Tom Forrestall Paintings & Artwork for Sale | Tom Forrestall Art Value Price Guide

Oct. 10, 2024
Thomas De Vany Forrestall, RCA (b. 1936), UNTITLED (PUDDLE)
Est: $800 - $1,200
Thomas De Vany Forrestall, RCA (b. 1936), Canadian UNTITLED (PUDDLE) signed lower right Estimate: $800—1,200 CAD
Waddington's
Oct. 10, 2024
Thomas De Vany Forrestall, RCA (b. 1936), ABOVE THE MARSHLANDS
Est: $5,000 - $7,000
Thomas De Vany Forrestall, RCA (b. 1936), Canadian ABOVE THE MARSHLANDS signed lower left; signed and titled verso Estimate: $5,000—7,000 CAD
Waddington's
Jul. 31, 2024
Thomas de Vany Forrestall, Canadian (1936-), Untitled - White Church, watercolour, 14 1/4 x 19 1/8 in. (36.2 x 48.6 cm)
Est: $700 - $900
Thomas de Vany Forrestall Canadian, (1936- ) Untitled - White Church watercolour signed
Maynards Fine Art & Antiques
Jan. 20, 2024
Tom Forrestall Canada Wood Chopping Watercolor
Est: $100 - $15,000
Tom Forrestall (Canada, 1936 - ), framed watercolor painting of chopped wood in front of a country house, signed lower right. MEasures 12.5 inches H x 19.5 W within matting, framed 21.5 inches x 28.
Kavanagh Auctions
Dec. 09, 2023
THOMAS DE VANY FORRESTALL ( Canadian 1936 - ) Untitled - Plant below Window
Est: $800 - $1,200
THOMAS DE VANY FORRESTALL ( Canadian 1936 - ) Untitled - Plant below Window
Westbridge Fine Art Auction House
Dec. 09, 2023
THOMAS DE VANY FORRESTALL RCA ( Canadian 1936 - ) Untitled - Front Porch
Est: $800 - $1,200
THOMAS DE VANY FORRESTALL RCA ( Canadian 1936 - ) Untitled -Front Porch
Westbridge Fine Art Auction House
Nov. 16, 2022
Thomas de Vany Forrestall, Canadian (1936-), Catching, lithograph, 17 1/2 x 26 in. (44.45 x 66.04 cm.)
Est: $150 - $250
Thomas de Vany Forrestall Canadian, (1936-) Catching lithograph signed and dated 1980.
Maynards Fine Art & Antiques
Jun. 15, 2020
Forrestall, Thomas de Vany - Blackberry Blossoms
Est: $400 - $600
Forrestall, Thomas de Vany (1936-) Blackberry Blossoms Description (FR): Aquarelle sur papier, signée en bas à droite Tom Forrestall Étiquette de Malborough-Godard au dos Description (EN): Watercolour on paper, signed on lower right Tom Forrestall Malborough-Godard label on the back Dimension (PO): 15 x 20 Dimension (CM): 38.10 x 50.80 cm Rapport de condition: Sur demande, nous nous ferons un plaisir de répondre à vos questions de manière détaillée. Condition report: Upon request, We will gladly answer all your inquiries in a detailed manner.
