James Gillray Sold at Auction Prices

Caricaturist, Etcher, Engraver, Illustrator, Wood cutter, b. 1757 - d. 1815

James Gillray (13 August 1756 or 1757 – 1 June 1815) was a British caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery in London.

Gillray has been called "the father of the political cartoon", with his works satirizing George III, prime ministers and generals. Regarded as being one of the two most influential cartoonists, the other being William Hogarth, Gillray's wit and humour, knowledge of life, fertility of resource, keen sense of the ludicrous, and beauty of execution, at once gave him the first place among caricaturists.

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                • Antique Political Engraving by James Gillray.
                  Dec. 07, 2024

                  Antique Political Engraving by James Gillray.

                  Est: $200 - $400

                  Light expelling darkness, - evaporation of stygian exhalations, - or - the sun of the constitution, rising superior to the clouds of opposition (Caricature of King George III as Apollo) Artist(s): James Gillray (English, 1756-1815), Published by Hannah Humphrey. Medium: Hand-colored engraving. Signature(s): Attributions in lower margins. Paperwork: N/A Damage: Tear through the word "sun". Creases and toning from age. Measurement(s): 13 1/2" x 17 1/2" (impression), 22" x 26" (frame) In-house shipping is available. Please see our website regarding our in-house shipping procedures.

                  Direct Auction Galleries, Inc.
                • Gillray, James
                  Dec. 06, 2024

                  Gillray, James

                  Est: €120 - €180

                  (1757 Chelsea - London 1815). 5 Bl. mit 8 Radierungen tls. mit Aquatinta bei H.Humphrey, Ldn. 1798. Blgr. je ca. 28 x 20 cm. Meist mit dem Monogr. u. dem Namenszug des Verlegers u. Datum i.d. Platte. Jwls. unter Passep. mont. ╔Dabei: Honoré Daumier╗ (1808-1879) nach. 3 Bl. Lithographien aus Robert Macaire, um 1850. Blgr. 26,5 x 20,5 cm. Unter Passep. mont., innenlieg. 2 Textbl. Zus. 10 Bl.

                  Kiefer Buch- und Kunstauktionen
                • Gillray - 6 Pages of Satirical Folio Engravings
                  Nov. 30, 2024

                  Gillray - 6 Pages of Satirical Folio Engravings

                  Est: $1,000 - $2,000

                  This witty, folio engraving is from James Gillray. It was part of either of his works titled The Genuine Works of James Gillray or Illustrative Description of the Genuine Works of Mr. James Gillray. The works were published in London by Thomas McLean in 1830. James Gillray (1756-1815) was the "father of the political cartoon." He used his scathing humor and expert draughtsmanship to produce some of the best and most formative political satire. Some of his most noted cartoons / caricatures are of George III, Napoleon I, and William Pitt.

                  Trillium Antique Prints & Rare Books
                • James Gillray,  British 1756-1815-  Bank Notes - Paper Money; - French Alarmists - o the Devil, the
                  Nov. 20, 2024

                  James Gillray,  British 1756-1815-  Bank Notes - Paper Money; - French Alarmists - o the Devil, the

                  Est: £250 - £350

                  James Gillray,  British 1756-1815-  Bank Notes - Paper Money; - French Alarmists - o the Devil, the Devil! - ah! poor John Bull!!!;  etching on paper, signed 'Js Gy invt' (within the plate, lower edge), 15.8 x 21.8 cm.  Provenance:  Private Collection, UK.  Note:  The Library of Congress describes how this print 'shows William Pitt the Younger as a bank-clerk offering a handful of bank-notes to John Bull, who holds out his hand for the notes as Charles James Fox says to him "Dont take his damn'd Paper, John! insist upon having Gold, to make your Peace with the French, when they come" and Richard Brinsley Sheridan says "Dont take his Notes! nobody takes Notes now! - they'll not even take Mine!" John Bull answers: "I wool take it! - a' may as well let my Measter Billy hold the Gold to keep away you Frenchmen, as save it, to gee it you, when ye come over, with your domn'd invasion" as other Foxites raise their hands in warning and Charles Stanhope stands in profile. Alexander Wedderburn, Lloyd Kenyon, and William Grenville carry large sacks of notes on their heads in the distance and a bill headed: 'Order of Council to the Bank of England' is posted on the counter.' 

                  Roseberys
                • James Gillray (1756-1815)
                  Nov. 19, 2024

                  James Gillray (1756-1815)

                  Est: £300 - £500

                  James Gillray (1756-1815) 'The King Brobdingnag and Gulliver (Plate 2nd) Scene - Gulliver Manoeuv'ring with his Little Boat in the Cistern' hand-coloured etching, published by H Humphrey, London, 1804 35 x 46cm Condition Report: Framed: 49 x 60cm Foxing and time staining. Light creasing. Not viewed out of glazed frame.

                  Sworders
                • James Gillray Ladies dress, as it will soon be.
                  Nov. 14, 2024

                  James Gillray Ladies dress, as it will soon be.

                  Est: €150 - €200

                  Etching, 326 x 241 mm. Printed on heavy wove paper. In general good condition except for scattered stains and two tears on the lower margin, restored on the verso.

                  Bertolami Fine Art s.r.l.
                • James Gillray (British, 1756-1815), THREE WORKS: A MARCH TO THE BANK, (1787); THE BENGAL LEVEE (1792); FATIGUES OF THE CAMPAIGN IN FLANDERS (1783)
                  Nov. 07, 2024

                  James Gillray (British, 1756-1815), THREE WORKS: A MARCH TO THE BANK, (1787); THE BENGAL LEVEE (1792); FATIGUES OF THE CAMPAIGN IN FLANDERS (1783)

                  Est: $500 - $700

                  James Gillray (British, 1756-1815) THREE WORKS: A MARCH TO THE BANK, (1787); THE BENGAL LEVEE (1792); FATIGUES OF THE CAMPAIGN IN FLANDERS (1783) each hand coloured on wove paper, framed Estimate: $500—700 CAD

                  Waddington's
                • GILLRAY, James. "News from Calabria! Capture of Buenos Ayres!...", gravura s/ papel, 1806. Dim. aprox. total.: 42,5 Emoldurado
                  Nov. 04, 2024

                  GILLRAY, James. "News from Calabria! Capture of Buenos Ayres!...", gravura s/ papel, 1806. Dim. aprox. total.: 42,5 Emoldurado

