Henry Foley Paintings & Artwork for Sale | Henry Foley Art Value Price Guide

Nov. 21, 2024
Henry Foley (1848-1874) St Mary's Cathedral, Plympton, Plymouth signed, o
Est: £50 - £70
Henry Foley (1848-1874) St Mary's Cathedral, Plympton, Plymouth signed, oil on canvas, 24cm x 19.5cm
Bamfords Auctioneers and Valuers Ltd
Nov. 01, 2024
HENRY FOLEY (1840-1874); oil on canvas, figures in Continental village scene, signed, 35 x 24cm, framed.
Est: £80 - £120
HENRY FOLEY (1840-1874); oil on canvas, figures in Continental village scene, signed, 35 x 24cm, framed.
Adam Partridge Auctioneers
Oct. 17, 2024
HENRY FOLEY, VEGETABLE MARKET, VENICE 1880,
Est: $300 - $500
HENRY FOLEY, VEGETABLE MARKET, VENICE 1880, OIL ON BOARD, SIGNED LOWER RIGHT, 35 X 24CM, FRAME SIZE: 60 X 49CM
Leonard Joel
Jun. 20, 2024
Henry Foley (British fl. 1870-1880), Venice from t
Est: £100 - £200
Henry Foley (British fl. 1870-1880), Venice from the Lagoon, oil on canvas, signed lower right, 20 x 25.5cm. Framed Relined, some fine craquelure, retouchings visible under u.v. light,
Ewbank's
Feb. 07, 2024
HENRY FOLEY (BRITISH, 1848-1874) - LANDSCAPE, OIL ON CANVAS.
Est: $300 - $600
Henry Foley (British, 1848-1874) - Landscape, Oil on Canvas. Signed. 61.5x51cm.
Pasarel
Jan. 19, 2024
Henry Foley (British, 1848-1874) Oil on Canvas, "Conntinental Canal Scene", H 10" W 8"
Est: $400 - $700
Signed in the lower left. European canal scene with a cathedral in the background. Having a giltwood and gesso frame, H 14", W 12". Provenance: From the Estate of Prominent Collector, Leon Zielinski, Macomb County, MI
DuMouchelles
Dec. 14, 2023
HENRY FOLEY (BRITISH, 1848-1874) - LANDSCAPE, OIL ON CANVAS.
Est: $300 - $600
Henry Foley (British, 1848-1874) - Landscape, Oil on Canvas. Signed. 61.5x51cm.
Pasarel
Apr. 06, 2023
HENRY FOLEY, BRITISH 1848-1874, EUROPEAN MARKET SCENE, Oil on canvas, 24 x 20 in. (61 x 50.8 cm.), Frame: 29 x 25 in. (73.7 x 63.5 cm.)
Est: $400 - $600
HENRY FOLEY BRITISH, 1848-1874 EUROPEAN MARKET SCENE Oil on canvas Lower right signed: H Foley
Potomack Company
Apr. 08, 2022
Henry Foley (Bristish, fl. 1840-1874) A framed oil on canvas of Edinburgh Castle 34 x 24 cm)
Est: £50 - £70
Henry Foley (Bristish, fl. 1840-1874) A framed oil on canvas of Edinburgh Castle 34 x 24 cm)
Hannam's Auctioneers
Mar. 11, 2022
HENRY FOLEY, STRAssENANSICHT, VERM. EDINBURGH
Est: €450 - €900
HENRY FOLEY 1848 - 1874 Active in Great Britain Street view, prob. Edinburgh Oil on canvas. 61 x 51 cm (F. 88 x 79 cm). Signed lower left 'H. Foley'. Slightly soiled, craquellée. Framed. HENRY FOLEY 1848 - 1874 Taetig in Grobritannien Strassenansicht, verm. Edinburgh OEl auf Leinwand. 61 x 51 cm (R. 88 x 79 cm). Signiert unten links 'H. Foley'. Leicht verschmutzt, Kraquellée. Rahmen.