Champagne Auctions
May. 16, 2020
TOM FORRESTALL - Untitled - Car on Wharf
Est: $300 - $400
TOM FORRESTALL (Canadian, 1936-) "Untitled - Car on Wharf" - Limited edition serigraph 49/150. Signed lower right, editioned lower left, unframed. 18.5 x 27 in (image); 22 x 30 (paper)
Saskatchewan Network for Art Collecting
Mar. 28, 2020
Tom De Vany Forestall, Ebb-Tide and Waiting
Est: $1,000 - $1,200
Thomas DeVany Forrestall, C.M., O.N.S., B.F.A. LL.D., RCA was born in Middleton Nova Scotia, in 1936. Forrestall's family later moved to Dartmouth which allowed him to attend Saturday morning art classes at the Nova Scotia College of Art in Halifax in the 1940s. In 1954, Forrestall was awarded a scholarship to the Fine Arts department at Mount Allison University, where he studied with Lawren P. Harris and Alex Colville. He graduated in 1958 and received one of the first Canada Council grants for independent study which provided him with the opportunity to travel throughout Europe. Upon his return he became assistant curator of the Beaverbrook Art Gallery. He has been a freelance artist since 1960. Forrestall’s art has been classified as Magic Realism – an imprecise term often used to describe the work of a coterie of east-coast Canadian painters who emerged after the Second World War (Alex Colville, Christopher Pratt, Mary Pratt). Although their geographic roots, styles and vocabularies were similar, these artists applied themselves differently, each adapting naturalism in a personal way. As an artist, Tom Forrestall is one of the leading figures associated with the visual arts of the Maritime region. His work has been exhibited and represented in every major public collection in the region and beyond, as well as in solo exhibitions in many prominent galleries worldwide. His art has been reproduced in numerous histories of Canadian art and is featured in ‘High Realism in Canada’ the 1974 book by Paul Duval. Two monographs on his paintings have been published, ‘Shaped by This Land (1974) and ‘Returning the Favour: Vision For Vision (1992).
4th Meridian Fine Art
Feb. 22, 2020
Thomas De Vany Forrestall, Untitled (Holding an Arrowhead)
Est: $2,000 - $3,000
Thomas DeVany Forrestall, C.M., O.N.S., B.F.A. LL.D., RCA was born in Middleton Nova Scotia, in 1936. Forrestall's family later moved to Dartmouth which allowed him to attend Saturday morning art classes at the Nova Scotia College of Art in Halifax in the 1940s. In 1954, Forrestall was awarded a scholarship to the Fine Arts department at Mount Allison University, where he studied with Lawren P. Harris and Alex Colville. He graduated in 1958 and received one of the first Canada Council grants for independent study which provided him with the opportunity to travel throughout Europe. Upon his return he became assistant curator of the Beaverbrook Art Gallery. He has been a freelance artist since 1960. Forrestall’s art has been classified as Magic Realism – an imprecise term often used to describe the work of a coterie of east-coast Canadian painters who emerged after the Second World War (Alex Colville, Christopher Pratt, Mary Pratt). Although their geographic roots, styles and vocabularies were similar, these artists applied themselves differently, each adapting naturalism in a personal way. As an artist, Tom Forrestall is one of the leading figures associated with the visual arts of the Maritime region. His work has been exhibited and represented in every major public collection in the region and beyond, as well as in solo exhibitions in many prominent galleries worldwide. His art has been reproduced in numerous histories of Canadian art and is featured in ‘High Realism in Canada’ the 1974 book by Paul Duval. Two monographs on his paintings have been published, ‘Shaped by This Land (1974) and ‘Returning the Favour: Vision For Vision (1992).
4th Meridian Fine Art
Feb. 08, 2020
Watercolour by Tom Forrestall
Est: $1,000 - $1,500
Canadian. Forrestall, Tom (1936-). Watercolour. Signed lower right. Titled, "Spring 1971". Sight 19" x 14.25". Don Pero Collection. $1000/1500.
Miller & Miller Auctions Ltd.
Dec. 15, 2019
THOMAS DE VANY FORRESTALL ACRYLIC ON GESSO, 1967
Est: $200 - $400
THOMAS DE VANY FORRESTALL, (CANADIAN, B. 1936) ACRYLIC ON GESSO, 1967, H 33", L 25" Depicting the wood siding of a structure. Artist's signature and date to the lower right. Frame measures H 38" x L 31". Roberts Gallery, Toronto label.
