Apel¨les Fenosa Paintings & Artwork for Sale | Apel¨les Fenosa Art Value Price Guide

Feb. 13, 2025
APEL·LES FENOSA (1899-1988). ‘The Three Graces’, unique piece, 1933.
Est: €8,000 - €15,000
Lost-wax bronze. Unique piece. Unsigned. Classical depiction of the three classical mythological goddesses (Euphrosyne, Thalia and Aglae), daughters of Zeus and protectors of philosophy. This work was publicly exhibited for the first time at the exhibition held at Sala Parés in 1933. In 1923 Fenosa had already created an early version of the Three Graces, which is now at Museu Apel·les Fenosa (inv. No. 233). In 1933, he reworked the Greco-Latin motif to create this unique piece. Years later, in 1944 and 1959, he returned to the subject. Fenosa interpreted The Three Graces on four occasions, and in all of them he continued depicting primitive Greek art. 41.5 x 20 x 12 cm. Exhibitions: ‘A. Fenosa Escultor’, Barcelona, Sala Parés (from November 18 to December 1, 1933). Reference literature: JUNTA MUNICIPAL D'EXPOSICIONS DE BARCELONA (October 1933 - July 1934). ‘Art’, Vol. 1. pp. 135 - 139. MUSEU NACIONAL D'ART DE CATALUNYA (1999). ‘Apel·les Fenosa 1899 - 1988’, Barcelona.
Subarna Subastas
Oct. 23, 2024
APEL·LES FENOSA. After. Tête de jeune fille.
Est: €400 - €500
Bronze sculpture with a dark patina on a two-tiered marble base. Made circa 1923. Signed. 20x12x13 cm (without base).
Balclis
Sep. 03, 2024
APEL-LES FENOSA, (1899 - 1988), "Tramontane", Colour Lithograph on arches wove, 255/800., Image: 33cm x 25cm, Frame: 47cm x 40cm
Est: $600 - $1,200
APEL-LES FENOSA (1899 - 1988) "Tramontane" Colour Lithograph on arches wove, 255/800. Produced 1968. Artwork is framed and ready to hang.
Ozbid Auctions
Jun. 07, 2024
Apel·les Fenosa (1899-1988) Châle Vers 1943
Est: €1,500 - €2,000
Apel·les Fenosa (1899-1988) Châle Vers 1943 Bronze à patine brune Signé " Fenosa " Porte le cachet du fondeur " CIRE PERDUE BISCEGLIA " Numéroté " 1/5 " H. 15,5 cm Littérature en rapport : Nicole Fenosa, Bertrand Tillier, Fenosa, catalogue raisonné de l’œuvre sculpté, Paris, Flammarion, 2002, modèle répertorié sous le n°263, p. 155.
Crait-Muller
Jun. 07, 2024
Apel·les Fenosa (1899-1988) Grande draperie Circa 1961
Est: €1,500 - €2,000
Apel·les Fenosa (1899-1988) Grande draperie Circa 1961 Bronze à patine brune Signé " Fenosa " Porte le cachet du fondeur " CIRE PERDUE BUSATO PARIS " Numéroté " V/5 " H. 15,4 cm Provenance : Pierre Braun Œuvre en rapport : Apel·les Fenosa, Grande draperie, 1961, terre cuite, El Vendrell, Fondation Appel-les Fenosa, inv. 332 Litterature en rapport : Nicole Fenosa, Bertrand Tillier, Fenosa, catalogue raisonné de l’œuvre sculpté, Paris, Flammarion, 2002, modèle répertorié sous le n°800, p. 281.
Crait-Muller
Jun. 07, 2024
Apel·les Fenosa (1899-1988) Toge Vers 1954.
Est: €1,500 - €2,000
Apel·les Fenosa (1899-1988) Toge Vers 1954. Bronze à patine brun médaille Signé Fenosa à l’arrière Porte le cachet du fondeur " CIRE PERDUE BUSATO PARIS. " Porte le numéro "IV." H. 19,5 cm Litterature en rapport : Nicole Fenosa, Bertrand Tillier, Appel.les Fenosa : catalogue raisonné de l’œuvre sculpté, Paris, Flammarion, 2002, modèle répertorié sous le n°550, p. 225.
