Marcus (1561) Geeraerts Sold at Auction Prices

STUDIO OF MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561 / 62-1635 LONDON) Port

STUDIO OF MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561 / 62-1635 LONDON) Portrait of Sir Henry Lee (1533-1611), half-length, in a white and gold doublet... oil on canvas 44 x 34 ¼ in. (111.8 x 87 cm.)

Attributed to Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a girl, half-length, in an embroidered dress with yellow lace, holding a cat, within a painted oval

Attributed to Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a girl, half-length, in an embroidered dress with yellow lace, holding a cat, within a painted oval dated '1616' (upper right) oil on panel 57.2 x 43.8cm (22 1/2 x 17 1/4in).

MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561/62-1635 LONDON) Portrait of a la

MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561/62-1635 LONDON) Portrait of a lady, three-quarter-length, in a black dress with slashed sleeves... oil on panel 39 1/2 x 34 3/8 in. (100.4 x 87.5 cm.)

Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a gentleman, bust-length, in black, within a painted oval

Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a gentleman, bust-length, in black, within a painted oval oil on panel 51.4 x 42.6cm (20 1/4 x 16 3/4in). For further information on this lot please visit the Bonhams website

Marcus Gheeraerts the Younger (1561/62 Bruges - 1636 London), circle of - Portrait of a 31-year-old man

Inscribed with the age of the sitter and dated 1609 upper left. Family coat of arms upper right. Oil on panel. 116 x 82 cm. Restored. Damaged. Minor damage to frame.

Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a gentleman, three-quarter-length, in black costume, with a sword

Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a gentleman, three-quarter-length, in black costume, with a sword inscribed and dated 'AETATIS SVAE, 36/ Ao, DNi, 1609' (upper left) oil on panel 92.6 x 74.2cm (36 7/16 x 29 3/16in). For further information on this lot please visit the Bonhams website

Attribuito a Marcus Geeraerts il Giovane (Bruges 1561 circa – Londra 1636), da Domenico Fetti - The dream of Saint Peter

oil on board, without frame PROVENANCE Sotheby's, Londra, 29 giugno 1966, lotto 41A. LITERATURE E. A. Safarik, Fetti, Milano 1990, cat. 104c., p. 240.

Circle of Marcus Gheeraerts the Younger (Flemish, 1561-1635)

Circle of Marcus Gheeraerts the Younger (Flemish, 1561-1635) PORTRAIT OF A NOBLEMAN, SAID TO BE GEORGE VILLIERS, 1st DUKE OF BUCKINGHAM (1592-1628), STANDING THREE-QUARTER LENGTH, in a black doublet, wearing the insignia of the Order of the Garter, his left hand resting on the hilt of his sword, his right hand on a draped table Oil on canvas 118 x 93cm Provenance: The Property of a Prominent West Country Collector; The Contents of Littlecote House, Wiltshire, Sotheby’s, 21 November 1995, lot 844.

TABLEAUX

Huile sur panneau de chêne "Portrait d'un noble homme anglais". Attribué à Marcus Gheeraerts le jeune. Ecole Britannique. Dim.:38x32,5cm.

Circle of Marcus Gheeraerts the Younger (Flemish 1561-1636)/Portrait of an Elizabethan Lady/half-length, wearing a white ruff and a chain necklace/oil on panel, 71cm x 52cm/in an 18th Century carved wood frame/

Circle of Marcus Gheeraerts the Younger (Flemish 1561-1636)/Portrait of an Elizabethan Lady/half-length, wearing a white ruff and a chain necklace/oil on panel, 71cm x 52cm/in an 18th Century carved wood frame/

MARCUS GHEERAERTS THE YOUNGER (BRUGES 1561 - LONDRA 1636), CERCHIA COPPIA DI RITRATTI | GENTLEMAN AND GENTLEWOMAN

a) gentildonna con breviario b) gentiluomo con lettera. Olio su tavola, cm 90x68. Inscritti: AE[tatis]. SUAE. 79. / Anno. Dom.[ini] 1605 (gentildonna); AE[tatis]. SUAE. 53. / Anno. Dom.[ini] 1605 (gentiluomo). | a) Portrait of a Gentleman, b) Portrait of a Gentlewoman, pair of oils on board, 90x68 cm. Dated to the top right 1605

Marcus Gheeraerts the Younger, Flemish (1561-1636), Portrait of a Gentleman in Armor, Oil on canvas, 24 3/4 inches x 19 inches

Marcus Gheeraerts the Younger Flemish (1561-1636) Portrait of a Gentleman in Armor Oil on canvas Gilt framed. 24 3/4 inches x 19 inches Provenance: Purchased from Sotheby's in 2002 (Lot 3K7TS)

ELLEN DILLON (1809-1896) AFTER MARCUS GEERAERTS (1561/2-1636)