DuMouchelles
Nov. 15, 2019
Thomas de Vany Forrestall, Canadian (1936- ), Well Known Places, suite of five lithographs, #21/145, 22 x 30 in. (55.9 x 76.2 cm)
Est: $700 - $900
signed and dated 1980
Maynards Fine Art & Antiques
Sep. 24, 2019
FORRESTALL, TOMAS DEVANY - ON THE LAKE - 1979
Est: $700 - $900
Forrestall, Tomas DeVany (1936-) On The Lake (1979) Crayon et aquarelle sur papier, titrée et datée au dos, signée en bas à droite Tom Forrestall Pencil and watercolour on paper, titled and dated on the back, signed on lower right Tom Forrestall 14 1/2'' x 19 1/2'' - 36.8 x 49.5 cm Rapport de condition : Sur demande, nous nous ferons un plaisir de répondre à vos questions de manière détaillée. Condition Report : Upon request, We will gladly answer all your inquiries in a detailed manner.
Champagne Auctions
Jul. 10, 2019
Thomas de Vany Forrestall, Canadian (1936- ), Well Known Places, suite of five lithographs, #21/145, 22 x 30 in. (55.9 x 76.2 cm)
Est: $800 - $1,200
signed and dated 1980
Maynards Fine Art & Antiques
Dec. 13, 2018
Thomas de Vany Forrestall (b. 1936)
Est: £300 - £500
Thomas de Vany Forrestall (b. 1936) Bay of Fundy tempera on gessoed panel 10 x 10 in. (25.4 x 25.4 cm.)
Christie's
May. 28, 2018
THOMAS DE VANY FORRESTALL, A.R.C.A., THE SECRET PLACE, egg tempera on board, 31 ins x 29 ins; 78.7 cms x 73.7 cms
Est: $5,000 - $7,000
THOMAS DE VANY FORRESTALL, A.R.C.A.THE SECRET PLACEsigned, titled and dated 1981 on the reverse31 ins x 29 ins; 78.7 cms x 73.7 cmsProvenance:Glendon Gallery, TorontoPrivate Collection, TorontoExhibited:Canadian Cultural Centre, Rome, 1983 and Habemi Centre Gallery, Tel Aviv, 1984.Literature:Tom Smart, Tom Forrestall: Paintings, Drawings, Writings, Key Porter Books, Toronto, 2008, page 21, 56, 69.Note:Thomas Forrestall (b.1936) has been described as an artist who “paints the Maritime soul”. His love and talent for the arts was fostered by creative parents from a young age. By 1954 Forrestall was enrolled in the fine arts programme at Mount Allison University where he was taught by Lawren P. Harris and Alex Colville. A successful watercolourist, he was introduced to the medium of egg tempera while at university and by 1968 this was his chosen medium and one that can be exceptionally demanding. The underdrawing and a clear understanding of how colours interact provide the critical backbone upon which small, careful and controlled brushstrokes are applied to create the finished work. Forrestall became so skilled in tempera that his work is often compared to photorealism, an association he disliked, however, as he attempted to evoke a feeling and mood beyond realist objectivity. An excerpt from a letter from the artist to the owner, dated 27 November 1989: “The Secret Place is indeed a real place, near Hampton on the Bay of Fundy, near where I was born and grew up in Annapolis Valley... The painting has long been a favourite of mine and my wife Natalie. It has been in many exhibitions over the years from Israel to Florida and even Transylvania (sic).!! There are several sketches, watercolour and studies for the work. One still has the fold mark down the middle when I took it to Milan to do 2 colour lithography of the “Secret Place”… The dynamics of a shape that a painting takes is very, very important for me. It is part of the creative whole and very much contributes to its idea and “Life of its own”. I wish I could convince a major public gallery to go into this whole area of the shaped carrier for painting. The rectangle is just another shape but to use it for all painting is a mindless convention. Canada could lead the art world in a whole art movement if support for this idea was given by a major public gallery such as the Art Gallery of Ontario. I’ve made a study of the shaped panting for over twenty-five years and have a great deal of writing on the subject. (This lot) is a perfect example of the idea of and the shape working together… This painting took about a month to do. It is hard to pinpoint time as I leave works for a “rest” period and go on with another painting sometimes having 3 or 4 on the go…”Estimate: $5,000—7,000
