, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ) after Paul Sandby (1725 Nottingham - 1809 London): Historical depiction of the ruins of Manorbier Castle, 1778, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Mannorbeer Castle". Date: 1778 Description: The artwork depicts the majestic remains of Manorbier Castle. Set against a vast sky with dramatic cloud formations, the castle is enthroned, its architecture conveying a sense of permanence and transience. Two people and a horse in the foreground enliven the scene and add a narrative dimension. The depiction captures the incisive tranquillity and timeless beauty of the historic site, which is deeply embedded in western medieval history. Keywords: Manorbier Castle; castle; architecture; ruins; medieval; history; western; figures; horse; landscape; sky; clouds; historical; narrative; artwork; culture; iconographic; structure; majesty; permanence, 18th century, Romanticism, Architecture, United Kingdom, Manorbier (Pembrokeshire), Size: Paper: 21,2 cm x 28,5 cm (8,3 x 11,2 in), Plate: 16,3 cm x 20,4 cm (6,4 x 8 in), Depiction: 13,1 cm x 18,6 cm (5,2 x 7,3 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Bridge House in Rochester, 1778, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Bridge House in Rochester, 1778, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): The historic Bridge House and the bridge in Rochester, 1778, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Bridge House at Rochester". Date: 1778 Description: The artwork shows a detailed depiction of Bridge House in Rochester, England. The composition emphasises the architectural details of the building, such as the striking tower clock and the classical architectural style. The view of the bridge in the background complements the image and adds a narrative depth that hints at a historical journey. This work conveys a tranquil atmosphere and reflects historical and cultural aspects of the region. Keywords: Bridge House; Rochester; architecture; historic buildings; tower clock; English landscape; classical architecture; history; culture; bridge; dwellings; fence; traditional architectural style; street view; detailed engraving; landscape; tranquil atmosphere; historic journey; artwork; effigy;, 18th century, Romanticism, Cities, United Kingdom, Rochester (Kent), Size: Paper: 24,1 cm x 29,2 cm (9,5 x 11,5 in), Plate: 18,0 cm x 22,8 cm (7,1 x 9 in), Depiction: 15,6 cm x 21,5 cm (6,1 x 8,5 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Holyhead Collegiate Church, Anlgesey, 1772, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Holyhead Collegiate Church, Anlgesey, 1772, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Ansicht der Collegiate Church in Holyhead, Holy Island, Anglesey, 1772, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Collegiate Church Holy head. Anglesea". Date: 1772 Description: The artwork shows the Collegiate Church, prominently placed on a rocky site in Holyhead, Anglesey. To its left is a heavily overgrown ruin, hinting at a past steeped in history. The sky is covered in dramatic cloud formations, impressively emphasising the atmosphere of the place. The image conveys the calm yet powerful presence of the architecture and landscape and offers an insight into a historical, cultural heritage of the western religious context. Keywords: Collegiate Church; Holyhead; Anglesey; historic architecture; religious heritage; ruin; landscape; clouds; hill; historic; England; 18th; century; nature; symbolism; Western art; building; rock; culture; scenery; atmosphere; iconography, 18th century, Romanticism, Cities, United Kingdom, Holyhead (Holy Island (Anglesey)), Size: Paper: 21,7 cm x 27,3 cm (8,5 x 10,7 in), Plate: 11,9 cm x 16,6 cm (4,7 x 6,5 in), Depiction: 10,5 cm x 15,2 cm (4,1 x 6 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Mitford Castle, Northumberland, 1785, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Mitford Castle, Northumberland, 1785, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): View of Mitford Castle in Northumberland, 1785, Etching Technique: Etching on Paper Date: 1785 Description: The artwork shows a picturesque landscape with a medieval castle ruin on a hill, surrounded by lush vegetation and rural buildings. The river in the foreground meanders through the valley and leads the viewer to the centre of the composition. The detailed depiction of nature and architecture lends the work a narrative quality that bears witness to historical and cultural references. Keywords: castle ruins; hill; landscape; river; vegetation; architecture; Middle Ages; historical site; culture; nature; valley; rural buildings; picturesque; scenery; work of art; composition; richness of detail; history; narrative structure; cultural history, 18th century, Romanticism, Cities, United Kingdom, Mitford (Northumberland), Size: Paper: 22,0 cm x 27,2 cm (8,7 x 10,7 in), Plate: 11,9 cm x 16,5 cm (4,7 x 6,5 in), Depiction: 10,9 cm x 15,5 cm (4,3 x 6,1 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Ruins of Netley Abbey, 1776, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Ruins of Netley Abbey, 1776, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Explore the picturesque ruins of Netley Abbey, 1776, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "NETLEY ABBEY / Engrav'd from an Original Drawing". Date: 1776 Description: The artwork shows the ruins of Netley Abbey, surrounded by lush vegetation. Two figures explore the half-ruined Gothic interior of the abbey, which impresses with its pointed arches and vaulted ceilings. The artistic interplay of light and shadow emphasises the majestic architecture and tells of the abbey's former splendour. This visual narrative provides a deep insight into the historical significance and cultural transformation of the building. Keywords: Cistercian; Abbey; Monastery; Netley Abbey; Ruins; Gothic; Architecture; Nature; Vegetation; History; Exploration; Pointed