Graham Gillmore Sold at Auction Prices

GRAHAM GILLMORE 1963 Leading Lady 1997 - GRAHAM GILLMORE 1963 Leading Lady 1997

Olio, smalti e lacca su masonite.  122,00 x 96,50 cm Firmato, datato e titolato al verso, etichette/schede di Linda Kirkland Gallery, New York e Galleria Cardi, Milano.  Opera accompagnata da autentica della Galleria Cardi, Milano. - Oil, enamel and lacquer on masonite. 48.03 x 37.99 in. Signed, dated and titled on the reverse, labels/cards of Linda Kirkland Gallery, New York and Galleria Cardi, Milan. Work accompanied by certificate of authenticity issued by Galleria Cardi, Milan.

GRAHAM GILLMORE 1963 Leading Lady 1997 - GRAHAM GILLMORE 1963 Leading Lady 1997

Olio, smalti e lacca su masonite.  122,00 x 96,50 cm Firmato, datato e titolato al verso, etichette/schede Linda Kirkland Gallery, New York e Galleria Cardi, Milano.  Opera accompagnata da autentica della Galleria Cardi, Milano. - Oil, enamel and lacquer on masonite. 48.03 x 37.99 in. Signed, dated and titled on the reverse, labels/cards Linda Kirkland Gallery, New York and Galleria Cardi, Milan. Work accompanied by certificate of authenticity issued by Galleria Cardi, Milan.

Graham Gillmore, Canadian (1963-), For M. R., print, 13 1/2 x 8 1/2 in. (34.3 x 21.6 cm.)

Graham Gillmore Canadian, (1963- ) For M. R. print signed and dated, 2012

Graham Gillmore (b. 1963): Maximum Potential

Mixed media on found paper, 1995, signed 'G. Gillmore' and dated lower right. 33 1/2 x 25 1/4 in. (sheet), 38 1/2 x 31 in. (frame). Works from the Collection of Donald Baechler

Graham Gillmore (b. 1963): Extendita Neckosis

Oil on lacquered Masonite panels, 1995, signed ' G. Gillmore', titled and dated on the reverse. 36 x 48 in., unframed. Works from the Collection of Donald Baechler

Work on paper, Graham Gillmore

Graham Gillmore (Canadian, b. 1963), "Swollen Overtures," 2004, watercolor on ledger page, signed and dated lower left, collection label affixed verso, sheet: 18.25"h x 22.25"w, overall (with frame): 22.5"h x 26.5"w

Mixed Media, Graham Gillmore

Graham Gillmore (Canadian, b. 1963), "Free," 2010, screenprint and drawing on paper, pencil signed and dated lower right, dedicated "For CL" lower left, sheet: 38"h x 50"w, overall (with frame): 44.75"h x 56.5"w

Work on paper, Graham Gillmore

Graham Gillmore (Canadian, b. 1963), "Domestic/ International Diptych," 2010, watercolor and paint on two sheets of paper, signed and dated lower left, sheets (together): 44"h x 60"w, overall (with frame): 50.5"h x 67"w

Painting, Graham Gillmore

Graham Gillmore (Canadian, b. 1963), "Sigh Co Farm Ecology," 2008, oil and enamel on carved panel, unsigned, panel (unframed): 48"h x 60"w

Graham Gillmore, Finishes I've Never Booked

Graham Gillmore Finishes I've Never Booked 1999 oil and enamel on Masonite 36 h × 32 w in (91 × 81 cm) Signed, titled and dated to verso 'Finishes I Never Booked G Gillmore 1999'. Provenance: Linda Kirkland Gallery, New York | Private Collection Exhibited: Finishes I've Never Booked, 6 March - 17 April 1999, Linda Kirkland Gallery, New York This work will ship from Rago in Lambertville, New Jersey.

Graham Gillmore, Untitled

Graham Gillmore Untitled 1996 mixed media on paper 50 h × 38 w in (127 × 97 cm) Signed and dated to lower right 'Gillmore 96'. Provenance: Estate of Stephen Cohen | Private Collection This work will ship from LAMA in Los Angeles, California.

