Bernardo Lorente German Paintings & Artwork for Sale | Bernardo Lorente German Art Value Price Guide

Dec. 19, 2024
Attributed to Bernardo Lorente Germán, painter (1680-1759) – Adoration of Shepherds
Est: €2,250 - €2,750
Spanish school of the 17th - 18th centuries. Oil on canvas. Canvas measurements only: 85 x 65 cm, frame measurements: 90 x 70 cm
Templum Fine Art Auctions
Dec. 18, 2024
BERNARDO LORENTE GERMÁN. Attributed to. Our Lady of Mount Carmel.
Est: €1,200 - €1,400
Oil on canvas. 73x68 cm.
Balclis
Jul. 18, 2024
Attributed to Bernardo Lorente Germán, painter (1680-1759) – Adoration of Shepherds
Est: €2,250 - €2,750
Spanish school of the 17th - 18th centuries. Oil on canvas. Canvas measurements only: 85 x 65 cm, frame measurements: 90 x 70 cm
Templum Fine Art Auctions
Nov. 29, 2023
Massive Divine Shepherdess with important Spanish Baroque frame of the period, Bernardo Llorente Germán (1680-1759), 18th century Spanish school
Est: €22,500 - €25,000
Oil on canvas. Measurements: 202 x 164 cm, framed measurements: 245 x 191 cm. (Seville, 1680-1759). Spanish painter. Trained in Seville alongside Cristóbal López, his work is part of a Murillo movement that in the last years of the 17th century and the first decades of the 18th continued to interpret and draw on the Andalusian master. Llorente's painting preserved in the Prado, La Divina Pastora, reveals such influences. In the inventories of 1814, this work was attributed to Bartolomé Esteban Murillo despite the very evident differences in quality. He is part of a current of devotion that made fortune in this period in the Andalusian capital, which contributed to making this iconography fashionable and spread throughout Spain. Llorente portrayed the Infante Don Felipe taking advantage of Philip V's stay in Seville, assuming the influence of the French court portraitist Jean Ranc. His famous trompe-l'oeil works stand out, for example, those preserved in the Musée du Louvre, a genre that experienced considerable development in Andalusia at this time. Private collection, Andalusia.
Templum Fine Art Auctions
Apr. 19, 2023
El Buen Pastor
Est: -
Firmado y fechado "Gª Lorente F / 1698". A tenor de la fecha en la que Lorente Germán firma esta pintura, debe tratarse de una obra de juventud, realizada durante los comienzos de su carrera. Su extraordinaria calidad deja patente que se trata de uno de los mejores seguidores de Bartolomé Esteban Murillo. No en vano, la obra aquí presentada sigue el modelo original realizado en 1665 por el genio sevillano, conservado en la colección George Lane de Ashton Wold, (Peterborough, Reino Unido). Con moldura de la época.
Isbilya Subastas
Mar. 28, 2023
BERNARDO LORENTE GERMÁN - Divina Pastora
Est: -
BERNARDO LORENTE GERMÁN Seville 1680 - 1759 Divina Pastora Oil on canvas Size 44 x 34.5 cm
Subastas Segre
Sep. 28, 2022
Attributed to BERNARDO LORENTE GERMÁN (Sevilla, Spain, 1685 – 1757). After Bartolomé Esteban MURILLO (Sevilla, 1617 – Cádiz, 1682). "St. Joseph with the Child".