Crait-Muller
Jun. 05, 2024
Apelles FENOSA
Est: €1,800 - €2,500
Apelles FENOSA Ensemble de deux bronzes 1- Feuille de figuier - 1958 Bronze à patine brun vert Signé, numéroté et cachet de fondeur sur l’arrière de la terrasse «Fenosa I/5 / CIRE PERDUE / BUSATO / PARIS» Hauteur : 27 cm - 10,63 in. Bibliographie : N. Fenosa et B. Tillier, Fenosa, catalogue raisonné de l’oeuvre sculpté, Ediciones Poligrafia, Barcelone, 2002, n°625, reproduit en noir et blanc p.243 (un exemplaire similaire) 2- Dame du Portal - 1958 Bronze à patine brune Signé, numéroté et cachet de fondeur sur l’arrière de la terrasse «Fenosa / II/5 /*CIRE PERDUE / BUSATO / PARIS» Hauteur : 14,50 cm – 5,71 in. Bibliographie : N. Fenosa et B. Tillier, Fenosa, catalogue raisonné de l’oeuvre sculpté, Ediciones Poligrafia, Barcelone, 2002, n°629, reproduit en noir et blanc p.245 (un exemplaire similaire) Apelles FENOSA Set of two sculptures; bronze with brown green patina; signed, numbered and stamped with the foundry mark on the back of the base; bronze with brown patina; signed, numbered and stamped with the foundry mark on the base
Artcurial
Jan. 16, 2024
Apel-Les Fenosa - Untitled - Lithograph - SIGNED 19.75" x 25.5"
Est: $125 - $175
"Untitled" by Apel-Les Fenosa, Signed Lithograph. Paper size is 19.75 x 25.5 inches, with an image size of 19.75 x 25.5 inches. The Lithograph is from an edition size of 95 and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Lithograph in colors. Hand signed and numbered out of 95 in pencil by the artist.
DUMBO Auctions
Nov. 29, 2023
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Statuette", 1933. Patinated terracotta. Signed at the lower right. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), ref. 94.
Est: €3,000 - €4,000
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Statuette, 1933. Patinated terracotta. Signed at the lower right. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), ref. 94. Measurements: 30 x 9 x 7 cm. We recognise in this "Figurilla" the classical theme of Aphrodite coming out of the bath, reinterpreted with great freedom and creative commitment by Apel.les Fenosa. This is a work from the sculptor's youth, when he was seeking new forms that were nevertheless rooted in the artistic dawn of the Mediterranean. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the Ecole de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Oct. 05, 2023
APEL·LES FENOSA. A girl. (d)
Est: €800 - €900
Bronze sculpture Signed and with the mark of Bechini Foundry of Barcelona. Made circa 1934 27.5x16.5x17.5 cm Literature: Fenosa, N., Tillier, B., "Apel·les Fenosa. Catalogue raisonné de l'oeuvre sculpté", Ediciones Polígrafa, Barcelona, 2002, p. 133 (reproduced).
Balclis
Sep. 14, 2023
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Nu coupé à hateur des cuisses". 1933 Patinated terracotta. Marble base.
Est: €3,000 - €4,000
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Nu coupé à hateur des cuisses". 1933 Patinated terracotta. Marble base. Work reproduced in the Catálogo razonado sobre Apel.les Fenosa (ed.Ministerio de Cultura, 1979), and in the Fundació Apel.les Fenosa's online catalogue under number 0120. Measurements: 35 x 11 x 9 cm (sculpture); 1.5 x 16 x 9 cm (pedestal). This work belongs to an early period in the artist's production, a period in which the influence of the sculpture of the ancient peoples of the Mediterranean can be appreciated. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the École de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Sep. 14, 2023
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Statuette", 1933. Patinated terracotta. Signed at the lower right. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), ref. 94.