arches; Vaults; Figures; Interior; Light; Shadow; Culture; Decay; Majestic; Splendour; Work of art; Representation, 18th century, Romanticism, Cities, United Kingdom, Southampton (Hampshire), Size: Paper: 21,1 cm x 26,5 cm (8,3 x 10,4 in), Depiction: 16,2 cm x 21,7 cm (6,4 x 8,5 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), View of Ely House, London, 1784, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), View of Ely House, London, 1784, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Detailed depiction of Ely House in London in Gothic architecture, 1784, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "R. Godfrey Sc.". At the lower part inscribed in the printing plate: "Ely House, London. Pl.1.". Date: 1784 Description: The artwork shows a detailed view of Ely House in London. In the foreground, an expansive landscape with a tree and a person can be recognised, enlivening the historic building in the background. The Gothic architecture of Ely House is characterised by its precision and is reminiscent of the ecclesiastical buildings of the medieval era. This depiction impressively captures the serene grandeur and architectural splendour of the building. Keywords: Ely House; London; Gothic architecture; medieval; historic buildings; landscape; tree; person; ecclesiastical buildings; grandeur; architecture; splendour; work of art; history; depiction; British history; rich in detail; precision; tranquil landscape; monumental architecture;, 18th century, Romanticism, Cities, United Kingdom, Size: Paper: 22,0 cm x 27,2 cm (8,7 x 10,7 in), Plate: 11,9 cm x 16,5 cm (4,7 x 6,5 in), Depiction: 10,6 cm x 15,2 cm (4,2 x 6 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Tynemouth Castle, Tyne and Wear, 1785, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Tynemouth Castle, Tyne and Wear, 1785, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): View of Tynemouth Castle, Tyne and Wear, and its gateway in Northumberland, 1785, Etching Technique: Etching on Paper Date: 1785 Description: The artwork shows a detailed view of Tynemouth Castle and its gateway in the Northumberland countryside. The historic building dominates the composition, with the structural elements and stonework strikingly emphasised. Two human figures in the foreground convey a sense of scale and life. The cloud formations and shadows create a harmonious scene, emphasising the historical and cultural heritage of this architectural monument. Keywords: Tynemouth Castle; Tyne and Wear; Northumberland; historical; architecture; gateway; building; masonry; human figures; landscape; sky; clouds; shadow; heritage; culture; drawing; monument; sketch; detail; composition; structure, 18th century, Romanticism, Cities, United Kingdom, Size: Paper: 22,0 cm x 27,2 cm (8,7 x 10,7 in), Plate: 12,0 cm x 16,5 cm (4,7 x 6,5 in), Depiction: 10,9 cm x 15,5 cm (4,3 x 6,1 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Ostenhanger House Kent, 1784, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Ostenhanger House Kent, 1784, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): View of the historic Ostenhanger House in Kent, 1784, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Ostenhanger House Kent. Pl.1". Date: 1784 Description: The artwork shows a detailed view of the old Ostenhanger House in Kent. A striking round tower structure dominates the scene, surrounded by trees and park-like grounds. The architecture refers to a historic building that has stood for centuries. The image tells of an era in which such properties played an important role in the social and cultural fabric. Keywords: Ostenhanger House; Kent; tower; architecture; history; landscape; trees; park; England; rural; historic building; artwork; rich in detail; cultural history; social history; 18th; century; engraving; building; tower structure; heritage, 18th century, Romanticism, Cities, United Kingdom, Size: Paper: 21,7 cm x 27,0 cm (8,5 x 10,6 in), Plate: 12,0 cm x 16,6 cm (4,7 x 6,5 in), Depiction: 10,7 cm x 15,3 cm (4,2 x 6 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Rochester Castle representation, 1784, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Rochester Castle representation, 1784, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Historical depiction of Rochester Castle in Kent, 1784, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Rochester Castle, Kent. Pl. 2.". Date: 1784 Description: The artwork shows a detailed depiction of Rochester Castle in Kent. Surrounded by the natural setting, the composition shows the imposing tower of the castle and the surrounding landscape with several people in the foreground adding a narrative dimension through their interaction. The perspective and architectural elements convey a strong sense of historical continuity and cultural significance. Keywords: Rochester Castle; Kent; architecture; castle ruins; historical depiction; landscape; people; nature; tower; English history; Middle Ages; monument; fortification; preservation; scenery; nature depiction; sky; clouds; interaction; artwork, 18th century, Romanticism, Cities, United Kingdom, Rochester (Kent), Size: Paper: 21,8 cm x 27,1 cm (8,6 x 10,7 in), Plate: 12,0 cm x 16,6 cm (4,7 x 6,5 in), Depiction: 10,7 cm x 15,3 cm (4,2 x 6 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Ruins of the old Dover Castle church, 1784, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Ruins of the old Dover Castle church, 1784, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Depiction of the ruins of the old church at Dover Castle, Kent, England, 1784, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "The Old Church in Dover Castle, Kent". Date: 1784 Description: The artwork shows the remains of the old church in Dover Castle, Kent. The ruins dominate the landscape and offer a fascinating insight into the history and architecture of the region. The