Circular case in 916/1000 silver with guilloché enamels in shades of blue, white enamel dial with Arabic numerals and gold hour markers. The watch is key wound and set. Hallmarked with the 88 zolotnik (916/1000) silver mark used in Saint Petersburg, with Fabergé in Cyrillic and the master mark of Henrik Wigström. Henrik Wigström was a Finnish silversmith who worked with Fabergé from 1903 to 1917. He was renowned for his exceptional craftsmanship and design, significantly contributing to Fabergé's reputation for luxury and artistry.
Rectangular shaped case in gilded silver 875/1000 with guilloché enamel in shades of green and applied decorations of grapes and vine leaves. White enamel dial with Roman numerals and black hour markers. Stand support. Hallmarked 84 zolotnik (875/1000) used in Kostroma from 1908 to 1926, with Fabergé in Cyrillic, the imperial eagle and the master's mark of Henrik Wigström. Henrik Wigström was a Finnish silversmith who worked with Fabergé from 1903 to 1917. He was known for his exceptional craftsmanship and design, contributing significantly to Fabergé’s reputation for luxury and artistry.
Base with a circular plinth decorated with gilded silver garlands and guilloché enamels in shades of green. The column features guilloché enamels in shades of purple and white, topped by a small elephant, with a circular case in gilded silver and purple guilloché enamels. The white enamel dial has Roman numerals, black hour markers, and a seconds sub-dial at 6 o'clock. Hallmarked with the silver hallmarks for 88 zolotnik (916/1000) used in Russia from 1908 to 1926, with Fabergé in Cyrillic and the mark of the master Anders Nevalainen. Anders Nevalainen (1858–1933) was a renowned Finnish silversmith known for his work with Fabergé. He was active in the early 20th century, creating intricate designs for the famed Russian jeweler. His collaboration with Fabergé involved producing high-quality decorative items, including enameled pieces and objets d'art, during a period when Fabergé was at the height of its craft. Item condition grading: **** good. The case of the clock is in a good state of preservation with the normal wear and defects commensurate with its age and use over time. The watch movement is currently working but may requires a technical service.
Grand MIROIR de style Rocaille L'encadrement violonné à motifs de rinceaux, fleurs et coquilles Argent finement ciselé, glace biseautée, fond-présentoir en bois Marque par deux fois Fabergé en cyrillique H. 66 cm - L. 49,5 cm
Carl Faberge - Matched Pair of Snow Dove Candleholders - Signed These are both in mint condition. They are a pair of snow dove candle holders, signed Carl Faberge France to the base. These are beautiful... it doesnt get much better than Faberge. They each measure 23cm high... you get both ! Vendor code: Stanfell
Three vintage reference books on Russian Imperial jewelry and objects by Carl Faberge. Carl Faberge, Goldsmith to the Imperial Court of Russia by A. Kenneth Snowman, 1983, in original dust jacket, signed on the flyleaf. The Art of Carl Faberge by A. Kenneth Snowman, 1964, in original dust jacket. Faberge, Jeweler to Royalty, from the collection of Her Majesty Queen Elisabeth II and Other British Lenders, 1983 exhibition catalogue by A. Kenneth Snowman. Abraham Kenneth Snowman, 1919 to 2002, was a British jeweler, painter and the chairman of Wartski Antiques. Antiquarian Librarian Art Books And Catalogues For Collectors.
