José García Hidalgo Paintings & Artwork for Sale | José García Hidalgo Art Value Price Guide

Nov. 15, 2024
17th C Jose Garcia Hidalgo Painting, San Vicente Ferrer
Est: $5,500 - $8,500
This lot is oversized / heavy and will require 3rd party shipping - please inquire before bidding. Joseph Garcia (also Jose Garcia el Hidalgo, Jose Garcia Hidalgo, Josef Garcia Hidalgo - Villena, Spain 1646 - San Felipe, Chile 1719). "San Vicente Ferrer" oil on canvas, late 17th to early 18th century. Signature at lower left. Additional inscription near saint's mouth. A beautiful painting of Saint Vincent Ferrer by Jose Garcia Hidalgo depicted as a Dominican friar, wearing the traditional black and white habit, clean shaven, tonsured, and pointing toward Heaven with his right index finger. To the left of his face is an inscription, the opening of a phrase from Revelation 14:7, "Timete Deum " (continues "et Date Illi Honorem") meaning "Fear God and give Him honor" as judgment day is coming. Since Saint Vincent Ferrer is associated with the angel who speaks Revelation 14:7 "having the eternal gospel, to preach unto them that sit upon the earth, and over every nation, and tribe, and tongue, and people" he also dons a pair of wings. In addition, he holds a crucifix with a bouquet of white lilies in his left hand. The mitres beside him are a rarer attribute referencing when Pope Benedict XIII wanted to make St. Vincent Ferrer a bishop and cardinal, but he refused, perhaps in hopes of persuading Benedict to resign and thus end the Great Western Schism. The skull upon the Bible may reference the many miracles attributed to Saint Vincent Ferrer. These include curing the ill and resurrecting the dead. All is rendered with the artist's signature rich palette and striking tenebroso - a dramatic play of light and shadow characteristic of the Baroque period - and mounted in an elegant gold-tone frame fit with a brass plaque. Please note: Pigments have been tested via x-ray florescence and are consistent with the period. Size (sight view): 45" L x 29" W (114.3 cm x 73.7 cm) Size (frame): 49.125" L x 33.5" W (124.8 cm x 85.1 cm) About the artist: Jose Garcia Hidalgo, was a Spanish Baroque artist and treatise writer. He trained in Rome where he was influenced by Pietro da Cortona (1596-1669) and Salvator Rosa (1615-1673). He returned to Spain around 1670 and became a member of Juan Carreno de Miranda workshop in Madrid. In 1703 he became an honorary painter to Felipe V, and ran a drawing academy until his death. His paintings demonstrate many of the hallmarks of the Baroque period including the tenebrism of the Valencian school. Twenty of his works are held at the Museo del Prado including his portrait of Maria Luisa de Orleans, Queen Consort of Carlos II (ca. 1679), one of the few royally commissioned paintings together with that of Felipe V. (Source: Marques de Rafal Collection) About Saint Vincent Ferrer: "St. Vincent Ferrer (born c. 1350, Valencia, Aragondied April 5, 1419, Vannes, France; canonized 1455; feast day April 5) was an Aragonese friar and renowned preacher who helped to end the Great Western Schism. In 1367 he entered the Dominican order at Valencia, where he became professor of theology. In 1394 the antipope Benedict XIII made him his confessor and theologian to his court at Avignon, but five years later Vincent resigned to undertake missions. Travelling through Burgundy, southern France, Switzerland, northern Italy, and Spain, he attracted crowds everywhere and had notable success in winning Jewish converts. He was known for his religious poverty and austerity, including perpetual fasting, and was believed to have the gift of miracles." (Source: Britannica) Please note: the birth and death dates engraved on the brass plaque are incorrect. The plaque was likely created and engraved some time ago, but at the same time, some time after the painting was created when the owner(s) simply did not have the correct birth and death dates for the artist. Cf: Jose Luis Colomer, The black and the real image, Center for Hispanic European Studies, 2014, p. 77-81 AND Royal Academy of History, Jose García Hidalgo, Jose Garcia Hidalgo, Royal Academy of History (rah.es), (11/22/22). Provenance: private Los Angeles, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #186365
