Carmela Garcia Paintings & Artwork for Sale | Carmela Garcia Art Value Price Guide

Dec. 18, 2024
CARMELA GARCÍA (Arrecife, Las Palmas, 1964). "Girls at the door". Series Girls, desires and fiction, 2000. C-print on plasticized aluminum. P/A copy. It has a fold in the lower right area.
Est: €3,500 - €4,000
CARMELA GARCÍA (Arrecife, Las Palmas, 1964). "Girls at the door". Series Girls, desires and fiction, 2000. C-print on plasticized aluminum. P/A copy. It has a fold in the lower right area. It has a Juana de Aizpuru Gallery label on the back. Measurements: 122 x 150 cm. The artist's website describes this series as follows "The girls take over the public space and show the private, eroticized and sexualized. Lesbians visible in the public space.Madrid". Carmela García (Arrecife, Las Palmas, September 16, 1964) is a Spanish photographer whose work focuses on the need to rethink the way history has been constructed. Her approach seeks to rewrite the stories that have shaped the collective imaginary, approaching them from a gender perspective and revising both their form and their iconic content. Her images explore the feminine universe, paying special attention to lesbian relationships. Her compositions portray scenarios where the male gaze is absent, leaving women as the sole protagonists of the idealized worlds she creates in her work. Trained in London and in photography in Barcelona, since her beginnings she has integrated literary, plastic and audiovisual references in her narrative work, combining them with a critical social gaze. Her work has been exhibited in important spaces such as the Centro de Arte Reina Sofía (Espacio Uno) in Madrid, the Centro de Fotografía de Coímbra, the MUSAC in León, the Centro Atlántico de Arte Moderno (CAAM) in Gran Canaria, the IVAM in Valencia, and in international exhibitions such as El real viaje Real / The Real Royal Tryp at PS1 of the MOMA in New York, curated by Harald Szeemann. He has also participated in exhibitions at the MOT in Kanazawa (Japan), the University of Salamanca and the European House of Photography in Paris, among other prominent venues. In the field of galleries, he has shown his work at Juana de Aizpuru (Seville and Madrid) and in 2003 at the Altamira Gallery in Gijón. Together with the Juana de Aizpuru gallery, he has been present at important international fairs such as ARCO Madrid, Art Basel, Paris Photo and Frieze London. In 2010, Televisión Española dedicated a monographic program to him in Metrópolis. In 2012, he participated in Open Studio at La Casa Encendida in Madrid.
Setdart Auction House
Dec. 03, 2024
CARMELA GARCIA (Arrecife, 1964) "The Embrace "2000. C- Prin
Est: -
CARMELA GARCIA (Arrecife, 1964) "The Embrace "2000. C- Print Series: Girls, desires and fiction 120x150cm JORDI COLOMER (Barcelona, 1962) "Mies Van Der Rohe"2005. Fotografía color Lambda sobre diabond Serie: Arabian Stars Edición de 5 ejemplares + 1P.A. Medidas:70x105cm
Magna Art Auctions
Jul. 29, 2024
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection.
Est: €9,000 - €10,000
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection. Size: 130 x 150 cm. As a central element of her works, in "Women" Carmela Garcia presents us with the need to rethink the world from a gender perspective which does not only imply the possibility of a different future, but also means in the first instance, a scenario of vindication around the consideration of the feminine where, in the words of the artist, it is necessary "A kind of deconstruction of what patriarchal society has established about what women are and should be, and a reconstruction of a feminist ideal of the world, where they are liberated from constraints". In this case, the powerful symbolism of the image with the iconic Barbie doll subjected to the scorching fire of a kitchen cooker directly questions the spectator in relation to the role in which women have traditionally been pigeonholed in a pejorative way, at the same time as it launches a message about the need to put an end to the dictatorship of beauty canons that are increasingly disconnected and distant from the reality of women. Born in Lanzarote in 1964. Carmela Garcia began her studies of photography in Madrid and Barcelona, until 1998, when she began to show her work to the public. From the beginning, she has combined her social interests in photography, through literary, plastic and audiovisual references, creating an artistic corpus about the stereotyped image of women in society and the need to rethink and reformulate their role in the world. After producing series as representative as "Chicas, deseos y ficción" or "Constelación", Garcia was selected in 2005 among the hundred best Spanish photographers in the list elaborated by Exit, something that confirmed the tendency of growing importance in the works elaborated in the last years. In recent years she has been working on video works to revise various stereotyped images of women. She has become the most recognised Canarian artist of the last decade thanks to a profoundly feminist discourse, through which she represents an idealised world where men are absent and women remain outside the traditional male gaze. Her work has been shown at the Centro de Arte Reina Sofía in Madrid (Espacio Uno), the Centro de Fotografía de Coímbra, the MUSAC in León, the Centro Atlántico de Arte Moderno CAAM in Gran Canaria, the IVAM in Valencia, in the group exhibition El real viaje Real /The Real Royal Tryp at PS1, Contemporary Art Center at MOMA (New York) curated by Harald Szeemann,3 at the MOT Kanazawa in Japan, the University of Salamanca and the European House of Photography in Paris, among others.4567. He has exhibited at the Juana de Aizpuru galleries in Seville and Madrid, and in 2003 at the Altamira Gallery in Gijón.8910 Together with the Juana de Aizpuru gallery, he has attended international fairs such as Arco Madrid, Art Basel, Paris Photo, Frieze London, etc.