Hargesheimer Kunstauktionen Düsseldorf
Sep. 27, 2021
John Henry Foley RA RHA (1818-1874) INO AND BACCHUS, 1851
Est: €4,000 - €6,000
John Henry Foley RA RHA (1818-1874) INO AND BACCHUS, 1851 bronze signed and dated lower left h:13 w:20 d:10 in. In 1834 the sixteen-year old John Henry Foley left his native Dublin for London, following in the footsteps of his elder brother Edward, already established at the sculpture workshop of the celebrated Mr Behnes. He enrolled in the school of the Royal Academy and quickly won a studentship for ten years with The Death of Abel. This piece and Innocence, perhaps inspired by his sister Martha, were exhibited at the Royal Academy in 1839 to great acclaim. Foley's talent was recognised by the influential Art Journal. The following year Ino and Bacchus was exhibited, to even greater acclaim.In both subject matter and style it is a neo-classical piece. That is to say it imitates the art of ancient Greece and Rome.The infant Bacchus lies on his back, smiling, reaching for the bunch of grapes dangled above him by the bare- breasted Ino who lies, smiling, at his side and leans over him. The naturalness, charm and wit of the piece affected all who saw it. Prince Albert, the Queen's consort, was enthusiastic.Francis Egerton, Earl of Ellesmere, commissioned a marble copy for his gallery at Bridgewater House. This poet-politician had inherited property worth £90,000 a year and a fabulous collection of paintings. He was sworn to the privy councils of both Britain and Ireland. He translated French and German literature - he was London's equivalent of Macaenas, Rome's great patron of the Arts.Ino and Bacchus marked a turning point in the career of the twenty-two year old from Montgomery Street, Dublin, (Now Foley Street, just north of Talbot Street.) Son of Jesse Foley, glass-blower turned grocer, and Eliza Byrne, from Wicklow. It launched him upon a career-path that led to the heart of Victorian society and major commissions for projects across the imperial globe from Galway to Calcutta.At first sight, Ino and Bacchus offers a domestic scene that might be set anywhere from Moycullen to Mayfair. Foley and Egerton knew there was more to it. Around the couch upon which the figures lie is a kind of frieze displaying leaves, fruit and faces from the pantheon of classical gods. This reminds us that the woman and child in whose play we delight are not figures from a back garden in Kensington but from the harsh, complicated milieu of Greek mythology, which has little to offer in the way of innocence. Ino was one of four daughters of Cadmus, founder of Thebes. She married Athamas, king of Boeotia, when his first spouse Neplele, the cloud goddess, having given birth to Phrixus and Helle, returned to the sky. Ino bore Athamas two sons, Learchus and Melicertes but she was jealous of her stepchildren and plotted their death...Bacchus (Dionysus in his Greek expression) was the son of Ino's sister Semele by Zeus (God-the-father in the Greek pantheon). Ino's nursing Bacchus angered Hera, wife and sister of Zeus. She persuaded Tisiphone, a fury from Hell, to attack Athamas and Ino and drive them mad. Athamas, convinced that Ino and her babies were a lioness and two cubs, tore Learchus from Ino's arms and flung him against a wall. Ino, still holding Melicertes, climbed a cliff near the water and leapt into the sea. But, Aphrodite, Goddess of Love, called on Poseidon, God of the Sea, to change mother and son into sea-creatures...Bacchus, God of Wine (trademark the grape), gives his name in this, its Latinate, form to the Dionysiac orgies - bacchanalia - that accompanied his worship. The ceremonies of Bacchus were marked by ecstatic abandon and included drunkenness, wild dancing and the dismemberment of wild animals. Maenads (female followers of Bacchus) became possessed by the wanton spirit of the God. With satyrs (preternatural male followers of the same) they sang, danced, played music, drank wine and existed in almost perpetual state of sexual excitement. Rome banned bacchanalia in 186 BC. (1)The story of these essential figures of Greek mythology has been told many times in different literatures and represented many times in various ways in the visual arts tradition of Europe. A plaster-cast of the model can be found in the permanent collection of the Royal Dublin Society. Ronan Sheehan, January 2015 Footnote: 1. The mythological data given here is drawn from The Oxford Guide to Classical Mythology in Art. Ronan Sheehan is author of Foley's Asia: A Sketchbook, Lilliput Press, Dublin 1999.