Carl Faberge A Private Collection, paperback book unsigned. Good condition. Sold for Michael Sobell Cancer charity. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99
A highly significant unique colonnade clock In the style of Peter Carl Fabergé Saint Petersburg 1846 - 1920 Switzerland Russia Circa 2000 Height 24.5 cm, diameter 12.5 cm Based on the colonnade egg by Fabergé from 1910 Russian jade, pink enamel Decorated in 14kt yellow gold (marked) Circumferential 8 columns with ionic capitals Two doves in the centre, symbolising a pair of lovers Dome decorated with openwork gold ornaments & diamonds, at the top a pink cabochon-cut semi-precious stone Figures of the egg-shaped clock set with diamonds, in the hand an oval diamond of 6 mm On the back the movement is to be wound, key also 14kt yellow gold Time display by rotation of the numerals Clock running, movement not checked First-class condition (1 diamond, diameter approx. 1mm, missing), can easily be replaced The goldsmith and jeweller Peter Carl Fabergé is known for his artistic pieces of jewellery, especially the Fabergé eggs. However, he also produced other works and exerted great influence on subsequent generations of jewellers. This extremely valuable piece not only impresses with its use of precious materials such as gold, jade, and wavy guilloché pink as well as white enamel, but also with its unusual design, which incorporates elements from various major works by Carl Fabergé. There are only four Fabergé Easter eggs in total that contain a clock. The colonnade architecture is related to that of the 1910 Colonnade Egg, which was made by Henrik Wigström under Fabergé's supervision and is now in the Royal Collection (RCIN inv. no. 40084) of the British royal family. It is a revolving clock egg that was created for Tsar Nicholas II of Russia as a gift for his wife Alexandra Feodorovna. The architecture of the Colonnade Egg symbolises the temple of love, with this interpretation being underpinned by the addition of a pair of doves as a symbol of lovers. However, the time is shown in Arabic numerals. This is not the case with the Madonna Lily Egg from 1899, where the time is shown in Roman numerals, similar to the object presented here. The enamelled band with twelve diamond-decorated numerals rotates around the perimeter of the egg; the clock is wound using a gold key. It was made by Michael Perchin and also served as a gift from the Tsar to his wife. Today, this egg is kept in the Kremlin Armoury in Moscow (inv. no. MP-653/I-2).
Walking stick In the style of Peter Carl Fabergé St Petersburg 1846 - 1920 Switzerland Wooden cane Russian jade handle Silver enamel Red enamel with silver-gilt decorative elements Total length 96.5 cm, handle length 11 cm, ornamental shaft length 4.5 cm Total weight 572g The goldsmith and jeweller Peter Carl Fabergé is known for his artistic jewellery, especially the Fabergé eggs. However, he also produced other works and exerted great influence on subsequent generations of jewellers. The Fabergé walking sticks, which could be made of hard stones, enamel, and precious stones, are exceptional and revive 18th century craftsmanship techniques that Carl Fabergé discovered during his Grand Tour of Europe. Walking sticks were popular as objects of power and prestige long before Fabergé. Still, in the first half of the 20th century, Fabergé developed detailed and magnificently crafted walking sticks together with workshop manager Henrik Wigström. For example, enamel was applied to the metal areas, here in a red guilloché ground under gilded decorative elements.
Decorative object In the style of Peter Carl Fabergé St Petersburg 1846 - 1920 Switzerland Russia Photo frame, silver-gilt (88 Zolotniki, master's mark EK), enamelled & decorated with diamonds all round Sphinx, silver-gilt (88 Zolotniki, master's mark EK) Base made from cut agate Length 10 cm, width 8 cm, height 12 cm Diameter of photo frame 6.1 cm Total weight 508 g The goldsmith and jeweller Peter Carl Fabergé is known for his artistic jewellery, especially the Fabergé eggs. However, he also produced other works and exerted great influence on subsequent generations of jewellers. This decorative ornamental object in the style of Carl Fabergé is a table picture frame with a sphinx with a pharaoh's face and Nemes headscarf on a cut agate base. It carries a photo frame on its head, the base of which is enamelled in turquoise and guilloched in a wavy pattern. Such table picture frames were popular and are often found in the form of columns; however, the depiction of a sphinx together with a picture frame is rare. However, the Lithuanian silversmith and Fabergé master Julius Alexander Rappoport created interesting decorative objects in the form of naturalistic animal figures, including sphinxes, for example as lighters or table bells.