Setdart Auction House
Jan. 10, 2024
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection.
Est: €9,000 - €10,000
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection. Size: 130 x 150 cm. As a central element of her works, in "Women" Carmela Garcia presents us with the need to rethink the world from a gender perspective which does not only imply the possibility of a different future, but also means in the first instance, a scenario of vindication around the consideration of the feminine where, in the words of the artist, it is necessary "A kind of deconstruction of what patriarchal society has established about what women are and should be, and a reconstruction of a feminist ideal of the world, where they are liberated from constraints". In this case, the powerful symbolism of the image with the iconic Barbie doll subjected to the scorching fire of a kitchen cooker directly questions the spectator in relation to the role in which women have traditionally been pigeonholed in a pejorative way, at the same time as it launches a message about the need to put an end to the dictatorship of beauty canons that are increasingly disconnected and distant from the reality of women. Born in Lanzarote in 1964. Carmela Garcia began her studies of photography in Madrid and Barcelona, until 1998, when she began to show her work to the public. From the beginning, she has combined her social interests in photography, through literary, plastic and audiovisual references, creating an artistic corpus about the stereotyped image of women in society and the need to rethink and reformulate their role in the world. After producing series as representative as "Chicas, deseos y ficción" or "Constelación", Garcia was selected in 2005 among the hundred best Spanish photographers in the list elaborated by Exit, something that confirmed the tendency of growing importance in the works elaborated in the last years. In recent years she has been working on video works to revise various stereotyped images of women. She has become the most recognised Canarian artist of the last decade thanks to a profoundly feminist discourse, through which she represents an idealised world where men are absent and women remain outside the traditional male gaze. Her work has been shown at the Centro de Arte Reina Sofía in Madrid (Espacio Uno), the Centro de Fotografía de Coímbra, the MUSAC in León, the Centro Atlántico de Arte Moderno CAAM in Gran Canaria, the IVAM in Valencia, in the group exhibition El real viaje Real /The Real Royal Tryp at PS1, Contemporary Art Center at MOMA (New York) curated by Harald Szeemann,3 at the MOT Kanazawa in Japan, the University of Salamanca and the European House of Photography in Paris, among others.4567. He has exhibited at the Juana de Aizpuru galleries in Seville and Madrid, and in 2003 at the Altamira Gallery in Gijón.8910 Together with the Juana de Aizpuru gallery, he has attended international fairs such as Arco Madrid, Art Basel, Paris Photo, Frieze London, etc.
Setdart Auction House
Jun. 15, 2023
CARMELA GARCIA (°1964)
Est: €350 - €500
'Chicas, deseos y ficcion N°1', 2000. Original colour photograph. Signed, dated, titled and numbered 1/1 in black marker. Frame. Description FR 'Chicas, deseos y ficcion N°1', 2000. Photographie originale en couleurs. Signée, datée, titrée et numérotée 1/1 au feutre noir. Cadre. Beschrijving NL 'Chicas, deseos y ficcion N°1', 2000. Originele kleurenfoto. Getekend, gedateerd, getiteld en genummerd 1/1 in zwarte stift. Kader.
Bernaerts Auctioneers
Jun. 07, 2023
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection.