Waddington's
Mar. 15, 2018
THOMAS DE VANY FORRESTALL, A.R.C.A. (PORTFOLIO), WELL KNOWN PLACES, 22 ins x 30 ins; 55.9 cms x 76.2 cms
Est: $1,000 - $1,500
THOMAS DE VANY FORRESTALL, A.R.C.A. (PORTFOLIO)WELL KNOWN PLACESsuite of 5 lithographs; published by Madison Gallery, Toronto, 1980, printed in La Spiral Print Studio, Milan. All signed, titled, dated 1980 and numbered 124/145 in pencil in the lower margin. Unframed.1. Waterfalls2. The Boat Club3. Catching4. Big Pine5. Startled Dog 22 ins x 30 ins; 55.9 cms x 76.2 cms Estimate: $1,000–1,500
Waddington's
Mar. 15, 2018
THOMAS DE VANY FORRESTALL, A.R.C.A., WATERFALL, watercolour, 15 ins x 22.5 ins; 38.1 cms x 57.2 cms
Est: $1,000 - $1,500
THOMAS DE VANY FORRESTALL, A.R.C.A.WATERFALLwatercoloursigned 15 ins x 22.5 ins; 38.1 cms x 57.2 cms Provenance:Private Collection, Nova ScotiaEstimate: $1,000–1,500
Waddington's
Nov. 20, 2017
THOMAS DE VANY FORRESTALL, A.R.C.A., OUT ON THE HEADLANDS / FALLEN RIDER / STARTLED HORSE, egg tempera on (shaped) gessoed board, 20 ins x 25.75 ins; 50.8 cms x 65.4 cms
Est: $4,000 - $6,000
THOMAS DE VANY FORRESTALL, A.R.C.A.OUT ON THE HEADLANDS / FALLEN RIDER / STARTLED HORSEegg tempera on (shaped) gessoed boardsigned; also signed, titled and dated “Autumn 2003” on the reverse 20 ins x 25.75 ins; 50.8 cms x 65.4 cms Provenance:Kinsman Robinson Galleries, TorontoPrivate Collection, British ColumbiaOn the reverse of this lot, three possible titles have been suggested by Thomas Forrestall (b.1936), however, a note on the reverse from the artist further encourages the viewer to “Give it your own title”. Forrestall also provides the following information there: “Horses are wonderful. They draw me to them, not to ride or own but to be a witness. Many years ago I saw a rider take a tumble from a horse. No one was hurt but the incident stayed with me. I was a witness. As with most of what I create, standing back and taking it all in, one thing piles upon another, and then 2 or 3 more join up in my imagination and I get going. “Imagination is greater than knowledge” A great quote from someone, and it so applies in creating art. If you don’t know the thing too well there’s room for imagination and poetry (in paint) to take over and carry the whole thing off. Too much knowledge would stifle the art and the mystery of it all. Too much knowledge would turn me off, turn me against it. There’s a magic point in preliminary studies where there’s not too much actual facts that would dampen inspiration but enough to light the fire and behold the vision aglow. For better or worse I must make the creation my own. Too much knowledge, like a photograph, robs me of this possession, this control. I must occupy it. My painting sometimes uses photographs but they never, thank heaven, look like one... Distance has always been an ingredient in my art. There’s always a personal connection to what I do. This is important but distance has to be there... Know too much and knowledge rules. Whenever I start to paint it’s done with no idea how to do it, or how it will finish.”Please note the painting is trapezoidal. The width provided in the catalogue entry reflects the narrower (top) end of the painting. The measurement at the base is 35 1/2 inches.Estimate: $4,000–6,000