Artemis Gallery
Aug. 09, 2024
17th C. Jose Garcia Hidalgo Painting - San Luis Beltran
Est: $5,500 - $7,750
Joseph Garcia (also Jose Garcia el Hidalgo, Jose Garcia Hidalgo, Josef Garcia Hidalgo - Villena, Spain 1646 - San Felipe, Chile 1719). "San Luis Beltran" oil on canvas, late 17th to early 18th century. Inscription (possibly signature) incised in pigment to right of serpent. A beautiful painting by Spanish Baroque artist Jose Garcia Hidalgo depicting Saint Louis Beltrand, a Spanish Dominican friar who preached to the indigenous peoples throughout South America in the 16th century, thus earning him the title "Apostle of the Americas." In this painting, Jose Garcia el Hidalgo presents St. Louis Beltrand wearing a traditional Dominican black and white habit, gazing upon the crucifix and rosary beads in his right hand, and holding his primary attribute, a golden chalice containing a serpent, in his left hand. All is rendered with the artist's signature rich palette and striking tenebroso - a dramatic play of light and shadow characteristic of the Baroque period - and mounted in an elegant gold-tone frame fit with a brass plaque. Size (sight view): 41.25" L x 27.5" W (104.8 cm x 69.8 cm) Size (frame): 45.5" L x 31.5" W (115.6 cm x 80 cm) About the artist: Jose Garcia Hidalgo, was a Spanish Baroque artist and treatise writer. He trained in Rome where he was influenced by Pietro da Cortona (1596-1669) and Salvator Rosa (1615-1673). He returned to Spain around 1670 and became a member of Juan Carreno de Miranda workshop in Madrid. In 1703 he became an honorary painter to Felipe V, and ran a drawing academy until his death. His paintings demonstrate many of the hallmarks of the Baroque period including the tenebrism of the Valencian school. Twenty of his works are held at the Museo del Prado including his portrait of Maria Luisa de Orleans, Queen Consort of Carlos II (ca. 1679), one of the few royally commissioned paintings together with that of Felipe V. (Source: Marques de Rafal Collection) Please note: the birth and death dates engraved on the brass plaque are incorrect. The plaque was likely created and engraved some time ago, but at the same time, some time after the painting was created when the owner(s) simply did not have the correct birth and death dates for the artist. Cf: Jose Luis Colomer, The black and the real image, Center for Hispanic European Studies, 2014, p. 77-81 AND Royal Academy of History, Jose García Hidalgo, Jose Garcia Hidalgo, Royal Academy of History (rah.es), (11/22/22). Provenance: private Los Angeles, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #186366
Artemis Gallery
Aug. 02, 2024
17th C Jose Garcia Hidalgo Painting, San Vicente Ferrer
Est: $6,000 - $9,000
Joseph Garcia (also Jose Garcia el Hidalgo, Jose Garcia Hidalgo, Josef Garcia Hidalgo - Villena, Spain 1646 - San Felipe, Chile 1719). "San Vicente Ferrer" oil on canvas, late 17th to early 18th century. Signature at lower left. Additional inscription near saint's mouth. A beautiful painting of Saint Vincent Ferrer by Jose Garcia Hidalgo depicted as a Dominican friar, wearing the traditional black and white habit, clean shaven, tonsured, and pointing toward Heaven with his right index finger. To the left of his face is an inscription, the opening of a phrase from Revelation 14:7, "Timete Deum " (continues "et Date Illi Honorem") meaning "Fear God and give Him honor" as judgment day is coming. Since Saint Vincent Ferrer is associated with the angel who speaks Revelation 14:7 "having the eternal gospel, to preach unto them that sit upon the earth, and over every nation, and tribe, and tongue, and people" he also dons a pair of wings. In addition, he holds a crucifix with a bouquet of white lilies in his left hand. The mitres beside him are a rarer attribute referencing when Pope Benedict XIII wanted to make St. Vincent Ferrer