Est: €9,000 - €10,000
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection. Size: 130 x 150 cm. As a central element of her works, in "Women" Carmela Garcia presents us with the need to rethink the world from a gender perspective which does not only imply the possibility of a different future, but also means in the first instance, a scenario of vindication around the consideration of the feminine where, in the words of the artist, it is necessary "A kind of deconstruction of what patriarchal society has established about what women are and should be, and a reconstruction of a feminist ideal of the world, where they are liberated from constraints". In this case, the powerful symbolism of the image with the iconic Barbie doll subjected to the scorching fire of a kitchen cooker directly questions the spectator in relation to the role in which women have traditionally been pigeonholed in a pejorative way, at the same time as it launches a message about the need to put an end to the dictatorship of beauty canons that are increasingly disconnected and distant from the reality of women. Born in Lanzarote in 1964. Carmela Garcia began her studies of photography in Madrid and Barcelona, until 1998, when she began to show her work to the public. From the beginning, she has combined her social interests in photography, through literary, plastic and audiovisual references, creating an artistic corpus about the stereotyped image of women in society and the need to rethink and reformulate their role in the world. After producing series as representative as "Chicas, deseos y ficción" or "Constelación", Garcia was selected in 2005 among the hundred best Spanish photographers in the list elaborated by Exit, something that confirmed the tendency of growing importance in the works elaborated in the last years. In recent years she has been working on video works to revise various stereotyped images of women. She has become the most recognised Canarian artist of the last decade thanks to a profoundly feminist discourse, through which she represents an idealised world where men are absent and women remain outside the traditional male gaze. Her work has been shown at the Centro de Arte Reina Sofía in Madrid (Espacio Uno), the Centro de Fotografía de Coímbra, the MUSAC in León, the Centro Atlántico de Arte Moderno CAAM in Gran Canaria, the IVAM in Valencia, in the group exhibition El real viaje Real /The Real Royal Tryp at PS1, Contemporary Art Center at MOMA (New York) curated by Harald Szeemann,3 at the MOT Kanazawa in Japan, the University of Salamanca and the European House of Photography in Paris, among others.4567. He has exhibited at the Juana de Aizpuru galleries in Seville and Madrid, and in 2003 at the Altamira Gallery in Gijón.8910 Together with the Juana de Aizpuru gallery, he has attended international fairs such as Arco Madrid, Art Basel, Paris Photo, Frieze London, etc.
Setdart Auction House
Feb. 22, 2023
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection.
Est: €9,000 - €10,000
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection. Size: 130 x 150 cm. As a central element of her works, in "Women" Carmela Garcia presents us with the need to rethink the world from a gender perspective which does not only imply the possibility of a different future, but also means in the first instance, a scenario of vindication around the consideration of the feminine where, in the words of the artist, it is necessary "A kind of deconstruction of what patriarchal society has established about what women are and should be, and a reconstruction of a feminist ideal of the world, where they are liberated from constraints". In this case, the powerful symbolism of the image with the iconic Barbie doll subjected to the scorching fire of a kitchen cooker directly questions the spectator in relation to the role in which women have traditionally been pigeonholed in a pejorative way, at the same time as it launches a message about the need to put an end to the dictatorship of beauty canons that are increasingly disconnected and distant from the reality of women. Born in Lanzarote in 1964. Carmela Garcia began her studies of photography in Madrid and Barcelona, until 1998, when she began to show her work to the public. From the beginning, she has combined her social interests in photography, through literary, plastic and audiovisual references, creating an artistic corpus about the stereotyped image of women in society and the need to rethink and reformulate their role in the world. After producing series as representative as "Chicas, deseos y ficción" or "Constelación", Garcia was selected in 2005 among the hundred best Spanish photographers in the list elaborated by Exit, something that confirmed the tendency of growing importance in the works elaborated in the last years. In recent years she has been working on video works to revise various stereotyped images of women. She has become the most recognised Canarian artist of the last decade thanks to a profoundly feminist discourse, through which she represents an idealised world where men are absent and women remain outside the traditional male gaze. Her work has been shown at the Centro de Arte Reina Sofía in Madrid (Espacio Uno), the Centro de Fotografía de Coímbra, the MUSAC in León, the Centro Atlántico de Arte Moderno CAAM in Gran Canaria, the IVAM in Valencia, in the group exhibition El real viaje Real /The Real Royal Tryp at PS1, Contemporary Art Center at MOMA (New York) curated by Harald Szeemann,3 at the MOT Kanazawa in Japan, the University of Salamanca and the European House of Photography in Paris, among others.4567. He has exhibited at the Juana de Aizpuru galleries in Seville and Madrid, and in 2003 at the Altamira Gallery in Gijón.8910 Together with the Juana de Aizpuru gallery, he has attended international fairs such as Arco Madrid, Art Basel, Paris Photo, Frieze London, etc.
