Lye Yau Fatt Sold at Auction Prices

LYE YAU FATT : Dawn at the River, 1985

There is a gathering of two women by the river clad in sarongs who appear to be bathing amid nature. Lye Yau Fatt’s artworks are always bedecked with rich and earth tones, creating a homey ambiance and mood, where viewers may find peace in. He never fails to evoke a feeling of familiarity, warmth and security, in a way, his motifs always revolve around the rustics in a rural setting, with intricate designs running along his canvas, discernible if seen closely. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT : LiIies and Siblings, 2017

Artist Lye Yau Fatt has a proclivity for looking for themes and substance for his art pieces in regular objects. This is clearly demonstrated by this still- life piece, as he exquisitely paints a bouquet of lilies in a vase, along with a traditional teapot and teacup, figurines on the right against a backdrop of subtle colours. The objects are systematically executed, with precision and absolute care for neatness. The intricacy of his techniques in this piece, simple yet lovely makes this truly something that reminds you of a Nyonya home. It brings a nostalgic feeling of antiquity, a Chinese Peranakan culture.

LYE YAU FATT : Still Life, 2017

Born in 1950 in Kedah, Lye Yau Fatt went on to study printmaking in New York before holding his first solo exhibition in 1979 at the Sum Art Gallery. He then went on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. He was always very much influenced by his mentor, another renowned artist, Cheong Soo Pieng, for his unique manner in combining colours. Lye Yau Fatt’s talent allows him to turn mundane settings into a work of art by masterfully using warm, earthy tones to transform the subject, bringing a unique and distinctively beautiful quality in his art.

Lye Yau Fatt (b. 1950) Mother And Child, 1975

Sculpted using cement and granite, the sculpture that represents mother and child seems pleasingly lovely. Wrapped up like a bubble the two figures exhibit the warmth and love that they have for one another. The child feels safe and protected by the mother that surely loves him with all her heart. Lye Yau Fatt is one of the most inventive artists in printmaking, paint and sculpture, holding his first solo at the Sum Art Gallery in 1979. He won the 2nd Prize in Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

Lye Yau Fatt (b. 1950) A Peaceful Morning, 2018

A pair of ducks - a symbol of love and devotion are relaxing with their young on green pastures outside a traditional house built of wood. Filled with sunshine, it demonstrates the artist's impressions of light and shadow, delicately portrayed through the wooden beams. The artist creates a harmonious contrast of ducks and their surrounding environment on a peaceful morning. The details show the artist's impeccable skill. Lye Yau Fatt is one of the most inventive artists in printmaking, paint and sculpture, holding his first solo at the Sum Art Gallery in 1979. He won the 2nd Prize in Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

LYE YAU FATT : Serenity, 1990’s

Born in 1950, Lye Yau Fatt hails from Kedah. He is one of the most inventive artist in printmaking and sculpture. He acquired his skills from a printmaking workshop in New York in 1986. Lye was mentored by Cheong Soo Pieng, a pioneer artist from Singapore. He was inspired by Cheong’s ‘Nanyang Style’ whose works were bedecked with rich earth tones, creating a homely ambience and mood. Lye uses mixed media such as watercolour, acrylic and charcoal to exemplify visual style and the color structures of mother nature. His first solo was held at the Sum Art Gallery in 1979. He won 2nd Price in the Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

LYE YAU FATT : Two Sisters, 1985

Lye Yau Fatt often produced artworks that were full on the Malaysian theme and lifestyle. He was always very much influenced by his mentor, another renowned artist, Cheong Soo Pieng for his unique manner in combining colours. Using warm tones and hues, the ‘Two Sisters’ piece executed circa 1980’s depicts a story of two sisters sitting in the midst of nature and beauty under the canopy of a large tree with a goat as their companion and a village in a distance. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT : Resting, 1983

Being mentored by Cheong Soo Pieng, Lye Yau Fatt admitted to being very inspired by Cheong’s idea and compositions of art but despite all that, he often produced artworks that were full on the Malaysian theme and lifestyle. Known for his use of warm, earthy tones and deriving inspiration from mundane and monotonous settings in life, he paints on canvas a private moment between two women as they take a break between their chores. The women are seated together in the midst of nature, by a river, and viewers can almost imagine the mystifying scene concocted by the artist. Viewers almost feel as if they are imposing on the exclusivity of the moment, and the intricacy of the design of this piece makes it seem even more homelier and cosy, the pure epitome of serenity. 

