Albert Flamm Paintings & Artwork for Sale | Albert Flamm Art Value Price Guide

Nov. 16, 2024
Albert Flamm, Olive Harvest
Est: €6,000 - €8,000
Signed lower left: A. Flamm
Kunsthaus Lempertz KG
Nov. 16, 2024
Albert Flamm, Terrace of the Villa San Michele in Capri
Est: €8,000 - €10,000
Signed lower left: A. Flamm This painting is thought to depict the terrace of the Villa San Michele in Capri, looking out over the Bay of Naples. The Swedish doctor Axel Munthe (1857-1949) acquired the premises in 1895 and organised for the existing building to be expanded into a magnificent villa. He bequeathed the estate to the Swedish state, and it has remained open as a museum to this day.
Kunsthaus Lempertz KG
Nov. 14, 2024
Albert Flamm: Italian Coast
Est: €3,000 - €5,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: Coast of Capri with the Marina Grande. In the Foreground, a Small Building on the Roof of which two Women await an Arrival with a Donkey. Technique: Oil on canvas. Measurement: 100 x 80.5cm. Notation: Signed twice lower right: "A. Flamm". Frame: Framed. Provenance: Private ownership, Germany. Estimated shipping costs for this lot: Arrangement after the auction. Explanations to the Catalogue Albert Flamm Germany Düsseldorf School 19th C. Paintings Framed Italy Painting
Van Ham Kunstauktionen
Nov. 14, 2024
Albert Flamm: Southern Landscape
Est: €4,000 - €8,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: Southern Landscape. Technique: Oil on canvas. Measurement: 36 x 57.5cm. Notation: Signed lower centre: "A. flamm". Frame: Framed. Labelled "...Fla..." in black lettering at the bottom left. This could be a designation from his estate. The signature with the small "f" appears in Albert Flamm's oeuvre in the 1850s. Provenance: Private ownership, Italy. We are grateful to Anke Repp-Eckert, Essen, for her help in cataloguing this work. Estimated shipping costs for this lot: Germany: 52,94 Euro plus 10,06 Euro VAT EU: 79,83 Euro plus 15,17 Euro VAT Worldwide: 138,66 Euro plus 26,34 Euro VAT additional shipping insurance Explanations to the Catalogue Albert Flamm Germany Düsseldorf School 19th C. Paintings Framed Landscape Painting Italy
Van Ham Kunstauktionen
Oct. 23, 2024
Albert Flamm
Est: €4,000 - €6,000
(Cologne 1823–1906 Düsseldorf) A Landscape in the Campagna, label on the reverse Kunsthaus Bühler, Stuttgart, signed A. Flamm, oil on canvas, 45 x 63 cm, framed
Dorotheum
Oct. 19, 2024
Flamm, Albert (1823 Cologne - 1906 Düsseldorf) "Bei Neapel", Italian landsc
Est: -
Flamm, Albert (1823 Cologne - 1906 Düsseldorf) "Bei Neapel", Italian landscape with figures, animals, carriage and sea with island in the background, oil on canvas, signed lower left, 75x112cm, 100x139cm with frame, slight colour abrasion in places, frame glued to the upper right corner Flamm, Albert (1823 Köln - 1906 Düsseldorf) "Bei Neapel", italienische Landschaft mit Figuren, Tieren, Kutsche und Meer mit Insel im Hintergrund, Öl auf Leinwand, unten links signiert, 75x112cm, 100x139cm mit Rahmen, stellenweise leichter Farbabrieb, Rahmen an der oberen rechten Ecke geklebt
Auktionshaus am See
Jun. 27, 2024
Albert Flamm, 1823 Köln – 1906 Düsseldorf
Est: €1,800 - €2,200
ITALIENISCHE LANDSCHAFT MIT ZWEI MÄDCHEN AN EINEM BRUNNEN UND EINEM REITER Öl auf Mahagoniplatte. 39 x 50 cm. Rechts unten signiert „A. Flamm“. In vergoldetem Prunkrahmen. In einer weiten Campagna-Landschaft vor einem alten Steinbrunnen ein stolzer Reiter auf seinem Braunen bei der Rast, aufmerksam von zwei jungen Frauen betrachtet. (14001220) (18)
Hampel Fine Art Auctions
Jun. 27, 2024
Albert Flamm, 1823 Köln – 1906 Düsseldorf
Est: €4,000 - €6,000
BLICK AUF CAPRI, IM HINTERGRUND DIE FARAGLIONI-FELSEN Öl auf Leinwand. 75,5 x 143 cm. In mit Weinlaubrelief dekoriertem Rahmen. Sanfthügeliger Abschnitt über der Steilküste mit reicher Vegetation, blühenden Wiesen und Obstbäumen vor einer bisher unidentifizierten Villa. Vor dieser ein Eselreiter und eine Früchtesammlerin. Im Hintergrund rechts die im Sonnenlicht wiederscheinende Faraglioni-Felsen. (1400411) (13)
Hampel Fine Art Auctions
Jun. 23, 2024
Deutsch - Düsseldorfer Malerschule Flamm, Albert Küstenlandschaft von Sorrent. 1850er Jahre. Öl auf Holzplatte. Ca. 35 x 51 cm. Signiert. Verso mit
Est: -
Deutsch - Düsseldorfer Malerschule Flamm, Albert Küstenlandschaft von Sorrent. 1850er Jahre. Öl auf Holzplatte. Ca. 35 x 51 cm. Signiert. Verso mit altem Etikett, dort von fremder Hand mit Werksangaben bezeichnet. In goldfarbenen Rahmen gerahmt (ungeöffnet). - Augenscheinlich in gutem Zustand. Firniß angegilbt. Punktuell altersbedingtes, feines Craquelé. Unter UV keine Retuschen erkennbar. Insgesamt gut. Mediterrane Küstenszene von großer Naturwahrheit mit panoramaartigem Blickwinkel. Italien war ein Sehnsuchtsort zahlreicher Dichter wie Künstler im 19. Jhd. Ausgehend von der tiefen Sehnsucht für das Land der Antike und Arkadien, bereisten etliche Maler wie Albert Flamm verlassene Dörfer, zerklüftete Küstenlandschaften und Orte wie die Campagna Romana. Unsere Szene zeigt die Küsten Sorrents, einer Gegend südlich des Golfes von Neapel im Südwesten Italiens. Flamm bereiste Italien erstmals 1845 zusammen mit Oswald Achenbach, damals eine Region mit der höchsten Anziehungskraft in Oberitalien. 1850 brachen sie zu der zweiten gemeinsamen Reise nach Italien auf, diesmal bereisten sie Rom, Neapel und Sizilien sowie die Umgebungen. Flamm dehnte seine Reise von 1850-1853 aus, sodass womöglich in dieser Zeit unsere Ölstudie entstand. Essentielles Gestaltungsmittel seiner Kompositionen waren das Licht, meist in warmen Tönen gehalten durch Sonnenschein. Landschaften wurden hierbei sein bevorzugtes Bildthema. Im Fokus unserer Szene steht der Küstenabschnitt, bestimmt durch eine von Trockenheit und Hitze gezeichneten Vegetation. Spitzen von Dächern und Türmen zeichnen die Umrisse eines kleinen Dorfes, nicht weit entfernt vom Mittelmeer. Zahlreiche Studien fertigte Flamm in jener schaffensreichen Zeit an, sie alle eint die einfühlsame Auseinandersetzung mit der italienischen Landschaft, die von Verbundenheit für das Land und seine Kultur zeugen und seinen Ruf als "Italienmaler" unter Beweis stellen. Oil on wood panel. Signed. With old label verso, inscribed there with work details by an unknown hand. Framed