ensemble of ruins tells the story of a place of great historical significance, possibly as a former sacred building within the castle complex. The dramatic cloud formation in the background emphasises the majesty and transience of the scenery. Keywords: Dover Castle; old church; ruins; Kent; historical architecture; castle complex; history; sacred building; landscape; grandeur; transience; historical significance; England; Middle Ages; watchtower; sky; clouds; castle wall; sacred building; art;, 18th century, Romanticism, Cities, United Kingdom, Dover, Size: Paper: 21,7 cm x 27,3 cm (8,5 x 10,7 in), Plate: 11,7 cm x 16,6 cm (4,6 x 6,5 in), Depiction: 10,7 cm x 15,5 cm (4,2 x 6,1 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), All Saints College, Maidstone, Kent, 1784, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), All Saints College, Maidstone, Kent, 1784, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Historic view of the church and buildings of All Saints College in Maidstone, Kent, 1784, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Mary (St.) & all Saints College. Kent.". Date: 1784 Description: This artwork shows a view of the historic church and buildings of All Saints College in Kent. The most significant part of the painting is the church, which stands in the centre, with Gothic windows and an imposing tower reaching into the sky. In the foreground, cows graze in a meadow, giving the picture an idyllic, rural atmosphere. The architecture and nature complement each other harmoniously, indicating the peaceful coexistence of man and the environment. Keywords: All Saints College; church; gothic architecture; cows; rural; Kent; historical; peace; nature; houses; village; tower; arched window; masonry; sky; clouds; academic; British; landscape; architectural drawing, 18th century, Romanticism, Cities, United Kingdom, Maidstone (Kent), Size: Paper: 22,0 cm x 27,2 cm (8,7 x 10,7 in), Plate: 12,1 cm x 16,6 cm (4,8 x 6,5 in), Depiction: 10,9 cm x 15,5 cm (4,3 x 6,1 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Manorbier Castle view, 1773, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Manorbier Castle view, 1773, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Historical depiction of Manorbier Castle in Pembrokeshire, 1773, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Manorbeer Castle, Pembrokeshire". Date: 1773 Description: The artwork depicts a picturesque view of Manorbier Castle in Pembrokeshire. The castle sits majestically on a hill, surrounded by a vast landscape under a cloudy sky. The fortress reveals architectural details such as towers and battlements that indicate medieval construction. This historical image emphasises both the majesty and the strategic position of the castle in the landscape. Keywords: Castle; Manorbier Castle; Pembrokeshire; architecture; medieval; historical image; landscape; fortress; towers; battlements; grandeur; strategic location; artwork; clouds; hill; hilltop; fortress; history; Europe; ruin;, 18th century, Romanticism, Cities, United Kingdom, Manorbier (Pembrokeshire), Size: Paper: 16,5 cm x 26,7 cm (6,5 x 10,5 in), Plate: 11,7 cm x 17,1 cm (4,6 x 6,7 in), Depiction: 10,7 cm x 15,6 cm (4,2 x 6,1 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Carew Castle Artwork, 1775, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Carew Castle Artwork, 1775, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Detailed artwork from Carew Castle in Pembrokeshire, 1775, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Carew Castle, Pembrokshire". Date: 1775 Description: The artwork shows Carew Castle in Pembrokeshire in impressive detail. The castle with its massive towers and battlements dominates the landscape and conveys the historical significance of this fortified structure. The scene is complemented by two people in the foreground and a smoking structure on the right, creating a lively atmosphere and hinting at a possible narrative context. This work reflects the majestic and strategic layout of historic castles. Keywords: Carew Castle; Pembrokeshire; castle; architecture; towers; battlements; historic buildings; landscape; people; smoke; history; fortified structure; majestic; detail; narrative elements; artwork; monument; draughtsmanship; strategic arrangement; historic setting, 18th century, Romanticism, Cities, United Kingdom, Carew (Pembrokeshire), Size: Paper: 17,5 cm x 26,5 cm (6,9 x 10,4 in), Plate: 11,9 cm x 16,6 cm (4,7 x 6,5 in), Depiction: 10,7 cm x 15,4 cm (4,2 x 6,1 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Ruins of Lindisfarne Abbey, 1785, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Ruins of Lindisfarne Abbey, 1785, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): View of the ruins of Lindisfarne Abbey, Holy Island Monastery in Northumberland, 1785, Etching Technique: Etching on Paper Inscription: At the lower part inscribed in the printing plate: "Holy Island Monastery, Northum.d Pl.2". Date: 1785 Description: The artwork shows the ruins of Holy Island Monastery in Northumberland. The detailed depiction reveals striking architectural features, such as Gothic arches and towers, which take the viewer back in time. A lone figure in the foreground adds a narrative dimension to the painting, suggesting the investigative spirit of a scientist or historian. The monumental architecture in the centre refers to the sacred significance of the monastery in history. Keywords: Holy Island; monastery ruins; Gothic; architecture; monastery; Northumberland; sacral building; historicism; ruins; exploration; history; art; monastic history; landscape; sacral architecture; richness of detail; monument; past; educational trip; England, 18th century, Romanticism, Cities, United Kingdom, Lindisfarne (Northumberland), Size: Paper: 22,2 cm x 27,1 cm (8,7 x 10,7 in), Plate: 12,1 cm x 16,5 cm (4,8 x 6,5 in), Depiction: 11,1 cm x 15,7 cm (4,4 x 6,2 in)

