Ferdinand Fagerlin Paintings & Artwork for Sale | Ferdinand Fagerlin Art Value Price Guide

Dec. 29, 2024
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $1,800 - $2,300
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US SHIPPING: $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
Aug. 25, 2024
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $1,900 - $2,500
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
May. 29, 2024
Ferdinand Fagerlin (Swedish, 1825-1907)
Est: €2,000 - €3,000
Fisherman in love, Provenance:-Auction, De Vuyst, Lokeren, 5 March 2016, lot 88, where acquired by the present owner, oil on canvas, 79x72 cm, signed and dated 'Ferd. Fagerlin Df -95.' (lower right), Ferdinand Fagerlin (Swedish, 1825-1907)
Venduehuis der Notarissen
Feb. 11, 2024
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $1,900 - $2,500
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
Nov. 12, 2023
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $2,000 - $2,600
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
Aug. 20, 2023
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $2,000 - $2,600
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
May. 14, 2023
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $2,100 - $2,700
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
Feb. 12, 2023
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $2,200 - $2,800
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
Nov. 13, 2022
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $2,300 - $2,900
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
Aug. 21, 2022
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $2,400 - $3,000
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed (In-House framing available) SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
May. 08, 2022
Ferdinand Fagerlin (Sweden,1825-1907) oil painting antique
Est: $2,500 - $3,200
ARTIST: Ferdinand Fagerlin (Swedish, 1825 - 1907) NAME: Interior Scene YEAR: 1873 MEDIUM: oil on canvas CONDITION: Few small paint losses. Some craquelure. No visible inpaint under UV light. SIGHT SIZE: 16 x 20 inches / 40 x 50 cm FRAME SIZE: unframed SIGNATURE: lower left CATEGORY: antique vintage painting AD: ART CONSIGNMENTS WANTED. CONTACT US SKU#: 120452 US Shipping $60 + insurance. BIOGRAPHY: In the middle of the 19th century, an important epoch began in Swedish art life, what is usually called the Dusseldorf painting. In 1850, the Academy of Fine Arts in Stockholm arranged an exhibition with Scandinavian artists, they lived in a time when Scandinavianism was celebrated as never before. At this exhibition, it was mainly two Norwegian painters who attracted attention and interest, the genre painter Adolf Tidemand and the landscape painter Hans Gude. It was certainly these artists who inspired the many Swedish painters to leave Sweden. Germany, Holland and France loomed. Among the genre painters who traveled south early was the Stockholmer Ferdinand Fagerlin. In 1853 he embarked on the journey to Dusseldorf, a city that would remain his home for the rest of his life. His motive circle gradually became increasingly Dutch. From the beginning of the 1860s, the North Sea coast became the destination for his summer trips, where he made narrative paintings, sketches and drafts, with the fishing population in the center. It was primarily, as Flicka in front of the mirror shows, the interiors that interested the painter. He appears here as the indomitable realist who, with a sharp eye, pays equal attention to both persons and objects. The paintings become historical anecdotes that tell about the population's life and living, its houses, interiors and furniture, household utensils and tools, textiles and costumes, for everyday life as well as for holidays. It is this world of images that Fagerlin brings into Swedish painting. For despite the fact that he had settled in Germany and was married to a German girl, he always considered himself Swedish and closely followed the art development of his home country. Among other things, he took part in the Opponents' protest against the Academy in 1885. Ferdinand Fagerlin made his real breakthrough at an international exhibition in Dublin in 1865. After that, the Swedish critics did not spare the praise either. In 1891, Olof Granberg wrote the following, which can be seen as a summary of Ferdinand Fagerlin's painting: вЂњHis works are not indifferent, meaningless studies, but have qualities that must appeal to everyone through the soulfulness of the presentation and the superior characteristics, not to mention perfected technical execution. Each work is an interesting, ingeniously depicted chapter of human life with its shadows and days, marked by psychological sharpness and depicted with unsurpassed mastery. ".
Broward Auction Gallery LLC
Jan. 09, 2022
FERDINAND FAGERLIN (SWEDISH, 1825-1907).
Est: $400 - $600
Oil on canvas. Genre Scene. 1873. Signed and dated lower left. From a Long Island, NY collection.