Lye Yau Fatt (b. Kedah, 1950) Mother And Child, 1975

Sculpted using cement and granite, the sculpture that represents mother and child seems pleasingly lovely. Wrapped up like a bubble the two figures exhibit the warmth and love that they have for one another. The child feels safe and protected by the mother that surely loves him with all her heart. Lye Yau Fatt is one of the most inventive artists in printmaking, paint and sculpture, holding his first solo at the Sum Art Gallery in 1979. He won the 2nd Prize in Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

LYE YAU FATT : Resting, 1983

Being mentored by Cheong Soo Pieng, Lye Yau Fatt admitted to being very inspired by Cheong’s idea and compositions of art but despite all that, he often produced artworks that were full on the Malaysian theme and lifestyle. Known for his use of warm, earthy tones and deriving inspiration from mundane and monotonous settings in life, he paints on canvas a private moment between two women as they take a break between their chores. The women are seated together in the midst of nature, by a river, and viewers can almost imagine the mystifying scene concocted by the artist. Viewers almost feel as if they are imposing on the exclusivity of the moment, and the intricacy of the design of this piece makes it seem even more homelier and cosy, the pure epitome of serenity. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Samat Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. This works was painted as a tribute to a renowned painter in Singapore , the late Cheong Soo Pieng whom he befriended and spent a lot of time painting with in the 70's.

Lye Yau Fatt (b. Kedah, 1950) Untitled

Lye Yau Fatt illustrates two indigenous ladies carrying baskets over their heads. One of the ladies is seen holding a tempayan which acts as a container to fetch water. The scene is complemented by an astonishing landscape that appeared amidst the morning mist. Lye Yau Fatt is one of the most inventive artists in printmaking, paint and sculpture, holding his first solo at the Sum Art Gallery in 1979. He won the 2nd Prize in Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

Lye Yau Fatt (b. Kedah, 1950) Untitled, 2015

One word to describe this piece is simplicity. Two geese are seen grooming themselves. The scene suggests morning time where the sun has just risen and it’s a good time to hang used bolsters and pillows to kill the germs. The blooming flowers from the tin vases further enhance the scenery of this village house. Lye Yau Fatt is one of the most inventive artists in printmaking, paint and sculpture, holding his first solo at the Sum Art Gallery in 1979. He won the 2nd Prize in Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

Lye Yau Fatt (b. Kedah, 1950) Sister, circa 1981-1983

Lye Yau Fatt illustrates two ladies seated together surrounded by beautiful blossom water lilies with lush greenery background. Their hand gestures showing as if they are admiring each other’s beauty while one women had a white flower flanked by her ears further enhancing her femineity. Lye Yau Fatt is one of the most inventive artists in printmaking, paint and sculpture, holding his first solo at the Sum Art Gallery in 1979. He won the 2nd Prize in Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

LYE YAU FATT : Morning at the River, 1985

There is a gathering of women by the river clad in sarongs and appear to be washing their clothes and bathing amid nature. Some are painted collecting water from the river and carrying pots of water on their heads. Lye Yau Fatt’s artworks are always bedecked with rich and earth tones, creating a homey ambiance and mood, where viewers may find peace in. He never fails to evoke a feeling of familiarity and warmth, and security, in a way. His motifs always revolve around the rustics in a rural setting, with intricate designs running along his canvas, discernible if seen closely. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT : Still Life, 2017

Born in 1950 in Kedah, Lye Yau Fatt went on to study printmaking in New York before holding his first solo exhibition in 1979 at the Sum Art Gallery. He then went on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. He was always very much influenced by his mentor, another renowned artist, Cheong Soo Pieng, for his unique manner in combining colours. Lye Yau Fatt talent allows him to turn mundane settings into a work of art by masterfully using warm, earthy tones to transform the subject bringing a unique and distinctively beautiful quality in his art.