ELLEN DILLON (1809-1896) AFTER MARCUS GEERAERTS (1561/2-1636) SIR HENRY LEE, KG WITH A DOG inscribed reverse of panel: Copied at Ditchley by Ellen Dillon, wife of Hon'ble Arthur Dillon BA 1844. Sir Henry Lee oil on board 28.5 cm by 21 cm; 11 in by 8 1/2 in Ellen Dillon was the wife of Arthur Edmund Denis Dillon-Lee, 16th Viscount Dillon of Costello-Gallin, and the mother of Harold Arthur Lee-Dillon, 17th Viscount Dillon (1844-1932), who was President of the Society of Antiquaries (1897-1904), Curator of the Tower Armouries (1895-1913), Trustee of the British Museum (1897-1932), Senior trustee of the National Portrait Gallery, Antiquary of the Royal Academy, and an Original Fellow of the British Academy. Sir Henry Lee, KG (1533-1611) was Elizabeth I's Champion probably from 1570-90. In this role he organised the Accession Day tilts held on 17th November to celebrate the Accession of Elizabeth I. He was Master of the Armouries from 1580-1610. He owned Ditchley Park, later by descent the property of the Vicounts Dillon, which contained the famous Geeraerts work "The Ditchley Elizabeth", now in the National Portrait Gallery. Lee had three Greenwich armours in the Jacobe album, from which one field armour and several elements survive. The original painting of Sir Henry Lee remains at Ditchley, now the property of the Ditchley Foundation.

[BRUGGE] GERARDS, Marcus – Stadsplan van Brugge in 1562

10 bladen van elk ca 60 x 45 cm van deze lithografische kaart van de stad Brugge met alle historische gebouwen, stadspoorten, reien, straten, pleinen en gewone woningen uit de 16e eeuw. Het plan is in losse vellen en nog niet gemonteerd

Marcus Gheeraerts the Younger (1561-1635)-attribut

Marcus Gheeraerts the Younger (1561-1635)-attributed, Portrait of an aristocratic lady with rich embroidery pearl necklace in front of a green backgroud; oil on wooden panel, framed.

(École flamande) - Recueil de 132 sujets [d'après Marcus GHEERAERTS (1561-1

(École flamande) - Recueil de 132 sujets [d'après Marcus GHEERAERTS (1561-1636)]. In-8° : 132 eaux-fortes, cuv. 9,4 x 11,2 cm, papier vergé non filigrané, 19 x 14 cm (qqs faibles taches brunes margin., 1 déchirure margin. avec perte (c. 1 x 6 cm) sans atteint au sujet, 1 coin déchiré idem). Rel. du 17e s. : plein vélin, dos lisse, tr. jasp. rouges (lég. défr., annot. ms. sur gardes). Curieux ensemble de sujets, aux dimensions exactes de l'édition originale mais inversés, tirés du célèbre recueil "De warachtighe fabulen der dieren" paru en 1567 (107 pl.) et en 1578 sous le titre de "Estbatement moral des animaux" (125 pl.), augmenté de quelques autres tableaux.# Hodnett 68.

Marcus Gheeraerts II (Bruges 1561/2-1635/6 London) and Studio

Marcus Gheeraerts II (Bruges 1561/2-1635/6 London) and Studio Portrait of Robert Devereux, 2nd Earl of Essex (1565-1601), three-quarter-length, in a white doublet and hose with a black cape, wearing the Order of the Garter oil on panel 44 ¾ x 34 ¾ in. (113.5 x 88.5 cm.) in an English early eigthteenth century frame

Marcus Gheeraerts d. J., um 1561 Brügge - 1636,

Marcus Gheeraerts d. J., um 1561 Brügge - 1636, zug.

Circle of Marcus Gheeraerts II (Bruges 1561-1635/6 London)

Circle of Marcus Gheeraerts II (Bruges 1561-1635/6 London) Portrait of William Cecil (1520-1598), 1st Baron Burghley, bust-length, as Lord High Treasurer, with a coat-of-arms inscribed 'COR VNVM VLA VNA' (on the scroll), and further inscribed and dated 'Ao DNI 1598 AE (linked) tat: 77. [?] VLTo' (upper left) oil on panel 22 x 17 1/8 in. (55.9 x 43.4 cm.)

Circle of Marcus Gheeraerts II (Bruges 1561-1635/6 London) Portrait of a gentleman, half-length, in a black slashed doublet, a lace collar, a fur-lined jacket and a black hat with a jewel oil on panel 21 x 17¼ in. (53.4 x 43.7 cm.)

Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London)

Portrait of a gentleman, said to be a member of the Dyntreg family, half-length, in a fur-trimmed black coat, his hand resting on a skull dated and inscribed '.1622./.AET. 58.' (upper right) and charged with the sitter's coat-of-arms (upper left) oil on panel 89 x 62.7cm (35 1/16 x 24 11/16in).

