KARL SHOLOMOVICH FRIDMAN Sold at Auction Prices

b. 1926 - d. 2001

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    • KARL SHOLOMOVICH FRIDMAN | Frosty Morning in Izmailovo
      Jun. 05, 2018

      KARL SHOLOMOVICH FRIDMAN | Frosty Morning in Izmailovo

      Est: £4,000 - £6,000

      oil on cardboard laid on plywood

      Sotheby's
    • KARL SHOLOMOVICH FRIDMAN | Red Corner
      Jun. 05, 2018

      KARL SHOLOMOVICH FRIDMAN | Red Corner

      Est: £2,500 - £3,500

      oil on paper laid on board

      Sotheby's
    • FRIDMAN Karl Sholomovich 1926-2001
      Feb. 08, 2018

      FRIDMAN Karl Sholomovich 1926-2001

      Est: €1,000 - €1,200

      FRIDMAN Karl Sholomovich 1926-2001 Landscape Oil on panel signed lower right 55 x 70 cm

      The Bru Sale Gallery
    • KARL SHOLOMOVICH FRIDMAN | The Pond at Velegozh
      Jun. 06, 2017

      KARL SHOLOMOVICH FRIDMAN | The Pond at Velegozh

      Est: £3,000 - £5,000

      oil on cardboard

      Sotheby's
    • Karl Sholomovich Fridman, (Russian, b. 1926), Portrait of a Nude
      Feb. 24, 2008

      Karl Sholomovich Fridman, (Russian, b. 1926), Portrait of a Nude

      Est: $10,000 - $15,000

      Karl Sholomovich Fridman (Russian, b. 1926) Portrait of a Nude oil on canvas laid on board signed in Cyrillic (lower right) 34 x 21 inches.

      Hindman
    • KARL SHOLOMOVICH FRIDMAN, B.1926
      Dec. 01, 2005

      KARL SHOLOMOVICH FRIDMAN, B.1926

      Est: £35,000 - £45,000

      ON THE BALCONY 132 by 94cm., 52 by 37in. signed in Cyrillic l.l. (possibly later) and dated 56 oil on canvas LITERATURE Literature: M.Lazarov and M.Ivanov, Karl Fridman: zhivopis' -- grafika, Galart: Moscow, 1992 (illustrated) NOTE The image of two young girls gazing out onto the lights of Moscow on a warm, summer's evening has been likened to 'the light of a star which has long gone out' (Lazarov, 1992). It portrays a moment suspended in time, which has been captured with great tenderness and nostalgia. Like the work of his friend and fellow Moscow artist, Viktor Popkov, Fridman's compositions are strongly figurative; his landscapes and cityscapes are very much subjective representations, onto which he has superimposed the emotions of those people who inhabit them. Unusually for an artist who liked to sketch quickly from nature en plein air, this work from 1956 was painted over a long period and stylistically stands in contrast to the freer brushwork of his later compositions. The fact that it hung, undiscovered, in his studio for thirty-five years suggests that Fridman felt particularly attached to it. Olga Nikolaevna, Queen of Würtemburg (1822-92)

      Sotheby's
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