Est: €3,000 - €4,000
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Statuette, 1933. Patinated terracotta. Signed at the lower right. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), ref. 94. Measurements: 30 x 9 x 7 cm. We recognise in this "Figurilla" the classical theme of Aphrodite coming out of the bath, reinterpreted with great freedom and creative commitment by Apel.les Fenosa. This is a work from the sculptor's youth, when he was seeking new forms that were nevertheless rooted in the artistic dawn of the Mediterranean. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the Ecole de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Jun. 16, 2023
Apelles Fenosa (1899-1988) Sirène jouant de la lyre
Est: €1,500 - €2,000
Apelles Fenosa (1899-1988) Sirène jouant de la lyre Modèle créé en 1941 Bronze à patine brune Signé “ Fenosa ” Porte le cachet du fondeur “ CIRE PERDUE BISCEGLIA ” et numéroté “ 3/5 ” H. 17 cm Littérature en rapport : -Nicole Fenosa, Bertrand Tillier, Fenosa, catalogue de l’œuvre sculpté, modèle répertorié sous le n° 190, p. 142.
Crait-Muller
May. 09, 2023
APEL-LES FENOSA Barcelona (1899) / Paris (1988) "Julia"
Est: €225 - €300
Graphite on paper Signed in the lower left corner. Reproduced in "Critical Dictionary of Contemporary Spanish Art", p.128 Measurements: 31 x 23.5 cm
Ansorena
Dec. 08, 2022
Apelles Fenosa (1899-1988)
Est: CHF4,000 - CHF6,000
Apelles Fenosa (1899-1988) Bérénice, bronze, signé et numéroté V, H 97 cm
Geneve Encheres
Nov. 29, 2022
CIRICI-PELLICER (Alexandre).
Est: €600 - €800
Apel les Fenosa. S.l., s.n., 1958. In-8, bradel demi-maroquin, dos lisse, titre doré (A. Lobstein). Édition illustrée de nombreuses photographies en noir des oeuvres d'Apel les Fenosa. Exemplaire enrichi d'un dessin et envoi autographe signé de l'artiste. Relié à la suite : Fenosa Sculptures, du 21 avril au 13 mai 1961. On-joint : notes autographes de Fenosa pour une interview des Artistes dans monde moderne, manuscrit autographe de l'artiste, notes de Jacques Hélion et et une carte autographe signée.
Alde
Oct. 20, 2022
APEL·LES FENOSA. "Tête". (d)
Est: €1,200 - €1,400
Terracotta sculpture Signed and numbered 13. Made in 1931. Bibliography: Raymond COGNIAT, Apel·les Fenosa, Ediciones Polígrafa, Barcelona, 1969, no. 29, p. 64. 30x19.5x16cm.
Balclis
Oct. 19, 2022
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988).
Est: €3,000 - €4,000
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Tête, 1933. Terracotta Signed with monogram at the bottom. Wooden base. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), n.142. Size: 31 x 15 x 18 cm (sculpture); 3 x 17 x 11.5 cm (base). Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the École de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Oct. 19, 2022
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). “Nu coupé à hateur des cuisses”. Patinated terracotta. Marble base. Work included in the Catalogue raisonné on Apel.les Fenosa (Ministry of Culture, 1979), n. 120.
Est: €3,000 - €4,000
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Nu coupé à hateur des cuisses". Patinated terracotta. Marble base. Work included in the Catalogue raisonné on Apel.les Fenosa (Ministry of Culture, 1979), ref. 120. Measurements: 35 x 11 x 9 cm (sculpture); 1.5 x 16 x 9 cm (pedestal). This work belongs to an early period in the artist's production, a period in which the influence of the sculpture of the ancient peoples of the Mediterranean can be appreciated. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the École de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Oct. 19, 2022
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Statuette", 1933. Patinated terracotta. Signed at the lower right. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), ref. 94.