in golden frame (unopened). - Apparently in good condition. Varnish yellowed. Fine craquelure in places due to age. No retouches visible under UV light. Good overall. Mediterranean coastal scene of great natural truth with panoramic view. - Italy was a place of longing for many poets and artists in the 19th century. Based on a deep yearning for the land of antiquity and Arcadia, a number of painters, including Albert Flamm, travelled to deserted villages, rugged coastal landscapes and places such as the Campagna Romana. Our scene shows the coasts of Sorrento, an area south of the Gulf of Naples in south-western Italy. Flamm first travelled to Italy in 1845 together with Oswald Achenbach, at that time a region which was most longed for in northern Italy. In 1850, they set off on their second trip to Italy, this time travelling to the areas around Rome, Naples and Sicily. Flamm extended his journey from 1850-1853 so that our oil study was probably created during this time. The essential creative medium was light, usually in warm tones due to the sunshine. Landscapes became his preferred subject. The focus of our scene is the coastal section, characterized by vegetation marked by drought and heat. The tops of roofs and towers outline the contours of a small village not far from the Mediterranean. Flamm produced numerous studies during this creative period, all of which are united by a sensitive examination of the Italian landscape testifying to his connection to the country and its culture and proving his reputation as a "painter of Italy".
Jeschke Jádi Auctions Berlin GmbH
Jun. 02, 2024
Albert Flamm (German,1823-1906) oil painting antique
Est: $2,700 - $3,500
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
May. 17, 2024
Albert Flamm: The Faraglioni Rocks near Naples in the Evening Light
Est: €3,000 - €5,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf attributed Title: The Faraglioni Rocks near Naples in the Evening Light. Technique: Oil on canvas. Mounting: Relined. Measurement: 53 x 71,5cm. Frame: Framed. Provenance: Private ownership, Germany. Like his close friend and brother-in-law Oswald Achenbach, Albert Flamm, one of the leading landscape painters of the later Düsseldorf school of painting, specialised in Italian motifs. His views of Rome, the Campagna, Naples and southern Italy, often enlivened with folkloristic staffage, are still very popular today. Last year we were able to celebrate the 200th birthday of the Cologne-born artist and so it is a retroactive tribute that this catalogue is enriched by five works by Flamm. Albert Flamm initially studied architecture at the Düsseldorf Academy of Art, but turned to painting in 1841 and became a pupil of Andreas Achenbach. He quickly became close friends with Achenbach's brother Oswald, who was four years younger than Flamm himself. In 1845, they undertook their first joint study trip to northern Italy. The second trip to Italy, which the friends set off on in 1850, was probably decisive for Flamm. While Oswald Achenbach returned to Düsseldorf after four months, Albert Flamm, who had found his artistic home, stayed in Rome for over three years and also travelled to Naples and Sicily from there. But he, too, eventually returned to Düsseldorf, although he continued to make the gruelling journey south over the following decades. Flamm was deeply rooted in Düsseldorf, he was a founding member of the artists' association "Malkasten" in 1848, he was socially established and married the sister of Oswald Achenbach's wife in 1860. From 1870, Flamm also represented his brother-in-law as a teacher at the academy for a time. Albert Flamm, like Oswald Achenbach, had captured the spirit of the times with his Italian motifs. In the course of the 19th century, the advancing emancipation and economic and social rise of the bourgeoisie was accompanied by the pursuit of classical education and the desire for (its) representation. Anyone who thought highly of themselves wanted to get to know the country that had been the main destination of the aristocracy's "grand tour" through Europe since the Renaissance. For the majority of citizens, however, Italy as a destination of longing was physically (almost) unreachable. Travelling to the south was long, expensive and certainly uncomfortable. The travel impressions brought back from Italy by Albert Flamm therefore sold extremely well on the young, newly organised market with an increasingly institutionalised exhibition system in northern Europe, but also in the USA. The bourgeois salons were given a "window to the south" with views of Rome and its environs, Naples and Venice. The artist's choice of motifs is comparable to today's Instagram selection: Tourist highlights and architectural icons were just as worthy of depiction as picturesque scenes from everyday life. Flamm's great skill lay in the painterly rendering of the mood of the light and the colouring. Two of the paintings represented here, the sweeping view of the Campagna di Roma (lot 1147) and the Via Appia with the Torre di Cecilia Metella (lot 1149), show the landscapes so typical of Flamm in the warm light of the setting sun.The streets draw the viewer's gaze into the paintings, in which the women standing at the fountain or the people with folkloristic details, who appear small next to the ancient landmark, liven up the tranquil landscapes.These signed but undated paintings demonstrate Flamm's masterful use of his painterly skills. Two other of Albert Flamm's paintings presented here depict rural life in front of farmsteads in glistening sunshine. Haze and dust are in the air and turn lot 1148 into a fantastic late Impressionist, hot breath of colour. Despite the fast and confident brushwork, the artist lovingly renders fine details, such as the clergyman looking at the scenery in the open door. Lot 1146 is comparable to the aforementioned painting in terms of the lighting mood and motif, the unloading of a hay cart. Once again, the composition draws the viewer's gaze into the depths, but the shimmering sea in the background (the Gulf of Naples?) absorbs the dynamic and lends the work a stronger sense of calm. The brightness of the scene can be seen from the pleasant shadows. The view of the Faraglioni rocks off