a bishop and cardinal, but he refused, perhaps in hopes of persuading Benedict to resign and thus end the Great Western Schism. The skull upon the Bible may reference the many miracles attributed to Saint Vincent Ferrer. These include curing the ill and resurrecting the dead. All is rendered with the artist's signature rich palette and striking tenebroso - a dramatic play of light and shadow characteristic of the Baroque period - and mounted in an elegant gold-tone frame fit with a brass plaque. Please note: Pigments have been tested via x-ray florescence and are consistent with the period. Size (sight view): 45" L x 29" W (114.3 cm x 73.7 cm) Size (frame): 49.125" L x 33.5" W (124.8 cm x 85.1 cm) About the artist: Jose Garcia Hidalgo, was a Spanish Baroque artist and treatise writer. He trained in Rome where he was influenced by Pietro da Cortona (1596-1669) and Salvator Rosa (1615-1673). He returned to Spain around 1670 and became a member of Juan Carreno de Miranda workshop in Madrid. In 1703 he became an honorary painter to Felipe V, and ran a drawing academy until his death. His paintings demonstrate many of the hallmarks of the Baroque period including the tenebrism of the Valencian school. Twenty of his works are held at the Museo del Prado including his portrait of Maria Luisa de Orleans, Queen Consort of Carlos II (ca. 1679), one of the few royally commissioned paintings together with that of Felipe V. (Source: Marques de Rafal Collection) About Saint Vincent Ferrer: "St. Vincent Ferrer (born c. 1350, Valencia, Aragondied April 5, 1419, Vannes, France; canonized 1455; feast day April 5) was an Aragonese friar and renowned preacher who helped to end the Great Western Schism. In 1367 he entered the Dominican order at Valencia, where he became professor of theology. In 1394 the antipope Benedict XIII made him his confessor and theologian to his court at Avignon, but five years later Vincent resigned to undertake missions. Travelling through Burgundy, southern France, Switzerland, northern Italy, and Spain, he attracted crowds everywhere and had notable success in winning Jewish converts. He was known for his religious poverty and austerity, including perpetual fasting, and was believed to have the gift of miracles." (Source: Britannica) Please note: the birth and death dates engraved on the brass plaque are incorrect. The plaque was likely created and engraved some time ago, but at the same time, some time after the painting was created when the owner(s) simply did not have the correct birth and death dates for the artist. Cf: Jose Luis Colomer, The black and the real image, Center for Hispanic European Studies, 2014, p. 77-81 AND Royal Academy of History, Jose García Hidalgo, Jose Garcia Hidalgo, Royal Academy of History (rah.es), (11/22/22). Provenance: private Los Angeles, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #186365
Artemis Gallery
Jun. 27, 2024
17th C. Jose Garcia Hidalgo Painting - San Luis Beltran
Est: $5,000 - $7,500
Joseph Garcia (also Jose Garcia el Hidalgo, Jose Garcia Hidalgo, Josef Garcia Hidalgo - Villena, Spain 1646 - San Felipe, Chile 1719). "San Luis Beltran" oil on canvas, late 17th to early 18th century. Inscription (possibly signature) incised in pigment to right of serpent. A beautiful painting by Spanish Baroque artist Jose Garcia Hidalgo depicting Saint Louis Beltrand, a Spanish Dominican friar who preached to the indigenous peoples throughout South America in the 16th century, thus earning him the title "Apostle of the Americas." In this painting, Jose Garcia el Hidalgo presents St. Louis Beltrand wearing a traditional Dominican black and white habit, gazing upon the crucifix and rosary beads in his right hand, and holding his primary attribute, a golden chalice containing a serpent, in his left hand. All is rendered with the artist's signature rich palette and striking tenebroso - a dramatic play of light and shadow characteristic of the Baroque period - and mounted in an elegant gold-tone frame fit with a brass plaque. Size (sight view): 41.25" L x 27.5" W (104.8 cm x 69.8 