Jacques Gamelin Paintings & Artwork for Sale | Jacques Gamelin Art Value Price Guide

Oct. 30, 2024
Jacques Gamelin (Carcassonne 1738-1803) Offrande à la déesse Junon par un roi sacrifiant des bijoux
Est: €2,500 - €3,000
Jacques Gamelin (Carcassonne 1738-1803) Offrande à la déesse Junon par un roi sacrifiant des bijoux plume et encre brune, lavis brun et gris, rehauts de blanc sur papier gris, composé de trois morceaux pen and brown ink, brown and grey wash, heightened with white on grey paper, made up of three sheets of paper 37.9 x 49cm (14 15/16 x 19 5/16in).
Bonhams
Oct. 29, 2024
GAMELIN, Jacques (1738-1803). Nouveau Recueil d'ostéologie et de myologie,
Est: €10,000 - €15,000
GAMELIN, Jacques (1738-1803). Nouveau Recueil d'ostéologie et de myologie, dessiné d'après....
Christie's
Aug. 31, 2024
J. GAMELIN (1738-1803), Anatomy, femur, 1779, Etching
Est: €300 - €400
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies: Bones, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Watermark: Undeterminable watermark Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "PC" and grapevine Keywords: 18th century, Realism, Technology, France, Size: Laid paper: 46,6 cm x 33,5 cm (18,3 x 13,2 in), Plate: 42,0 cm x 27,0 cm (16,5 x 10,6 in)
Fichter Kunsthandel
Aug. 31, 2024
J. GAMELIN (1738-1803), Anatomical studies, bones, 1779, Etching
Est: €300 - €400
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Mit Jacques Lavallée (17-18 Jhd), Anatomische Studien, Knochen, aus dem anatomischen Tafelwerk 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Watermark: Undeterminable watermark Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: Grapes Keywords: 18th century, Realism, Technology, France, Size: Laid paper: 39,7 cm x 33,3 cm (15,6 x 13,1 in), Plate: 30,3 cm x 25,5 cm (11,9 x 10 in)
Fichter Kunsthandel
Jul. 27, 2024
J. GAMELIN (1738-1803), Anatomical studies, skull, 1779, Etching
Est: €600 - €800
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies of the human skull, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Laid paper Watermark: Undeterminable watermark Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "PC" and grapevine Keywords: 18th century, Realism, Technology, France, Size: Laid paper: 43,9 cm x 33,2 cm (17,3 x 13,1 in), Plate: 37,4 cm x 26,0 cm (14,7 x 10,2 in)
Fichter Kunsthandel
Jul. 27, 2024
J. GAMELIN (1738-1803) attributed, Anatomical skeletal studies, around 1779, Copper engraving
Est: €600 - €800
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.) attributed: Anatomical skeleton studies of a child, frontal and dorsal view, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), c. 1779, Copper engraving Technique: Copper engraving on Laid paper Watermark: Undeterminable watermark Date: Inscription: Signed "Martin inc." lower right within the printing plate. Each inscribed "Fig. 1 - 6" above the image. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. Date: c. 1779 Description: | Watermark: lettering Keywords: 18th century, Realism, Technology, France, Size: Laid paper: 42,5 cm x 33,0 cm (16,7 x 13 in), Depiction: 35,0 cm x 25,3 cm (13,8 x 10 in)
Fichter Kunsthandel
Jul. 27, 2024
J. LAVALLÉE (19th) after GAMELIN (*1738), Anatomical skeletal studies, 1778, Copper engraving
Est: €600 - €800
Jacques Lavallée (19th century) after Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical skeletal studies, skull, sacrum, hip bones, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles) from 1779, 1778, Copper engraving Technique: Copper engraving on Paper Date: 1778 Description: The various bone parts are numbered, signed and dated in the lower left of the printing plate. "Gravé par Lavalée daprés le Dessin original de M. Gamelin an 1778". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. The sheet was created in connection with the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' Keywords: 18th century, Realism, Technology, France, Size: Paper: 52,5 cm x 33,7 cm (20,7 x 13,3 in), Plate: 45,2 cm x 27,0 cm (17,8 x 10,6 in), Depiction: 43,2 cm x 25,0 cm (17 x 9,8 in)
Fichter Kunsthandel
Jun. 25, 2024
Attribué à Jacques GAMELIN Carcassonne, 1738 - 1803 Mort de Caton d'Utique (?)
