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Jacin Giordano Art for Sale and Sold Prices

b. 1978 -

Jacin Giordano (b. 1978 Stamford, CT) is based in Western Massachusetts, United States. He received his BFA in painting from the Maryland Institute College of Art, Baltimore, MD and his MFA from the University of Massachusetts, Amherst. Giordano has exhibited in galleries, museums, and art fairs throughout the United States and internationally including deCordova Sculpture Park and Museum, Lincoln, MA, Perez Art Museum Miami, Miami, FL; The Bass Museum of Art, Miami Beach, FL; Harn Museum, Gainesville, FL; The Texture Museum, Kortrijk, Belgium, and Fondation Villa Datris, L’Isle-sur-la-sorgue, France. Giordano was a 2006 recipient of the South Florida Cultural Consortium Grant for Visual Art.

His work has been in various publications including The New York Times, Artforum, New American Paintings, The Boston Globe, and Vogue.

Although his work sometimes blurs the line between painting and sculpture, Jacin primarily identifies his work through the lens of painting where he is continually interested in deconstructing and reconfiguring the physical possibilities of paint. His work is the result of experimentation and a constant exploration of material, texture and process.

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About Jacin Giordano

b. 1978 -

Biography

Jacin Giordano (b. 1978 Stamford, CT) is based in Western Massachusetts, United States. He received his BFA in painting from the Maryland Institute College of Art, Baltimore, MD and his MFA from the University of Massachusetts, Amherst. Giordano has exhibited in galleries, museums, and art fairs throughout the United States and internationally including deCordova Sculpture Park and Museum, Lincoln, MA, Perez Art Museum Miami, Miami, FL; The Bass Museum of Art, Miami Beach, FL; Harn Museum, Gainesville, FL; The Texture Museum, Kortrijk, Belgium, and Fondation Villa Datris, L’Isle-sur-la-sorgue, France. Giordano was a 2006 recipient of the South Florida Cultural Consortium Grant for Visual Art.

His work has been in various publications including The New York Times, Artforum, New American Paintings, The Boston Globe, and Vogue.

Although his work sometimes blurs the line between painting and sculpture, Jacin primarily identifies his work through the lens of painting where he is continually interested in deconstructing and reconfiguring the physical possibilities of paint. His work is the result of experimentation and a constant exploration of material, texture and process.