Est: €4,000 - €4,500
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Statuette, 1933. Patinated terracotta. Signed at the lower right. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), ref. 94. Measurements: 30 x 9 x 7 cm. We recognise in this "Figurilla" the classical theme of Aphrodite coming out of the bath, reinterpreted with great freedom and creative commitment by Apel.les Fenosa. This is a work from the sculptor's youth, when he was seeking new forms that were nevertheless rooted in the artistic dawn of the Mediterranean. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the Ecole de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Oct. 19, 2022
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Jeunes filles à la lessive", 1933.
Est: €3,000 - €3,500
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Jeunes filles à la lessive", 1933. Patinated terracotta plaque. Work included in the catalogue of the Fundació Apel.les Fenosa: cat.no. 0145 ("Jeunes filles à la lessive". Provenance: Palmira Fenosa Coll.: Carlota Rotger, La Floresta). Size: 30 x 9 x 7 cm. Two girls enjoy their nakedness while hanging up their clothes and lying in the sun, recreating the joie de vivre of Mediterranean roots, which Apel.les Fenosa adopted for sculpture, modernising canons and language. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the Ecole de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, painting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Jun. 30, 2022
APEL·LES FENOSA. "Tête". (d)
Est: €1,500 - €1,800
Terracotta sculpture Signed and numbered 13. Made in 1931. Bibliography: Raymond COGNIAT, Apel·les Fenosa, Ediciones Polígrafa, Barcelona, 1969, no. 29, p. 64. 30x19.5x16cm.
Balclis
Jun. 03, 2022
Appel.les Fenosa (1899-1988) Femme qui parle, 1952
Est: €8,000 - €10,000
Appel.les Fenosa (1899-1988) Femme qui parle, 1952 Épreuve en bronze, n°II /5. Fonte à la cire perdue Susse. Signature du fondeur (sur la tranche de la base) " Susse Fondeur Paris " Signé et numéroté " Fenosa II/5 " 106 x 45,7 x 45,7 cm Provenance : Galerie Sala Gaspar, Barcelone ; Collection privée, Japon La Femme qui parle fait partie des rares modèles de Fenosa réalisés dans des dimensions importantes. Son plâtre original est conservé à la Fondation Ap- pel-les Fenosa, en Espagne, et deux bronzes sont localisés en plus de celui présenté ici : l’un en mains privés, l’autre au musée de Rambouillet. La Femme qui parle participe de la démarche de végétalisation de la forme humaine qui anime Fenosa jusque dans les années 1960, tout comme de ses recherches sur la figuration, marquées par l’œuvre de Giacometti. Sculpteur d’origine catalane, formé auprès du sculpteur Casanovas, Appel.les Fenosa séjourne à Paris entre 1921 et 1929, avant de s’installer définitive- ment en France en 1939. Il débute le métier avec la taille directe, qu’il quitte progressivement pour le modelage. Lors de son premier séjour en France, il se rapproche des artistes espagnols de l’École de Paris, se lie d’amitié avec Picasso, et les écrivains Cocteau, Éluard, Michaux, dont il réalisera plus tard les bustes. À la poésie surréaliste qui marque le début de sa production, s’ajoute vers 1950 la re- cherche d’unité entre la nature et le geste créateur de l’homme. Littérature en rapport • Dictionnaire de la sculpture moderne, Paris, Hazan, 1970. • Jean Leymarie, Apel.les Fenosa, Genève, Édi- tions d’Art Albert Skira, 1993, repr. p. 100. • Nicole Fenosa, Bertrand Tillier, Fenosa cata- logue raisonné de l’œuvre sculpté, Barcelone, Ediciones Poligrafa, 2002, Paris, Flammarion, 2002, repr. p. 216 et 217, répertorié sous le n°515.