LYE YAU FATT : Asparagus and Tomato, 1992

Taking a different turn from his usual drybrush watercolours of homely scenes featuring shophouses or backlanes, artist Lye Yau Fatt creates a simple masterpiece. Despite the simplicity of the subject matter, all the colours and shapes work harmoniously together, unified and pleasing to the eye. It was in 1986 that Lye Yau Fatt took printmaking workshop in the US. Known for his intricate mezzotint prints, he produced prints on his custom-made etching press.

LYE YAU FATT : Chattering II, 1983

Lye Yau Fatt went on to study printmaking in New York before holding his first solo exhibition in 1979 at the Sum Art Gallery. He then went on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. He was always very much influenced by his mentor, another renowned artist, Cheong Soo Pieng, for his unique manner in combining colours. Lye often produced artworks highlighting the Malaysian theme and lifestyle. Deriving inspiration from mundane and monotonous settings in life, this serene painting depicts a group of ladies and a child sitting in the midst of nature, under a shady tree. They seem to be in conversation and viewers might feel as if they are imposing on the exclusivity of the moment.

LYE YAU FATT : Lilies and Siblings, 2017

Born in 1950 in Kedah, Lye Yau Fatt went on to study printmaking in New York before holding his first solo exhibition in 1979 at the Sum Art Gallery. He then went on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. He was always very much influenced by his mentor, another renowned artist, Cheong Soo Pieng, for his unique manner in combining colours. While a combination of a vase and a teacup may go unnoticed in real life, Lye Yau Fatt talent allows him to turn mundane settings into a work of art by masterfully using warm, earthy tones to transform the subject bringing a unique and distinctively beautiful quality in his art. The addition of two miniature siblings add an adorable factor to the already breathtaking artwork.

LYE YAU FATT : Dawn at the River, 1985

Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. He was always very much influenced by his mentor, another renowned artist, Cheong Soo Pieng, for his unique manner in combining colours. Lye Yau Fatt often produced artworks highlighting the Malaysian theme and lifestyle. Deriving inspiration from mundane and monotonous settings in life, he draws on canvas a private moment between family and friends. He never fails to evoke a feeling of familiarity and warmth, and security, in a way. His motifs always revolve around the rustics in a rural setting, with intricate designs running along his canvas, discernible if seen closely. Using warm and vibrant colours, this serene painting depicts two ladies who seem to be in conversation.

Lye Yau Fatt (b. Kedah, 1950) Relaxing, 2008

Cats must be one of the artist’s favourite subjects to paint. These domestic animals are friendly and are a great companion to humans. In this piece the cat is seen seated on a chair on a bright sunny day grooming itself as it is merely in its natural habit. The lighting effect enhances the beauty of the work and shows the artist’s impeccable skill. Lye Yau Fatt is one of the most inventive artists in printmaking, paint and sculpture, holding his first solo at the Sum Art Gallery in 1979. He won the 2nd Prize in Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

LYE YAU FATT : Morning at the River, 1985

There is a gathering of women by the river clad in sarongs and appear to be washing their clothes snd bathing amid nature. Some are painted collecting water from the river and carrying pots of water on their head. Lye Yau Fatt’s artworks are always bedecked with rich and earth tones, creating a homey ambiance and mood, where viewers may find peace in. He never fails to evoke a feeling of familiarity and warmth, and security, in a way. His motifs always revolve around the rustics in a rural setting, with intricate designs running along his canvas, discernible if seen closely. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT : Crossing the River, 1983

