Pietro Francesco Gianoli Sold at Auction Prices

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      • Pier Francesco Gianoli (Campertogno 1624-Milano 1692) - Holy Family with angels, God the Father and the Holy Spirit
        May. 31, 2022

        Pier Francesco Gianoli (Campertogno 1624-Milano 1692) - Holy Family with angels, God the Father and the Holy Spirit

        Est: €5,000 - €10,000

        oil on unlined canvas in a coeval ebonized frame with carved and gilded friezes on the back, at the top, inscription Novara

        Finarte
      • Pier Francesco Gianoli (Campertogno 1624-Milano 1692) - Annunciation
        May. 31, 2022

        Pier Francesco Gianoli (Campertogno 1624-Milano 1692) - Annunciation

        Est: €5,000 - €10,000

        oil on unlined canvas in a coeval carved and gilt wood frame

        Finarte
      • Pietro Francesco Gianoli, David with the Head of Goliath
        Jun. 05, 2021

        Pietro Francesco Gianoli, David with the Head of Goliath

        Est: €25,000 - €28,000

        Certificate Maro Tanzi, March 2020. The present canvas is a replica of Tanzio Varallo´s David with the Head of Goliath, but shows significant variations compared to the famous original as Marco Tanzi has shown. Gianoli´s canvas is larger than the prototype and the composition differs in in the relationship between the figures and space. Other obvious differences can be noted in the choice of colour palette, in the details of the costumes, as well as in the expression of David, which is much more dramatic in Gianoli´s version. The work shows strong similarities to other paintings by Gianoli: The gigantic head of Goliath strongly resembles some of the characters included in canvases for the Confraternity of Santa Marta in Varallo, executed by Gianoli between 1668 and 1671. In particular, the figure in the centre of the Accompaniment of the condemned (inv. 715) and the two on the left margin of the Procession (inv. 714) are closely related to the head of our giant. Further, there are similarities between David´s features, and a Self portrait as Saint Jaques (Marseille, art market), as well as a Self-portrait as a pilgrim, in the XXXII Chapel of Sacro Monte in Varallo (1655), which displays the same rendering of the rather swollen eyelids, the small fleshy lips and the strong nose. Some recently discovered documents open up interesting insights into the possible provenance of this work. Following the death of the 10th Marchese di Soncino (Milan, 1818), Massimiliano Giuseppe Stampa, two inventories of his picture gallery were drawn up. Both lists mentioned a David, certainly connected to the Tanzio da Varallo one: In one of the inventories, the painting is described as a copy after Tanzio, in the other it is described as a work by the School of Daniele Crespi, after Tanzio da Varallo. Tanzi proposes that the Milanese inventories could describe the painting in question, certainly a derivation with its own artistic quality. The painting will be included in the forthcoming monograph on Tanzio da Varallo by Filippo Maria Ferro.

        Kunsthaus Lempertz KG
      • Pier Francesco Gianoli Saint Jerome in meditation Oil on canvas, 70.5x57.5 cm. Framed (defects and restorations)...
        Apr. 22, 2021

        Pier Francesco Gianoli Saint Jerome in meditation Oil on canvas, 70.5x57.5 cm. Framed (defects and restorations)...

        Est: €800 - €1,000

        (Campertogno 1624 - Milano 1692) Saint Jerome in meditation Oil on canvas, 70.5x57.5 cm. Framed (defects and restorations) IT San Girolamo in meditazione Olio su tela, cm 70,5x57,5 In cornice (difetti e restauri)

        Il Ponte Auction House
      • Pietro Francesco Gianoli, David with the Head of Goliath
        Nov. 14, 2020

        Pietro Francesco Gianoli, David with the Head of Goliath

        Est: €30,000 - €50,000

        Certificate Maro Tanzi, March 2020. The present canvas is a replica of Tanzio Varallo´s David with the Head of Goliath, but shows significant variations compares to the famous original as Marco Tanzi has shown. Gianoli´s canvas is larger than the prototype and the composition differs in in the relationship between the figures and space. Other obvious differences can be noted in the choice of colour palette, in the details of the costumes, as well as in the expression of David, which is much more dramatic in Gianoli´s version. The work shows strong similarities to other paintings by Gianoli: The gigantic head of Goliath strongly resembles some of the characters included in canvases for the Confraternity of Santa Marta in Varallo, executed by Gianoli between 1668 and 1671. In particular, the figure in the centre of the Accompaniment of the condemned (inv. 715) and the two on the left margin of the Procession (inv. 714) are closely related to the head of our giant. Further, there are similarities between David´s features, and a Self portrait as Saint Jaques (Marseille, art market), as well as a Self-portrait as a pilgrim, in the XXXII Chapel of Sacro Monte in Varallo (1655), which displays the same rendering of the rather swollen eyelids, the small fleshy lips and the strong nose. Some recently discovered documents open up interesting insights into the possible provenance of this work. Following the death of the 10th Marchese di Soncino (Milan, 1818), Massimiliano Giuseppe Stampa, two inventories of his picture gallery were drawn up. Both lists mentioned a David, certainly connected to the Tanzio da Varallo one: In one of the inventories, the painting is described as a copy after Tanzio, in the other it is described as a work by the School of Daniele Crespi, after Tanzio da Varallo. Tanzi proposes that the Milanese inventories could describe the painting in question, certainly a derivation with its own artistic quality. The painting will be included in the forthcoming monograph on Tanzio da Varallo by Filippo Maria Ferro.

        Kunsthaus Lempertz KG
      • Pier Francesco Gianoli Saint Jerome in meditation Oil on canvas, 70.5x57.5 cm. Framed (defects and restorations)...
        Jun. 09, 2020

        Pier Francesco Gianoli Saint Jerome in meditation Oil on canvas, 70.5x57.5 cm. Framed (defects and restorations)...

        Est: €2,000 - €2,500

        (Campertogno 1624 - Milano 1692) Saint Jerome in meditation Oil on canvas, 70.5x57.5 cm. Framed (defects and restorations) IT San Girolamo in meditazione Olio su tela, cm 70,5x57,5 In cornice (difetti e restauri)

        Il Ponte Auction House
      • PIETRO FRANCESCO GIANOLI
        Jul. 07, 2011

        PIETRO FRANCESCO GIANOLI

        Est: £5,000 - £7,000

        CAMPERTOGNO 1624 - CIRCA 1692 MILAN HEAD OF A BEARDED MAN TURNED TO THE LEFT Red chalk 177 by 122 mm

        Sotheby's
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