      Fichter Kunsthandel
    • R. GODFREY (*1728), Eskdale Church, view, 1785, Etching
      Aug. 31, 2024

      R. GODFREY (*1728), Eskdale Church, view, 1785, Etching

      Est: €75 - €125

      Richard Bernard Godfrey (born 1728 ): Historical account of a rural church and its community, Eskdale Church, 1785, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Godfrey Sc". At the lower part inscribed in the printing plate: "Eskdale Church". Date: 1785 Description: The artwork shows a simple church with a thatched roof and stone walls, embedded in a rural landscape. Gentle hills are visible on the left of the picture, creating an idyllic and tranquil scene. In front of the church, two women and a child are depicted walking to a container. The setting suggests a humble but important place for the local community. The composition and historical context suggest a connection to rural religious practices. Keywords: church; thatched roof; stone building; rural scene; women; child; rural religion; community; hill; rural architecture; modesty; historical depiction; landscape; sanctuary; village life; rural England; cottage; tranquillity; idyll, 18th century, Romanticism, Architecture, United Kingdom, Size: Paper: 18,0 cm x 26,7 cm (7,1 x 10,5 in), Plate: 12,1 cm x 16,9 cm (4,8 x 6,7 in), Depiction: 10,5 cm x 15,6 cm (4,1 x 6,1 in)

      Fichter Kunsthandel
    • Antique Carew Castle Engravings
      Feb. 27, 2021

      Antique Carew Castle Engravings

      Est: £30 - £50

      Antique Carew Castle Pembrokeshire, Wales Line Engraving by W. Miller after J.M.W. Turner. R.A. Published by Moon, Boys & Graves, 6, Pall Mall, in 1834. Also another antique engraving of Carew Castle by Godfrey, Richard Bernard, b. 1728, engraver.Dated1775.and an engraving of the Magdalen Tower & Bridge by Percy Roberts. All framed under glass. (3 items)

      Cooper Barrington LLP
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