the coast of Capri (lot 1150), attributed to Albert Flamm, conveys a sublime calm. From an elevated position on the shore, the viewer's gaze falls down onto the rocks, which stand there in majestic grandeur. It is a rarely observed moment of calm; the sea surface is completely still and reflects the cliffs in total clarity. But this vast seascape is also alive with people. Two small female figures can be seen on the coastal slope. They emphasise the size and vastness of what we see. These five paintings by Albert Flamm give a comprehensive impression of the versatility of Italian impressions, which timelessly fulfill the longing for the south. Estimated shipping costs for this lot: Germany: 77,31 Euro plus 14,69 Euro VAT EU: 100,84 Euro plus 19,16 Euro VAT Worldwide: 159,66 Euro plus 30,34 Euro VAT additional shipping insurance Explanations to the Catalogue Albert Flamm Germany Düsseldorf School 19th C. Paintings Framed Naples / Mount Vesuvius / Capri Painting Coast
Van Ham Kunstauktionen
May. 17, 2024
Albert Flamm: At the Tomb of Caecilia Metella near Rom
Est: €4,000 - €8,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: At the Tomb of Caecilia Metella near Rom. Technique: Oil on canvas. Mounting: Relined. Measurement: 61 x 48,5cm. Notation: Signed at the bottom: "A. Flamm". Frame: Framed. Provenance: Private ownership, Germany. Like his close friend and brother-in-law Oswald Achenbach, Albert Flamm, one of the leading landscape painters of the later Düsseldorf school of painting, specialised in Italian motifs. His views of Rome, the Campagna, Naples and southern Italy, often enlivened with folkloristic staffage, are still very popular today. Last year we were able to celebrate the 200th birthday of the Cologne-born artist and so it is a retroactive tribute that this catalogue is enriched by five works by Flamm. Albert Flamm initially studied architecture at the Düsseldorf Academy of Art, but turned to painting in 1841 and became a pupil of Andreas Achenbach. He quickly became close friends with Achenbach's brother Oswald, who was four years younger than Flamm himself. In 1845, they undertook their first joint study trip to northern Italy. The second trip to Italy, which the friends set off on in 1850, was probably decisive for Flamm. While Oswald Achenbach returned to Düsseldorf after four months, Albert Flamm, who had found his artistic home, stayed in Rome for over three years and also travelled to Naples and Sicily from there. But he, too, eventually returned to Düsseldorf, although he continued to make the gruelling journey south over the following decades. Flamm was deeply rooted in Düsseldorf, he was a founding member of the artists' association "Malkasten" in 1848, he was socially established and married the sister of Oswald Achenbach's wife in 1860. From 1870, Flamm also represented his brother-in-law as a teacher at the academy for a time. Albert Flamm, like Oswald Achenbach, had captured the spirit of the times with his Italian motifs. In the course of the 19th century, the advancing emancipation and economic and social rise of the bourgeoisie was accompanied by the pursuit of classical education and the desire for (its) representation. Anyone who thought highly of themselves wanted to get to know the country that had been the main destination of the aristocracy's "grand tour" through Europe since the Renaissance. For the majority of citizens, however, Italy as a destination of longing was physically (almost) unreachable. Travelling to the south was long, expensive and certainly uncomfortable. The travel impressions brought back from Italy by Albert Flamm therefore sold extremely well on the young, newly organised market with an increasingly institutionalised exhibition system in northern Europe, but also in the USA. The bourgeois salons were given a "window to the south" with views of Rome and its environs, Naples and Venice. The artist's choice of motifs is comparable to today's Instagram selection: Tourist highlights and architectural icons were just as worthy of depiction as picturesque scenes from everyday life. Flamm's great skill lay in the painterly rendering of the mood of the light and the colouring. Two of the paintings represented here, the sweeping view of the Campagna di Roma (lot 1147) and the Via Appia with the Torre di Cecilia Metella (lot 1149), show the landscapes so typical of Flamm in the warm light of the setting sun.The streets draw the viewer's gaze into the paintings, in which the women standing at the fountain or the people with folkloristic details, who appear small next to the ancient landmark, liven up the tranquil landscapes.These signed but undated paintings demonstrate Flamm's masterful use of his painterly skills. Two other of Albert Flamm's paintings presented here depict rural life in front of farmsteads in glistening sunshine. Haze and dust are in the air and turn lot 1148 into a fantastic late Impressionist, hot breath of colour. Despite the fast and confident brushwork, the artist lovingly renders fine details, such as the clergyman looking at the scenery in the open door. Lot 1146 is comparable to the aforementioned painting in terms of the lighting mood and motif, the unloading of a hay cart. Once again, the composition draws the viewer's gaze into the depths, but the shimmering sea in the background (the Gulf of Naples?) absorbs the dynamic and lends the work a stronger sense of calm. The brightness of the scene can be seen from the pleasant shadows. The view of the Faraglioni rocks off the coast of Capri (lot 1150), attributed to Albert Flamm, conveys a sublime calm. From an elevated position on the shore, the viewer's gaze falls down onto the rocks, which stand there in majestic grandeur. It is a rarely observed moment of calm; the sea surface is completely still and reflects the cliffs in total clarity. But this vast seascape is also alive with people. Two small female figures can be seen on the coastal slope. They emphasise the size and vastness of what we see. These five paintings by Albert Flamm give a comprehensive impression of the versatility of Italian impressions, which timelessly fulfill the longing for the south. Estimated shipping costs for this lot: Germany: 77,31 Euro plus 14,69 Euro VAT EU: 100,84 Euro plus 19,16 Euro VAT Worldwide: 159,66 Euro plus 30,34 Euro VAT additional shipping insurance Explanations to the Catalogue Albert Flamm Germany Düsseldorf School 19th C. Paintings Framed Italy Painting Genre