Est: €1,500 - €2,000
Attribué à Jacques GAMELIN Carcassonne, 1738 - 1803 Mort de Caton d'Utique (?) Toile 38 x 45,4 cm - 14 15/16 x 17 7/8 in. Death of Cato the Younger, oil on canvas
Aguttes
Jun. 06, 2024
Jacques Gamelin (1738-1803).
Est: €500 - €800
Déroute de la cavalerie autrichienne à la bataille de Gemappe en 1792. Pierre noire, lavis gris, traits d’encadrement à plume et encre noire. Signé et daté « Gamelin inv/fecit 1793. Et inscrit « fuite et déroute de la Cavalerie autrichienne à la fameuse Bataille de Gamppe, gagnée par les français l’an 1 de la République 1792 ». 33 x 44 cm.
Alde
Jun. 06, 2024
Jacques Gamelin (1738-1803).
Est: €600 - €800
Une foule. Plume et encre noire, lavis bleu. Signé et daté « Gamelin Père fecit/ 1792». 28 x 25,5 cm., coupé irrégulièrement.
Alde
Apr. 27, 2024
J. GAMELIN (1738-1803), Anatomy, foot, hand, chest, 1779, Copper engraving
Est: €450 - €600
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies: human foot, hand and ribcage, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Watermark: Undeterminable watermark Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Signed "Gamelin f. / Martin inc." below the image within the printing plate. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "Fin de.." and crown Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Apr. 27, 2024
J. GAMELIN (1738-1803), Anatomical muscle study, 1779, Copper engraving
Est: €600 - €800
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical muscle study of a man, leaning on a wall in supine view, full body, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Paper Date: 1779 Description: Watermark with the inscription "PC" at the bottom and a vine at the top. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. The sheet was created in connection with the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' | Watermark: "PC" and grapevine Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Feb. 06, 2024
Jacques GAMELIN Carcassonne, 1738 - 1803 La procession des pénitents noirs à l'église de Notre-Dame de Garaison Gouache sur trait gr..
Est: €700 - €1,000
Jacques GAMELIN Carcassonne, 1738 - 1803 La procession des pénitents noirs à l'église de Notre-Dame de Garaison Gouache sur trait gravé Signée 'Gamelin fec.' en bas à droite Annoté 'Arrivée des pénitents noirs de Toulouse à l'église de notre Dame de Garaison à l'ocasion de leur voeu pour la reine enceinte le 3e .7. 1778' dans le bas h: 26 w: 38,50 cm Provenance : Vente anonyme ; Pittsburgh, Concept Art Gallery, 24 avril 2021, n°655 ; Acquis lors de cette vente par l'actuel propriétaire ; Collection particulière, Paris Commentaire : Appartenant lui-même à la confrérie des pénitents noirs, Gamelin a fait le pèlerinage, jusqu'au sanctuaire de Garaison ("guérison") en 1778, à une centaine de kilomètres à l'Ouest de Toulouse. Il était dédié à "l'heureuse délivrance de la reine Marie-Antoinette", enceinte de Marie-Thérèse de France, plus tard surnommée "Madame Royale". Gamelin a réalisé un dessin sur place qu'il fait graver par son élève Lavalée. Il y a tout lieu de penser que c'est lui-même qui a ici rehaussé un des exemplaires de l'estampe ; on retrouve sa technique enlevée, ses couleurs fraiches, encore rococo, son attention particulière aux costumes et vêtements. Nous remercions Emeric Hahn d'avoir confirmé le caractère autographe de cette œuvre par examen direct en novembre 2023. Rapport de condition : Non examiné hors de son cadre. Quelques petites griffures éparses. Légères altérations en haut à gauche dans le ciel. Quelques petits manques dans la gouache dans le ciel. Bon état général de conservation. Estimation 700 - 1 000 €
Artcurial
Feb. 01, 2024
JACQUES GAMELIN (CARCASSONNE 1738-1803) The Burial of Ananias (i); and The
Est: $8,000 - $12,000
JACQUES GAMELIN (CARCASSONNE 1738-1803) The Burial of Ananias (i); and The Punishment of Sapphira (ii) brush and black ink, black and blue wash, heightened with white, on prepared canvas 11 x 16 ½ in. (28 x 42 cm) each (2)
Christie's
Dec. 02, 2023
J. LAVALLÉE (19th) after GAMELIN (*1738), Anatomy, femur, 1778, Etching
Est: €300 - €400
Jacques Lavallée (19th century) after Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): "Diseased and broken thigh bones", from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles) from 1779, 1778, Etching Technique: Etching on Watermark: - Unidentifiable characters - Undeterminable watermark - Date: Date: 1778 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Signed "Gravé a l'eau forte par Lavalée d'apres le dessein de M. Gamelin a Toulouse" in the lower plate margin, dated "1778" to the right. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: lettering and crown Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Dec. 02, 2023
J. GAMELIN (1738-1803), Anatomy, femur, 1779, Etching
Est: €300 - €400