Waddington's
Nov. 09, 2017
THOMAS (TOM) DE VANY FORRESTALL (CANADIAN, 1936-), UNTITLED (FIRST SNOW), HANDCOLOURED LITHOGRAPH; SIGNED AND INSCRIBED “Handcoloured” 5/7 (Tondo, 17.8”) (Full frame size, 33” x 24.5”)
Est: $125 - $175
THOMAS (TOM) DE VANY FORRESTALL (CANADIAN, 1936-), UNTITLED (FIRST SNOW), HANDCOLOURED LITHOGRAPH; SIGNED AND INSCRIBED “Handcoloured” 5/7 (Tondo, 17.8”) (Full frame size, 33” x 24.5”)
Waddington's
Nov. 21, 2016
THOMAS DE VANY FORRESTALL, A.R.C.A., ALONG THE FENCE, 1969, egg tempera on gessoed board, 20 ins x 20 ins; 50.8 cms x 50.8 cms
Est: $5,000 - $7,000
THOMAS DE VANY FORRESTALL, A.R.C.A.ALONG THE FENCE, 1969egg tempera on gessoed boardsigned; also signed, titled and dated on the reverse, framed as a tondo 20 ins x 20 ins; 50.8 cms x 50.8 cms Provenance:Galerie Walter Klinkhoff Inc., Montreal Private Collection, MontrealExhibited:Tom Forrestall, The Beaverbrook Art Gallery, Fredericton, N.B. July-Sept 1971, no.28 and circulated to other galleries including Mendel Art Gallery; the Art Gallery of Greater Victoria; the University of Alberta; the Art Gallery of Windsor; the Montreal Museum of Fine Arts and the Winnipeg Art Gallery.Tom Forrestall, Centre Culturel Canadien, Paris, Nov 16-26, 1972, no.11.Tom Forrestall Retrospective Exhibition (1957-1978), Owens Art Gallery, Mount Allison, 1978; also exhibited at the Art Gallery of Nova Scotia; Saidye Bronfman Centre, Montreal; Art Gallery of Hamilton; The Glenbow Museum, Calgary; Mendel Gallery, Saskatoon; Victoria Art Gallery and the Beaverbrook Art Gallery, Fredericton.Literature:Tom Smart, Tom Forrestall: Paintings, Drawings, Writings, Key Porter Books, Toronto, 2008, pages 58-59.Tom Forrestall Retrospective Exhibition (1957-1978) (catalogue), Owens Art Gallery, Mount Allison, New Brunswick, 1978, outside back cover for this work, reproduced in colour. Note:Tom Smart writes: “Forrestall’s paintings of the late 1960s certainly show him as the diarist of the everyday, adept at representing texture and minute details - the truth of the subject.” Along the Fence, 1969 depicts the typical rather than the extraordinary, and epitomizes what one curator (referenced by Mr. Smart) has described as “the introspective expression of a man who delights in vivid reality.”Estimate: $5,000–7,000
Waddington's
May. 30, 2016
THOMAS DE VANY FORRESTALL, A.R.C.A., THE EAST ROOM, 1965, egg tempera on masonite, 30 ins x 36 ins; 76.2 cms x 91.4 cms
Est: $5,000 - $7,000
THOMAS DE VANY FORRESTALL, A.R.C.A.THE EAST ROOM, 1965egg tempera on masonitesigned and titled on the reverse 30 ins x 36 ins; 76.2 cms x 91.4 cms Provenance:Walter Klinkhoff Gallery, MontrealBiferali Fine Art, MontrealPrivate Collection, MontrealExhibited:Beaverbrook Art Gallery, Fredericton, cat. #4.Literature:Paul Duval, High Realism in Canada, Clarke, Irwin & Company Limited, Toronto / Vancouver, 1974, page 91. Tom Smart, Tom Forrestall: Paintings, Drawings and Writings, Key Porter Books Limited, Toronto, 2004.Note:Tom Forrestall is a leading figure of High, or Magic, Realism in Canada. This genre became closely associated with Mount Alison through Forrestall, Alexander Colville and Christopher Pratt. Paul Duval notes the medium of egg tempera is well suited to the “detailed and deliberate sort of realist paintings (Forrestall) was ambitious to produce.” Duval continues: “Like other realists, Forrestall has had to fight against a tide of abstract and pop art which was particularly strong during the 1960s.”That Forrestall was the subject of a major retrospective and monograph in 2004, attests to the merit of that struggle.