Van Ham Kunstauktionen
May. 17, 2024
Albert Flamm: Fishers at the Coast
Est: €2,000 - €4,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf attributed Title: Fishers at the Coast. Technique: Oil on canvas. Mounting: Relined. Measurement: 54 x 65cm. Frame: Framed. Provenance: Private ownership, Germany. Like his close friend and brother-in-law Oswald Achenbach, Albert Flamm, one of the leading landscape painters of the later Düsseldorf school of painting, specialised in Italian motifs. His views of Rome, the Campagna, Naples and southern Italy, often enlivened with folkloristic staffage, are still very popular today. Last year we were able to celebrate the 200th birthday of the Cologne-born artist and so it is a retroactive tribute that this catalogue is enriched by five works by Flamm. Albert Flamm initially studied architecture at the Düsseldorf Academy of Art, but turned to painting in 1841 and became a pupil of Andreas Achenbach. He quickly became close friends with Achenbach's brother Oswald, who was four years younger than Flamm himself. In 1845, they undertook their first joint study trip to northern Italy. The second trip to Italy, which the friends set off on in 1850, was probably decisive for Flamm. While Oswald Achenbach returned to Düsseldorf after four months, Albert Flamm, who had found his artistic home, stayed in Rome for over three years and also travelled to Naples and Sicily from there. But he, too, eventually returned to Düsseldorf, although he continued to make the gruelling journey south over the following decades. Flamm was deeply rooted in Düsseldorf, he was a founding member of the artists' association "Malkasten" in 1848, he was socially established and married the sister of Oswald Achenbach's wife in 1860. From 1870, Flamm also represented his brother-in-law as a teacher at the academy for a time. Albert Flamm, like Oswald Achenbach, had captured the spirit of the times with his Italian motifs. In the course of the 19th century, the advancing emancipation and economic and social rise of the bourgeoisie was accompanied by the pursuit of classical education and the desire for (its) representation. Anyone who thought highly of themselves wanted to get to know the country that had been the main destination of the aristocracy's "grand tour" through Europe since the Renaissance. For the majority of citizens, however, Italy as a destination of longing was physically (almost) unreachable. Travelling to the south was long, expensive and certainly uncomfortable. The travel impressions brought back from Italy by Albert Flamm therefore sold extremely well on the young, newly organised market with an increasingly institutionalised exhibition system in northern Europe, but also in the USA. The bourgeois salons were given a "window to the south" with views of Rome and its environs, Naples and Venice. The artist's choice of motifs is comparable to today's Instagram selection: Tourist highlights and architectural icons were just as worthy of depiction as picturesque scenes from everyday life. Flamm's great skill lay in the painterly rendering of the mood of the light and the colouring. Two of the paintings represented here, the sweeping view of the Campagna di Roma (lot 1147) and the Via Appia with the Torre di Cecilia Metella (lot 1149), show the landscapes so typical of Flamm in the warm light of the setting sun.The streets draw the viewer's gaze into the paintings, in which the women standing at the fountain or the people with folkloristic details, who appear small next to the ancient landmark, liven up the tranquil landscapes.These signed but undated paintings demonstrate Flamm's masterful use of his painterly skills. Two other of Albert Flamm's paintings presented here depict rural life in front of farmsteads in glistening sunshine. Haze and dust are in the air and turn lot 1148 into a fantastic late Impressionist, hot breath of colour. Despite the fast and confident brushwork, the artist lovingly renders fine details, such as the clergyman looking at the scenery in the open door. Lot 1146 is comparable to the aforementioned painting in terms of the lighting mood and motif, the unloading of a hay cart. Once again, the composition draws the viewer's gaze into the depths, but the shimmering sea in the background (the Gulf of Naples?) absorbs the dynamic and lends the work a stronger sense of calm. The brightness of the scene can be seen from the pleasant shadows. The view of the Faraglioni rocks off the coast of Capri (lot 1150), attributed to Albert Flamm, conveys a sublime calm. From an elevated position on the shore, the viewer's gaze falls down onto the rocks, which stand there in majestic grandeur. It is a rarely observed moment of calm; the sea surface is completely still and reflects the cliffs in total clarity. But this vast seascape is also alive with people. Two small female figures can be seen on the coastal slope. They emphasise the size and vastness of what we see. These five paintings by Albert Flamm give a comprehensive impression of the versatility of Italian impressions, which timelessly fulfill the longing for the south. Estimated shipping costs for this lot: Germany: 77,31 Euro plus 14,69 Euro VAT EU: 100,84 Euro plus 19,16 Euro VAT Worldwide: 159,66 Euro plus 30,34 Euro VAT additional shipping insurance Explanations to the Catalogue Albert Flamm Germany Düsseldorf School 19th C. Paintings Framed Naples / Mount Vesuvius / Capri Painting Genre
Van Ham Kunstauktionen
May. 17, 2024
Albert Flamm: Evening Mood at the Old Via Appia in the Roman Campagna