Est: €4,500 - €5,000
Attributed to BERNARDO LORENTE GERMÁN (Seville, 1685 - 1757). "Saint Joseph with Child". Oil on canvas. Re-coloured in the 19th century. Antique frame. Measurements: 106,5 x 82,5 cm; 119,5 x 95,5 cm (frame). This painting is a copy of the canvas currently conserved in the Lázaro Galdiano Museum in Madrid, a work from Murillo's workshop. The work shows Saint Joseph, identified by the flowering rod, seated with the Child on his lap, in a family scene full of tenderness typical of the Sevillian master. Until the Counter-Reformation, the figure of Saint Joseph was usually relegated to the background, as he was not accorded any theological importance. After Trent, however, his leading role as Jesus' protector during his childhood and as a guide during his youth was revived, and he is depicted here as such. In contrast to the tenderness, defencelessness and candour of the infant figure, Saint Joseph is presented as a monumental, typically Baroque figure, an impression that is reinforced by the pyramidal composition. Through this form of representation, the artist visually emphasises the decisive role of Jesus' putative father as protector. Formally, the work is fully in keeping with the naturalistic Baroque style, with a simple and clearly understandable composition, without anecdotal details to distract attention. Joseph and the Child appear in the foreground, occupying most of the pictorial surface, against a neutral, dark background. They are also strongly illuminated by the tenebrist light typical of this naturalistic school, an artificial and directed spotlight that falls directly on the faces and flesh tones of the figures, leaving the rest in semi-darkness, creating subtle shadows and expressive plays of chiaroscuro that model the volumes and reinforce the illusion of three-dimensionality so sought after in the Baroque period. Likewise, the chromaticism is that of the naturalist Baroque, a palette centred on earthy and carmine tones, with touches of white that illuminate the whole without stridency. This chromaticism is very different from that of the contemporary Classicist Baroque, which uses large, delicately balanced fields of classical colours. In contrast, the naturalists use warm colours that reflect the light and turn the scene depicted into an image closer to the viewer, seeking his identification with the figures or events narrated. Bernardo Lorente Germán began his training with his father, also a painter, and then studied with Cristóbal López. After completing his apprenticeship he was so far ahead of his teachers and became so highly regarded that when he travelled to Madrid he was commissioned to paint a portrait of the Infante Don Felipe. The work was so well received that Queen Isabella of Farnese gave him a series of prints by the French painter Charles Le Brun as a token of her gratitude. He was then asked to become the king's painter but Lorente declined the post as he did not wish to leave Seville. He was appointed an individual of merit by the San Fernando Royal Academy in 1756. In Seville he was known as "the painter of the Shepherdesses", as he painted the theme of the Divine Shepherdess on numerous occasions. He was also the main portraitist of Seville's aristocracy, with works that reflect the French taste prevailing at the time and which coexist with others clearly indebted to Murillo, whose cottony forms and pastel colours, which were also very beautiful, were in perfect harmony with the subject of which Ceán Bermúdez made Lorente Germán the creator, that of the Divina Pastora. His best-known works are kept in the Carthusian monastery in Jerez de la Frontera and are to be found in numerous churches in Úbeda and Baeza, as well as in Jaén cathedral, the Louvre Museum in Paris and the Museum of Fine Arts in Seville. He also executed still lifes and genre scenes and became an accomplished master of the trompe l'oeil genre.
Setdart Auction House
Dec. 15, 2020
ATRIBUTED TO BERNARDO LORENTE GERMAN 1680 / 1759 "St. Joseph with the Child"
Est: €9,000 - €12,000
. Oil on canvas
Ansorena
Dec. 18, 2019
BERNARDO LORENTE GERMÁN El Buen Pastor. Oil on canvas.
Est: -
BERNARDO LORENTE GERMÁN 1680 Sevilla 1759 El Buen PastorSevilla Firmado y fechado "Gª Lorente F / 1698". A tenor de la fecha en la que Lorente Germán firma esta pintura, debe tratarse de una obra de juventud, realizada durante los comienzos de su carrera. Su extraordinaria calidad deja patente que se trata de uno de los mejores seguidores de Bartolomé Esteban Murillo. No en vano, la obra aquí presentada sigue el modelo original realizado en 1665 por el genio sevillano, conservado en la colección George Lane de Ashton Wold, (Peterborough, Reino Unido). Óleo sobre lienzo 63 x 51 cm Pintura antigua y S. XIX
Isbilya Subastas
Jun. 04, 2019
BERNARDO LORENTE GERMÁN El Buen Pastor
Est: -
BERNARDO LORENTE GERMÁN El Buen Pastor 63 x 51 cm
Isbilya Subastas
Jun. 03, 2019
BERNARDO LORENTE GERMÁN The Good Shepherd
Est: -
BERNARDO LORENTE GERMÁN El Buen Pastor 63 x 51 cm
Isbilya Subastas
Apr. 25, 2018
ATTRIBUTED TO BERNARDO GERMAN LLORENTE (Sevilla, 1680 - 1759) Los vicios
Est: -
Oil on canvas of 99 x 137 cm.