                  Est: €120 - €240

                  GILLRAY, James. "News from Calabria! Capture of Buenos Ayres! - i.e. - the Comforts of an Imperial Déjeuné at St- Clouds" Gravura a negro sobre papel, impressa por Hannah Humphrey a 13 de Setembro de 1806, Londres Cena humorístico-satírica representando Napoleão no Château de St. Cloud, puxando a orelha a Talleyrand, seu Ministro dos Negócios Estrangeiros, após a derrota dos franceses na batalha de Maida (Calábria, Itália), e em Buenos Aires, contra as tropas britânicas. No lado direito da cena várias figuras representando os seus países apresentam motes ou frases que resumem de forma estereotipada as suas posições no contexto geopolítico europeu da época. Dim. aprox.: 24 x 35 cm; Dim. aprox. total: 42,5 x 53 cm. Papel amarelecido com manchas e leves vincos. Emoldurado (falhas)

                  Palácio do Correio Velho
                • James Gillray (1756 - 1815), A Man Of Importance (
                  Sep. 26, 2024

                  James Gillray (1756 - 1815), A Man Of Importance (

                  Est: £80 - £120

                  James Gillray (1756 - 1815), A Man Of Importance (1st Marquis of Hastings, etching, 1799, 35cm x 25cm, unframed

                  Burstow & Hewett
                • JAMES GILLRAY - The National Assembly Revivified
                  Sep. 22, 2024

                  JAMES GILLRAY - The National Assembly Revivified

                  Est: $45 - $60

                  JAMES GILLRAY (British, 1756-1815) "The National Assembly Revivified" 20th-century impression - Etching on off-white antique paper. Signed in play lower left, titled in plate lower centre. Unframed. 6 x 8 inches (15.3 x 20.5 cm). Very good condition, sheet is cropped close to the faux border which has eliminated the raised plate mark. From the Gary Robertson Historical Print Collection (Regina).

                  Saskatchewan Network for Art Collecting
                • James Gillray (1756-1815)
                  Jul. 30, 2024

                  James Gillray (1756-1815)

                  Est: £150 - £200

                  James Gillray (1756-1815) The head of King Louis XVI being cut off by a guillotine, 1793 a hand-coloured etching by James Gillray, printed by H Humphrey, of the execution scene, the text reads 'The blood of the murdered crying for vengeance. This exact representation of that instrument of French refinement in assassination, the Guillotine is submitted to the Gentlemen of the Phalanx & other well-wishers to the King and Constitution of Great Britain, by their devoted Servants at Command The Assassins of the King of France. Js. Gy. desn. et fect. pro bono publico' plate mark 36 x 26cm, window mounted Condition Report: small crease close to middle of right hand boarder - generally excellent condition - nice hand colouring

                  Sworders
                • [HAND-COLORED PRINTS]. [GILLRAY, James (1756-1815)]. “Posti...
                  Jul. 25, 2024

                  [HAND-COLORED PRINTS]. [GILLRAY, James (1756-1815)]. “Posti...

                  Est: $400 - $600

                  [HAND-COLORED PRINTS]. [GILLRAY, James (1756-1815)]. “Posting in Ireland” [and] “Posting in Scotland.” London: H. Humphrey, April 8th 1805 [and] May 25th 1805. Pair of hand-colored aquatint satirical plates by Gillray after C. Loraine Smith, Esq. Sizes 13 ½ x 19 and 12 ¾ x 15 ¾”. Some toning, margins with short tears or chips, “Scotland” has a contemporary ink note at lower left corner, “Ireland” has glue residue on verso. Very good. Rare hand-colored humorous prints, satirizing (and insulting) the local people of Ireland and Scotland.

                  Potter & Potter Auctions Inc.
                • Gillray (James). Vices Overlook'd in the New Proclamation, London: H. Humphreys, May 24th 1792
                  Jul. 24, 2024

                  Gillray (James). Vices Overlook'd in the New Proclamation, London: H. Humphreys, May 24th 1792

                  Est: £300 - £500

                  Gillray (James). Vices Overlook'd in the New Proclamation, London: H. Humphreys, May 24th 1792 * Gillray (James). Vices Overlook'd in the New Proclamation. To the Commons of Great Britain, this representation of Vices, which remain unforbidden by Proclamation, is dedicated, as proper for imitation, and in place of the more dangerous ones of Thinking, Speaking & Writing, now forbidden by Authority, London: H. Humphreys, May 24th 1792, etching on wove with contemporary hand-colouring, pencil inscriptions to margins naming the individuals depicted, red-inked collectors monogram 'MW' below a rampant lion plus small areas of tape residue to top margin on verso, small margins, sheet size 280 x 380 mm QTY: (1) NOTE: BM Satires 8095. Gillray’s title refers to ‘The Royal Proclamation Against Seditious Writings and Publications’ issued by George III on 21 May 1792, a response to the growth of radicalism in Britain inspired by the French Revolution. The proclamation threatened Gillray’s career and this engraving is a direct attack against the Kings’ hypocrisy, illustrating the well-known vices of him and his family. ‘Avarice’ shows the King and Queen grasping at sacks of money, ‘Drunkeness’ shows the Prince of Wales being led away from a brothel in a drunken state, ‘Gambling’ shows Frederick, Duke of York raising a dice-box at a gambling table. ‘Debauchery’ shows Prince William Henry with his latest mistress, Mrs. Jordan, whose name was also popular slang for a chamber pot.

                  Dominic Winter Auctions
                • Gillray (James). Two Penny Whist, H. Humphrey, Jany. 11th 1796
                  Jul. 24, 2024

                  Gillray (James). Two Penny Whist, H. Humphrey, Jany. 11th 1796

                  Est: £200 - £300

                  Gillray (James). Two Penny Whist, H. Humphrey, Jany. 11th 1796 * Gillray (James). Two Penny Whist, H. Humphrey, Jany. 11th 1796, etching with contemporary hand-colouring, trimmed to the plate mark, slight dust soiling and staining, old adhesion scaring to the verso, 235 x 350 mm, with another copy similar but trimmed inside the neat line 225 x 340 mm QTY: (2) NOTE: BM Satires number 8885. A social caricature of a game at whist. ‘Betty’ on the left, produces the ace of spades, with which she is about to take her seventh consecutive trick. Her fellow card players appear less than pleased. Her mistress, Miss H. Humphrey - Gillray's publisher - sits on her left. The two men are said to be Tholdal, a German and Betty’s partner, Mortimer, a picture dealer and restorer. This print - although reversed - can be seen in Gillray’s "Very Slippy-Weather" which was published in 1808 and shows the front of Hannah Humphrey's print shop.