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies: Bones, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Watermark: - Unidentifiable characters - Undeterminable watermark - Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "PC" and grapevine Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Dec. 02, 2023
J. GAMELIN (1738-1803), Anatomy, foot, hand, chest, 1779,
Est: €450 - €600
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies: human foot, hand and ribcage, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Watermark: - Unidentifiable characters - Undeterminable watermark - Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Signed "Gamelin f. / Martin inc." below the image within the printing plate. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "Fin de.." and crown Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Dec. 02, 2023
J. GAMELIN (1738-1803), Anatomical studies, skull, 1779, Etching
Est: €600 - €800
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies of the human skull, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Watermark: - Unidentifiable characters - Undeterminable watermark - Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "PC" and grapevine Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Dec. 02, 2023
J. GAMELIN (1738-1803), Anatomical studies, bones, 1779, Etching
Est: €300 - €400
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Mit Jacques Lavallée (17-18 Jhd), Anatomische Studien, Knochen, aus dem anatomischen Tafelwerk 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Watermark: - Unidentifiable characters - Undeterminable watermark - Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: Grapes Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Dec. 02, 2023
J. GAMELIN (1738-1803) attributed, Anatomical skeletal studies, around 1779,
Est: €600 - €800
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.) attributed: Anatomical skeleton studies of a child, frontal and dorsal view, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), c. 1779, Copper engraving Technique: Copper engraving on Watermark: - Unidentifiable characters - Undeterminable watermark - Date: Inscription: Signed "Martin inc." lower right within the printing plate. Each inscribed "Fig. 1 - 6" above the image. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. Date: c. 1779 Description: | Watermark: lettering Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Dec. 02, 2023
J. LAVALLÉE (19th) after GAMELIN (*1738), Anatomical skeletal studies, 1778,
Est: €600 - €800
Jacques Lavallée (19th century) after Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical skeletal studies, skull, sacrum, hip bones, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles) from 1779, 1778, Copper engraving Technique: Copper engraving on Paper Date: 1778 Description: The various bone parts are numbered, signed and dated in the lower left of the printing plate. "Gravé par Lavalée daprés le Dessin original de M. Gamelin an 1778". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. The sheet was created in connection with the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Dec. 02, 2023
J. GAMELIN (1738-1803), Anatomical muscle study, 1779,
Est: €600 - €800
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical muscle study of a man, leaning on a wall in supine view, full body, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Paper Date: 1779 Description: Watermark with the inscription "PC" at the bottom and a vine at the top. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. The sheet was created in connection with the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' | Watermark: "PC" and grapevine Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Mar. 30, 2023
Jacques Gamelin, 1738 – 1803
Est: €8,000 - €12,000
SCHLACHTENGETÜMMEL VOR DER STADT Öl auf Leinwand. Doubliert. 68 x 94 cm. Rechts unten signiert. In ornamental verziertem Rahmen. In zartem Blaucamaieu gestaltetes Gemälde, das vermutlich einst in eine Boisserie eingelassen war. Vor den Mauern einer antiken Stadt, die sich diagonal in das Bildfeld hineinschiebt, spielt sich eine Gefechtssituation ab, bei der bereits Tote zu betrauern sind. Gamelin war ab 1771 Professor der Accademia di San Luca in Rom und unter Papst Clemens XIV Hofmaler. In dieser Zeit mag das vorliegende Gemälde entstanden sein. Der Louvre verwahrt aus seiner Hand zwei Darstellungen von Friesen, die ebenfalls in Camaieu ausgeführt sind (Inv.Nr. 26674). (1350936) (13)
Hampel Fine Art Auctions
Jan. 11, 2023
JACQUES GAMELIN (CARCASSONNE 1738-1803)
Est: £300 - £500
JACQUES GAMELIN (CARCASSONNE 1738-1803) JACQUES GAMELIN (CARCASSONNE 1738-1803) A skeleton lying on a stone slab ('Memento homo'...), 1779 etching with full margins on laid paper with watermark; some foxing and creases sheet: 580 x 425 mm; plate: 228 x 352 mm PROVENANCE: with Andrew Edmunds where acquired 2009; thence by descent *Please note, the lot has been imported from outside the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price.