Est: €7,000 - €10,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: Evening Mood at the Old Via Appia in the Roman Campagna. Date: Ca. 1880-1890. Technique: Oil on canvas. Mounting: Relined. Measurement: 75 x 115cm. Notation: Signed lower left: "A. Flamm". Frame: Framed. Provenance: Private ownership, Germany. Like his close friend and brother-in-law Oswald Achenbach, Albert Flamm, one of the leading landscape painters of the later Düsseldorf school of painting, specialised in Italian motifs. His views of Rome, the Campagna, Naples and southern Italy, often enlivened with folkloristic staffage, are still very popular today. Last year we were able to celebrate the 200th birthday of the Cologne-born artist and so it is a retroactive tribute that this catalogue is enriched by five works by Flamm. Albert Flamm initially studied architecture at the Düsseldorf Academy of Art, but turned to painting in 1841 and became a pupil of Andreas Achenbach. He quickly became close friends with Achenbach's brother Oswald, who was four years younger than Flamm himself. In 1845, they undertook their first joint study trip to northern Italy. The second trip to Italy, which the friends set off on in 1850, was probably decisive for Flamm. While Oswald Achenbach returned to Düsseldorf after four months, Albert Flamm, who had found his artistic home, stayed in Rome for over three years and also travelled to Naples and Sicily from there. But he, too, eventually returned to Düsseldorf, although he continued to make the gruelling journey south over the following decades. Flamm was deeply rooted in Düsseldorf, he was a founding member of the artists' association "Malkasten" in 1848, he was socially established and married the sister of Oswald Achenbach's wife in 1860. From 1870, Flamm also represented his brother-in-law as a teacher at the academy for a time. Albert Flamm, like Oswald Achenbach, had captured the spirit of the times with his Italian motifs. In the course of the 19th century, the advancing emancipation and economic and social rise of the bourgeoisie was accompanied by the pursuit of classical education and the desire for (its) representation. Anyone who thought highly of themselves wanted to get to know the country that had been the main destination of the aristocracy's "grand tour" through Europe since the Renaissance. For the majority of citizens, however, Italy as a destination of longing was physically (almost) unreachable. Travelling to the south was long, expensive and certainly uncomfortable. The travel impressions brought back from Italy by Albert Flamm therefore sold extremely well on the young, newly organised market with an increasingly institutionalised exhibition system in northern Europe, but also in the USA. The bourgeois salons were given a "window to the south" with views of Rome and its environs, Naples and Venice. The artist's choice of motifs is comparable to today's Instagram selection: Tourist highlights and architectural icons were just as worthy of depiction as picturesque scenes from everyday life. Flamm's great skill lay in the painterly rendering of the mood of the light and the colouring. Two of the paintings represented here, the sweeping view of the Campagna di Roma (lot 1147) and the Via Appia with the Torre di Cecilia Metella (lot 1149), show the landscapes so typical of Flamm in the warm light of the setting sun.The streets draw the viewer's gaze into the paintings, in which the women standing at the fountain or the people with folkloristic details, who appear small next to the ancient landmark, liven up the tranquil landscapes.These signed but undated paintings demonstrate Flamm's masterful use of his painterly skills. Two other of Albert Flamm's paintings presented here depict rural life in front of farmsteads in glistening sunshine. Haze and dust are in the air and turn lot 1148 into a fantastic late Impressionist, hot breath of colour. Despite the fast and confident brushwork, the artist lovingly renders fine details, such as the clergyman looking at the scenery in the open door. Lot 1146 is comparable to the aforementioned painting in terms of the lighting mood and motif, the unloading of a hay cart. Once again, the composition draws the viewer's gaze into the depths, but the shimmering sea in the background (the Gulf of Naples?) absorbs the dynamic and lends the work a stronger sense of calm. The brightness of the scene can be seen from the pleasant shadows. The view of the Faraglioni rocks off the coast of Capri (lot 1150), attributed to Albert Flamm, conveys a sublime calm. From an elevated position on the shore, the viewer's gaze falls down onto the rocks, which stand there in majestic grandeur. It is a rarely observed moment of calm; the sea surface is completely still and reflects the cliffs in total clarity. But this vast seascape is also alive with people. Two small female figures can be seen on the coastal slope. They emphasise the size and vastness of what we see. These five paintings by Albert Flamm give a comprehensive impression of the versatility of Italian impressions, which timelessly fulfill the longing for the south. Estimated shipping costs for this lot: Arrangement after auction. Explanations to the Catalogue Albert Flamm Germany Düsseldorf School 19th C. Paintings Framed Italy Painting Genre
Van Ham Kunstauktionen
May. 17, 2024
Albert Flamm: South Italian Farmstead at the Road
Est: €8,000 - €12,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: South Italian Farmstead at the Road. Numerous people in the shadows at the spring. Date: Ca. 1890. Technique: Oil on canvas. Mounting: Relined. Measurement: 75 x 115cm. Notation: Signed lower right: "A. Flamm". Frame: Framed. Provenance: Private ownership, Germany. Like his close friend and brother-in-law Oswald Achenbach, Albert Flamm, one of the leading landscape painters of the later Düsseldorf school of painting, specialised in Italian motifs. His views of Rome, the Campagna, Naples and southern Italy, often enlivened with folkloristic staffage, are still very popular today. Last year we were able to celebrate the 200th birthday of the Cologne-born artist and so it is a retroactive tribute that this catalogue is enriched by five works by Flamm. Albert Flamm initially studied architecture at the Düsseldorf Academy of Art, but turned to painting in 1841 and became a pupil of Andreas Achenbach. He quickly became close friends with Achenbach's brother Oswald, who was four years younger than Flamm himself. In 1845, they undertook their first joint study trip to northern Italy. The second trip to Italy, which the friends set off on in 1850, was probably decisive for Flamm. While Oswald Achenbach returned to Düsseldorf after four months, Albert