Waddington's
Mar. 17, 2016
THOMAS DE VANY FORRESTALL, A.R.C.A., CROW SIGHTED, 1976, egg tempera on shaped board, unframed, Overall 22 ins x 25 ins; 66 cms x 73.7 cms
Est: -
THOMAS DE VANY FORRESTALL, A.R.C.A.CROW SIGHTED, 1976egg tempera on shaped board, unframedsigned; also signed, titled and dated 1976 on the reverse Overall 22 ins x 25 ins; 66 cms x 73.7 cms Provenance:Private Collection, Nova ScotiaEstimate: $2,500–3,000
Waddington's
Mar. 05, 2015
THOMAS DE VANY FORRESTALL, A.R.C.A., SUSAN JANE AT LOW TIDE, watercolour, 15 ins x 20 ins; 38.1 cms x 50.8 cms
Est: -
THOMAS DE VANY FORRESTALL, A.R.C.A.SUSAN JANE AT LOW TIDEwatercoloursigned and dated '73; also signed, titled, dated "Nov. 1973" and inscribed "painted in Annapolis Royal, Nova Scotia" and further inscribed "The boats tied up in Annapolis Royal. When I was very small, I remember this warf (sic) and driving out on it in Dad's old car, with the big headlights and even today this warf (sic) brings back all of the greatest memories", on the reverse 15 ins x 20 ins; 38.1 cms x 50.8 cms Provenance:Private Collection, TorontoEstimate: $1,000-1,500
Waddington's
Nov. 24, 2014
THOMAS DE VANY FORRESTALL, A.R.C.A., THE CHASER, egg tempera on shaped masonite, 33 ins x 23.25 ins; 83.8 cms x 59.1 cms
Est: $4,000 - $5,000
THOMAS DE VANY FORRESTALL, A.R.C.A.THE CHASERegg tempera on shaped masonitesigned and titled on the reverse 33 ins x 23.25 ins; 83.8 cms x 59.1 cms Provenance:Roberts Gallery Limited, TorontoLiterature:Ian G. Lumsden, Douglas Scott Richardson, Tom and Natalie Forrestall, Shapes of the paintings interest me as an integral part of the work, Beaverbrook Art Gallery, Fredericton, 1971, page 3.Tom Smart, Tom Forrestall: Paintings, Drawings, Writings, Key Porter Books, Toronto, 2008, page 61 for a closely related work entitled Preparation for the Pig, 1969, reproduced in colour.Note:In a style sometimes classified as Magic Realism, Tom Forrestall documents space, light & shade, and subjects like a historian. The content and contours of Forrestall's shaped panels heighten the viewer's response through their intrinsic blending of composition and emotion. As Ian Lumsden states, "Shape is all-important and unimportant to Tom Forrestall. The shapes of things inside the panels are what matter: these are the forms that embody meaning. But the shaping of the panel relates to the shape of things. Sometimes the subject precedes the shape, and the panel is fashioned to suit the painting; sometimes the subject of the painting is found to suit the shape of the panel already on hand."