Chiswick Auctions
Oct. 22, 2022
J.GAMELIN (1738-1803) attributed, Anatomical skeletal studies, around 1779, Copper engraving
Est: €750 - €1,000
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.) attributed: Anatomical skeleton studies of a child, frontal and dorsal view, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), c. 1779, Copper engraving Technique: Copper engraving on Laid paper Watermark: Undeterminable watermark Inscription: Signed "Martin inc." lower right within the printing plate. Each inscribed "Fig. 1 - 6" above the image. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of the early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. Further stations of his artistic training were Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. In Rome Gamelin also met the painter Anton Raphael Mengs. From the estate of the antiquarian Rosenthal Munich / Amsterdam. Date: c. 1779 Description: | Watermark: Lettering Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Oct. 22, 2022
J.GAMELIN (1738-1803), Anatomical studies, femur, 1779, Etching
Est: €300 - €400
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical Studies: Bones, from the anatomical table work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Laid paper Watermark: Undeterminable watermark Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. Further stations of his artistic training were Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. In Rome Gamelin also met the painter Anton Raphael Mengs. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "PC" and vine Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Oct. 22, 2022
J.GAMELIN (1738-1803), Anatomical studies, foot, hand, thorax, 1779, Copper engraving
Est: €450 - €600
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies: human foot, hand and thorax, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Laid paper Watermark: Undeterminable watermark Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Signed "Gamelin f. / Martin inc." below the image within the printing plate. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of the early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. Further stations of his artistic training were Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. In Rome Gamelin also met the painter Anton Raphael Mengs. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "Fin de.." and crown Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Oct. 22, 2022
J.GAMELIN (1738-1803), Anatomical studies, skull, 1779, Etching
Est: €750 - €1,000
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies of the human skull, from the anatomical table work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Laid paper Watermark: Undeterminable watermark Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. Further stations of his artistic training were Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. In Rome Gamelin also met the painter Anton Raphael Mengs. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "PC" and vine Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Oct. 22, 2022
J.GAMELIN (1738-1803), Anatomical studies, bones, 1779, Etching
Est: €300 - €400
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Mit Jacques Lavallée (17-18 Jhd), Anatomische Studien, Knochen, aus dem anatomischen Tafelwerk 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Etching Technique: Etching on Laid paper Watermark: Undeterminable watermark Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. Further stations of his artistic training were Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. In Rome Gamelin also met the painter Anton Raphael Mengs. From the estate of the antiquarian Rosenthal Munich / Amsterdam. Watermark: Grapes Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Oct. 22, 2022
J.GAMELIN (1738-1803), Anatomical muscle study of a man, 1779, Copper engraving
Est: €750 - €1,000
Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical muscle study of a man, leaning on a wall in dorsal view, whole body, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Paper Date: 1779 Description: Watermark with writing "PC" at the bottom and a vine at the top. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. Further stations of his artistic training were Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. In Rome Gamelin also met the painter Anton Raphael Mengs. The sheet was created in connection with the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' | Watermark: "PC" and vine Keywords: 18th century, Realism, Technology, France,