Setdart Auction House
Dec. 09, 2022
CARMELA GARCIA (°1964)
Est: €350 - €500
'Chicas, deseos y ficcion N°3', 2000. Original colour photograph. Signed, dated, titled and numbered 1/1 in black marker on verso. Frame. Description FR 'Chicas, deseos y ficcion N°3', 2000. Photographie originale en couleurs. Signée, datée, titrée et numérotée 1/1 au feutre noir au verso. Cadre. Beschrijving NL 'Chicas, deseos y ficcion N°3', 2000. Originele kleurenfoto. Getekend, gedateerd, getiteld en genummerd 1/1 in zwarte stift op verso. Kader.
Bernaerts Auctioneers
Nov. 30, 2022
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection.
Est: €9,000 - €10,000
CARMELA GARCÍA (Lanzarote, 1964). "Women", 2000. Photograph. Provenance: Important Spanish Collection. Size: 130 x 150 cm. As a central element of her works, in "Women" Carmela Garcia presents us with the need to rethink the world from a gender perspective which does not only imply the possibility of a different future, but also means in the first instance, a scenario of vindication around the consideration of the feminine where, in the words of the artist, it is necessary "A kind of deconstruction of what patriarchal society has established about what women are and should be, and a reconstruction of a feminist ideal of the world, where they are liberated from constraints". In this case, the powerful symbolism of the image with the iconic Barbie doll subjected to the scorching fire of a kitchen cooker directly questions the spectator in relation to the role in which women have traditionally been pigeonholed in a pejorative way, at the same time as it launches a message about the need to put an end to the dictatorship of beauty canons that are increasingly disconnected and distant from the reality of women. Born in Lanzarote in 1964. Carmela Garcia began her studies of photography in Madrid and Barcelona, until 1998, when she began to show her work to the public. From the beginning, she has combined her social interests in photography, through literary, plastic and audiovisual references, creating an artistic corpus about the stereotyped image of women in society and the need to rethink and reformulate their role in the world. After producing series as representative as "Chicas, deseos y ficción" or "Constelación", Garcia was selected in 2005 among the hundred best Spanish photographers in the list elaborated by Exit, something that confirmed the tendency of growing importance in the works elaborated in the last years. In recent years she has been working on video works to revise various stereotyped images of women. She has become the most recognised Canarian artist of the last decade thanks to a profoundly feminist discourse, through which she represents an idealised world where men are absent and women remain outside the traditional male gaze. Her work has been shown at the Centro de Arte Reina Sofía in Madrid (Espacio Uno), the Centro de Fotografía de Coímbra, the MUSAC in León, the Centro Atlántico de Arte Moderno CAAM in Gran Canaria, the IVAM in Valencia, in the group exhibition El real viaje Real /The Real Royal Tryp at PS1, Contemporary Art Center at MOMA (New York) curated by Harald Szeemann,3 at the MOT Kanazawa in Japan, the University of Salamanca and the European House of Photography in Paris, among others.4567. He has exhibited at the Juana de Aizpuru galleries in Seville and Madrid, and in 2003 at the Altamira Gallery in Gijón.8910 Together with the Juana de Aizpuru gallery, he has attended international fairs such as Arco Madrid, Art Basel, Paris Photo, Frieze London, etc.
Setdart Auction House
Jul. 10, 2019
CARMELA GARCIA (Lanzarote, 1964) Colette. De la se…
Est: -
CARMELA GARCIA (Lanzarote, 1964) Colette. De la serie "Escenarios". 2007. Fotografia en color de 120 x 150 cm. Al dorso, firmada y fechada. Etiqueta de la Galería Juana de Aizpuru. English Translation CARMELA GARCIA (Lanzarote, 1964) Colette. From the series "Scenarios". 2007 Photograph in color.
Sala Retiro Subastas
Feb. 26, 2019
CARMELA GARCIA (Lanzarote, 1964) Colette. De la serie "Escenarios", 2007. Photography
Est: -
CARMELA GARCIA (Lanzarote, 1964) Colette. De la serie "Escenarios", 2007. Photography CARMELA GARCIA (Lanzarote, 1964) Colette. De la serie "Escenarios". 2007. Fotografia en color de 120 x 150 cm. Al dorso, firmada y fechada. Etiqueta de la Galería Juana de Aizpuru.
Sala Retiro Subastas