                  Dominic Winter Auctions
                • Gillray (James). The Wine Duty..., H, Humphrey, April 20th 1796
                  Jul. 24, 2024

                  Gillray (James). The Wine Duty..., H, Humphrey, April 20th 1796

                  Est: £300 - £500

                  Gillray (James). The Wine Duty..., H, Humphrey, April 20th 1796 * Gillray (James). The Wine Duty - or - The Triumph of Bacchus & Silenus with John Bulls Remonstrance, H, Humphrey, April 20th 1796, etching on wove with bright contemporary hand-colouring, large margins, small area of adhesion scaring to the verso QTY: (1) NOTE: BM Satires 8798. As the war against France continued into 1796, Prime Minister William Pitt and his Secretary of State, Henry Dundas, had to keep coming up with new taxes to pay for the ongoing expenses of the conflict, in this case wine. Pitt and Dundas are shown as the young wine god, Dionysus (or Bacchus as he was known in the Roman world) and his older companion and advisor, the ever-drunken Silenus flaunting their inebriation, and enjoying the pleasures of wine that poor John Bull can no longer afford. The portrayal was not far from the truth, as Pitt and Dundas were hardened drinkers in an age of hard drinkers, and Gillray was well aware of their reputations.

                  Dominic Winter Auctions
                • Gillray (James). The Tree of Liberty - with the Devil Tempting John Bull, 1798
                  Jul. 24, 2024

                  Gillray (James). The Tree of Liberty - with the Devil Tempting John Bull, 1798

                  Est: £400 - £600

                  Gillray (James). The Tree of Liberty - with the Devil Tempting John Bull, 1798 * Gillray (James). The Tree of Liberty - with the Devil Tempting John Bull, H. Humphrey, May 23rd 1798, etching on laid with contemporary hand-colouring, large margins, toned overall, old hinges to verso, 365 x 260 mm, together with a smaller hand-coloured example originally published in 'London und Paris', old folds, 225 x 170 mm QTY: (2) NOTE: BM Satires 9214. Charles Fox in the role of Satan, is shown offering the false fruit of French Ideology to John Bull. Fox's 'Tree of Liberty' is a barren and leafless item and its fruit is rotten and half-eaten and comprises of "Conspiracy," "Treason," "Murder," and "Atheism," "Blasphemy," and "Impiety." Behind Fox and his bare tree is a contrasting English oak tree, which is verdant and green and draws its strength from the three foundational roots of British political life: the "Commons," the "King," and the "Lords." Those roots produce a solid and upright trunk of "Justice," with branches of "Law" and "Religion" and its fruit includes "Freedom," "Happiness," and "Security."

                  Dominic Winter Auctions
                • Gillray (James). The State of War, or, the Monkey-Race in danger, London: 1799
                  Jul. 24, 2024

                  Gillray (James). The State of War, or, the Monkey-Race in danger, London: 1799

                  Est: £500 - £800

                  Gillray (James). The State of War, or, the Monkey-Race in danger, London: 1799 * Gillray (James). The State of War, or, the Monkey-Race in danger, London: H. Humphreys, May 20th 1799, etching on wove with contemporary hand-colouring, small tear to margin to lower left corner, small areas of tape to top margin, small paper residue to corners on verso, sheet 300 x 480 mm QTY: (1) NOTE: BM Satires (9388). French soldiers are shown fleeing or being devoured and killed by the British Lion or the Russian bear. A crescent-faced Turkish figure is shown grasping Bonaparte and raising a blood-stained scimitar. The two-headed Habsburg eagle flies above the scene, clutching thunderbolts and tearing a bonnet-rouge in its beak

                  Dominic Winter Auctions
                • Gillray (James). The Royal Bull-Fight, London: H. Humphreys, February 8th, 1806
                  Jul. 24, 2024

                  Gillray (James). The Royal Bull-Fight, London: H. Humphreys, February 8th, 1806

                  Est: £200 - £300

                  Gillray (James). The Royal Bull-Fight, London: H. Humphreys, February 8th, 1806 * Gillray (James). The Royal Bull-Fight, London: H. Humphreys, February 8th, 1806, etching on wove with contemporary hand-colouring, paper residue to margins to verso, trimmed to plate mark with minor loss to text to lower margin, sheet size 250 x 350 mm QTY: (1) NOTE: BM Satires 8691. Pitt is shown as a toreador riding a white horse and brandishing a spear against a bull (John Bull) which snorts fire and suffers from wounds. Numerous spectators made up of Royals and politicians look on from the stalls behind the pair.

                  Dominic Winter Auctions
                • Gillray (James). The Republican-Hercules Defending his Country, H. Humphrey, 1797
                  Jul. 24, 2024

                  Gillray (James). The Republican-Hercules Defending his Country, H. Humphrey, 1797

                  Est: £400 - £600

                  Gillray (James). The Republican-Hercules Defending his Country, H. Humphrey, 1797 * Gillray (James). The Republican-Hercules Defending his Country, H. Humphrey, Feby. 19th 1797, etched caricature on wove with contemporary hand-colouring, some marginal fraying with slight loss, repaired on verso, slight surface abrasion to the printed image, old adhesion scaring to the verso, 365 x 255 mm, together with French - Telegraph making Signals in the Dark, H. Humphrey, Jany. 26th 1795, etching with aquatint, contemporary hand-colouring, old adhesion scaring to the verso, 245 x 350 mm QTY: (2) NOTE: BM Satires numbers 8987 & 8612. Two caricatures on the perennial theme of Charles Fox's ambiguous and equivocal approach to France, its revolution and the threat it posed to the British Isles. The first print shows Fox 'pulling the strings' of an invading French fleet. In the second, Fox is signalling - with the newly invented semaphore - to a French armada that creeps across the English Channel. Gillray clearly regards Fox's behaviour as deeply disloyal and possibly treasonous.

                  Dominic Winter Auctions
                • Gillray (James). The Republican Attack, H. Humphrey, Novr. 1st 1795
                  Jul. 24, 2024

                  Gillray (James). The Republican Attack, H. Humphrey, Novr. 1st 1795

                  Est: £200 - £300

                  Gillray (James). The Republican Attack, H. Humphrey, Novr. 1st 1795 * Gillray (James). The Republican Attack, H. Humphrey, Novr. 1st 1795, etching on wove with contemporary hand-colouring, large margins, slight marginal dust soiling and staining, occasional marginal closed tears, but not affecting the printed image, 250 x 350 mm QTY: (1) NOTE: BM Satires 8681. When the King drove to open parliament on the 29th of October 1795. his coach was attacked by a mob and a stone or bullet pierced the glass in the window of his coach. Gillray's caricature replicates the incident but with William Pitt as the coachman who drives his team over a prostrate Britannia. The attacking protagonists are the republican whigs with Lord Lansdowne, a sansculotte, firing a blunderbuss at the King, while Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are depicted as tattered ruffians brandishing clubs.