Egg; Minks; Russia, 1879. Presents silver stamps. Measurements: 14 x 8 cm. The work is modelled on the Easter eggs created by the Russian jeweller Peter Carl Fabergé (1846 - 1920) for Tsars Alexander III and Nicholas II. Thus, it is an ornamental piece richly adorned with gemstones, gilding and cobalt blue enamelling, raised on three lions symbolising greatness and power and surmounted by an eagle with its wings spread, symbolising protection and freedom.
Faberge and the Russian Master Goldsmiths. Edited by Gerard Hill. Published by Wings Books, 1991. Hardcover in original dust jacket. A richly illustrated album about Russian jewelry and the manufacture of Carl Faberge, 1846 to 1920. Antiqurian Librarian Books Albums Catalogues For Collectors.
CARL FABERGE, A RHODONITE CARVING OF A BABY BIRD the eyes set with rose-cut peridots, 2cm high; together with a carving of a chick, set with ruby eyes, 1cm high. (2) The first, with Wartski, London, purchased from in 1991 and valued by in 1993.
CARL FABERGE, AN AGATE FIGURE OF A CHICK brown banded agate, the eyes set with brilliant-cut canary-coloured diamonds, the legs of silver-gilt. 2.8cm high With Wartski, London, purchased from in 1991 and valued by in 1993.
CARL FABERGE (1846-1920), d'après Oeuf Emaillé jaune, la monture en bronze doré reposant sur un pied tripode, la couverte au décor de palmettes et centrée d'un cabochon de malachite. Il ouvre sur une intérieur matelassé retenant une clef au décor émaillé et marquée "The Mansion at MGM Grand" Dimensions oeuf : h. 14,5 cm -
Exquisite Imperial Russian toilet set by Carl Faberge, Moscow, ca. 1908-1917. The set comprises a pair of beautifully embellished silver-mounted cut-glass scent bottles and a round toilette box. Glass bodies are adorned with a prism pattern. Hallmarks: 84, K. FABERZHE, Moscow.
Neun große und acht kleine Messer. 84 zolotnik Silber-Griffe mit Rocaillenrelief. Stärkere Alters- und Gebrauchsspuren, originale Metallklingen teils verrostet und bez. "MADE FOR FABERGÉ" bzw. auf Kyrillisch bez. Mz. für Carl Fabergé, St. Petersburg, um 1900. L. 27,5 bzw. 21,5 cm.
Fünf kleine Kelche. Farbloses Kristall. Figürlicher, matt geätzter Schaft mit Darstellung eines Taubenpaares. Unter dem Boden Ätzsign. mit Bez. "France" und dat. (19)83. H. 18 cm.
Sechs Sektkelche. Farbloses Kristall. Figürlicher, matt geätzter Schaft mit Darstellung eines Taubenpaares. Unter dem Boden Ätzsign. mit Bez. "France" und dat. (19)83. H. 25 cm.
Sechs kleine Kelche. Farbloses Kristall. Figürlicher, matt geätzter Schaft mit Darstellung eines Taubenpaares. Unter dem Boden Ätzsign. mit Bez. "France" und dat. (19)83. H. 18 cm.
Sechs Sektkelche. Farbloses Kristall. Figürlicher, matt geätzter Schaft mit Darstellung eines Taubenpaares. Unter dem Boden Ätzsign. mit Bez. "France" und dat. (19)83. H. 25 cm.