Crait-Muller
Jun. 02, 2022
Apelles Fenosa, Spanish (1899-1989) Collection
Est: $50 - $100
Apelles Fenosa, Spanish (1899-1989) Collection of signed folio of lithographs. Condition: Good Condition, some toning, has typical minor age wear. Estimate: $50.00 - $100.00 Domestic Shipping: Third Party
Kodner Galleries
Jun. 02, 2022
Apelles Fenosa (1899-1988): Gesturing Woman
Est: $800 - $1,200
Bronze, signed 'Fenosa' and numbered 1/5 lower left. 8 ½ in. (height). Property from the Estate of Ernest Kafka
STAIR
May. 12, 2022
APEL·LES FENOSA (1899-1988) "YOUNG".
Est: €1,200 - €3,000
Terracotta. We are grateful for the collaboration of Josep Miquel Garcia (Fundació Fenosa), who was essential in the cataloguing of this piece. 45 x 11 x 11 cm.
Subarna Subastas
May. 12, 2022
APEL·LES FENOSA (1899-1988) "FEMALE NUDE".
Est: €1,000 - €2,500
In terracotta. We would like to thank Josep Miquel Garcia (Fundació Fenosa) for his help in cataloguing this work. Height 29 cm and base diam. 11 cm.
Subarna Subastas
Mar. 23, 2022
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Femme débout". Bronze. Signed at the bottom with monogram. Marble pedestal.
Est: €2,000 - €3,000
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Femme débout". Bronze. Signed at the bottom with monogram. Marble pedestal. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), n.106. Measurements: 31.5 x 9 x 8 cm.(bronze); 3 x 10 cm. (base). We recognise in this bronze the Greek theme of Aphrodite coming out of the bath, reinterpreted with freedom and creative commitment by Apel.les Fenosa. This is a work from the sculptor's youth, when he was seeking new forms that were nevertheless rooted in the artistic dawn of the Mediterranean. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the École de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Mar. 23, 2022
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Tête", 1933. Terracotta. Signed with monogram at the bottom. Wooden base.
Est: €3,000 - €4,000
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Tête, 1933. Terracotta Signed with monogram at the bottom. Wooden base. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), n.142. Size: 31 x 15 x 18 cm (sculpture); 3 x 17 x 11.5 cm (base). Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the École de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Mar. 23, 2022
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Statuette", 1933. Patinated terracotta. Signed at the lower right. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), ref. 94.
Est: €4,000 - €5,000
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Statuette, 1933. Patinated terracotta. Signed at the lower right. Work included in the catalogue raisonné "Apel.les Fenosa", by Raymond Cogniat (ed. Polígrafa, 1966), ref. 94. Measurements: 30 x 9 x 7 cm. We recognise in this "Figurilla" the classical theme of Aphrodite coming out of the bath, reinterpreted with great freedom and creative commitment by Apel.les Fenosa. This is a work from the sculptor's youth, when he was seeking new forms that were nevertheless rooted in the artistic dawn of the Mediterranean. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the Ecole de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, depicting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Mar. 23, 2022
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Jeunes filles à la lessive", 1933. Patinated terracotta plaque
Est: €3,000 - €3,500
