Juan (1774) Gálvez Paintings & Artwork for Sale | Juan (1774) Gálvez Art Value Price Guide

Jul. 18, 2024
Episode of the War of Independence, attributed to Juan Gálvez (Toledo 1774 - Madrid, 1846)
Est: €1,200 - €1,500
Oil on canvas, relined. This work captures, on a clearly classical landscape following the baroque tradition, a dramatic scene that takes place between the dramatic events that occurred during the Spanish War of Independence between 1808 and 1814. "Both because of the theme and because of the formal characteristics, this work to Juan Gálvez, who became court painter to Fernando VII and director of the Royal Academy of Fine Arts of San Fernando". Juan Gálvez is currently represented in the Prado Museum and in the Romanticism Museum in Madrid, among others. Measurements: 31 x 41 cm.
Templum Fine Art Auctions
Apr. 25, 2024
EPISODE OF THE WAR OF INDEPENDENCE, ATTRIBUTED TO JUAN GÁLVEZ (TOLEDO 1774 - MADRID, 1846)
Est: €1,200 - €1,500
Oil on canvas, relined. This work captures, on a clearly classical landscape following the baroque tradition, a dramatic scene that takes place between the dramatic events that occurred during the Spanish War of Independence between 1808 and 1814. "Both because of the theme and because of the formal characteristics, this work to Juan Gálvez, who became court painter to Fernando VII and director of the Royal Academy of Fine Arts of San Fernando". Juan Gálvez is currently represented in the Prado Museum and in the Romanticism Museum in Madrid, among others. Measurements: 31 x 41 cm.
Templum Fine Art Auctions
Dec. 20, 2023
Episode of the War of Independence, attributed to Juan Gálvez (Toledo 1774 - Madrid, 1846)
Est: €1,200 - €1,500
Oil on canvas, relined. This work captures, on a clearly classical landscape following the baroque tradition, a dramatic scene that takes place between the dramatic events that occurred during the Spanish War of Independence between 1808 and 1814. "Both because of the theme and because of the formal characteristics, this work to Juan Gálvez, who became court painter to Fernando VII and director of the Royal Academy of Fine Arts of San Fernando". Juan Gálvez is currently represented in the Prado Museum and in the Romanticism Museum in Madrid, among others. Measurements: 31 x 41 cm.
Templum Fine Art Auctions
Jul. 20, 2022
EPISODE OF THE WAR OF INDEPENDENCE, ATTRIBUTED TO JUAN GÁLVEZ (TOLEDO 1774 - MADRID, 1846)
Est: €1,200 - €1,500
Oil on canvas, relined. This work captures, on a clearly classical landscape following the baroque tradition, a dramatic scene that takes place between the dramatic events that occurred during the Spanish War of Independence between 1808 and 1814. "Both because of the theme and because of the formal characteristics, this work to Juan Gálvez, who became court painter to Fernando VII and director of the Royal Academy of Fine Arts of San Fernando". Juan Gálvez is currently represented in the Prado Museum and in the Romanticism Museum in Madrid, among others. Measurements: 31 x 41 cm.
Templum Fine Art Auctions
Feb. 24, 2022
EPISODE OF THE WAR OF INDEPENDENCE, ATTRIBUTED TO JUAN GÁLVEZ (TOLEDO 1774 - MADRID, 1846)
Est: €1,200 - €1,500
Oil on canvas, relined. This work captures, on a clearly classical landscape following the baroque tradition, a dramatic scene that takes place between the dramatic events that occurred during the Spanish War of Independence between 1808 and 1814. "Both because of the theme and because of the formal characteristics, this work to Juan Gálvez, who became court painter to Fernando VII and director of the Royal Academy of Fine Arts of San Fernando". Juan Gálvez is currently represented in the Prado Museum and in the Romanticism Museum in Madrid, among others. Measurements: 31 x 41 cm.