cm) Size (frame): 45.5" L x 31.5" W (115.6 cm x 80 cm) About the artist: Jose Garcia Hidalgo, was a Spanish Baroque artist and treatise writer. He trained in Rome where he was influenced by Pietro da Cortona (1596-1669) and Salvator Rosa (1615-1673). He returned to Spain around 1670 and became a member of Juan Carreno de Miranda workshop in Madrid. In 1703 he became an honorary painter to Felipe V, and ran a drawing academy until his death. His paintings demonstrate many of the hallmarks of the Baroque period including the tenebrism of the Valencian school. Twenty of his works are held at the Museo del Prado including his portrait of Maria Luisa de Orleans, Queen Consort of Carlos II (ca. 1679), one of the few royally commissioned paintings together with that of Felipe V. (Source: Marques de Rafal Collection) Please note: the birth and death dates engraved on the brass plaque are incorrect. The plaque was likely created and engraved some time ago, but at the same time, some time after the painting was created when the owner(s) simply did not have the correct birth and death dates for the artist. Cf: Jose Luis Colomer, The black and the real image, Center for Hispanic European Studies, 2014, p. 77-81 AND Royal Academy of History, Jose García Hidalgo, Jose Garcia Hidalgo, Royal Academy of History (rah.es), (11/22/22). Provenance: private Los Angeles, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #186366
Artemis Gallery
Jun. 27, 2024
17th C Jose Garcia Hidalgo Painting, San Vicente Ferrer
Est: $7,000 - $10,500
Joseph Garcia (also Jose Garcia el Hidalgo, Jose Garcia Hidalgo, Josef Garcia Hidalgo - Villena, Spain 1646 - San Felipe, Chile 1719). "San Vicente Ferrer" oil on canvas, late 17th to early 18th century. Signature at lower left. Additional inscription near saint's mouth. A beautiful painting of Saint Vincent Ferrer by Jose Garcia Hidalgo depicted as a Dominican friar, wearing the traditional black and white habit, clean shaven, tonsured, and pointing toward Heaven with his right index finger. To the left of his face is an inscription, the opening of a phrase from Revelation 14:7, "Timete Deum " (continues "et Date Illi Honorem") meaning "Fear God and give Him honor" as judgment day is coming. Since Saint Vincent Ferrer is associated with the angel who speaks Revelation 14:7 "having the eternal gospel, to preach unto them that sit upon the earth, and over every nation, and tribe, and tongue, and people" he also dons a pair of wings. In addition, he holds a crucifix with a bouquet of white lilies in his left hand. The mitres beside him are a rarer attribute referencing when Pope Benedict XIII wanted to make St. Vincent Ferrer a bishop and cardinal, but he refused, perhaps in hopes of persuading Benedict to resign and thus end the Great Western Schism. The skull upon the Bible may reference the many miracles attributed to Saint Vincent Ferrer. These include curing the ill and resurrecting the dead. All is rendered with the artist's signature rich palette and striking tenebroso - a dramatic play of light and shadow characteristic of the Baroque period - and mounted in an elegant gold-tone frame fit with a brass plaque. Please note: Pigments have been tested via x-ray florescence and are consistent with the period. Size (sight view): 45" L x 29" W (114.3 cm x 73.7 cm) Size (frame): 49.125" L x 33.5" W (124.8 cm x 85.1 cm) About the artist: Jose Garcia Hidalgo, was a Spanish Baroque artist and treatise writer. He trained in Rome where he was influenced by Pietro da Cortona (1596-1669) and Salvator Rosa (1615-1673). He returned to Spain around 1670 and became a member of Juan Carreno de Miranda workshop in Madrid. In 1703 he became an honorary painter to Felipe V, and ran a drawing academy until his death. His paintings demonstrate many of the hallmarks of the Baroque period including the tenebrism of the Valencian school. Twenty of his works are held at the Museo del Prado including his portrait of Maria Luisa de Orleans, Queen Consort of Carlos II (ca. 1679), one of the few royally commissioned paintings together with