                  Dominic Winter Auctions
                • Gillray (James). The Reception of the Diplomatique & his Suite..., H, Humphrey, Sept 14th 1792
                  Jul. 24, 2024

                  Gillray (James). The Reception of the Diplomatique & his Suite..., H, Humphrey, Sept 14th 1792

                  Est: £1,000 - £1,500

                  Gillray (James). The Reception of the Diplomatique & his Suite..., H, Humphrey, Sept 14th 1792 * Gillray (James). The Reception of the Diplomatique & his Suite, at the Court of Pekin, published H. Humphrey, Sept. 14th 1792, etching on wove with bright contemporary hand colouring, large margins, one contemporary marginal manuscript annotation identifying Lord Macartney, small areas of adhesion scaring to the verso, 315 x 400 mm QTY: (1) NOTE: BM Satires number 8121. Great Britain's Embassy in China was led by Lord Macartney who famously ignored the etiquette of the Chinese court and refused to abase himself in front of the Emperor; on the grounds that such prostrations were unbecoming for a representative of the British Sovereign. As a result, he was summarily dismissed and told to leave Peking within two days. As well as destroying Macartney's career it removed any influence that Great Britain had in China for several years. One of Lord Macartney's attaches described the experience thus. 'We entered Pekin like paupers, remained in it like prisoners and departed from it like vagrants'. Gillray brilliantly captures the magnitude of the diplomatic disaster in this scathing political caricature.

                  Dominic Winter Auctions
                • Gillray (James). The Generae of Patriotism, 1796
                  Jul. 24, 2024

                  Gillray (James). The Generae of Patriotism, 1796

                  Est: £300 - £500

                  Gillray (James). The Generae of Patriotism, 1796 * Gillray (James). The Generae of Patriotism - or - The Bloomsbury Farmer planting Bedfordshire Wheat, London: H. Humphreys, February 3rd, 1796, etching on wove with contemporary hand-colouring, paper residue to corners to verso, sheet size 280 x 420 mm, together with another example, uncoloured and trimmed to printed area, sheet size 250 x 350 mm QTY: (2) NOTE: BM Satires 8783. The Duke of Bedford is shown as a farmer happily sewing guineas from a sack on his back. As he sows, bonnets-rouges with daggers progressively sprout from the ground. The sun is in the shape of Fox's face and shines down upon the scene.

                  Dominic Winter Auctions
                • Gillray (James). The Funeral Procession of Miss Regency, S. W. Fores, April 20th 1786
                  Jul. 24, 2024

                  Gillray (James). The Funeral Procession of Miss Regency, S. W. Fores, April 20th 1786

                  Est: £200 - £300

                  Gillray (James). The Funeral Procession of Miss Regency, S. W. Fores, April 20th 1786 * Gillray (James). The Funeral Procession of Miss Regency, S. W. Fores, April 20th 1786, uncoloured etched caricature on laid, slight staining and dust soiling, old folds, small areas of adhesion scaring to the verso, later explanatory manuscript note pasted to the verso, 215 x 690 mm QTY: (1) NOTE: BM Satires 7526. A satire on the withdrawal of the Regency Bill on the occasion of the King's recovery. A huge disappointment to the Whig politicians, who follow the coffin, and who saw a route to power through the Prince Regent. In the centre of the caricature is a weeping Mrs Fitzherbert who was believed to have been secretly married to the Prince of Wales and is lamenting her thwarted ambition.

                  Dominic Winter Auctions
                • Gillray (James). The Explanation, H. Humphrey, May 30th 1798
                  Jul. 24, 2024

                  Gillray (James). The Explanation, H. Humphrey, May 30th 1798

                  Est: £300 - £500

                  Gillray (James). The Explanation, H. Humphrey, May 30th 1798 * Gillray (James). The Explanation, H. Humphrey, May 30th 1798, etching on wove with bright contemporary hand-colouring, old tape hinge to the upper margin, 260 x 365 mm, together with a smaller uncoloured example originally published in 'London und Paris', 160 x 225 mm QTY: (2) NOTE: BM Satires 9219. A political caricature recording the duel on Putney Heath between Pitt and his fierce critic, the Whig politician George Tierney, who had been accused by Pitt of being unpatriotic.

                  Dominic Winter Auctions
                • Gillray (James). The Dissolution - or - The Alchymist producing an Aetherial Representation, 1786
                  Jul. 24, 2024

                  Gillray (James). The Dissolution - or - The Alchymist producing an Aetherial Representation, 1786

                  Est: £200 - £400

                  Gillray (James). The Dissolution - or - The Alchymist producing an Aetherial Representation, 1786 * Gillray (James). The Dissolution - or - The Alchymist producing an Aetherial Representation, H. Humphrey, May 21st 1786, etching on laid with contemporary hand-colouring, slight abrasion and thinning with one small hole in the upper left corner, thread margins, 350 x 260 mm, QTY: (1) NOTE: BM Satires 8805. Pitt is depicted as an alchemist. He sits in his laboratory blowing a furnace with bellows formed by a royal crown. The furnace heats a large glass retort in which the House of Commons is being dissolved. The distillation shows Pitt as an all-powerful dictator with his 'subjects' prostrating themselves before a miniature Pitt, who sits on a throne which replaces the Speaker's chair, and is inscribed 'Perpetual Dictator'.

                  Dominic Winter Auctions
                • Gillray (James). The Chancellor of the Inquisition, 1793
                  Jul. 24, 2024

                  Gillray (James). The Chancellor of the Inquisition, 1793

                  Est: £300 - £500

                  Gillray (James). The Chancellor of the Inquisition, 1793 * Gillray (James). The Chancellor of the Inquisition marking the Incorrigibles, London: H. Humphreys, March 19th, 1793, etching on wove with contemporary hand colouring, sheet size 500 x 330 mm QTY: (1) NOTE: BM Satires 8316. Burke holds up a large sheaf of paper headed 'Black List' as he walks towards the door of the 'Crown & Anchor' tavern, the headquarters of The Association for Preserving Liberty and Property against Republicans and Levellers.

                  Dominic Winter Auctions
                • Gillray (James). Temperance enjoying a frugal meal, 1792
                  Jul. 24, 2024

                  Gillray (James). Temperance enjoying a frugal meal, 1792

                  Est: £300 - £500

                  Gillray (James). Temperance enjoying a frugal meal, 1792 * Gillray (James). Temperance enjoying a frugal meal, London: H. Humphreys, July 28th 1792, etching on wove with contemporary hand-colouring, a few pin holes to upper and left margin, minor mount burn and minimal spotting, paper residue to top margin on verso, sheet size 250 x 340 mm, together with another example with contemporary hand colouring, trimmed to image, some closed tears, 330 x 270 mm QTY: (1) NOTE: BM Satires 8117, a companion print to BM Satires 8112. 'The meanness of the King and Queen and their self-restraint at table were well known..., Everything in the room is indicative of miserliness, from the Kings patched trousers to the empty fire-grate.... this pair of prints is amongst the finest of all royal portraits, the drawing is superb and not a detail is superfluous.' Richard Godfrey, James Gilray: The Art of Caricature, p 179.