G. Gillmore, Leading lady, 1997

Graham Gillmore (1963). Oil and enamel on lacquered masonite. 122x96.5cm. Signed, titled and dated

Graham Gillmore (1963), Mondrian/Wetdream, 2002

olio e smalto su masonite laccata, cm 167,6x152,4 Etichetta al retro della Galleria Cardi & Co, Milano, Provenienza: Collezione privata, Roma, acquistato direttamente dall’artista Esposizione: Graham Gillmore, Cardi & Co, Milano, 2002

GRAHAM GILLMORE (1963-), THE HUMAN MIND, collage, 13.5 ins x 10.5 ins; 34.5 cms x 27 cms

GRAHAM GILLMORE (1963-)THE HUMAN MINDcollagesigned and dated /96 13.5 ins x 10.5 ins; 34.5 cms x 27 cms Provenance:Private Collection, OntarioCollecting phrases and texts from literature, music, greeting cards, and overheard conversations, Graham Gillmore reimagines linguistics into an artistic medium. “I play the role of scavenger when it comes to the texts I use. I think of these selected fragments as a kind of linguistic ‘road kill’ - skeletons on which to hang the material of painting,” he explains. Regardless of the origin of his sources, Gillmore’s mixed media paintings construct a personal and cultural commentary on our shared experiences. His work is visually engaging in that it allows for a multitude of interpretations, and is often critical and controversial.Estimate: $1,000–1,200

GRAHAM GILLMORE, UNTITLED (WAITING ON YOU), 2008, mixed media on canvas, 60 ins x 80 ins; 152.4 cms x 203.2 cms

GRAHAM GILLMOREUNTITLED (WAITING ON YOU), 2008mixed media on canvas 60 ins x 80 ins; 152.4 cms x 203.2 cms Provenance:Private Collection, New YorkLiterature:Williams, Griff. Graham Gillmore and Griff Williams at Gallery 16. Online video clip. Vimeo. Vimeo, 30 Apr. 2013. Web. 7 May 2014. Accessed May 7, 2014.Note:"...painting without text is kind of like going to an Ella Fitzgerald concert and her just like not singing..."The sources for the text in Graham Gillmore's work are varied, borrowed from music, literature, overheard conversations and his own stream of consciousness. Regardless of where he finds his inspiration, the resulting artwork is a commentary on our shared experiences. In Waiting On You (2008), Gillmore uses text in a vibrant labyrinth of line and colour layered atop a collage of spontaneous drawings and found handwritten pages. Within the worded maze are phrases such as, "I HAVE A PROBLEM IN MY HEART," "A LOVED ONE IS BOUND BY A BAD HABIT," and "WAITING ON YOU," all leading to a multitude of possible interpretations. His works are often caustic, critical, or laden with confessions, but they are amusing as well and always visually engaging. Gillmore's work is included in numerous public and private collections, including the Ghent Museum (Belgium); the Museum of Contemporary Canadian Art (Toronto); the Vancouver Art Gallery; and the Museum of Modern Art (New York). He attended the Emily Carr College of Art and Design in the early 1980s and moved to New York City in 1986.

GRAHAM NOBLE NORWELL, O.S.A., WINTER SCENE, oil on canvas board, 16 ins x 20 ins; 40.6 cms x 50.8 cms

GRAHAM NOBLE NORWELL, O.S.A.WINTER SCENEoil on canvas boardsigned 16 ins x 20 ins; 40.6 cms x 50.8 cms Estimate: $600-800

Graham Gillmore 1963 - Canadian mixed media on

Graham Gillmore 1963 - Canadian mixed media on board Untitled 11 3/4 x 23 1/2 inches 29.8 x 59.7 centimeters on verso signed, titled and dated 1989 Provenance:Private Collection, Vancouver

Graham Gillmore 1963 - Canadian oil and enamel on panel Untitled (Girls)

Graham Gillmore 1963 - Canadian oil and enamel on panel Untitled (Girls) 49 x 54 3/4 inches 124.4 x 139 centimeters on verso signed and dated 1999 Provenance:Acquired directly from the Artist by the present Private Collection, Vancouver

Graham Gillmore, Canadian (1963- ), Pulsatile Vessel, mixed media on canvas, 61 x 53 in. (155 x 134.5 cm)

Graham Gillmore Canadian (1963-) CAPITAL I mixed

Graham Gillmore Canadian (1963-) CAPITAL I mixed median on wood signed and dated 1989 verso 24 x 48 in. (60 x 121 cm)

Graham Gillmore Canadian (1963-) RAQUEL-DARIAN

Graham Gillmore Canadian (1963-) RAQUEL-DARIAN mixed media signed and dated 1990 on verso 72 x 54 in. (182 x 137 cm)

GRAHAM GILLMORE B. 1963

GRAHAM GILLMORE B. 1963 TAKE CARE titled on the front; signed G. Gillmore , titled TAKE CARE and dated 2005 by the artist on the reverse oil and enamel on panel 121.9 by 142.2 cm. 48 by 56 in.

GRAHAM GILLMORE

Penmanship Is Queen Of The Arts Signed, titled and dated “Penmanship is Queen of the Arts GGillmore 2002” on the reverse.

One Bird Two Stones, 2001

One Bird Two Stones, 2001 Oil and enamel on board.   36 7/8 x 49 1/8 in. (93.7 x 124.8 cm).  Signed, titled and dated "Gillmore 'One Bird Two Stones' 2001" on the reverse.