Whyte's
Sep. 14, 2021
Henry Foley (British, 1848-1874) "Fishing by the Mill" Oil on canvas, signed lower right, 36 x 28-1/4 inches
Est: $300 - $500
Henry Foley (British, 1848-1874) "Fishing by the Mill" Oil on canvas, signed lower right, 36 x 28-1/4 inches
Bill Hood & Sons Arts & Antiques Auctions
Dec. 09, 2020
Henry Foley (British, fl.1848-1874)
Est: £200 - £300
Henry Foley (British, fl.1848-1874) The Castle Hill, Edinburgh signed lower left 'H Foley' and inscribed to the reverse 'The Castle Hill / Edinburgh / H. Foley' oil on board 25.5 x 20.5cm Footnote: Provenance: Sotheby’s, Edinburgh, 28th April 1992, lot 121, where acquired by the late husband of the present owner
Cheffins
Oct. 30, 2020
HENRY FOLEY 1848-1874 OIL ON CANVAS Continental s
Est: £150 - £250
HENRY FOLEY 1848-1874 OIL ON CANVAS Continental street scene 60cm high, 49.5cm wide - signed and in gilt moulded frame
Hutchinson Scott Limited
Nov. 11, 2019
ATTRIBUTED TO HENRY FOLEY (ENGLISH, 1848-1874) Untitled (Santa Maria Burgos) oil on canvas
Est: $300 - $500
ATTRIBUTED TO HENRY FOLEY (ENGLISH, 1848-1874) Untitled (Santa Maria Burgos) oil on canvas 29.5 x 45cm
Gibson's
Aug. 06, 2019
ATTRIBUTED TO HENRY FOLEY (ENGLISH, 1848-1874) Untitled (Santa Maria Burgos) oil on canvas
Est: $400 - $600
ATTRIBUTED TO HENRY FOLEY (ENGLISH, 1848-1874) Untitled (Santa Maria Burgos) oil on canvas 29.5 x 45cm
Gibson's
Apr. 28, 2019
ATTRIBUTED TO HENRY FOLEY (ENGLISH, 1848-1874) Untitled (Santa Maria Burgos) oil on canvas
Est: $400 - $600
ATTRIBUTED TO HENRY FOLEY (ENGLISH, 1848-1874) Untitled (Santa Maria Burgos) oil on canvas 29.5 x 45cm
Gibson's
Mar. 07, 2019
Henry Foley, UK, 1848-1874, Antwerp Cityscape, 19th Century, Oil on Panel, 20" x 16" Actual, 27.25" x 23.5" Framed
Est: $300 - $400
Henry Foley UK, 1848-1874 Antwerp Cityscape, 19th Century Oil on Panel Signed lower right. Original Frame, inscribed: "Antwerp." H.J. Foley 20" x 16" Actual, 27.25" x 23.5" Framed
Barridoff Auctions
Jan. 20, 2019
HENRY FOLEY OIL ON CANVAS DUTCH STREET SCENE
Est: $500 - $1,000
HENRY FOLEY (UK, 1848-1874), OIL ON CANVAS, H 14", W 10" DUTCH STREET SCENE :Signed on verso. "Hotel de ville Holdorstrad" Street scene with city hall. Frame 19" x 15".
DuMouchelles
Nov. 28, 2018
Henry Foley (1848-1874) British. A Continental Street Scene with Figures and a Cart, Oil on Canvas, Signed, and Indistinctly Inscribed on reverse, 14.25" x 10.25".
Est: £150 - £200
Henry Foley (1848-1874) British. A Continental Street Scene with Figures and a Cart, Oil on Canvas, Signed, and Indistinctly Inscribed on reverse, 14.25" x 10.25".
John Nicholson's Fine Art Auctioneers & Valuers
Oct. 27, 2018
Henry Foley, UK, 1848-1874, Antwerp Cityscape, 19th Century, Oil on Panel, 20" x 16" Actual, 27.25" x 23.5" Framed
Est: $400 - $600
Henry Foley UK, 1848-1874 Antwerp Cityscape, 19th Century Oil on Panel Signed lower right. Original Frame, inscribed: "Antwerp." H.J. Foley 20" x 16" Actual, 27.25" x 23.5" Framed
Barridoff Auctions
Sep. 19, 2018
Henry Foley (British 1848-1874)/Continental Townscape/signed/oil on canvas, 25cm x 20cm
Est: £300 - £400
Henry Foley (British 1848-1874)/Continental Townscape/signed/oil on canvas, 25cm x 20cm
Chorley's
Sep. 12, 2018
HENRY FOLEY (1848-1874) British Figures in Continental Street Scenes Oils o
Est: £300 - £500
HENRY FOLEY (1848-1874) British Figures in Continental Street Scenes Oils on canvas, signed, framed. 25 x 35 cm. (a pair) (2)
Rowley Fine Art Auctioneers and Valuers
Jun. 28, 2018
Henry Foley (1848-1874), WEST BOW. EDINBURGH, 1864, Oil on canvas laid down to masonite board; inscribed “H. Foley”, titled and dated “64” in black marker to the masonite verso, 16 x 20 in — 40.6 x 50.8 cm
Est: $500 - $700
HENRY FOLEY (1848-1874), BRITISHWEST BOW. EDINBURGH, 1864Oil on canvas laid down to masonite board; inscribed “H. Foley”, titled and dated “64” in black marker to the masonite verso16 x 20 in — 40.6 x 50.8 cmEstimate: $500—700
Waddington's
May. 23, 2018
Henry Foley (1848-1874) British. A Continental Town Scene, Oil on Canvas, Signed, and Indistinctly Inscribed on reverse, 8" x 10".