                  Dominic Winter Auctions
                • Gillray (James). Stealing Off; or, prudent Secesion..., London: H. Humphreys, May 20th 1799,
                  Jul. 24, 2024

                  Gillray (James). Stealing Off; or, prudent Secesion..., London: H. Humphreys, May 20th 1799,

                  Est: £500 - £800

                  Gillray (James). Stealing Off; or, prudent Secesion..., London: H. Humphreys, May 20th 1799, * Gillray (James). Stealing Off; or, prudent Secesion..., London: H. Humphreys, May 20th 1799, etching on wove with contemporary hand-colouring, 2 faint vertical parallel folds to centre, strengthened with paper strip to top margin and other small areas of paper residue to verso, sheet 310 x 430 mm QTY: (1) NOTE: BM Satires 9263. 'From May 1797 Fox temporarily exiled himself from the House of Commons (thus 'prudent succession'). Gillray depicts him fleeing with great speed..., in the background, the opposition literally eat their words', Richard Godfrey, James Gilray: The Art of Caricature, p. 154.

                  Dominic Winter Auctions
                • Gillray (James). Shrine at St. Ann's Hill, London: H. Humphreys, May 26th 1798
                  Jul. 24, 2024

                  Gillray (James). Shrine at St. Ann's Hill, London: H. Humphreys, May 26th 1798

                  Est: £300 - £500

                  Gillray (James). Shrine at St. Ann's Hill, London: H. Humphreys, May 26th 1798 * Gillray (James). Shrine at St. Ann's Hill, London: H. Humphreys, May 26th 1798, etching on wove with contemporary hand colouring, good margins, 2 printers creases, old blue paper residue to verso, 360 x 260 mm together with smaller London und Paris copy. QTY: (1) NOTE: BM Satires 9217. Charles James Fox is shown praying before an alter to French Jacobinisim at St Ann’s Hill – the country home of his mistress Mrs. Armistead and the estate where Fox settled after a series of political losses. Whig politicians (all of whom had been previously satirized for their French inclinations) are represented as winged apparitions.

                  Dominic Winter Auctions
                • Gillray (James). Scotch-Harry's News; _ or _ Nincumpoop in high Glee...., May23rd 1792
                  Jul. 24, 2024

                  Gillray (James). Scotch-Harry's News; _ or _ Nincumpoop in high Glee...., May23rd 1792

                  Est: £300 - £500

                  Gillray (James). Scotch-Harry's News; _ or _ Nincumpoop in high Glee...., May23rd 1792 * Gillray (James). Scotch-Harry's News; _ or _ Nincumpoop in high Glee Vide. News from India, pub.lished H. Humphrey May 23rd 1792, etching on wove with bright original hand colouring, small areas of earlier adhesion on verso, 250 x 350 mm QTY: (1) NOTE: BM satires number 8094. Dundas informs King George III and Queen Charlotte of the latest British victory in India. Dundas had special responsibility for Indian Affairs.

                  Dominic Winter Auctions
                • Gillray (James). Posting to the Election, H. Humphrey, Dec. 1st 1806
                  Jul. 24, 2024

                  Gillray (James). Posting to the Election, H. Humphrey, Dec. 1st 1806

                  Est: £200 - £300

                  Gillray (James). Posting to the Election, H. Humphrey, Dec. 1st 1806 * Gillray (James). Posting to the Election, H. Humphrey, Dec. 1st 1806, etched caricature with contemporary hand-colouring, trimmed to the image, central fold, some creasing and dust soiling, 215 x 615 mm, together with [The Installation - Supper, as given at the Pantheon, by the Knights of the Bath] S. W. Fores, June 4th 1788, etched caricature with contemporary hand-colouring (the left-hand sheet of four), some creasing, additional central fold, mount stained. small hole affecting the image to the lower right which is crudely repaired on the verso, 245 x 515 mm, with New Morality, or the Promis'd Installment of the High Priest of the Theophilanthropes with the Homage of Leviathan and his Suite published by J. Wright for the Anti-Jacobin Magazine & Review, August 1st 1798, uncoloured etching after James Gillray, printed in sepia, slight staining, old folds, trimmed with slight loss to the right-hand margin, border extended, 275 x 620 mm QTY: (3) NOTE: BM Satires numbers 10614

                  Dominic Winter Auctions
                • Gillray (James). Patriotic Regeneration..., H. Humphrey, March 2nd, 1795
                  Jul. 24, 2024

                  Gillray (James). Patriotic Regeneration..., H. Humphrey, March 2nd, 1795

                  Est: £400 - £600

                  Gillray (James). Patriotic Regeneration..., H. Humphrey, March 2nd, 1795 * Gillray (James). Patriotic Regeneration - viz - Parliament Reform'd a la Francoise - that is - Honest Men (ie - opposition) in the seat of Justice, published H. Humphrey, March 2nd 1795, etching with aquatint with contemporary hand colouring, trimmed to the plate mark, small areas of adhesions scaring to the verso, 310 x 420 mm QTY: (1) NOTE: BM satires 8624. Gillray is imagining a situation where the French revolutionaries have taken command of the British parliament. Replicating the sham trials of the National Convention during Robespierre's Reign of Terror into an English equivalent in the House of Commons. Francophile Whigs wearing their bonnets rouges now control the House of Commons. As in France, the crowns and jewels of the Royal Family have been seized, and the estates of "Loyalists" like the Chatham and Grenville families, have been forfeited. Cash from the Treasury has been converted to the famously worthless French Assignats, and the former Prime Minister William Pitt has been manacled and placed in the prisoner's dock. Pitt is dressed only in a torn white shirt which may be intended to recall another sham trial, that of Jesus before Pontius Pilate. Behind Pitt is Lord Lauderdale, an outspoken critic of Pitt's policies in the House of Lords, carrying an executioner's axe and holding a noose around Pitt's neck. Sitting opposite Pitt in the Speaker's chair and acting as presiding judge over this trial, is the Whig leader Charles James Fox. Beneath him, the famous barrister, Thomas Erskine, identified by papers in his pocket alluding to his recent successful defence of the radical Thomas Hardy, but now in the role of the prosecuting counsel, seems to be arguing for the death sentence. Next to him, the financially scheming and habitually indebted Richard Brinsley. Sheridan seems to be making notes of valuables he could acquire. The dubious nature of the trial is emphasised by the scales of justice being forcibly manipulated by the always shifty Marquess of Lansdowne so that a French bonnet rouge will assume more weight than the British crown. Subtle it is not, but for sheer political theatre, it is a masterpiece.