APEL.LES FENOSA FLORENSA (Barcelona, 1899 - Paris, 1988). "Jeunes filles à la lessive", 1933. Patinated terracotta plaque. Work included in the catalogue of the Fundació Apel.les Fenosa: cat.no. 0145 ("Jeunes filles à la lessive". Provenance: Palmira Fenosa Coll.: Carlota Rotger, La Floresta). Size: 30 x 9 x 7 cm. Two girls enjoy their nakedness while hanging up their clothes and lying in the sun, recreating the joie de vivre of Mediterranean roots, which Apel.les Fenosa adopted for sculpture, modernising canons and language. Trained with Enric Casanovas, Fenosa travelled to Paris for the first time in 1921. There he held a solo exhibition in 1925, which was presented by Max Jacob. Returning to Barcelona in 1929, he held exhibitions at the Sala Parés in 1930, 1933 and 1936. At the end of the Civil War he moved back to Paris in 1939, where he definitively integrated into his artistic life. There he met great intellectuals of the time such as Theóphile Briand, Cocteau, Paul Éluard, Colette, Henri Michaux, Supervielle, Genet and Tzara, and even had a notorious romance with Coco Chanel. During these years his art discovered a vegetal world, populated by flaming female figures, which retain the fresh imprint of the artist's fingers. His works are daughters of the earth, from which they emerge, the fruit of imagination, with all their wild and natural character. He had repeated solo exhibitions at the Parisian galleries Zborowsky and Jacques Dubourg, as well as at the Hanover Gallery in London (1954), the Paul Rosenberg Gallery in New York (1960 and 1961), in Tokyo (1966 and 1981) and Madrid (1967 and 1976), among other cities. He also took part in major group exhibitions such as the Salons de Mai and de Jeune Sculpture in Paris, the Antwerp Biennale, the International Exhibition of the Musée Rodin, the Carrara Biennale, the Contemporary French Sculpture Exhibition of the Ecole de Paris, the Petit Bronze, etc. In 1980 the Musée Rodin devoted an anthological exhibition to him. He also worked in portraiture, painting friends and colleagues. In France he made several monuments, such as the Oradour-sur-Glane monument and the sphinx emblem of the Conseil Constitutionnel in Paris. He is currently represented in the foundation that bears his name in El Vendrell (Tarragona), the Patio Herreriano Museum in Valladolid, the National Library in Madrid, the Rodin Museum in Paris and the Palau de la Virreina in Barcelona, among others.
Setdart Auction House
Dec. 16, 2021
APEL·LES FENOSA (1899-1988) "FEMALE NUDE".
Est: €1,300 - €3,000
In terracotta. Unsigned. We would like to thank Josep Miquel Garcia (Fundació Fenosa) for his help in cataloguing this work. Height 29 cm and base diam. 11 cm.
Subarna Subastas
Dec. 16, 2021
APEL·LES FENOSA (1899-1988) "YOUNG".
Est: €1,500 - €2,500
Terracotta. 45 x 11 x 11 cm.
Subarna Subastas
Dec. 16, 2021
APEL·LES FENOSA (1899-1988) "GIRL'S BUST".
Est: €250 - €600
Terracotta bust. Wooden base. 29 x 18 x 16 cm and 8 x 11 x 11 cm base.
Subarna Subastas
Mar. 04, 2021
APEL·LES FENOSA (1899-1988). RECLINING LYING WOMAN, 1935
Est: €550 - €850
Terracotta sculpture. Unsigned. Restored breakages. 22 x 15 x 39 cms. We would like to thank the collaboration of the Apel·les Fenosa Foundation for the cataloguing of this work.
Subarna Subastas
Dec. 17, 2020
APEL·LES FENOSA (1899-1988). "PORTRAIT OF BOSCH ROGER".
Est: €600 - €780
Bronze sculpture. Marble base. Signed. 18 x 10 x 11 cm sculpture and 9 x 14 x 14 cm marble base.
Subarna Subastas
Dec. 17, 2020
APEL·LES FENOSA (1899-1988). "BUST".
Est: €700 - €910
Terracotta bust. Wooden base. Signed with a monogram. 28 x 11.5 x 12.5 cm sculpture and 8 x 11.5 x 15 cm base.