Flamm, who had found his artistic home, stayed in Rome for over three years and also travelled to Naples and Sicily from there. But he, too, eventually returned to Düsseldorf, although he continued to make the gruelling journey south over the following decades. Flamm was deeply rooted in Düsseldorf; in 1848 he was a founding member of the artists' association "Malkasten", he was socially established and married the sister of Oswald Achenbach's wife in 1860. From 1870, Flamm also represented his brother-in-law as a teacher at the academy for a time. Albert Flamm, like Oswald Achenbach, had captured the spirit of the times with his Italian motifs. In the course of the 19th century, the advancing emancipation and economic and social rise of the bourgeoisie was accompanied by the pursuit of classical education and the desire for (its) representation. Anyone who thought highly of themselves wanted to get to know the country that had been the main destination of the aristocracy's "grand tour" through Europe since the Renaissance. For the majority of citizens, however, Italy as a destination of longing was physically (almost) unreachable. Travelling to the south was long, expensive and certainly uncomfortable. The travel impressions brought back from Italy by Albert Flamm therefore sold extremely well on the young, newly organised market with an increasingly institutionalised exhibition system in northern Europe, but also in the USA. The bourgeois salons were given a "window to the south" with views of Rome and its environs, Naples and Venice. The artist's choice of motifs is comparable to today's Instagram selection: Tourist highlights and architectural icons were just as worthy of images as picturesque spotlights of everyday life. Flamm's great skill lay in the painterly rendering of the lighting mood and colouring. Two of the paintings represented here, the sweeping view of the Campagna di Roma (lot 1147) and the Via Appia with the Torre di Cecilia Metella (lot 1149) share Flamm's typical landscapes in the warm light of the setting sun. The streets draw the viewer's gaze into the paintings, in which the women standing at the fountain or the people with folkloristic details, who appear small next to the ancient landmark, liven up the tranquil landscapes. These signed but undated paintings share Flamm's confident use of his painterly skills. Two other of Albert Flamm's paintings presented here depict rural life in front of farmsteads in glistening sunshine. Haze and dust are in the air and turn lot 1148 into a fantastic, late Impressionist, hot breath of colour. Despite the fast and confident brushwork, the artist lovingly renders fine details, such as the clergyman looking at the scenery in the open door. Lot 1146 is comparable to the aforementioned painting in terms of the lighting mood and motif, the unloading of a hay cart. Once again, the composition draws the viewer's gaze into the depths, but the shimmering sea in the background (the Gulf of Naples?) absorbs the dynamic and lends the work a stronger sense of calm. The brightness of the spotlight can be seen from the pleasant shadows. The view of the Faraglioni rocks off the coast of Capri (lot 1150), attributed to Albert Flamm, conveys a sublime calm. From an elevated position on the shore, the viewer's gaze falls down onto the rocks, which stand there in majestic grandeur. It is a rarely observed moment of calm; the sea surface is completely still and reflects the cliffs in total clarity. But this vast seascape is also alive with people. Two small female figures can be seen on the coastal slope. They emphasise the size and vastness of what we see. These five paintings by Albert Flamm give a comprehensive impression of the versatility of Italian impressions, which timelessly fulfill the longing for the south. Estimated shipping costs for this lot: Arrangement after auction. Explanations to the Catalogue Albert Flamm Germany Düsseldorf School 19th C. Paintings Framed Naples / Mount Vesuvius / Capri Painting Genre
Van Ham Kunstauktionen
May. 16, 2024
Albert Flamm (German, 1823-1906) View of Roman Triumphal Arch
Est: $5,000 - $7,000
Albert Flamm (German, 1823-1906) View of Roman Triumphal Arch oil on canvas signed A. Flamm (lower right) 25 1/4 x 17 inches. This lot is located in Chicago. Property from the Collection of William L. Bernhard and Catherine Cahill Provenance: Sold: Sotheby's, Munich, December 2, 1997, Lot 36
Hindman
May. 04, 2024
Flamm, Albert
Est: -
Flamm, Albert 1823 Köln - 1906 Düsseldorf Landidylle. Signiert. Datiert 1860. Öl/Lwd./doubl., 64 x 94 cm.
Dusseldorfer Auktionshaus
May. 04, 2024
Flamm, Albert
Est: -
Flamm, Albert 1823 Köln - 1906 Düsseldorf Neapolitanische Strandszene. Signiert. Öl/Lwd./doubl., 55 x 40 cm.
Dusseldorfer Auktionshaus
Apr. 16, 2024
ALBERT FLAMM (1823-1906) ATTRIB.
Est: -
Albert Flamm (1823-1906) attrib./circle, Study of an Italian landscape with the ruins of an aqueduct and a staffage of figures, oil on wood, unsigned, 22 x 28 cm, framed 32 x 39 cm
Historia Auctionata
Feb. 11, 2024
Albert Flamm (German,1823-1906) oil painting antique
Est: $2,700 - $3,500
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Dec. 02, 2023
Albert Flamm
Est: €3,000 - €6,000
(1823 Köln - 1906 Düsseldorf) Zwei italienische Mädchen und ein Reiter bei der Rast an einem Brunnen in der Campagna Romana Lichtdurchflutete Straßenszene. Motiv- und stiltypisches, atmosphärisch gestimmtes Werk Flamms, der mehrfach das Leben auf der Via Appia in leuchtendem Kolorit schilderte. Flamm studierte an der Düsseldorfer Akademie bei Andreas Achenbach. Mit dessen Bruder Oswald war er zugleich eng befreundet und unternahm mit ihm mehrere Studienreisen; 1850-1853 reisten beide nach Italien, wo sie zusammen mit Arnold Böcklin in Rom lebten und von dort aus u. a. in die römische Campagna fuhren. Neben Oswald Achenbach wurde Flamm einer der bedeutendsten "Italienmaler" und schon 1868 besonders wegen seiner Campagna-Landschaften gerühmt. Seit 1870 begann er Oswald Achenbach an der Akademie zu vertreten. Auch in der Düsseldorfer Kunstszene nahm Flamm eine aktive Rolle ein. 1848 gehörte er zu den Gründern des Künstlervereins "Malkasten". Öl/Mahagonitafel. R. u sign.; 39 cm x 50 cm. Rahmen. Oil on mahogany panel. Signed.