Eyes immediately dart to the ladies captured in the act of crossing the river, enveloped by foliage, one clad in nothing but a sarong while the other has an infant strapped on her. In the background, two other ladies are seen wearing straw hats and about their antics. Lye Yau Fatt’s artworks are always bedecked with rich and earth tones, creating a homey ambiance and mood, where viewers may find peace in. He never fails to evoke a feeling of familiarity and warmth, and security, in a way. His motifs always revolve around the rustics in a rural setting, with intricate designs running along his canvas, discernible if seen closely. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT :Chattering

Lye Yau Fatt went on to study printmaking in New York before holding his first solo exhibition in 1979 at the Sum Art Gallery. He then went on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. He was always very much influenced by his mentor, another renowned artist, Cheong Soo Pieng, for his unique manner in combining colours. Lye often produced artworks highlighting the Malaysian theme and lifestyle. Deriving inspiration from mundane and monotonous settings in life, he draws on canvas a private moment between family and friends. Using warm and vibrant colours, this serene painting depicts a group of ladies and a child sitting in the midst of nature, under a glowing tree with birds sitting on the branches. They seem to be in conversation and viewers might feel as if they are imposing on the exclusivity of the moment.

LYE YAU FATT : The Lotus Lake, 1976

"Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. A glimpse of Lye Yau Fatts work will transport viewers to a world of cultural wonder. His body of work often utilises warm tones and hues, clearly inspired from his mentor Cheong Soo Pieng. This is an early work which was executed at a time his style was its most expressive and inspired."

LYE YAU FATT : Bird Cage and a Jar, 2016

"Lye Yau Fatt was born in Kedah in 1950. He studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award. Lye Yau Fatt is known for his use of warm, earthy tones and deriving inspiration from mundane and monotonous settings in life. This piece is another great example of the many subjects hes set upon for his masterpiece. Though ordinary, yet he is meticulous with works details and depicts as close to reality as possible but still retain his identity with the earthy quality in his art."

LYE YAU FATT : Crossing the River, 1980s

"The women are donned in traditional clothing are together in the midst of nature, crossing a river and carrying water from it, where they are caught in a moment of peace and quiescence. Lye Yau Fattês artworks are always bedecked with rich and earth tones, creating a homey ambiance and mood, where viewers may find peace in. He never fails to evoke a feeling of familiarity and warmth, and security, in a way. His motifs always revolve around the rustics in a rural setting, with intricate designs running along his canvas, discernible if seen closely. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Mala sian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award."

LYE YAU FATT : Chinese Ceramic, 2018

While a combination of a shell, a ceramic vase and a tea cup may go unnoticed in real life, Lye Yau Fatt talent allows him to turn mundane settings into a work of art by masterfully using warm, earthy tones to transform the subject bringing a unique and distinctively beautiful quality in his art Born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award

LYE YAU FATT : Family Crossing the River, 1981

Being mentored by Cheong Soo Pieng, Lye Yau Fatt admitted to being very inspired by Cheong’s idea and compositions of art but despite all that, he often produced artworks that were full on the Malaysian theme and lifestyle. Viewers almost feel as if they are imposing on the exclusivity of the moment, and the intricacy of the design of this piece makes it seem even more homelier, warm and cosy, the pure epitome of serenity. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT : Malay Girl (Gadis Melayu), 1975

LYE YAU FATT : Nostalgia, 2017

LYE YAU FATT : Family Crossing the River, 1981

Being mentored by Cheong Soo Pieng, Lye Yau Fatt admitted to being very inspired by CheongÕs idea and compositions of art but despite all that, he often produced artworks that were full on the Malaysian theme and lifestyle. Viewers almost feel as if they are imposing on the exclusivity of the moment, and the intricacy of the design of this piece makes it seem even more homelier, warm and cosy, the pure epitome of serenity. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT: Shell and Flowers, 2018

Lye Yau Fatt is known for his use of warm, earthy tones and deriving inspiration from mundane and monotonous settings in life. This piece is another great example of the many subjects heÕs set upon for his masterpiece. Though ordinary, yet he is meticulous with workÕs details and depicts as close to reality as possible but still retain his identity with the earthy quality in his art. Born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT : LiIies, 2017