                  Dominic Winter Auctions
                • Gillray (James). Pantagruel's victorious return to the Court of Gargantua..., H. Humphrey, 1794
                  Jul. 24, 2024

                  Gillray (James). Pantagruel's victorious return to the Court of Gargantua..., H. Humphrey, 1794

                  Est: £400 - £600

                  Gillray (James). Pantagruel's victorious return to the Court of Gargantua..., H. Humphrey, 1794 * Gillray (James). Pantagruel's victorious return to the Court of Gargantua after extirpating the Soup-Meagres of Bouille Land, H. Humphrey, Feby. 10th 1794, etching on wove with bright contemporary hand-colouring, large margins, 310 x 360 mm QTY: (1) NOTE: BM Staires 8435. Gillray has executed a complex caricature, critical of the King, the extravagance of his wife, William Pitt and the drunken son of the monarch, Frederick the Duke of York. The Life of Gargantua and of Pantagruel is a series of five French novels by François Rabelais about two giants, Gargantua and his son Pantagruel. In the first book, Pantagruel returns from the University to fight against the Dipsodes to preserve his father's kingdom and property. The impetus for this print was the brief return of King George's favourite son, Prince Frederick, the Duke of York, from Flanders where he had been leading a British/Hanoverian army against France as part of a larger Coalition including Austria, Prussia, and the Dutch Republic. The King and Queen are portrayed as gullible, greedy and grasping. The king accepts the 'Keys of Paris' whilst at his feet are bags of money labelled For Horses, Hounds & other Nicknackatories. Behind the throne and hidden from view, the Queen holds out an apron, which is filled with money by a devil. Her money bags are labelled Spy Money 40000, Flatterers & Toad-eaters 10000, Pin Money 50000 and Private Whim Wham[s] 50000. Funding these nefarious, frivolous and extravagant expenses is the ever-inventive Pitt, who sits in an obsequious position at the king's feet, eagerly inventing new taxes, including Bricks, Brandy, Water and Air.

                  Dominic Winter Auctions
                • Gillray (James). Nelson's Victory, or Good-News Operating upon Loyal Feelings, London: 1798
                  Jul. 24, 2024

                  Gillray (James). Nelson's Victory, or Good-News Operating upon Loyal Feelings, London: 1798

                  Est: £400 - £600

                  Gillray (James). Nelson's Victory, or Good-News Operating upon Loyal Feelings, London: 1798 * Gillray (James). Nelson's Victory, or Good-News Operating upon Loyal Feelings, London: H. Humphreys, October 3rd 1798, etching on wove paper with contemporary hand-colouring, contemporary ink inscriptions to margins naming individuals depicted, small areas of paper residue to verso, sheet 390 x 480 mm QTY: (1) NOTE: BM Satires (9248). Gilray satirically illustrates the leading Whigs reactions to the news of Nelson's victory at the Battle of the Nile.

                  Dominic Winter Auctions
                • Gillray (James). Lordly Elevation, H. Humphreys, Jany. 6th 1802
                  Jul. 24, 2024

                  Gillray (James). Lordly Elevation, H. Humphreys, Jany. 6th 1802

                  Est: £200 - £300

                  Gillray (James). Lordly Elevation, H. Humphreys, Jany. 6th 1802 * Gillray (James). Lordly Elevation, published H. Humphreys, Jany. 6th 1802, etching with aquatint on wove, contemporary hand-colouring, one repaired marginal closed tear, tipped onto later card, mounted, 265 x 210 mm QTY: (1) NOTE: BM Satires 9905. Lord Kirkcudbright stands at his dressing table, perched on top of an immense baron's coronet which serves as a foot-stool, regarding himself in a draped mirror. The unfortunate Lord Kirkcudbright was born a hunchback and had succeeded to his baronetcy only two weeks earlier on the death of his father. Although deformed, the bottle of Velnos syrup on his dressing table - a popular remedy for venereal disease - and the strategically placed hilt of his sword suggest that he is excited by his future prospects with the opposite sex.

                  Dominic Winter Auctions
                • Gillray (James). Le Diable-Boiteux, or The Devil upon Two Sticks, 1806
                  Jul. 24, 2024

                  Gillray (James). Le Diable-Boiteux, or The Devil upon Two Sticks, 1806

                  Est: £300 - £500

                  Gillray (James). Le Diable-Boiteux, or The Devil upon Two Sticks, 1806 * Gillray (James). Le Diable-Boiteux, or The Devil upon Two Sticks, conveying John Bull to the Land of Promise, London: H. Humphreys, February 8th, 1806, etching on wove with contemporary hand-colouring, small pinhole to left side of printed area, repaired closed tear to right margin into printed area, sheet size 380 x 300 mm QTY: (1) NOTE: BM Satires 10525. Gillray portrays Charles Fox as an evil winged spirit, a popular contemporary image thanks to the satiric novel Le Diable-Boiteux or The Devil upon Two Sticks by Alain Rene Le Sage.

                  Dominic Winter Auctions
                • Gillray (James). La Belle Espagnole - ou - La Doublure de Madame Tallien, 1796
                  Jul. 24, 2024

                  Gillray (James). La Belle Espagnole - ou - La Doublure de Madame Tallien, 1796

                  Est: £300 - £500

                  Gillray (James). La Belle Espagnole - ou - La Doublure de Madame Tallien, 1796 * Gillray (James). La Belle Espagnole - ou - La Doublure de Madame Tallien, H. Humphrey, Feby. 25th 1796, etching on wove (watermarked 1794) with bright contemporary hand-colouring, large margins, slight dust soiling to the margins, 350 x 245 mm QTY: (1) NOTE: BM Satires 8898. According to Dorothy George, the Belle Espagnole represents a Creole dancer from Spanish America, who bore a striking resemblance to the famous French beauty and society hostess Theresa de Tallien (1773-1835). However, according to Joseph Monteyne and the National Portrait Gallery, this print shows the mulatto tight-rope dancer, Maria Garcia, who performed under the French stage name of La Belle Espagnole. Based on advertisements in numerous papers including the Public Advertiser, the London Daily Universal Register, the London World Fashionable Advertiser, the Morning Post and Daily Advertiser and others, she is known to have been a regular at Sadler's Wells, performing hundreds of times between April of 1785 and August of 1796.

                  Dominic Winter Auctions
                • Gillray (James). John Bull's Progress, H. Humphrey, June 3rd 1793
                  Jul. 24, 2024

                  Gillray (James). John Bull's Progress, H. Humphrey, June 3rd 1793

                  Est: £200 - £400

                  Gillray (James). John Bull's Progress, H. Humphrey, June 3rd 1793 * Gillray (James). John Bull's Progress: John Bull Happy, John Bull going to the Wars, John Bull's property in Danger [and] John Bull's Glorious Return, H. Humphrey, June 3rd 1793, four etched caricatures on one sheet (as published), contemporary hand-colouring, slight creasing to the margins, small areas of adhesion scaring to the verso, overall size 305 x 375 mm QTY: (1) NOTE: BM satires number 8328. A hard-hitting social caricature which shows the disastrous effects upon John Bull and his family, resulting from his decision to join the army after the French declaration of war against Britain in February 1793. Gillray was the son of a veteran who had lost his arm at Fontenoy during the war of the Austrian Succession, so he would have had a daily reminder of the 'cost' of war. This is also the first time that Gillray uses a multi-panel format to tell a consecutive story.