Kunstauktionshaus Schloss Ahlden
Nov. 18, 2023
Albert Flamm, View of the Bay of Naples
Est: €4,000 - €5,000
Signed lower centre: A. Flamm
Kunsthaus Lempertz KG
Nov. 18, 2023
Albert Flamm, l.u.sig.
Est: -
Köln 1823 - 1906 Düsseldorf, 'Fischer am Lagerfeuer', Öl/Lwd., 54 x 39,5 cm, restauriert, Farbfehlstellen
Auktionshaus Arnold
Nov. 12, 2023
Albert Flamm (German,1823-1906) oil painting antique
Est: $2,800 - $3,600
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Nov. 04, 2023
Flamm, Albert
Est: -
Flamm, Albert 1823 Köln - 1906 Düsseldorf Die Bucht von Neapel. Monogr. Öl/Lwd./doubl., 90 x 135 cm. Erworben: Düsseldorfer Auktionshaus, Steinbüchel, 6.5.1967, Nr. 16.
Dusseldorfer Auktionshaus
Aug. 20, 2023
Albert Flamm (German,1823-1906) oil painting antique
Est: $2,800 - $3,600
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Jun. 29, 2023
Albert Flamm, 1823 Köln – 1906 Düsseldorf, zugeschrieben/ Kreis des
Est: €2,000 - €3,000
BLICK AUF DIE SOMMERLICHE AMALFIKÜSTE Öl auf Leinwand, auf Hartfaser. 67 x 104 cm. Rechts unten Signatur. In vergoldetem Rahmen. Der Blick geht über einen breiten Weg mit einer jungen Frau, der rechtsseitig von einem Gebäude, einigen Zypressen und im Hintergrund von einem aufsteigenden Berg flankiert wird, weiter auf das blaue Meer und die große Amalfiküste im sommerlich sonnigen Licht, unter hohem hellblauen wolkenlosen Himmel. Darstellung in leuchtendem Kolorit mit vielen Details. Der Künstler studierte an der Kunstakademie Düsseldorf und in Antwerpen. Er unternahm mehrfach Reisen nach Italien und wohnte zusammen mit Arnold Böcklin (1827-1901) zeitweise in Rom. (1361427) (18)
Hampel Fine Art Auctions
Jun. 17, 2023
Albert Flamm (1823 Köln - 1906 Düsseldorf)
Est: -
Albert Flamm (1823 Köln - 1906 Düsseldorf) Teichlandschaft, Öl auf Karton, Sichtmaß 16 cm x 26 cm, signiert, partiell craqueliert sowie kleine Farbabplatzer und Bereibungen, partiell retuschiert, reinigungsbedürftig
Wettmann
May. 15, 2023
Albert Flamm: Italian Landscape with Round Temple
Est: €2,000 - €3,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf attributed Title: Italian Landscape with Round Temple. Evening mood. Technique: Oil on canvas. Mounting: Relined. Measurement: 37 x 29cm. Frame: Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue
Van Ham Kunstauktionen
May. 15, 2023
Albert Flamm: Wide Campagna Landscape with People on a Path
Est: €5,000 - €6,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: Wide Campagna Landscape with People on a Path. Technique: Oil on canvas. Measurement: 35 x 53cm. Notation: Signed lower right: A. Flamm. Frame: Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue
Van Ham Kunstauktionen
May. 14, 2023
Albert Flamm (German,1823-1906) oil painting antique
Est: $2,900 - $3,800
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Feb. 12, 2023
Albert Flamm (German,1823-1906) oil painting antique
Est: $3,100 - $3,900
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Jan. 06, 2023
A. FLAMM (1823-1906), Mill on the Walde, Lithography
Est: €60 - €100
Albert Flamm (1823 - 1906 ): Mill with water wheel in the forest, in front of it miller with two donkeys, 19th century, Lithography Technique: Lithography on Paper Inscription: marked in the middle Date: 19th century Keywords: Mill, Forest, 19th century, Romanticism, Landscape, Germany,
Fichter Kunsthandel
Nov. 17, 2022
Albert Flamm: In the Park of Villa Torlonia in Rome
Est: €5,000 - €8,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: In the Park of Villa Torlonia in Rome. Technique: Oil on canvas. Measurement: 46 x 35cm. Notation: Signed lower right: A. Flamm. Frame: Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue
Van Ham Kunstauktionen
Nov. 13, 2022
Albert Flamm (German,1823-1906) oil painting antique
Est: $3,200 - $4,000
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Aug. 21, 2022
Albert Flamm (German,1823-1906) oil painting antique
Est: $3,200 - $4,000
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
May. 19, 2022
Landscape with Figures on the Via Appia
Est: €5,000 - €6,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: Landscape with Figures on the Via Appia. Technique: Oil on canvas. Measurement: 60.5 x 88.5cm. Notation: Signed lower right: A. Flamm. Frame/Pedestal: Framed. Provenance: Private ownership, Germany. Explanations to the Catalogue
Van Ham Kunstauktionen
May. 08, 2022
Albert Flamm (German,1823-1906) oil painting antique
Est: $3,400 - $4,250
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Mar. 11, 2022
ALBERT FLAMM (UMKREIS), MEDITERRANE SZENE, JUNGE FISCHER (STUDIE)
Est: €500 - €1,000
ALBERT FLAMM (CIRCLE) 1823 - 1906 Mediterranean Scene, Young Fishermen (Study) Oil on canvas. 36 x 49 cm (F. 41 x 55 cm). Verso: handwritten inscription 'A.Flamm' on the stretcher. Margins min. abraded, rest. Framed. ALBERT FLAMM (UMKREIS) 1823 - 1906 Mediterrane Szene, Junge Fischer (Studie) OEl auf Leinwand. 36 x 49 cm (R. 41 x 55 cm). Verso: auf dem Keilrhamen handschriftlich bez. 'A.Flamm'. Randbereiche min. ber., rest. Rahmen.