Marcus Gheeraerts d.y., Adelsman MARCUS GHEERAERTS

Marcus Gheeraerts d.y., Adelsman MARCUS GHEERAERTS D.Y. Holland 1561-1635, tillskriven Porträtt av adelsman klädd i svart dräkt med guldbrodyr, spetskrage och spetsmanschetter - stående knästycke Påskrift uppe till höger ...

Circle of Marcus Gheeraerts II (Bruges c. 1561-c. 1635 London?)

Circle of Marcus Gheeraerts II (Bruges c. 1561-c. 1635 London?) Portrait of a gentleman, formerly identified as Sir Walter Raleigh, three-quarter-length, in black standing by a table inscribed 'AEta. 48.' (upper left) and with date '1603' (upper right) oil on panel 45¼ x 34 1/8 in. (114.9 x 86.7 cm.)

Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a gentleman, bust-length,

Portrait of a gentleman, bust-length, with a red embroidered tunic and a white lace collar oil on panel, a fragment 34.3 x 27.4cm (13 1/2 x 10 13/16in).

Attributed to Marcus Gheeraerts II (Bruges 1561/2-1635/6 London)

Attributed to Marcus Gheeraerts II (Bruges 1561/2-1635/6 London) Portrait of Sir William Fytche, half-length with inscription 'S:r W:m Ffytche Kn:t/Son of The:s Ffytche Esq:r/of Garnets in high Easter/Essex 1609 AEta 22/Married Dorothy Daughter/of S:r Cha: Cornwallis Kn:t' (upper left) and bearing coat of arms (upper right) oil on canvas 42 x 36 in. (106.6 x 91.5 cm.)

Circle of Marcus Gheeraerts the Younger (Bruges 1561-1635 London) Portrait of a gentleman,

Portrait of a gentleman, half-length, in black costume with a white ruff and a brown embroidered doublet inscribed and dated 'A.D.NI 1590 (upper left) and 'AE.TS.SUAE.59' (upper right) oil on panel 76 x 56cm (29 15/16 x 22 1/16in).

Circle of Marcus Gheeraerts II (Bruges 1561-1635/6 London)

Circle of Marcus Gheeraerts II (Bruges 1561-1635/6 London) Portrait of a lady, traditionally identified as Lady Denman, three-quarter-length, in a black velvet dress with an embroidered bodice and lace apron, with a lace ruff, jewelled headdress and hat, holding a fan oil on canvas 48 x 36 in. (121.6 x 91.5 cm.) In a 17th century carved and gilded frame with a crown-carved cresting

Circle of Marcus Gheeraerts II (Bruges 1561-1635/6 London)

Circle of Marcus Gheeraerts II (Bruges 1561-1635/6 London) Portrait of a lady, traditionally identified as Lady Denman, three-quarter-length, in a black velvet dress with an embroidered bodice and lace apron, with a lace ruff, jewelled headdress and hat, holding a fan oil on canvas 48 x 36 in. (121.6 x 91.5 cm.) In a 17th century carved and gilded frame with a crown-carved cresting

Marcus Gheeraerts the Younger , Fl.1561-1635 Portrait of a Lady oil on canvas, in a British Baroque style frame

half-length, wearing an elaborately decorated lace dress, in a painted oval oil on canvas, in a British Baroque style frame

MANNER OF MARCUS GHEERAERTS (c.1561-c.1635), 19th

MANNER OF MARCUS GHEERAERTS (c.1561-c.1635), 19th CENTURY PORTRAIT OF PEREGRINE, LORD WILLOUGHBY DE ERESBY Three quarter length, standing by a tree, wearing armour, inscribed with sitter's name verso, oil on canvas 88.5 x 68.5cm. Provenance: By descent in the family of the sitter.

Circle of Marcus Gheeraerts the Younger

Circle of Marcus Gheeraerts the Younger (1561-1635) PORTRAIT OF A BEARDED GENTLEMAN, A MEMBER OF THE BILSON FAMILY, HALF LENGTH, WEARING A HIGH COLLAR AND A BRAIDED JACKET WITH AN EMBROIDERED NECK Painted with an armorial shield and inscribed 'In amare nil amari ANO 1611 AE SVAE 59', oil on panel 47 x 43cm in a ribbon moulded frame The conjoined Tudor rose and pomegranate was a Royal badge after the time of Henry VIII. It was the sole charge on the shield of Thomas Bilson (1547-1616) Warden of Winchester College (1576), Bishop of Worcester (1597) and ultimately Bishop of Winchester. This shield indicates that a member of the Bilson family married a woman whose father's arms showed a gold wolf on a red shield. This couple had several sons, the third of whom established another family line. This painting shows a second son in this line of the Bilson family.

Marcus Gerards oder Gheerards (1561/62 - 1635/36)

Nachfolger Bildnis einer Fürstin mit Halskrause und Perlenschmuck, Öl auf Holz, 46 x 34 cm, gerahmt, (Wo)