                  Dominic Winter Auctions
                • Gillray (James). John Bull Ground Down, H. Humphrey, June 1st 1795
                  Jul. 24, 2024

                  Gillray (James). John Bull Ground Down, H. Humphrey, June 1st 1795

                  Est: £300 - £500

                  Gillray (James). John Bull Ground Down, H. Humphrey, June 1st 1795 * Gillray (James). John Bull Ground Down, H. Humphrey, June 1st 1795, etching with bright contemporary hand-colouring, large margins, 250 x 345 mm QTY: (1) NOTE: BM Satires 8654. John Bull is ground into guineas by an enthusiastic William Pitt, which is eagerly collected by the permanently indebted Prince of Wales. Burke and Dundas are grovelling on the floor, eager to collect any coins that spill from the Prince's inverted coronet. Loughborough - his elongated judge's wig turned in back view - scrabbles for the coins. The bystanders behind the prince include a jockey, probably Chifney, who was given a pension by the Prince, and next to him is an anti-Semitic caricature of a bearded Jew who holds out a paper headed 'Money Lent at £500 pr Cent'. Next to him is Mrs Fitzherbert and another woman, possibly Mrs Crouch. Behind this group is part of the colonnade and facade of Carlton House.

                  Dominic Winter Auctions
                • Gillray (James). God Save the King - in a Bumper..., H. Humphrey, May 27th 1795
                  Jul. 24, 2024

                  Gillray (James). God Save the King - in a Bumper..., H. Humphrey, May 27th 1795

                  Est: £300 - £500

                  Gillray (James). God Save the King - in a Bumper..., H. Humphrey, May 27th 1795 * Gillray (James). God Save the King - in a Bumper - or - an Evening Scene, three times a week at Wimbledon, H. Humphrey, May 27th 1795, etching on wove with contemporary hand-colouring, trimmed to the plate mark, slight staining and dust soiling, small areas of adhesion scaring to the verso, 260 x 345 mm, with another copy trimmed to the image, lightly spotted and with some marginal fraying with slight loss, 245 x 335 mm QTY: (1) NOTE: BM Satires 8651. Prime Minister William Pitt and his right-hand man, the Scot Henry Dundas, were frequent drinking companions, requiring no special occasion to open several bottles at a sitting. Pitt's consumption of port damaged his health and undoubtedly was a factor in his premature death at the age of 45.

                  Dominic Winter Auctions
                • Gillray (James). French-Taylor, fitting John Bull with a 'Jean de Bry', 1799
                  Jul. 24, 2024

                  Gillray (James). French-Taylor, fitting John Bull with a 'Jean de Bry', 1799

                  Est: £150 - £250

                  Gillray (James). French-Taylor, fitting John Bull with a 'Jean de Bry', 1799 * Gillray (James). French-Taylor, fitting John Bull with a 'Jean de Bry', H. Humphrey, November 18th 1799, etching with bright contemporary hand-colouring, very slight staining, 370 x 275 mm QTY: (1) NOTE: BM Satires 9425. A caricature of the contrast between English & French fashion. A scrawny and distinctly simian French Tailor (with his tri-colour breeches and bonnet rouge) is fitting a sturdy representative of the average Englishman, "John Bull" with a Jean de Bry coat; coats which were all the rage in 1799.

                  Dominic Winter Auctions
                • Gillray (James). Flannel Armour - Female Patriotism..., H. Humphrey Novr. 18th 1793
                  Jul. 24, 2024

                  Gillray (James). Flannel Armour - Female Patriotism..., H. Humphrey Novr. 18th 1793

                  Est: £500 - £800

                  Gillray (James). Flannel Armour - Female Patriotism..., H. Humphrey Novr. 18th 1793 * Gillray (James). Flannel Armour - Female Patriotism, - or - Modern Heroes accoutred for the Wars..., published H. Humphrey Novr. 18th 1793, etching on wove with bright contemporary hand-colouring, good margins, very slight creasing, some adhesion scaring to the verso, 315 x 360 mm, together with Rowlandson (Thomas). Dying for Love, or Captain Carless, shot Flying by a Girl of Fifteen who Unexpectedly popped her head out of a Casement, Thomas Tegg, circa 1810, etched caricature with bright contemporary hand-colouring, trimmed to the neatline and tipped on to later card, 225 x 325 mm, mounted, framed and glazed, with Crombie (Benjamin W.). Modern Athenians, published Edinburgh, 1848, six hand-coloured etchings, each approximately 260 x 320 mm, uniformly mounted, framed and glazed in black stained mouldings with verre eglomisé mounts, O'Shea Gallery labels to the verso of the frames QTY: (8) NOTE: The first described item, BM Satires 8347. Gillray depicts the interior of a barracks, where well dressed women are fitting soldiers with warm caps and undergarments. These items were donated by well-meaning ladies, to help British troops in Flanders, but were subject to ribald comments in the press. So many sets of underwear were donated that the Secretary of War - Sir George Yonge -appealed to the public to expend their efforts and money on shoes instead.

                  Dominic Winter Auctions
                • Gillray (James). Fatigues of the Campaign in Flanders, H. Humphrey, May 20th 1793
                  Jul. 24, 2024

                  Gillray (James). Fatigues of the Campaign in Flanders, H. Humphrey, May 20th 1793

                  Est: £500 - £800

                  Gillray (James). Fatigues of the Campaign in Flanders, H. Humphrey, May 20th 1793 * Gillray (James). Fatigues of the Campaign in Flanders, H. Humphrey, May 20th 1793, etched caricature with bright contemporary hand-colouring, slight dust soiling to the margins, vertical fold, one repaired marginal closed tear, small areas of adhesion scaring and an ownership monogram to the verso, 355 x 505 mm QTY: (1) NOTE: BM Satires 8327. A caricature based on the small and ill-equipped British army dispatched to help defend Holland against a marauding Napolean. It was commanded by the Duke of York who is shown raising a bumper of wine as he supports a plump Flemish woman on his knee. She handles his upright sheathed sword suggestively. Her fat bottom contrasts with the gaunt British infantry, their uniforms adorned with corkscrews, who bring more wine and punch. Seated next to the Duke is the somnolent figure of Stadholder, the Prince of Orange, and opposite him, seated on the barrel of a cannon, is an Austrian officer guzzling wine from a bottle. The implication is that the Duke and his entourage were not suffering from privation or hardship 'in the field', but instead, were carousing and enjoying themselves, rather than prosecuting a serious military campaign.