Waddington's
Oct. 28, 2014
THOMAS DE VANY FORRESTALL (CANADIAN, 1936-), "RUN OFF" NO. 3, WATERCOLOUR; SIGNED AND DATED 1974 LOWER LEFT; SIGNED, TITLED VERSO - WITH INSCRIPTION - ONE OF SEVERAL STUDIES FOR EGG TEMPERA - PAINTED AT UPPER CLEMENTS, NOVA SCOTIA (Sight, 14" x 19")
Est: -
THOMAS DE VANY FORRESTALL (CANADIAN, 1936-)"RUN OFF" NO. 3WATERCOLOUR; SIGNED AND DATED 1974 LOWER LEFT; SIGNED, TITLED VERSO - WITH INSCRIPTION - ONE OF SEVERAL STUDIES FOR EGG TEMPERA - PAINTED AT UPPER CLEMENTS, NOVA SCOTIA (Sight, 14" x 19")Estimate: $700-900
Waddington's
Mar. 23, 2014
Thomas Forrestall The Falling Lamp
Est: $9,000 - $12,000
The Falling Lamp
Westbridge Fine Art Auction House
Dec. 04, 2013
TOM FORRESTALL
Est: $1,200 - $1,600
CANADIAN, born 1936; On Hanwell Road; Watercolour & gouache with scratching-out, signed; titled on reverse. 15 x 19.5 in, 38 x 49.5 cm; Provenance: Morrison Art Gallery, St. John, N.B
Walker's
Jun. 03, 2013
THOMAS DE VANY FORRESTALL, A.R.C.A., THE BUSH, HORIZON #3, egg tempera, 20 ins x 36 ins; 50 cms x 90 cms
Est: $2,500 - $3,500
THOMAS DE VANY FORRESTALL, A.R.C.A. THE BUSH, HORIZON #3, egg tempera; signed and dated 1973 20 ins x 36 ins; 50 cms x 90 cms Provenance: Roberts Gallery, Toronto.Private Collection, Pennsylvania.Note: This work was painted at Upper Clements, Nova Scotia, and depicts the bush in the woods behind the artist's house.
Waddington's
Mar. 14, 2013
THOMAS DE VANY FORRESTALL, A.R.C.A.
Est: $2,000 - $3,000
THOMAS DE VANY FORRESTALL, A.R.C.A. THE BEACH AT ANNAPOLIS, 1980, watercolour; signed; unframed 19 ins x 29 ins; 47.5 cms x 72.5 cms
Waddington's
Feb. 28, 2013
THOMAS DE VANY FORRESTALL (CANADIAN, 1936-)
Est: $700 - $800
THOMAS DE VANY FORRESTALL (CANADIAN, 1936-) A.R.C.A. RUSHING BROOK; WATERCOLOUR; SIGNED LOWER LEFT; TITLED AND DATED PAINTED IN QUEBEC, SEPT 1972 Sight 15" x 20" - 37.5 x 50 cm.
Waddington's
Sep. 13, 2012
THOMAS DE VANY FORRESTALL, A.R.C.A. PARK (ROME,
Est: $2,000 - $3,000
THOMAS DE VANY FORRESTALL, A.R.C.A. PARK (ROME, CHRISTMAS), egg tempera on board; signed and dated 1975 26 ins x 26 ins; 65 cms x 65 cms Provenance: Manuge Galleries Limited, Halifax. Private Collection, Ontario.
Waddington's
Jun. 28, 2012
Thomas de Vany Forrestall 1936 - Canadian oil on
Est: $2,000 - $3,000
Thomas de Vany Forrestall 1936 - Canadian oil on board Early Spring 12 x 15 1/2 inches 30.5 x 39.4 centimeters signed and dated 1963 and on verso signed, titled and dated Provenance:Private Collection, Toronto
Heffel
May. 25, 2012
THOMAS DE VANY FORRESTALL, A.R.C.A. STONE WALL, acrylic on board; signed 16 ins x 24 ins; 40 cms x 60 cms
Est: $3,000 - $4,000
THOMAS DE VANY FORRESTALL, A.R.C.A. STONE WALL, acrylic on board; signed 16 ins x 24 ins; 40 cms x 60 cms
Waddington's
Mar. 15, 2012
THOMAS DE VANY FORRESTALL (CANADIAN, 1936-) THE
Est: $1,000 - $1,500
THOMAS DE VANY FORRESTALL (CANADIAN, 1936-) THE SWIMMING PLACE; WATERCOLOUR; SIGNED LOWER RIGHT; TITLED VERSO Sight 14.5" x 21" - 36.8 x 53.3 cm.