Templum Fine Art Auctions
May. 18, 2021
JUAN GÁLVEZ - Portrait of Queen María Isabel de Braganza in front of the Royal Casino
Est: €21,000 - €42,000
JUAN GÁLVEZ Mora 1774 - Madrid 1846 Portrait of Queen María Isabel de Braganza in front of the Royal Casino. H. 1817 Oil on canvas size 57 x 45 cm Origin: - Private collection, Madrid. In 1816, the Villa de Madrid in gratitude for the second pregnancy of Queen Maria Isabel de Braganza (1797-1818) agreed to give her a pleasure palace that was next to the Embajadores roundabout, the later known Casino de the Queen. The best painters of the court participated in the interior decoration, such as Vicente López, Zacarías González Velázquez, Juan Antonio de Ribera and Juan Gálvez, among others. Precisely to this last artist we attribute this work that could well be the sketch of an official portrait truncated by the premature death of the queen on December 26, 1818. Juan Gálvez was appointed chamber painter by Fernando VII, a position that it held until 1835. Queen María Isabel de Braganza was a great fan of Fine Arts, honorary academic of the Royal Academy of Fine Arts of San Fernando and founder of the Royal Museum of Painting and Sculpture, today the Prado Museum.
Subastas Segre
Dec. 03, 2016
JUAN GALVEZ (1774-1847)
Est: €6,000 - €8,000
JUAN GALVEZ (1774-1847) Maja à l' éventail sur fond de paysage Papier marouflé sur carton 21 x 15,9 cm Maja à l' éventail, vers 1800, Entrée à 20 ans à la cour de Charles IV, Galvez y débute une carrière de peintre décorateur : il participe, après Maella et Bayeux), à la réalisation de plafonds tournoyants pour la Casita del principe où le palais du Prado. Au rétablissement de Ferdinand VII, Calvez, nommé pintor de Camara en 1816, il donne un portrait d' apparat du roi et continue son oeuvre décorative pour les appartements de la nouvelle reine, Marie Isabelle de Bragance. L' autre versant de l' oeuvre est celle de l' illustration. Lors du siège de Saragosse par les troupes napoléoniennes, il se rend sur les lieux et montrera, à travers les 36 gravure des «Ruines de Saragosse», toute l' ampleur «Des désastres de la guerre», à la manière de Goya. Avec Vicente Lopez, il est aussi l' illustrateur de cette satire des moeurs contemporaines qu' est le théâtre de Moratin. Verve qu' il retrouve dans sa peinture de genre, où il croque des types populaires dans le particularisme de leurs costumes et de leurs coutumes : ainsi de ses portraits, sans doute destinés à la gravure, de la danseuse du matador, du Majo d' Andalousie, du paysan de Léon ou de la guitariste. De petit format, ces images que les touristes rapportent d' Espagne comme on en rapporte d' Italie des vedettes, sont à l' origine du costumbrismo, cet exotisme national que le romantisme remettra à la mode. Mantille de dentelles, justaucorps serré, jupe noire traditionnelle la Basquinanotre Maja à l' éventail rappelle ses élégantes du peuple, qui, à la fin du XVIIIe siècle, arborent fièrement le costume espagnol que l' aristocratie elle-même adoptera, en réaction aux apports extérieurs d' une mode «à la française». Figure que Goya n' a cessé de peindre, depuis ses cartons de tapisserie jusqu' au fameux pendant - Maja dessouda, Maja vestida qui donna à ce personnage populaire ses lettres de noblesse, en s' inscrivant dans la grande tradition du nu vénitien et de Vélazquez. De Goya, Galvez retrouve ici la touche libre et rapide, apte à rendre la légèreté des étoffes est à saisir le modèle dans le mouvement naturel de sa pause, et cette palette assourdie de noirs et de gris que rehaussent, çà et là, les blancs qui mettent en valeur les accessoires de la toilette : L' éventail, les longs gants, les souliers fins, comme chez le maître, sur un fond vaporeux qui couvre à peine la toile, se détache, gravure de mode, cette silhouette réduite à l' essentiel de ses lignes. 1. R. Kasl et S. Stratton, Painting in Spain in the Age of Enlightment, IndianapolisNew York, 19961997, numéro 6366, page 127128 pages 281283.
HVMC - Hôtel des Ventes de Monte-Carlo
Sep. 21, 2005
Juan Galvez (Spanish, 1774-1847)
Est: £1,500 - £2,000
Twelve oils of Spanish characters, including; A girl with a guitar in traditional dress; A man smoking a cigar; Valencian watercarrier; A Spanish postman; A malateer; A peasant of Leon; A dancer in Maja dress; A Sevillian majo; A Sevillian cabriolet driver; A matador; Female peasant of old Castilla; Male dancer in Maja dress all inscribed with details (on the reverse) the former two are oil on panel, the latter ten are oil on board the former two are 10 1/4 x 7 5/8 in. (26 x 19.3 cm.); the latter ten are 9 x 7 in. (22.8 x 17.8 cm.) 12 in the lot (12)
Christie's