Sala Retiro Subastas
Mar. 03, 2018
Bernardo Germán y Llorente (1680-1759), Madonna with Child,1742
Est: €12,000 -
Oil on canvas, relined around the edges Spain, 1742 Bernardo German y Llorente (1680-1759) - Spanish painter Signed and dated lower right ‘Bern-do Lorente Germán - faciebat - anno 1742’ Dimensions: 83 x 68 cm Ornamental frame: 102 x 87 cm After a painting by Bartolome Esteban Murillo titled ‘Virgin of the Napkin’, created in 1665/66
Amadeus Auction
Mar. 02, 2017
17th-18th CENTURIES SEVILLIAN SCHOOL. BERNARDO LORENTE GERMÁN FOLLOWER
Est: -
ESCUELA SEVILLANA SS. XVII-XVIII Seguidor de Bernardo Lorente Germán (Sevilla, 1680-1759). "San José y el niño", óleo sobre lienzo, 170x120 cm. Marco de época en madera tallada y dorada.
Sala de Ventas
Dec. 27, 2016
Bernardo Germán y Llorente (1680-1759), Madonna with Child,1742
Est: €11,200 - €14,000
Oil on canvas, relined around the edges Spain, 1742 Bernardo German y Llorente (1680-1759) - Spanish painter Signed and dated lower right Bern-do Lorente Germán - faciebat - anno 1742 Dimensions: 83 x 68 cm Ornamental frame: 102 x 87 cm After a painting by Bartolome Esteban Murillo titled Virgin of the Napkin, created in 1665/66 In addition to still lifes and portraits Bernardo Germán y Llorente also produced religious images. The painting offered here shows a representation of Mary holding the infant Jesus, standing before a dark background. The bright flesh tones thus accentuate the focus on the figures, who are additionally surrounded with a gentle halo. Llorente was obviously inspired by the painting Virgin of the Napkin by Bartolome Esteban Murillo, which originated in the 17th century and is nowadays located in the Museum of Fine Arts in Seville, Spain. Condition: The painting is in good age-appropriate condition. The surface shows overall some craquelure. Scattered retouchings, accordingly backed in the lower part. Minor abrasions in the edges, otherwise generally of good impression. The image dimensions are 83 x 68 cm, the frame dimensions 102 x 87 cm. The frame with slight signs of age and wear. Bernardo Germán y Llorente (1680-1759) Bernardo Germán y Llorente first gained awareness with large scale portraits during his stay at the Spanish court of Felipe V and Isabel de Farnesio in Seville in 1729, which eventually enabled him admission to the Accademia de San Fernando in Madrid. He also became a remarkable painter of vanitas and still life paintings. Above all he used to worked as a portraitist since the 1730s. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Oct. 19, 2016
CIRCLE OF GERMAN LLORENTE BERNARDO (SEVILLE 1680-1759)
Est: -
CÍRCULO DE BERNARDO GERMÁN LLORENTE (Sevilla 1680-1759) Santo Job 94 x 72 cm Óleo sobre lienzo
Isbilya Subastas
Mar. 01, 2016
Bernardo Germán y Llorente (1680-1759), Madonna with Child,1742
Est: €6,500 - €8,450
Oil on canvas, relined around the edges Spain, 1742 Bernardo German y Llorente (1680-1759) - Spanish painter Signed and dated lower right ‘Bern-do Lorente Germán - faciebat - anno 1742’ Dimensions: 83 x 68 cm Ornamental frame: 102 x 87 cm After a painting by Bartolome Esteban Murillo titled ‘Virgin of the Napkin’, created in 1665/66 In addition to still lifes and portraits Bernardo Germán y Llorente also produced religious images. The painting offered here shows a representation of Mary holding the infant Jesus, standing before a dark background. The bright flesh tones thus accentuate the focus on the figures, who are additionally surrounded with a gentle halo. Llorente was obviously inspired by the painting ‘Virgin of the Napkin’ by Bartolome Esteban