Fichter Kunsthandel
Oct. 19, 2022
JACQUES GAMELIN (CARCASSONNE 1738-1803)
Est: £400 - £600
JACQUES GAMELIN (CARCASSONNE 1738-1803) JACQUES GAMELIN (CARCASSONNE 1738-1803) Danse macabre, c. 1780 etching with margins; a good, clear impression on laid paper without watermark sheet: 178 x 283 mm; plate: 145 x 265 mm PROVENANCE: F. Heugel (L. 3373); with Paul ProutÃ© where acquired 16.11.2010; thence by descent
Chiswick Auctions
Oct. 19, 2022
JACQUES GAMELIN (CARCASSONNE 1738-1803)
Est: £600 - £800
JACQUES GAMELIN (CARCASSONNE 1738-1803) JACQUES GAMELIN (CARCASSONNE 1738-1803) A skeleton lying on a stone slab ('Memento homo'...), 1779 etching with full margins on laid paper with watermark; some foxing and creases sheet: 580 x 425 mm; plate: 228 x 352 mm PROVENANCE: with Andrew Edmunds where acquired 2009; thence by descent
Chiswick Auctions
Oct. 19, 2022
JACQUES GAMELIN (CARCASSONNE 1738-1803)
Est: £300 - £500
JACQUES GAMELIN (CARCASSONNE 1738-1803) JACQUES GAMELIN (CARCASSONNE 1738-1803) Skeleton presenting sketch of nude, c. 1778 etching; the full sheet on laid paper with crown watermark; some stains, creases and tears at sheet edges sheet: 610 x 445 mm; plate: 353 x 243 mm PROVENANCE: with Christopher Mendez, Print Fair, London, where acquired 28.04.1999; thence by descent
Chiswick Auctions
Apr. 05, 2022
Jacques GAMELIN (Carcassonne,
Est: €800 - €1,200
Jacques GAMELIN (Carcassonne, 1738 - 1803)La Visitation ; Naissance de la Vierge Plume et encre noire sur papier, lavis de gris, de brun et de bleu 18,9 x 41,4 cm (chaque) PROVENANCE Vente Christie's Monaco, 2 juillet 1196, n°118.
Aguttes
Sep. 22, 2021
Jacques GAMELIN Carcassonne, 1738 - 1803 Choc de cavalerie Sanguine, lavis brun et gris et rehauts de blanc sur traits de crayon,
Est: €1,500 - €2,000
Jacques GAMELIN Carcassonne, 1738 - 1803 Choc de cavalerie Sanguine, lavis brun et gris et rehauts de blanc sur traits de crayon, signé et daté 'Gamelin 1783' en bas à droite, trace de signature en bas à gauche Sans cadre h: 21 w: 34,30 cm Estimation 1 500 - 2 000 €
Artcurial
Jun. 09, 2021
Gamelin, Jacques: Squelette de fantaisie
Est: €500 - €750
Squelette de fantaisie (Sitzendes Skelett, mit der Rechten einen Stab haltend). Radierung. 24,2 x 28,5 cm. 1778. Baudicour 39, IFF 12. Wz. Zepter mit Fleur-de-lis (?) und Nebenmarke Schrift. Aus dem u.a. von Jacques Gamelin veröffentlichten anatomischen Tafelwerk "Nouveau Receuil d'Osteologie" (1779). Ganz ausgezeichneter, gleichmäßiger Druck mit Rand. Etwas angeschmutzt und fleckig, Wasserrand oben, rechts zwei hinterlegte Einschnitte bis knapp in die Darstellung mit fortlaufendem Einriss, winzige Rostfleckchen innerhalb der Darstellung, weitere kleine Gebrauchsspuren, sonst in guter Erhaltung. Beigegeben von bzw. nach demselben aus dem anatomischen Tafelwerk zehn weitere Radierungen, davon sieben mit Text, insgesamt 11 Blatt. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Apr. 24, 2021
Attrib. Jacques Gamelin gouache Penitents arrival in Toulouse
Est: $400 - $800
Gamelin, Attributed to Jacques (French 1738 - 1803), Arrivee des Penitens noirs de Toulouse a L'Eglise de Notre Dame de Garaison pour Le Reine enceinte le 3.7, 1778, gouache on paper with a French mount, 9 x 14.5 inches, signed indistinctly lower right corner, framed in a gilded and scrolled wood frame measuring 18.5 x 23 inches
Concept Art Gallery
Oct. 10, 2020
Attrib. Jacques Gamelin gouache Penitents arrival in Toulouse
Est: $800 - $1,400
Gamelin, Attributed to Jacques (French 1738 - 1803), Arrivee des Penitens noirs de Toulouse a L'Eglise de Notre Dame de Garaison pour Le Reine enciente le 3.7, 1778, gouache on paper with a French mount, 9 x 14.5 inches, signed indistinctly lower right corner, framed in a gilded and scrolled wood frame measuring 18.5 x 23 inches
Concept Art Gallery
Sep. 29, 2020
Jacques GAMELIN Carcassone, 1738 - 1803 Scène de bataille Plume et encre noire et rehauts de gouache blanche
Est: €800 - €1,200
Jacques GAMELIN Carcassone, 1738 - 1803 Scène de bataille Plume et encre noire et rehauts de gouache blanche signé et daté 'Gamelin / 1796' en bas à droite Une ancienne étiquette de vente portant le numéro 286 au verso h: 21 w: 31 cm Provenance : Collection Bouffet, Carcassone, selon une étiquette et plusieurs annotations sur le montage au verso Estimation 800 - 1 200 €
Artcurial
Jun. 03, 2020
Gamelin, Jacques: Ecorché cruxifié (Gehäuteter Mann, gereuzigt).