Est: £150 - £200
Henry Foley (1848-1874) British. A Continental Town Scene, Oil on Canvas, Signed, and Indistinctly Inscribed on reverse, 8" x 10".
John Nicholson's Fine Art Auctioneers & Valuers
May. 31, 2017
Henry Foley Reino Unido 1848 - 1874 View of Lord Leycester Hospital, Warwick
Est: €500 -
Henry Foley Reino Unido 1848 - 1874 View of Lord Leycester Hospital, Warwick Oil paint on canvas Firmado. En el reverso del bastidor, localizado After una inscripción; en el lienzo, una inscripción prácticamente ilegible 35,5x25,5 cm Henry Foley Reino Unido 1848 - 1874 Vista del hospital de Leicester en Warwick Óleo sobre lienzo Firmado. En el reverso del bastidor, localizado según una inscripción; en el lienzo, una inscripción prácticamente ilegible 35,5x25,5 cm
Balclis
Mar. 15, 2017
Henry Foley Reino Unido 1848 - 1874 Vista del hospital de Leicester en Warwick Óleo sobre lienzo
Est: €500 -
Henry Foley Reino Unido 1848 - 1874 Vista del hospital de Leicester en Warwick Óleo sobre lienzo Firmado. En el reverso del bastidor, localizado según una inscripción; en el lienzo, una inscripción prácticamente ilegible 35,5x25,5 cm
Balclis
Mar. 11, 2017
LANDSCHAFT MIT AUFZIEHENDEM REGEN
Est: -
HENRY FOLEY 1848 - 1874 Tätig in Grobritannien Landschaft mit aufziehendem Regen Öl auf Leinwand. 20,5 x 30 cm. Signiert unten rechts 'H. Foley'. Verso: auf dem Rahmen ein altes Etikett 'S. K...El... Sons; Fine Art Dealers & Frame Maker; ...Foley'. Rahmen.
Hargesheimer Kunstauktionen Düsseldorf
Feb. 25, 2017
Henry Foley, Venedigansicht
Est: €450 - €675
Canal Grande mit Gondeln und Booten und die Fassade des Dogenpalasts sowie die Kuppel des Markusdoms, im morgendlichem Dunst, unter locker bewölktem Himmel, leicht pastose Malerei, Öl auf Leinwand, Mitte 19. Jh., links unten signiert H. Foley, rückseitig Etikett H. Foley Venetian Canal Scene 16 in x 6 in., Craquelure, minimal retuschiert, in geschweiften, durchbrochen gearbeiteten Goldstuckrahmen gerahmt, Falzmaß ca. 17 x 42 cm.
Auktionshaus Mehlis GmbH
Dec. 21, 2016
Henry Foley (1848-1874) British. A Continental Town Scene, with Figures by the Water, Oil on Canvas, Signed, 12" x 20".
Est: £300 - £400
Henry Foley (1848-1874) British. A Continental Town Scene, with Figures by the Water, Oil on Canvas, Signed, 12" x 20".
John Nicholson's Fine Art Auctioneers & Valuers
Sep. 26, 2016
John Henry Foley RA RHA (1818-1874) INO AND BACCHUS, 1851
Est: €3,000 - €5,000
signed and dated lower left
Whyte's
Jun. 22, 2016
Henry Foley (1848 - 1874), pair oils on canvas - French Cathedral townscape
Est: £150 - £200
Henry Foley (1848 - 1874), pair oils on canvas - French Cathedral townscapes, signed, 36cm x 26cm
Reeman Dansie
Mar. 19, 2016
Painting, Henry Foley
Est: $400 - $600
Henry Foley (British, 1848-1874), "The Hotel Gastonbury," circa 1885, oil on canvas, signed lower right, title label attached verso, overall (with frame): 17"h x 14"w
Clars Auctions
Feb. 13, 2016
Henry Foley (1848-1876) Oil on Canvas
Est: $700 - $1,200
Painting of a market scene near Knightsbridge in England, a cathedral rising in the distance. Signed lower left "H. Foley." Housed in a carved gilt frame in a foliage motif. 24 inches height, 20.5 inches width sight. 30.25 inches height, 26.25 inches width framed. 24"H x 20.25"W. Good.