Murillo, which originated in the 17th century and is nowadays located in the Museum of Fine Arts in Seville, Spain. Condition: The painting is in good age-appropriate condition. The surface shows overall some craquelure. Scattered retouchings, accordingly backed in the lower part. Minor abrasions in the edges, otherwise generally of good impression. The image dimensions are 83 x 68 cm, the frame dimensions 102 x 87 cm. The frame with slight signs of age and wear. Bernardo Germán y Llorente (1680-1759) Bernardo Germán y Llorente first gained awareness with large scale portraits during his stay at the Spanish court of Felipe V and Isabel de Farnesio in Seville in 1729, which eventually enabled him admission to the Accademia de San Fernando in Madrid. He also became a remarkable painter of vanitas and still life paintings. Above all he used to worked as a portraitist since the 1730s. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Jan. 20, 2016
CÍRCULO DE BERNARDO GERMÁN LLORENTE (Sevilla 1680-1759), Virgin and the Child - CÍRCULO DE BERNARDO GERMÁN LLORENTE (Sevilla 1680-1759) Virgen con Niño
Est: -
CÍRCULO DE BERNARDO GERMÁN LLORENTE (Sevilla 1680-1759) Virgen con Niño
Isbilya Subastas
Jun. 16, 2015
Bernardo Germán y Llorente (1680-1759), Madonna with Child,1742
Est: €4,000 - €5,200
Oil on canvas, relined around the edges Spain, 1742 Bernardo German y Llorente (1680-1759) - Spanish painter Signed and dated lower right ‘Bern-do Lorente Germán - faciebat - anno 1742’ Dimensions: 83 x 68 cm Ornamental frame: 102 x 87 cm After a painting by Bartolome Esteban Murillo titled ‘Virgin of the Napkin’, created in 1665/66 Estimate by Auctionata Expert: 34.000 Euro In addition to still lifes and portraits Bernardo Germán y Llorente also produced religious images. The painting offered here shows a representation of Mary holding the infant Jesus, standing before a dark background. The bright flesh tones thus accentuate the focus on the figures, who are additionally surrounded with a gentle halo. Llorente was obviously inspired by the painting ‘Virgin of the Napkin’ by Bartolome Esteban Murillo, which originated in the 17th century and is nowadays located in the Museum of Fine Arts in Seville, Spain. Condition: The painting is in good age-appropriate condition. The surface shows overall some craquelure. Scattered retouchings, accordingly backed in the lower part. Minor abrasions in the edges, otherwise generally of good impression. The image dimensions are 83 x 68 cm, the frame dimensions 102 x 87 cm. The frame with slight signs of age and wear. Bernardo Germán y Llorente (1680-1759) Bernardo Germán y Llorente first gained awareness with large scale portraits during his stay at the Spanish court of Felipe V and Isabel de Farnesio in Seville in 1729, which eventually enabled him admission to the Accademia de San Fernando in Madrid. He also became a remarkable painter of vanitas and still life paintings. Above all he used to worked as a portraitist since the 1730s. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Mar. 22, 2013
GERMAN Y LLORENTE, BERNARDO(um 1680 Sevilla
Est: CHF8,000 - CHF10,000
GERMAN Y LLORENTE, BERNARDO (um 1680 Sevilla 1759) Gottes Mutter mit Lämmern, 'Divina Pastora'. Öl auf Leinwand. 85 x 65,7 cm. Prof. Enrique Valdivieso bestätigt die Eigenhändigkeit anhand einer Fotografie, wofür wir ihm danken. GERMAN Y LLORENTE, BERNARDO (circa 1680 Seville 1759) Mother of God with lambs, 'Divina Pastora'. Oil on canvas. 85 x 65.7 cm. Prof. Enrique Valdivieso has confirmed the authenticity of this work on the basis of a photograph.
Koller Auctions