Est: €360 - €450
Ecorché cruxifié (Gehäuteter Mann, gekreuzigt). Radierung in Crayonmanier. 45,9 x 19,8 cm. (1779). Baudicour 42, IFF 55. Wz. Traube. Ganz ausgezeichneter Druck mit einzelnen Wischkritzeln und breitem bzw. schmalem Rand. Geringfügig fleckig, Randläsuren mit kleineren Papierverlusten, am linken unteren Rand kleine Löchlein von einer alten Buchbindung, vertikale Quetschfalte, sonst sehr schön. - Beigegeben von bzw. nach demselben 21 weitere Radierungen in Crayonmanier aus dem anatomischen Tafelwerk, sowie 3 Radierungen mit Schädel- und Knochenstudien und 3 Textseiten aus dem anatomischen Tafelwerk. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Jun. 03, 2020
Gamelin, Jacques: Squelette de fantaisie
Est: €400 - €600
Squelette de fantaisie (Sitzendes Skelett, mit der Rechten einen Stab haltend). Radierung. 24,2 x 28,5 cm. 1778. Baudicour 39, IFF 12. Wz. Zepter mit Fleur-de-lis (?) und Nebenmarke Schrift. Wie auch die folgenden Losnummern aus dem u.a. von Jacques Gamelin veröffentlichten anatomischen Tafelwerk "Nouveau Receuil d'Osteologie " (1779). Ganz ausgezeichneter, gleichmäßiger Druck mit Rand. Etwas angeschmutzt und fleckig, Wasserrand oben, rechts zwei hinterlegte Einschnitte bis knapp in die Darstellung mit fortlaufendem Einriss, winzige Rostfleckchen innerhalb der Darstellung, weitere kleine Gebrauchsspuren, sonst in guter Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Oct. 12, 2019
Jacques Gamelin (French, 1738-1803), "Inconsolable Boy" and "A Confidante",
Est: $1,000 - $1,500
Jacques Gamelin (French, 1738-1803) "Inconsolable Boy" and "A Confidante" pair of tondo oils on panel former signed and dated "1780" mid-right, each inscribed with artist's name and dates en verso. Framed alike. each dia. 8-1/4", framed dia. 10" Provenance: Bruce McCashin Collection.
New Orleans Auction Galleries
Mar. 27, 2019
Jacques GAMELIN Carcassone, 1738 - 1803 Scène de bataille Plume et encre noire et rehauts de gouache blanche
Est: €1,500 - €2,000
Jacques GAMELIN Carcassone, 1738 - 1803 Scène de bataille Plume et encre noire et rehauts de gouache blanche Signé et daté 'Gamelin / 1796' en bas à droite Une ancienne étiquette de vente portant le numéro 286 au verso A battle scene, pen and black ink, white highlights, signed and dated, by J. Gamelin h: 21 w: 31 cm Provenance : Collection Bouffet, Carcassone, selon une étiquette et plusieurs annotations sur le montage au verso Estimation 1 500 - 2 000 €
Artcurial
Mar. 11, 2019
GAMELIN, JACQUES. 1738-1803. Nouveau recueil d'ostologie et de myologie, dessin d'apres nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779.