that of Felipe V. (Source: Marques de Rafal Collection) About Saint Vincent Ferrer: "St. Vincent Ferrer (born c. 1350, Valencia, Aragondied April 5, 1419, Vannes, France; canonized 1455; feast day April 5) was an Aragonese friar and renowned preacher who helped to end the Great Western Schism. In 1367 he entered the Dominican order at Valencia, where he became professor of theology. In 1394 the antipope Benedict XIII made him his confessor and theologian to his court at Avignon, but five years later Vincent resigned to undertake missions. Travelling through Burgundy, southern France, Switzerland, northern Italy, and Spain, he attracted crowds everywhere and had notable success in winning Jewish converts. He was known for his religious poverty and austerity, including perpetual fasting, and was believed to have the gift of miracles." (Source: Britannica) Please note: the birth and death dates engraved on the brass plaque are incorrect. The plaque was likely created and engraved some time ago, but at the same time, some time after the painting was created when the owner(s) simply did not have the correct birth and death dates for the artist. Cf: Jose Luis Colomer, The black and the real image, Center for Hispanic European Studies, 2014, p. 77-81 AND Royal Academy of History, Jose García Hidalgo, Jose Garcia Hidalgo, Royal Academy of History (rah.es), (11/22/22). Provenance: private Los Angeles, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #186365
Artemis Gallery
Jun. 27, 2024
Spanish Baroque Painting (Garcia) Santo Tomas de Aquino
Est: $6,000 - $9,000
Attributed to Joseph Garcia (also Jose Garcia el Hidalgo, Jose Garcia Hidalgo, Josef Garcia Hidalgo - Villena, Spain 1646 - San Felipe, Chile 1719). "Santo Tomas de Aquino" (Thomas Aquinas) oil on canvas, late 17th to early 18th century. A beautiful painting attributed to Spanish Baroque artist Jose Garcia Hidalgo depicting Saint Thomas Aquinas, an Italian Dominican friar, priest, philosopher, and theologian during the 13th century. In this painting, the artist presents St. Thomas Aquinas wearing a traditional Dominican black and white habit, rosary beads, as well as a sun on his chest. Gazing upward as if engaged in thought, the saint holds a quill pen in his right hand and the text he is writing in his left. The table to the right holds more quill pens, a stack of books, and an hourglass. Beyond this are shelves of books in his library. All is rendered with striking tenebroso - a dramatic play of light and shadow characteristic of the Baroque period - and mounted in an elegant gold-tone frame fit with an engraved brass plaque that reads "Santo Tomas de Aquino / Pintura Colonial Siglo XVII". Size (sight view): 43.125" L x 27.75" W (109.5 cm x 70.5 cm) Size (frame): 50" L x 34.25" W (127 cm x 87 cm) About the artist: Jose Garcia Hidalgo, was a Spanish Baroque artist and treatise writer. He trained in Rome where he was influenced by Pietro da Cortona (1596-1669) and Salvator Rosa (1615-1673). He returned to Spain around 1670 and became a member of Juan Carreno de Miranda workshop in Madrid. In 1703 he became an honorary painter to Felipe V, and ran a drawing academy until his death. His paintings demonstrate many of the hallmarks of the Baroque period including the tenebrism of the Valencian school. Twenty of his works are held at the Museo del Prado including his portrait of Maria Luisa de Orleans, Queen Consort of Carlos II (ca. 1679), one of the few royally commissioned paintings together with that of Felipe V. (Source: Marques de Rafal Collection) Please note: Pigments have been tested via x-ray florescence and are consistent with the period. Provenance: private Los Angeles, California, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #186332
Artemis Gallery
Jul. 01, 2023
Spanish School Oil on Canvas "The Holy Trinity", late 17th/early 18th Century
Est: $1,000 - $1,600
Spanish School Oil on Canvas "The Holy Trinity", attributable to Jose Garcia El Hidalgo (c.1650 - 1717). late 17th early 18th century, signed lower right Garcia pt. (pinxit), sans frame 18 in. x 15 in.