Peachtree & Bennett
Apr. 14, 2015
Henry Foley (1848-1874) - Pair of oil paintings - "St Michael's Mount" and "Town on the Rhine, canva
Est: £1,200 - £1,600
Henry Foley (1848-1874) - Pair of oil paintings - "St Michael's Mount" and "Town on the Rhine, canvases each 10ins x 18ins, both signed, in gilt frames and glazed
Canterbury Auction Galleries
Feb. 23, 2015
John Henry Foley RA RHA (1818-1874) INO AND BACCHUS, 1851
Est: €3,000 - €4,000
John Henry Foley RA RHA (1818-1874) INO AND BACCHUS, 1851 bronze signed and dated lower left h:9.50 w:18.50 d:6.50 in. Dimensions of base 3.4 by 20 by 9.5in. In 1834 the sixteen-year old John Henry Foley left his native Dublin for London, following in the footsteps of his elder brother Edward, already established at the sculpture workshop of the celebrated Mr Behnes. He enrolled in the school of the Royal Academy and quickly won a studentship for ten years with The Death of Abel. This piece and Innocence, perhaps inspired by his sister Martha, were exhibited at the Royal Academy in 1839 to great acclaim. Foley's talent was recognised by the influential Art Journal. The following year Ino and Bacchus was exhibited, to even greater acclaim. In both subject matter and style it is a neo-classical piece. That is to say it imitates the art of ancient Greece and Rome. The infant Bacchus lies on his back, smiling, reaching for the bunch of grapes dangled above him by the bare- breasted Ino who lies, smiling, at his side and leans over him. The naturalness, charm and wit of the piece affected all who saw it. Prince Albert, the Queen's consort, was enthusiastic. Francis Egerton, Earl of Ellesmere, commissioned a marble copy for his gallery at Bridgewater House. This poet-politician had inherited property worth £90,000 a year and a fabulous collection of paintings. He was sworn to the privy councils of both Britain and Ireland. He translated French and German literature - he was London's equivalent of Macaenas, Rome's great patron of the Arts. Ino and Bacchus marked a turning point in the career of the twenty-two year old from Montgomery Street, Dublin, (Now Foley Street, just north of Talbot Street.) Son of Jesse Foley, glass-blower turned grocer, and Eliza Byrne, from Wicklow. It launched him upon a career-path that led to the heart of Victorian society and major commissions for projects across the imperial globe from Galway to Calcutta. At first sight, Ino and Bacchus offers a domestic scene that might be set anywhere from Moycullen to Mayfair. Foley and Egerton knew there was more to it. Around the couch upon which the figures lie is a kind of frieze displaying leaves, fruit and faces from the pantheon of classical gods. This reminds us that the woman and child in whose play we delight are not figures from a back garden in Kensington but from the harsh, complicated milieu of Greek mythology, which has little to offer in the way of innocence. Ino was one of four daughters of Cadmus, founder of Thebes. She married Athamas, king of Boeotia, when his first spouse Neplele, the cloud goddess, having given birth to Phrixus and Helle, returned to the sky. Ino bore Athamas two sons, Learchus and Melicertes but she was jealous of her stepchildren and plotted their death...Bacchus (Dionysus in his Greek expression) was the son of Ino's sister Semele by Zeus (God-the-father in the Greek pantheon). Ino's nursing Bacchus angered Hera, wife and sister of Zeus. She persuaded Tisiphone, a fury from Hell, to attack Athamas and Ino and drive them mad. Athamas, convinced that Ino and her babies were a lioness and two cubs, tore Learchus from Ino's arms and flung him against a wall. Ino, still holding Melicertes, climbed a cliff near the water and leapt into the sea. But, Aphrodite, Goddess of Love, called on Poseidon, God of the Sea, to change mother and son into sea-creatures... Bacchus, God of Wine (trademark the grape), gives his name in this, its Latinate, form to the Dionysiac orgies - bacchanalia - that accompanied his worship. The ceremonies of Bacchus were marked by ecstatic abandon and included drunkenness, wild dancing and the dismemberment of wild animals. Maenads (female followers of Bacchus) became possessed by the wanton spirit of the God. With satyrs (preternatural male followers of the same) they sang, danced, played music, drank wine and existed in almost perpetual state of sexual excitement. Rome banned bacchanalia in 186 BC. (1) The story of these essential figures of Greek mythology has been told many times in different literatures and represented many times in various ways in the visual arts tradition of Europe. A plaster-cast of the model can be found in the permanent collection of the Royal Dublin Society. Ronan Sheehan January 2015 (1) The mythological data given here is drawn from The Oxford Guide to Classical Mythology in Art Ronan Sheehan is author of Foley's Asia: A Sketchbook, Lilliput Press, Dublin 1999.