Waddington's
Feb. 23, 2012
Thomas de Vany Forrestall 1936 - Canadian egg tempera on gessoed panel The Young Indian
Est: $2,500 - $3,500
Thomas de Vany Forrestall 1936 - Canadian egg tempera on gessoed panel The Young Indian 9 x 20 inches 22.9 x 50.8 centimeters signed and on verso signed, titled and inscribed ""329 University Ave., Fredericton, N.B."" Provenance:Roberts Gallery, Toronto By descent to the present Private Estate, Toronto
Heffel
Sep. 25, 2011
Thomas De Vany Forrestall Sunflowers
Est: $700 - $900
Sunflowers
Westbridge Fine Art Auction House
Sep. 25, 2011
Thomas De Vany Forrestall Leaf Study
Est: $700 - $900
Leaf Study
Westbridge Fine Art Auction House
Aug. 03, 2011
THOMAS DE VANY FORRESTALL, American, b. 1936, Interior view of a table with jacket, rope and cannister., Watercolor on paper, 13½" x...
Est: $800 - $1,200
THOMAS DE VANY FORRESTALL American, b. 1936 Interior view of a table with jacket, rope and cannister. Appears unsigned. Retains Morris Art Gallery label verso. Watercolor on paper, 13 1/2" x 22" sight. Framed.
Eldred's
Aug. 03, 2011
THOMAS DE VANY FORRESTALL, b. 1936, Interior doorway view., Watercolor on paper, 14" x 19" sight. Framed.
Est: $1,000 - $1,500
THOMAS DE VANY FORRESTALL b. 1936 Interior doorway view. Signed lower left "Tom Forrestall". Morris Art Gallery label verso. Watercolor on paper, 14" x 19" sight. Framed.
Eldred's
Aug. 03, 2011
THOMAS DE VANY FORRESTALL, b. 1936, Winter landscape with outbuilding, Watercolor on paper, 14" x 19¼". Framed.
Est: $1,500 - $2,000
THOMAS DE VANY FORRESTALL b. 1936 Winter landscape with outbuilding and crows flying overhead. Signed lower left "Tom Forrestall". Morrison Art Gallery label verso. Watercolor on paper, 14" x 19 1/4". Framed.
Eldred's
Aug. 03, 2011
THOMAS DE VANY FORRESTALL, b. 1936, Interior view., Watercolor on paper, 13¾" x 18¾" sight. Framed.
Est: $1,000 - $1,500
THOMAS DE VANY FORRESTALL b. 1936 Interior view. Signed upper right "Tom Forrestall". Morrison Art Gallery label verso. Watercolor on paper, 13 3/4" x 18 3/4" sight. Framed.
Eldred's
Aug. 03, 2011
THOMAS DE VANY FORRESTALL, b. 1936, Winter landscape with jugs and washtub., Watercolor on paper, 14" x 19¼". Framed.
Est: $1,200 - $1,800
THOMAS DE VANY FORRESTALL b. 1936 Winter landscape with jugs and washtub. Signed lower left "Tom Forrestall". Retains Morrison Art Gallery label verso. Watercolor on paper, 14" x 19 1/4". Framed.
Eldred's
Jun. 02, 2011
THOMAS DE VANY FORRESTALL, R.C.A. GOAT ISLAND
Est: $1,200 - $1,500
THOMAS DE VANY FORRESTALL, R.C.A. GOAT ISLAND CHURCH, watercolour; signed 14 1/2 ins x 19 1/2 ins; 36.3 cms x 48.8 cms
Waddington's
Jun. 01, 2011
Thomas Forrestall
Est: $1,500 - $2,000
Canadian ~ Born 1936 RCA ONS The Lumber Dealer Watercolour & tempera, signed15 x 20 IN, 38 x 51 CM Provenance: Roberts Gallery, Toronto
Walker's
Nov. 22, 2010
THOMAS DE VANY FORRESTALL, R.C.A.GOAT ISLAND CHURCH
Est: $1,500 - $2,000
THOMAS DE VANY FORRESTALL, R.C.A.GOAT ISLAND CHURCH, watercolour, signed14 1/2 ins x 19 1/2 ins; 36.3 cms x 48.8 cms
Waddington's