Est: $20,000 - $30,000
GAMELIN, JACQUES. 1738-1803. Nouveau recueil d'ostologie et de myologie, dessin d'apres nature ... pour l'utilit des sciences et des arts. Toulouse: J.F. Desclassan, 1779. 2 parts in one volume, broadsheets (550 x 403 mm). Title-pages for each part with etched vignette, 2 etched frontispieces, etched portrait of Baron de Puymaurin with a dedication by Gamelin below, 10 large etched vignettes in text, 82 etched and engraved plates, including 11 preceded by outline plates keyed to the text, 26 text leaves. Early 20th century quarter morocco, joints and corners repaired, endpapers detached. Some light mostly marginal staining, one plate with short marginal tear, one with repair on verso. Provenance: Juan Carlos Akumada (1890-1976), Buenos Aires surgeon (ink stamp on verso of frontispiece and last leaf, bookplate).FIRST EDITION. "The plates in this work are more fantastic than any other anatomy, suggesting the work of Goya, who may have known or studied with Gamelin since Gamelin taught in Rome during the time Goya was there" (Garrison-Morton). Jacques Gamelin (1738-1803) "is acknowledged as one of the 'little masters' of French eighteenth-century painting. The plates for his anatomical atlas, issued in an edition of only 200 copies, were prepared from drawings made at his own dissection facility; they are distinct from the plates of other works of its type, being larger, more artistically varied, and more expressive and fantastic in their conception. Gamelin's plates show a constant interplay between the artistic and the anatomic: emblematic images in the seventeenth-century tradition, vignettes in the coquettish eighteenth-century manner, and classic studies of figures in repose and movement vie with straightforward 'medical' depictions of bones and muscles" (Norman). Although all the plates were designed by Gamelin and 18 bear his signature, most were executed by Jacques Lavalle (and a few by Martin). WITH: MOUTON, SIMONE. Editor. J. Gamelin, 1738-1803. Carcassone, France: Musee Municipal, 1938. 8vo. Black and white photographic illustrations. Printed wrappers. Museum exhibition catalog. Wear to wrappers, some corner creasing. Choulant-Frank, p 352; Garrison-Morton 401.1; Blake, p 165; Norman 872; Waller 3404.
Bonhams
Jun. 13, 2018
Attributed to JACQUES GAMELIN (1738-1803) Antique battle scene
Est: $4,000 - $6,000
Attributed to JACQUES GAMELIN (1738-1803) Antique Battle Scene Pen and brown ink, gouache and white bodycolour on grey-brown prepared paper. An impressive and highly-finished drawing in the classical vein, depicting a cavalry assault. 410x703 mm
Webb’s – Specialist Auctioneers
Feb. 13, 2018
Jacques Gamelin Carcassone, 1738 - 1803 Choc de cavalerie au pied d'une citadelle Plume et encre noire, lavis gris rehaussé à la gou..
Est: €1,000 - €1,500
Jacques Gamelin Carcassone, 1738 - 1803 Choc de cavalerie au pied d'une citadelle Plume et encre noire, lavis gris rehaussé à la gouache blanche h: 35 w: 51 cm Provenance : Galerie Scala, Paris, 1993, selon une indication sur le montage au verso Estimation 1 000 - 1 500 €
Artcurial
Dec. 09, 2017
Jacques Gamelin, pair tondo paintings
Est: $1,000 - $1,500
Jacques Gamelin (French, 1738-1803), Repenting Boy and Repenting Girl, 1780, oil on board, signed and dated on one example, each: 8"dia (sight), 9.5"dia. (framed)
Millea Bros Ltd
Nov. 25, 2017
GAMELIN Jacques (1738-1803) "Les Vestales", huile sur panneau 26*20 cm, dans le cadre doré et sculpté de la fin du XVIIIème.
Est: €400 - €600
GAMELIN Jacques (1738-1803) "Les Vestales", huile sur panneau 26*20 cm, dans le cadre doré et sculpté de la fin du XVIIIème.
Limoges Encheres