Clarke Auction Gallery
Nov. 22, 2017
FERDINAND FAGERLIN (SWEDISH, 1825-1907) PORTRAIT OF A MAN WITH A BEARD 42cm x 52cm (16.5in x 20.5in)
Est: £1,500 - £2,500
FERDINAND FAGERLIN (SWEDISH, 1825-1907) PORTRAIT OF A MAN WITH A BEARD Signed, oil on board 42cm x 52cm (16.5in x 20.5in)
Lyon & Turnbull
Aug. 27, 2013
Ferdinand Fagerlin
Est: kr6,000 - kr8,000
Ferdinand Fagerlin 1825-1907. Efter, (Jean-Baptiste Chardin 1699-1779) "Bordsbönen". Signerad Ferd. Fagerlin. Olja på duk, 49 x 38.
Auktionskammare Uppsala
Jun. 06, 2012
Ferdinand Fagerlin Swedish, 1825-1907 The Card Game
Est: $1,000 - $2,000
Ferdinand Fagerlin Swedish, 1825-1907 The Card Game Signed F. Fagerlin. (lr) Oil on canvas 12 1/8 x 16 1/8 inches C The Marilyn Goldstein Trust
DOYLE Auctioneers & Appraisers
Nov. 02, 2011
Ferdinand Fagerlin Swedish, 1825-1907 Growing Old Together
Est: $1,500 - $2,500
Ferdinand Fagerlin Swedish, 1825-1907 Growing Old Together Signed Ferd. Fagerlin and inscribed DF (ll) Oil on canvas 22 1/4 x 19 1/2 inches (56.5 x 49.5 cm) C Estate of Dorothea Austin
DOYLE Auctioneers & Appraisers
Nov. 02, 2011
Ferdinand Fagerlin Swedish, 1825-1907 Mending the Nets, 1880
Est: $3,000 - $5,000
Ferdinand Fagerlin Swedish, 1825-1907 Mending the Nets, 1880 Signed Ferd. Fagerlin and dated DF. 80. (ll) Oil on canvas 22 1/4 x 19 1/2 inches (56.5 x 49.5 cm) Provenance: Sutphin Art Gallery, Forest Hills, New York C Estate of Dorothea Austin
DOYLE Auctioneers & Appraisers
Aug. 29, 2011
Ferdinand Fagerlin 1825-1907. Stuginteriör med
Est: kr3,000 - kr4,000
Ferdinand Fagerlin 1825-1907. Stuginteriör med kvinna och katt. Signerad Ferd....
Auktionskammare Uppsala
May. 07, 2011
FAGERLIN, FERDINAND, 1825-1907 Interiör med kvinna
Est: - kr2,500
FAGERLIN, FERDINAND, 1825-1907 Interiör med kvinna med dryckesstop. Efter Gabriel Metsu målning i Louvren. A tergó intyg av professor Axel Romdahl 1935. Pannå, 23,5x21,5.
Crafoord Auktioner
May. 08, 2010
FAGERLIN, FERDINAND, 1825-1907 Interiör med äldre
Est: - kr4,000
FAGERLIN, FERDINAND, 1825-1907 Interiör med äldre kvinna och sovande pojke med hund. Monogramsignerad FF. A tergó intyg från dbo. Duk, 25x30.
Crafoord Auktioner
May. 28, 2009
FERDINAND FAGERLIN 1825-1907 Flicka framför
Est: kr30,000 - kr40,000
FERDINAND FAGERLIN 1825-1907 Flicka framför spegeln interiör Signerad och daterad Ferd. Fagerlin Df 1871. Olja på duk, 47 x 47 cm. PROVENIENS: Svensk-Engelska Konstgalleriet, Stockholm 1936 I mitten av 1800-talet inleddes en viktig epok i svenskt konstliv, det som brukar kallas düsseldorfmåleriet. 1850 arrangerade Konstakademien i ...
Stockholms Auktionsverket
May. 29, 2008
FERDINAND FAGERLIN 1825-1907 Högläsning Signerad
Est: kr125,000 - kr150,000
FERDINAND FAGERLIN 1825-1907 Högläsning Signerad och daterad Ferd Fagerlin Drf (Düsseldorf) -50. Olja på duk, 88 x 79 cm.
Stockholms Auktionsverket
May. 31, 2007
FERDINAND FAGERLIN 1825-1907 Allmogeinteriör med
Est: -
FERDINAND FAGERLIN 1825-1907 Allmogeinteriör med sovande kvinna vid vagga Signerad och daterad Ferd Fagerlin DF. Olja på duk, 57 x 64 cm.
Stockholms Auktionsverket
Jun. 15, 2004
FERDINAND FAGERLIN SWEDISH, 1825-1907
Est: £12,000 - £18,000
signed and inscribed Ferd Fagerlin Düsseldorf l.r. oil on canvas
Sotheby's