Hargesheimer Kunstauktionen Düsseldorf
Feb. 06, 2022
Albert Flamm (German,1823-1906) oil painting antique
Est: $3,600 - $4,500
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Dec. 04, 2021
Albert Flamm
Est: -
(1823 Köln - 1906 Düsseldorf) attr.; Abendstimmung am Comer See Atmosphärisch gestimmter Blick von einem pittoresken Ensemble alter Häuser auf den See im Licht der untergehenden Sonne. Motiv- und stiltypische Landschaft Flamms, der an der Düsseldorfer Akademie studierte und eng mit Oswald Achenbach befreundet war. 1850-1853 reisten beide nach Italien, wo sie zusammen mit Arnold Böcklin in Rom lebten und von dort aus u. a. in die römische Campagna fuhren. Neben Achenbach wurde Flamm einer der bedeutendsten "Italienmaler" des 19. Jhs.; Öl/Mahagonitafel. 26 cm x 52 cm. Rahmen. Attributed to Albert Flamm (1823 - 1906). Oil on mahogany panel.
Kunstauktionshaus Schloss Ahlden
Dec. 04, 2021
Flamm, Albert
Est: -
Flamm, Albert 1823 Köln - 1906 Düsseldorf Bei Neapel. Signiert. Öl/Lwd., 50 x 74 cm.
Dusseldorfer Auktionshaus
Nov. 14, 2021
Albert Flamm (German,1823-1906) oil painting antique
Est: $3,900 - $5,000
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Sep. 10, 2021
ALBERT FLAMM (ATTR.), ITALIENISCHE LANDSCHAFT MIT ZYPRESSEN
Est: €1,200 - €2,400
ALBERT FLAMM (ATTR.) 1823 Cologne - 1906 Düsseldorf Italian landscape with cypresses Oil on canvas (relined). 37 x 29 cm (F. 53 x 45 cm). Part. abraded, rest. Frame. ALBERT FLAMM (ATTR.) 1823 Köln - 1906 Düsseldorf Italienische Landschaft mit Zypressen Öl auf Leinwand (doubl.). 37 x 29 cm (R. 53 x 45 cm). Part. ber., rest. Rahmen.
Hargesheimer Kunstauktionen Düsseldorf
Aug. 07, 2021
Albert Flamm (German,1823-1906) oil painting antique
Est: $4,000 - $5,250
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC
Jun. 14, 2021
ALBERT FLAMM
Est: €3,000 - €4,000
Colonia, 1823 - Dusseldorf, 1906 Figure sulla costa caprese Firmato A Flamm, Capri in basso a destra Olio su tela, cm 70X100 Provenienza: Roma, collezione privata Questo luminoso paesaggio di Albert Flamm raffigura un'ampia veduta della costa di Capri, uno dei soggetti più popolari e più amati dall'aristocrazia europea nonché souvenir prediletto del Grand Tour. L'artista utilizza una tavolozza cromatica dai toni brillanti, descrivendo il paesaggio e le figure sotto il cielo terso dell isola attraverso una stesura morbida e raffinate velature.
Wannenes Art Auctions
Jun. 02, 2021
Albert Flamm: Landscape with Figures on the Via Appia
Est: €8,000 - €10,000
FLAMM, ALBERT 1823 Cologne - 1906 Düsseldorf Title: Landscape with Figures on the Via Appia. Technique: Oil on canvas. Measurement: 60,5 x 88,5cm. Notation: Signed lower right: A. Flamm. Frame/Pedestal: Framed. Provenance: Private ownership, Germany.
Van Ham Kunstauktionen
May. 09, 2021
Albert Flamm (German,1823-1906) oil painting antique
Est: $4,250 - $5,500
ARTIST: Albert Flamm (Germany, 1823 - 1906) NAME: Country Landscape MEDIUM: oil on canvas. Canvas applied to board. CONDITION: Few small repaired tears (biggest 3"). Minor craquelure. Minor scattered inpaintings. Wear to frame. SIGHT SIZE: 18 x 25 inches / 45 x 63 cm FRAME SIZE: 23 x 31 inches / 58 x 78 cm SIGNATURE: lower right PROVENANCE: Auktionshaus an der Ruhr, Date 2018-09-29, Lot 391 SIMILAR ARTISTS: Ascan Lutteroth, Heinrich Friedrich Fuger, Anders Andersen-Lundby, Thomas Ender, Themistocles von Eckenbrecher, Karl Ludwig Friedrich Becker, Oswald Achenbach, Karl Theodor Boehme, Friedrich von Amerling, Alfred Pollentine, Wilhelm Lucas, Michael Zeno Diemer, Fritz von Wille, Hermann David Salomon Corrodi CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 117890 US Shipping $90 + insurance. BIOGRAPHY: Albert Flamm was a German landscape painter, lithographer and architect, born at Cologne. He first studied architecture at the Dusseldorf Academy from 1836 to 1838 and worked in that profession until 1840, when he turned to painting. He then became a pupil of Andreas Achenbach at the Dusseldorf Academy, and in 1900 became a professor at the Academy. Flamm became even more closely associated with Achenbach when the professor's brother, Oswald Achenbach, married Flamm's sister.From 1850 to 1853, Albert Flamm made several trips to Italy, and there found the subject matter of Italian scenery, which became his signature work. Rome with its warm, bright sunlight was of special interest, but he also spent time in southern Italy. Oswald Achenbach, also noted for Italian landscape painting, traveled with Flamm on at least one of these excursions.One of his most well-known paintings is the Approaching Storm in the Campagna (1862). Among others may be mentioned Via Appia, in the Kunsthalle at Hamburg, a fine Italian Landscape (1856), in the Ravene Gallery, Berlin, and View of Cume (1881), in the National Gallery in Berlin.In 1900 the title of professor was conferred upon him.
Broward Auction Gallery LLC