                  Dominic Winter Auctions
                • Gillray (James). Exaltation of Faro's Daughters, London: H. Humphreys, May 12th, 1796
                  Jul. 24, 2024

                  Gillray (James). Exaltation of Faro's Daughters, London: H. Humphreys, May 12th, 1796

                  Est: £300 - £500

                  Gillray (James). Exaltation of Faro's Daughters, London: H. Humphreys, May 12th, 1796 * Gillray (James). Exaltation of Faro's Daughters, London: H. Humphreys, May 12th, 1796, etching on wove with contemporary hand colouring, narrow margins to left and right, slight oxidization with show-through on verso, 360 x 260 mm QTY: (1) NOTE: BM Satires 8876. The Countess of Buckinghamshire (left) and Lady Sarah Archer (right) were fashionable, high-society women notorious for holding illegal gambling parties. Although no effort was made by officials to prosecute the ladies, their activities were widely reported in newspapers of the day, leading to the creation of this print which made quite an impression; [The] hint of placing Ladies in the pillory, who should be found guilty of violating the laws by gaming, has found its way into the Print shops, to the no small mortification and disgrace of certain Women of fashion. They have, however, taken every possible precaution against conviction by placing double sentinels at their doors, to see that no vile informer gains admittance. (London Times, May 13, 1796, p. 2.)

                  Dominic Winter Auctions
                • Gillray (James). Elegance Democratique - a Sketch near High Wycombe..., 1799
                  Jul. 24, 2024

                  Gillray (James). Elegance Democratique - a Sketch near High Wycombe..., 1799

                  Est: £200 - £400

                  Gillray (James). Elegance Democratique - a Sketch near High Wycombe..., 1799 * Gillray (James). Elegance Democratique - a Sketch near High Wycombe - whenever I wish to form a proper estimate of Mans Mind, I observe his Manners & his Dress, Lord Chesterfield, H. Humphrey, July 8th 1799, etching on wove with contemporary hand-colouring, thread margins, old tape hinge on the verso to the upper margin, 370 x 260 mm, together with Pylades & Orestes, H. Humphrey, April 1st 1797, etching on wove with bright contemporary hand-colouring, large margins, watercolour 'stain' affecting the image, 360 x 260 mm QTY: (2) NOTE: BM Satires 9438 & 9065. The first caricature is a comment on the slovenly appearance of John Henry Petty, the eldest son of Lord Lansdowne. Everything about his pose, bearing and dress is tasteless and inelegant. His clothes are ill-fitting and Gillray shows him as paunchy and round-shouldered with slack stockings. To top off this critique, Gillray includes a quotation by Philip Stanhope, Lord Chesterfield; one of the most famous arbiters of taste and dress. The second image shows William V, the Prince of Orange, as Orestes and his private Secretary, Count Nassalin, as the devoted Pylades. The British Museum describes the Prince's secretary as "hunchback." Gillray seems to have added the hump in a hurried afterthought. The secretary's hair, tied back with a black ribbon, falls behind him upon what would be a normal-looking back. The hump is then added unconvincingly behind the queue and somehow outside Nassalin's jacket—a rare example of carelessness by Gillray.

                  Dominic Winter Auctions
                • Gillray (James). Col. Gardiner's Last Interview with his Wife and Daughter, 1786
                  Jul. 24, 2024

                  Gillray (James). Col. Gardiner's Last Interview with his Wife and Daughter, 1786

                  Est: £100 - £150

                  Gillray (James). Col. Gardiner's Last Interview with his Wife and Daughter, 1786 * Gillray (James). Col. Gardiner's Last Interview with his Wife and Daughter, published R. Wilkinson, Feby. 1st 1786, uncoloured oval stipple engraving on laid, some spotting and dust soiling to the margins, trimmed to the plate mark, overall size 430 x 510 mm, together with The Triumph of Benevolence, published R. Wilkinson, April 21st 1788, uncoloured stipple engraving, several repaired marginal closed tears, thread margins, laid on later thin card, overall size 500 x 615 mm, with Le Triomphe de la Liberté en l'élargissement de la Bastille, dédié à la Nation Francoise, published R. Wilkinson July 12th 1799, uncoloured stipple engraving after James Northcote, some marginal fraying and staining, trimmed to the image and laid on later thick board, 495 x 600 mm QTY: (3)

                  Dominic Winter Auctions
                • Gillray (James). Britannia between Scylla & Charybdis..., H. Humphrey, April 8th 1793
                  Jul. 24, 2024

                  Gillray (James). Britannia between Scylla & Charybdis..., H. Humphrey, April 8th 1793

                  Est: £300 - £500

                  Gillray (James). Britannia between Scylla & Charybdis..., H. Humphrey, April 8th 1793 * Gillray (James). Britannia between Scylla & Charybdis. Or - The vessel of the Constitution steered clear of the Rock of Democracy and the Whirpool of Arbitary (sic) Power, H. Humphrey, April 8th 1793, etching on wove with bright contemporary hand-colouring, one small repaired marginal closed tear, trimmed to the plate mark, 300 x 360 mm, mounted QTY: (1) NOTE: BM Satires 8320. William Pitt steers a small boat, 'The Constitution', through huge waves between a high rock and a whirlpool whose circumference is an inverted crown which merges in the swirling water. He resolutely steers towards an island flying a flag inscribed 'Haven of Public Happiness'. His passenger is Britannia, depicted as a buxom young woman, clearly alarmed by their proximity to the rocks on her right. The rock is surmounted by a partial fence and a pole flying a bonnet-rouge. Behind the boat, three sharks with human heads (Sheridan, Fox and Priestley) closely pursue Pitt's vessel. They are labelled as 'Sharks; Dogs of Scylla'.

                  Dominic Winter Auctions
                • Gillray (James). Begging no Robbery, i.e., Voluntary Contribution..., H. Humphrey, 1796
                  Jul. 24, 2024

                  Gillray (James). Begging no Robbery, i.e., Voluntary Contribution..., H. Humphrey, 1796

                  Est: £200 - £300

                  Gillray (James). Begging no Robbery, i.e., Voluntary Contribution..., H. Humphrey, 1796 * Gillray (James). Begging no Robbery; - i.e. - Voluntary Contribution; - or - John Bull Escaping a Forced Loan..., H. Humphrey, Decr. 10th 1796, etching with contemporary hand-colouring, large margins, slight staining, 250 x 350 mm QTY: (1) NOTE: BM Satires 8842. William Pitt - with the assistance of Dundas, Grenville, and Burke, hold John Bull at gunpoint to relieve him of more money in taxes to pay for the war with France.

                  Dominic Winter Auctions
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