Subarna Subastas
Jul. 16, 2020
Apeles Fenosa (Spanish, 1899-1988) Femme Bronze 41-3/4 x 18 x 18 inches (106.0 x
Est: $4,000 - $6,000
Apeles Fenosa (Spanish, 1899-1988) Femme Bronze 41-3/4 x 18 x 18 inches (106.0 x 45.7 x 45.7 cm) Incised to base Fenosa 11/5, Susse Fondeurs Paris HID01801242017
Heritage Auctions
Jul. 16, 2020
Apeles Fenosa (Spanish, 1899-1988) Danseuses, circa 1961 Bronze on marble base 1
Est: $1,000 - $1,500
Apeles Fenosa (Spanish, 1899-1988) Danseuses, circa 1961 Bronze on marble base 12-3/4 x 7-3/8 x 4-1/2 inches (32.4 x 18.7 x 11.4 cm) (overall) Incised A Fenosa, V13 HID01801242017
Heritage Auctions
Apr. 20, 2020
Apeles Fenosa (Spanish, 1899-1988) Femme Bronze 41-3/4 x 18 x 18 inches (106.0 x
Est: $8,000 - $12,000
Apeles Fenosa (Spanish, 1899-1988) Femme Bronze 41-3/4 x 18 x 18 inches (106.0 x 45.7 x 45.7 cm) Incised to base Fenosa 11/5, Susse Fondeurs Paris HID01801242017
Heritage Auctions
Apr. 20, 2020
Apeles Fenosa (Spanish, 1899-1988) Danseuses, circa 1961 Bronze on marble base 1
Est: $2,000 - $3,000
Apeles Fenosa (Spanish, 1899-1988) Danseuses, circa 1961 Bronze on marble base 12-3/4 x 7-3/8 x 4-1/2 inches (32.4 x 18.7 x 11.4 cm) (overall) Incised A Fenosa, V13 HID01801242017
Heritage Auctions
Feb. 26, 2020
Apelles FENOSA (1899-1988) - Babylonian, 1964 - Bronze with shaded patina s
Est: €800 - €1,500
Apelles FENOSA (1899-1988) - Babylonian, 1964 - Bronze with shaded patina signed and justified III/5 - 19,8 x 10,2 x 7,7 cm - Catalogue Raisonné N°935 photographed page 309
Expertisez Enchères
Dec. 18, 2019
Apelles FENOSA (1899-1988) - Babylonienne, 1964 - Bronze à patine nuancée signée et justifiée III/5 - 19,8 x 10,2 x 7,7 cm - Catalogue Raisonné N°935 photographié page 309
Est: €1,500 - €1,800
FENOSA (1899-1988) - Babylonian, 1964 - Bronze with nuanced patina signed and justified III/5 - 19.8 x 10.2 x 7.7 cm - Catalogue Raisonné N°935 photographed page 309
Expertisez Enchères
Oct. 16, 2019
FENOSA (1899-1988) - Babylonian, 1964 - Bronze with nuanced patina signed and justified III/5 - 19.8 x 10.2 x 7.7 cm - Catalogue Raisonné N°935 photographed page 309
Est: €2,000 - €3,000
Apelles FENOSA (1899-1988) - Babylonienne, 1964 - Bronze à patine nuancée signée et justifiée III/5 - 19,8 x 10,2 x 7,7 cm - Catalogue Raisonné N°935 photographié page 309
Expertisez Enchères
Jul. 10, 2019
Apel·les Fenosa
Est: -
Apel·les Fenosa (Barcelona, 1899 - París,1988). Cristo crucificado, escultura en bronce, 65x65 cm.