Whyte's
Oct. 07, 2014
Henry Foley (1848-1874) - Pair of oil paintings -
Est: £1,500 - £2,000
Henry Foley (1848-1874) - Pair of oil paintings - "St Michael's Mount" and "Town on the Rhine, canvases each 10ins x 18ins, both signed, in gilt frames and glazed
Canterbury Auction Galleries
May. 29, 2014
Henry Foley, (19th Century British) NUMEROUS
Est: £250 - £350
Henry Foley, (19th Century British) NUMEROUS FIGURES IN A STREET WITH LARGE CHURCH BEHIND Oil on canvas, signed, 29 x 39cm, reframed.
Eldreds Auctioneers and Valuers
Feb. 23, 2014
HENRY FOLEY (British 1848-1874) A PAINTING, "Fishing by the Mill,"
Est: $300 - $500
HENRY FOLEY (British 1848-1874) A PAINTING, "Fishing by the Mill," oil on canvas, signed L/R. 36" x 28 1/4" Framed.
Simpson Galleries, LLC
Jan. 19, 2013
Attributed to Henry Foley, British 1848-1874- "In
Est: £150 - £200
Attributed to Henry Foley, British 1848-1874- "In the Pyrenees" and "Bidassoa"; oils on canvas, a pair, in matching gilt composition frames, 18x36cm., ea., (2)
Roseberys
Jul. 26, 2012
HENRY FOLEY (19TH CENTURY) BRITISH - A Dutch Street Scene.
Est: £100 - £150
HENRY FOLEY (19TH CENTURY) BRITISH - A Dutch Street Scene. Oil On Canvas. Signed And Inscribed With Signature To Reverse. 14" x 10".
John Nicholson's Fine Art Auctioneers & Valuers
Jul. 26, 2012
HENRY FOLEY (19TH CENTURY) BRITISH - The Torra Asineth.
Est: £100 - £150
HENRY FOLEY (19TH CENTURY) BRITISH - The Torra Asineth. Oil On Canvas. Signed And Inscribed With Signature To Reverse. 14" x 10".
John Nicholson's Fine Art Auctioneers & Valuers
Jun. 14, 2012
HENRY FOLEY (19TH CENTURY) BRITISH A Dutch street
Est: £200 - £300
HENRY FOLEY (19TH CENTURY) BRITISH A Dutch street scene. Oil on canvas. Signed. 14 x 10ins.
John Nicholson's Fine Art Auctioneers & Valuers
Jun. 14, 2012
HENRY FOLEY (19TH CENTURY) BRITISH 'The Torra
Est: £200 - £300
HENRY FOLEY (19TH CENTURY) BRITISH 'The Torra Asineth'. Oil on canvas. Signed and signed and inscribed on reverse. 14 x 10ins.
John Nicholson's Fine Art Auctioneers & Valuers
May. 19, 2012
Henry Foley (1848-1874) European Street Scene oil on canvas signed lower right H. Foley, 14" x 10".
Est: $100 - $300
Henry Foley (1848-1874) European Street Scene oil on canvas signed lower right H. Foley, 14" x 10".
Nadeau's Auction Gallery
Nov. 16, 2010
Henry Foley (British, 19th Century) Continental street scene 51 x 41cm.
Est: £300 - £500
Continental street scene Signed 'H.Foley' Oil on canvas 51 x 41cm.
Bonhams
Oct. 17, 2010
HENRY FOLEY, OILS ON CANVAS, PAIR, 10" X 8",
Est: $300 - $500
HENRY FOLEY, OILS ON CANVAS, PAIR, 10" X 8", STREET & VENETIAN SCENES: BRITISH 1848-1874: Signed; period to later gilt frames.
DuMouchelles
Sep. 14, 2010
Henry Foley (British, 19th Century) A riverside town
Est: £400 - £600
A riverside town signed 'H.Foley' (lower left), oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).
Bonhams