Artist Lye Yau Fatt has a proclivity for looking for themes and substance for his art pieces in regular objects. This is clearly demonstrated by this still-life piece, as he exquisitely paints a bouquet of lilies in a vase, along with a traditional teapot and teacup, figurines on the right against a backdrop of subtle colours. The objects are systematically executed, with precision and absolute care for neatness. The intricacy of his techniques in this piece, making this truly something that reminds you of a Nyonya home Ð simple yet lovely. It brings a nostalgic feeling of antiquity, a Chinese Peranakan culture. Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his first solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT : Two Sisters by the River, 1984

Lye Yau Fatt was born in Kedah in 1950, he studied printmaking in New York. He held his First solo exhibition in 1979 at the Sum Art Gallery and has then gone on to win the Open Art Sculpture Award, the Malaysian Watercolour Society Award in 1987 and the PNB Watercolour Landscape Award.

LYE YAU FATT (b. 1950) CATS, 1990, Watercolour on paper

Across cultures, cats are believed to bring good furtune, and are seen as a symbol of resurrection and rebirth. In this work, soft and poetic calligraphic lines are used to illustrate the physical form. Lye Yau Fatt is one of the most inventive artists in printmaking, paint and sculpture, holding his first solo at the Sum Art Gallery in 1979. He won the 2nd Prize in Sculpture category in the PMAG Open Art Competition, the Permodalan Nasional Berhad Watercolour Landscape Award in 1985, and the Malaysian Watercolour Society Award in 1985.

Lye Yau Fatt (B. Kedah, Malaysia, 1950) Lemon Tea, 2017

Lye Yau Fatt , Lemon Tea, 2017 Oil on canvas 56 x 61 cm

WOMEN AND CHILDREN

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Lye Yau Fatt (B. Kedah, Malaysia, 1950) Chattering in the Wakaf, 1982

Lye Yau Fatt, Chattering in the Wakaf, 1982 Mixed media on paper 76 x 55 cm

Lye Yau Fatt (B. Kedah, Malaysia, 1950) Balinese Maidens, 1985

Lye Yau Fatt Balinese Maidens, 1985 Mixed media on paper 56 x 38 cm

Lye Yau Fatt (B. Kedah, Malaysia, 1950) Survival, 2017

Lye Yau Fatt Survival, 2017 Oil on canvas 73 x 45.5 cm

Lye Yau Fatt (B. Kedah, Malaysia, 1950) Chattering, 1983

Lye Yau Fatt Chattering, 1983 Mixed media on canvas 81 x 63.5 cm

Lye yau fatt (B. Kedah, Malaysia, 1950) Two Sisters, 1984

Lye Yau Fatt Two Sisters, 1984 Oil on canvas 83 x 83 cm

Lye Yau Fatt (B. Kedah, Malaysia, 1950) Nostalgia, 2017

Lye Yau Fatt Nostalgia, 2017 Mixed media on canvas 73 x 46 cm

Lye Yau Fatt (B. Kedah, 1950) Two Malay Women, 1984

Lye Yau Fatt Two Malay Women, 1984 Mixed media on paper 56 x 38 cm

Lye Yau Fatt( B. Kedah, 1950) Chattering, 1983

Lye Yau Fatt Chattering, 1983 Mixed media on canvas 81 x 63.5 cm

Lye Yau Fatt (B. Kedah, 1950) Two Maidens, 1984

Lye Yau Fatt Two Maidens, 1984 Mixed media on canvas 81 x 63.5 cm

Lye Yau Fatt (B. Kedah, 1950) Asparagus and Tomato,1992

Lye Yau Fatt Asparagus and Tomato, 1992 Etching 15 x 22 cm

LYE YAU FATT Malay Girl (Gadis Melayu), 1975 Cement and granite

LYE YAU FATT Malay Girl (Gadis Melayu), 1975 Cement and granite, Edition 3/5 31 x 15 x 16 cm