Alessandro Gandini Sold at Auction Prices

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    • Alessandro Gandini, Cristo in casa di Simone Fariseo. 1555-1564.
      Nov. 28, 2023

      Alessandro Gandini, Cristo in casa di Simone Fariseo. 1555-1564.

      Est: €380 - €760

      Alessandro Gandini, Cristo in casa di Simone Fariseo. 1555-1564. Chiaroscuro a quattro legni nei toni dell'ocra e del grigio-bruno. mm 248x370. Bartsch, XII, 17 e 18. Takahatake, 80. In basso a destra entro tabella quadrata "Raphael Urb inven AA In Mantova 1609". Il soggetto è tratto da uno dei quattro affreschi nelle lunette dedicate alla Maddalena nella Cappella Massimi a Trinità dei Monti, portati a termine da Giulio Romano e Gianfrancesco Penni nei primi anni venti del Cinquecento su disegno di Raffaello. Marcantonio Raimondi aveva già realizzato incisioni ispirate a questo ciclo ma non sembrano queste le fonti utilizzre da Gandini, il suo chiaroscuro sembra più vicino a un disegno del Parmigianino databile al 1524–27 circa probabilmente ispirato da un foglio preparatorio per l'affresco di Raffaello o della sua bottega (Popham, 1971, n. 746, tav. 208). Andrea Andreani pubblicò un secondo stato in cui tagliò via la firma di Gandini che si trovava sulla base dello scranno di Cristo e inserì un tassello per aggiungere la data 1609 e il suo indirizzo editoriale. Bartsch conosceva sia il primo stato di Gandini che la ristampa dell'Andreani, ma le riteneva due opere distinte: assegnò a Ugo da Carpi la prima versione ripubblicata a seguire da Andreani, e considerava il I stato di Gandini una copia dal I stato di Ugo. Ottima prova di questo raro intaglio, nel II stato di 2 pubblicato dall'Andreani nel 1609, su carta vergellata sottile con filigrana parzialmente visibile ("aquila coronata"?). Al verso marchio di collezione del barone Reinhold von Liphart (Lugt, 1758). Si veda anche: Jan Johnson, Alessandro Gandini: Uncovering the Identity of a Chiaroscuro Woodcutter, Print Quarterly, 30, 2013, pp. 3-13. Fondazione Giorgio Cini, Atlante delle Xilografie italiane del Rinascimento, ALU.1050.1. (1)

      Gonnelli Casa d'Aste
    • Gandini, Alessandro: Christus im Haus Simon des Pharisäers
      Jun. 07, 2023

      Gandini, Alessandro: Christus im Haus Simon des Pharisäers

      Est: €2,200 - €3,000

      Christus im Haus Simon des Pharisäers. Farbholzschnitt von vier Platten in Graubraun nach Parmigianino. 25 x 37 cm. B. XII, 40.17 II (als Ugo da Carpi), Takahatake (The Chiaroscuro Woodcut in Renaissance Italy) 80. -- -- Ausgezeichneter Druck mit der Einfassungslinie bzw. mit der vollen Darstellung. Alt aufgezogen, geringe Alters- und Gebrauchsspuren, sonst schönes Exemplar. Aus der Sammlung Karl Ewald Hasse, Leipzig (Lugt 860). -- -- - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

      Bassenge Auctions
    • Gandini (Alessandro, active 1545-1565). Christ in the House of Simon the Pharisee, woodcut
      Mar. 08, 2023

      Gandini (Alessandro, active 1545-1565). Christ in the House of Simon the Pharisee, woodcut

      Est: £800 - £1,200

      Gandini (Alessandro, active 1545-1565). Christ in the House of Simon the Pharisee, woodcut * Gandini (Alessandro, active 1545-1565). Christ in the House of Simon the Pharisee (after Parmigianino after Raphael), circa 1545-65, chiaroscuro woodcut printed from four blocks in shades of greyish-brown on laid paper, indistinct watermark of a Crowned Eagle surmounted by an Orb (?), a very good, clear impression of this rare print, the second, final state, printed by Andreani in 1609, printing strongly and with much gaufrage, trimmed to or just outside the borderline, with some tiny nicks and repaired losses at the sheet edges, otherwise in good condition, trimmed to image, block & sheet size 253 x 372 mm, framed and glazed QTY: (1) NOTE: Provenance: Collection of Sir Lawrence Gowing (1918-1991). Bartsch 17; Takahatake 80, fig. 3; Fondazione Cini ALU.1050.1. J. Johnson, Alessandro Gandini. Uncovering the identity of a chiaroscuro woodcutter, in: Print Quarterly, 2013, pp. 3-13.

      Dominic Winter Auctions
    • Gandini (Alessandro, fl. 1545-1565) The Virgin and Christ Child seated surrounded by saints, after Girolamo da Treviso (c. 1497-1544), 1610.
      Mar. 22, 2018

      Gandini (Alessandro, fl. 1545-1565) The Virgin and Christ Child seated surrounded by saints, after Girolamo da Treviso (c. 1497-1544), 1610.

      Est: £600 - £800

      Gandini (Alessandro, fl. 1545-1565) The Virgin and Christ Child seated surrounded by saints, after Girolamo da Treviso (c. 1497-1544), chiaroscuro woodcut, printed from three blocks in olive-brown and ochre, sheet 368 x 256 mm. (14 1/2 x 10 1/8 in), a very good impression with minor nicks and tears, unframed, ca. 1545-1565, but 1610. ⁂ Scarce. A mathematician living in Bologna, who tried his hand at producing woodcuts after the master drawings he had access to. Six prints have been attributed to him (see: Jan Johnson, 'Alessandro Gandini: uncovering the identity of a chiaroscuro woodcutter', Prints Quarterly XXX, March 2013, pp. 1-13). The present composition is after a painting executed circa 1531-3 for the Fasanini chapel in San Domenico, Bologna, and is now in the National Gallery, London (NG 623).

      Forum Auctions - UK
    • Gandini, Alessandro: Maria mit dem Kinde, umgeben von Engeln und Heiligen
      May. 26, 2016

      Gandini, Alessandro: Maria mit dem Kinde, umgeben von Engeln und Heiligen

      Est: €1,200 - €1,800

      Maria mit dem Kinde, umgeben von Engeln und Heiligen. Clair-obscur-Holzschnitt von drei Platten in Dunkel- und Hellocker, Grau. 36,2 x 24,5 cm. "Taglio d'Alex' ghandinj // A(ndrea) A(ndreani) in Mantova MDCX". B. XII, S. 65, 25, Meyer, Allgem. Künstler-Lex. I, S. 725. Johnson 2013, S. 5. Der seltene Holzschnitt wiederholt mit einigen Veränderungen ein Gemälde Girolamo di Tommasos, gen. Il Treviso, das dieser zwischen 1529-31 für die Familienkapelle der Boccaferri in San Domenico in Bologna ausführte - heute befindet es sich in der National Gallery London. Mit der Adresse Andreanis. Ausgezeichneter, meist klarer Druck, lediglich die graue Platte schwach auslassend druckend, verso vereinzelt mit schönem Druckrelief. Mit gleichmäßig schmalem Rand um die Einfassung. Unbedeutend fleckig, horizontale Mittelfalte, kleine Quetschaflte unten links, minimale Gebrauchsspuren, sonst schönes Exemplar. Selten.

      Bassenge Auctions
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