James William Glass Sold at Auction Prices

James William Glass (American, 1825-1855), Return with Glory, oil on canvas, signed lower left and dated 1851.br br Image: 43"...

James William Glass (American, 1825-1855), Return with Glory, oil on canvas, signed lower left and dated 1851. Image: 43"h x 35.5"w (109.22 x 90.17 cm), overall (with frame): 48"h x 56"w (121.92 x 142.24 cm) Condition: With light craquelure on painting and frame. Frame not guarantees for condition. Provenance: Property from an estate in Connecticut. NOTE: THIS ITEM IS IN OUR NEW YORK WAREHOUSE WHERE WE OFFER IN-HOUSE SHIPPING. Click here for more detailed images: https://os5.mycloud.com/action/share/0a556aff-2bcf-4cee-85de-dec522ddce75. For additional information, including condition reports, please email Clars Los Angeles at ask@ClarsLA.com. The absence of a condition statement does not mean that the lot is in perfect condition.

James William Glass (American, 1825-1855), Return with Glory, oil on canvas, signed and dated 1851

James William Glass (American, 1825-1855), Return with Glory, oil on canvas, signed and dated 1851. Image: 43"h x 35.5"w (109.22 x 90.17 cm) Overall (with frame): 48"h x 56"w (121.92 x 142.24 cm) Condition: With light craquelure on painting and frame. Frame not guarantee for condition. Provenance: Property from an estate in Connecticut. Note: This item is located at our offsite warehouse in CT where can be shipped from.

GLASS James William (1825 - 1857) Tableaux

Tableaux GLASS James William (1825 - 1857) Huile sur toile "La halte des cavaliers". Signé en bas à droite W. Glass. Ecole américaine. Dim.:+/-112x152cm.

James William Glass Oil

James William Glass (British 1825-1857)  A Call at The King's Head, 1848, oil on canvas, signed, dated and inscribed verso, framed, 44.25 x 60.5 in.  Exhibited: American Art Union, New York, 1848, Annual Exhibition, no. 152, as  Cromwell's Soldiers Destroying the Sign of the King's Head in 1642. Provenance: The Artist The American Art Union, New York F.A.Casilear, Williamsburgh, New York Hutchinson Family, New York,  by descent until 1992,  Private Collection, New England Hirschl and Adler, New York Private Collection, Cleveland, OH Condition: Good with no apparent damage or repair

GEORGE III SILVER SEVEN-PIECE CRESTED CRUET STAND OF PIERCED NAVETTE FORM, PETER & ANN BATEMAN, LONDON, 1793-94.

Engraved with the crest of a unicorn, the stand marked top of frame and one side at base and the pair of cut-glass bottles marked exterior side of mounts; the remaining glass bottles cut in a matching pattern, the caster William IV, Creswick & Co., Sheffield, 1833-34, marks on remaining worn. Height 10 inches.

Gilt and Paint Decorated Split Baluster Mirror, labeled ""Portland Looking Glass Manufactory,"" James Todd, 1825-35, the frame with eng

*JAMES WILLIAM GLASS, A.R.S.A. (BRITISH, 1825-57) "RICHARD, COEUR DE LION, ON HIS WAY TO JERUSALEM"

signed and dated 1854 oil on canvas 69 1/4 by 95 in. 175.9 by 241.3 cm. Provenance: Owen Edgar Gallery, London Exhibited: London, Royal Academy, 1854, No. 414 Literature: Art Journal, 1854, p.167, "The scene is the desert, and the army of the crusaders has the appearance of an interminable caravan, the rear of which is traceable far across the burning sands, until lost in the distance. Richard appears in front accompanied by a train of knights with an attendance of slaves - Bedaween (sic) guides; and here and there, above the heads of the long array, appear the litters of those fair ladies who, with their lads, would assume the cross. The subject is painted with great perspicuity; and the appointments and character of the most prominent figure pronounce him to be Richard and no one else.".