Rafael Osona Auctions
Dec. 13, 2022
JOSÉ GARCIA HIDALGO - Portrait of Felipe V
Est: -
JOSÉ GARCIA HIDALGO Villena 1646 - San Felipe, Chile 1719 Portrait of Felipe V Oil on canvas Signed and inscribed Measurements 104 x 83 cm Provenance: - Marqués de Rafal Collection This painting belongs to the production of José García Hidalgo, a Valencian painter and treatise writer belonging to the Spanish Baroque generation. His training in Rome will give his painting a very personal influence, since he was in contact with the environment of the painter Pietro da Cortona (1596-1669) and Salvator Rosa (1615-1673). On his return to Madrid around 1670, he entered the workshop of Juan Carreño de Miranda, and in 1703 he was named honorary painter to Felipe V, running a drawing academy in Madrid for years, until his death in 1713. The painting presents the king Felipe V inscribed in a tondo that reads the following inscription: Felipe V, King of Spain, born in 1683 and crowned in 1701. The monarch appears three-quarters, holding a piece of paper in one hand and his sword in the other . With his gaze fixed on the viewer, he displays the insignia of the Golden Fleece and the blue sash of the Order of the Holy Spirit; two very common decorations in the iconography of the monarch. He is dressed in completely black clothing, which during this time became a symbol of power. Black functioned as a nod of respect towards the Habsburg monarchy at the dawn of the reign of Felipe V. On the other hand, the background of the painting is decorated with a beautiful red drapery, providing the solemnity and magnificence that this type of royal portraits demanded. . Likewise, the folds of the drapery provide skill and quality to the painter. All his paintings reveal the influences in his style, which never abandoned the tenebrism related to the Valencian school. In general, the characterization of those portrayed suffers from a certain lengthening. The Museo del Prado preserves twenty of his works, of note is the portrait of María Luisa de Orleans, queen consort of Carlos II (ca. 1679), one of the few royally commissioned paintings together with that of Felipe V. Bibliography: - José Luis Colomer, The black and the real image, Center for Hispanic European Studies, 2014, p. 77-81. - Royal Academy of History, José García Hidalgo, José García Hidalgo, Royal Academy of History (rah.es), (11/22/22).
Subastas Segre
Apr. 09, 2022
GARCIA EL HIDALGO, Jose (*um 1650 +1717) zugeschrieben, Öl/Lw
Est: -
GARCIA EL HIDALGO, Jose (*um 1650 +1717) zugeschrieben, Öl/Lw doubliert, Jesus Christus und Johannes der Täufer als Kinder, ca. 44,5 x 55,5 cm, Krakelee, flächig kleinere Retuschen, Goldstuckrahmen der Zeit, Außenmaß 65,6 x 81 cm, dieser teilweise bestoßen, (ex Coll. Condesa de Mejorada/ Sevilla)
zeitGenossen Antiquitäten - Kunst - Design
Aug. 21, 2021
GARCIA EL HIDALGO, Jose (*um 1650 +1717) zugeschrieben, Öl/Lw
Est: -
GARCIA EL HIDALGO, Jose (*um 1650 +1717) zugeschrieben, Öl/Lw doubliert, Jesus Christus und Johannes der Täufer als Kinder, ca. 44,5 x 55,5 cm, Krakelee, flächig kleinere Retuschen, Goldstuckrahmen der Zeit, Außenmaß 65,6 x 81 cm, dieser teilweise bestoßen, (ex Coll. Condesa de Mejorada/ Sevilla)
zeitGenossen Antiquitäten - Kunst - Design
Jun. 03, 2019
JOSÉ GARCÍA HIDALGO (1646) Portrait of a lady
Est: -
JOSÉ GARCÍA HIDALGO (1646) Retrato de dama 70 x 55 cm.
Isbilya Subastas
Oct. 25, 2017
JOSÉ GARCÍA HIDALGO, A Lady´s Portrait. Oil on canvas
Est: -
Retrato de dama JOSÉ GARCÍA HIDALGO 1646 Villena - 1719 Madrid Retrato de dama
Isbilya Subastas
Jan. 25, 2017
JOSÉ GARCÍA HIDALGO, A Portrait of a Lady. Oil on canvas
Est: -
JOSÉ GARCÍA HIDALGO 1646 Villena 1719 Retrato de dama Óleo sobre lienzo 70 x 55 cm.
Isbilya Subastas