Sala de Ventas
Jun. 27, 2019
APELLES FENOSA (1899-1988) - ROCAILLE, 1962
Est: €1,500 - €2,000
APELLES FENOSA (1899-1988) ROCAILLE, 1962 Bronze Signé et numéroté I/5 Fondeur Vila 24 x 11,5 x 10,3 cm - 9.4 x 4.5 x 4 in. Provenance : -Galerie Takashimaya, Tokyo Bibliographie -Alexandrian, Sarane. « Quatre révélateurs de métamorphoses », Arts, Paris, 19 mai 1965. (exemplaire similaire) - Cogniat, Raymond, Fenosa, Poligrafa, Barcelone, 1969, N° 136. (exemplaire similaire) - Nicole Fenosa, Bertrand Tillier, Jean-Pierre Changeux, Fenosa : catalogue raisonné de l’oeuvre sculpté, Flammarion, Paris, 2002, reproduite sous le numéro 833, en page 288 de l’ouvrage (exemplaire similaire) - Shimizu, « Fenosa », in Apel-les Fenosa, cat. exp., Tokyo, Galerie Takashimaya, 1966, p. 19-28, œuvre reproduite en page 27 de l’ouvrage (exemplaire similaire) - Schurr Gérald, « Un lyrisme flamboyant d’Apel-les Fenosa », Maison Française, Paris, n° 185, 1965, Œuvre reproduite en page 151 de l’ouvrage (exemplaire similaire) Expositions : - Barcelone : Sala Gaspar, Apel-les Fenosa, Octobre 1965, 72 sculptures, Catalogue, œuvre reproduite sous le numéro 16 (exemplaire similaire) - Paris : Galerie Jacques Dubourg, Fenosa, sculptures, 12-29 mai 1965, 42 sculptures, Catalogue. Œuvre reproduite sous le n° 10 du catalogue (exemplaire similaire) - Tokyo : Galerie Takashimaya, Appel-les Fenosa, 8-13 novembre 1966, 90 sculptures, Catalogue, 49 reproductions, Préface de Louis de Guiringaud, Textes de Teichi Hijikata, Hebihara et Shimizu, œuvre reproduite sous le n°16 du catalogue(exemplaire similaire) - Madrid : Galeria Biosca, Fenosa, 5-30 juin 1967, 79 sculptures, œuvre reproduite sous le n°15 du catalogue (exemplaire similaire) - Rabat-Casablanca, Centre Culturel Français, Fenosa sculptures, 27 novembre - 31 décembre 1968,47 sculptures, œuvre reproduite sous le n° 7 du catalogue (exemplaire similaire) - Barcelone : Palau de la Virreina, Appel-les Fenosa, 21 novembre 1983 - 29 janvier 1984, 149 sculptures, œuvre reproduite sous le n°104 du catalogue (exemplaire similaire) - Saint-Denis, Musée d’Art et d’Histoire, Fenosa sculptures, 2 avril-30 août 1993, 103 sculptures, Œuvre reproduite en page 9 du catalogue (exemplaire similaire) - Montblanc, Museu Arxiu, Art Català Contemporani, 7 - 13 septembre 1965, œuvre reproduite sous le catalogue n° 5. (exemplaire similaire) - Oradour-sur-glane, Centre de la Mémoire, Autour de Fenosa sculpteur (1899-1988), 25 juin-12 septembre 1999, œuvre reproduite sous le numéro 72 du catalogue (exemplaire similaire)
Cornette de Saint-Cyr
Jun. 27, 2019
APPELES FENOSA (1899-1988), - BYZANTINE
Est: €1,000 - €1,500
APPELES FENOSA (1899-1988), BYZANTINE Bronze à patine brune, Signé et numéroté II/5 sur la base. H: 17,5 cm - H : 6.8 in. Bronze with brown patina, signed and numbered II/5 on the base.
Cornette de Saint-Cyr
Jun. 27, 2019
APELLES FENOSA (1899-1988) - CHANTEUSE, 1958
Est: €1,200 - €1,800
APELLES FENOSA (1899-1988) CHANTEUSE, 1958 Bronze à patine noire sur socle Signé sur la terrasse Cachet du fondeur illisible au dos H: 15 cm – H: 5.90 in. Bronze with brown patina at the base Signed at the base Founder’s stamp at the back (illegible) Provenance : - Collection particulière, Paris Expositions : - New-York, Galerie Paul Rosenberg & Co. 16 Bronzes by Apelles Fenosa. 26 septembre-22 octobre 1961. Oeuvre exposée sous le numéro 12 (exemplaire similaire) - Tokyo, Galerie Takashimaya, Apel-les Fenosa, 8-13 novembre 1966. Oeuvre exposée sous le numéro 12 (exemplaire similaire) Bibliographie : - Nicole Fenosa, Bertrand Tillier, Apelles Fenosa, Catalogue de l’oeuvre sculpté, Flammarion, Paris, 2002. Oeuvre reproduite en page 239 et répertoriée sous le numéro 607 de l’ouvrage (exemplaire similaire)
Cornette de Saint-Cyr