PETER CARL FABERGE (Russia, 1846 - Switzerland, 1920). Wine decanter. Silver and terracotta. Missing a soldering point on the lid. With contrasts. With Raquel Meller inscription. Measurements: 24 x 12 x 6 cm. A beautiful chiselled silver structure partially envelops this decanter for pouring wine. It is a creation of the illustrious workshop of the jeweller Fabergé with floral decorations in relief, raised on a highly decorative rocaille base. It has a stylised handle with scrolls. Its centre has a pavilion with the inscription 'Raquel Meller', which indicates that it may have been a gift from an aficionado to the famous Spanish singer, cupletista and film actress. The Russian jeweller Peter Carl Fabergé is considered one of the world's foremost goldsmiths, and is especially known for his Easter eggs commissioned by Tsar Alexander III and later by his son, Nicholas II. Born in St. Petersburg, Fabergé was trained in the family jewellery workshop, through the Grand Tour of Europe from 1864 onwards and possibly at the School of Arts and Crafts in Dresden. On his return from his trip he was mentored by Hiskias Pendin, the master goldsmith in his father's firm, with whom he catalogued and restored objects at the Hermitage during the 1870s. After Pendin's death in 1882 Fabergé took over the management of the workshop, soon achieving an enormous reputation through official exhibitions such as the Pan-Russian Exhibition in Moscow in 1882, where he won the gold medal and the St. Stanislaus medal. The Tsar's admiration for his work began just at this time, and Fabergé soon became the favourite jeweller of the Russian imperial court. Just three years later, in 1885, Alexander III appointed Fabergé as the official jeweller to the imperial household. In addition to making the famous Easter eggs between 1887 and 1917, Fabergé produced a wide range of items, from tableware to jewellery, and in 1900 he represented Russia at the Universal Exhibition in Paris, where he was unable to compete because he was on the jury. However, the firm was forced to close with the outbreak of the October Revolution, which was nationalised by the Bolsheviks. Fabergé's works are now housed in leading museums around the world, including the Metropolitan Museum in New York and the Royal Collection in London.
Peter Carl Fabergé 1846 St. Petersburg – 1920 Pully b. Lausanne Silber, Messing, partiell vergoldet, blaues und schwarzes Cloisonné, Holz, ebonisiert. Balustervasenförmige Schraubdose mit bekrönendem, filigranen, plastischen Floraldekor. Auf einem Säulenpostament mit mehrfach getreppten Sockel montiert. Der Dosenkorpus mit stilisiertem Floraldekor und umlaufendem Spruchband, innenseitig vergoldet.
Faberge enameled silver iconostasis, Imperial Russia Four stamps: 1. Two headed Eagle (Russian Empire), 2. Karl Faberge, 3. 84 probe, % of silver 4. Saint George the Victorious, which means – Made in Moscow Width in full open position: 73 mm; Width in closed position: 37 mm; Height: 47 mm; Weight with chain: 37.4 g; Length of antique 84 silver chain: 53 cm; Provenance: from the family of Russian immigrants in St Petersburg, Florida, emigrated from Russia in 1917; References: 1) The Panagia Portaitissa (Greek: Παναγία Πορταΐτισσα; Georgian: ივერიის ღვთისმშობლის ხატი) also known as the Iviron Theotokos or Iverskaya in Russian,[1] is an Eastern Orthodox icon of the Virgin Mary in the Georgian Iviron monastery on Mount Athos in Greece, where it is believed to have been since the year 999.[2] According to the sacred tradition of the Eastern Orthodox Church it was painted by Luke the Evangelist.[3] The icon is referred to as "Wonderworking" meaning that numerous miracles have been attributed to the intercession of the Theotokos (Mother of God) by persons praying before it. The synaxis (feast day) for this icon is on February 12,[4] as well as on Bright Tuesday,[2] and also on October 13 for the translation to Moscow of the Iveron icon.[5] 17th-century Russian version: Iverskaya. The icon belongs to a family of images of the Theotokos known as Hodegetria (Greek: Όδηγήτρια, "she who leads the way") after the prototype from Constantinople. In these icons, the Christ Child sits on his mother's left arm and she is depicted pointing to Christ with her right hand. Another famous icon based upon Hodegetria is Our Lady of Częstochowa. A unique characteristic of this icon is what appears to be a scar on the Virgin Mary's right cheek or her chin. A number of different traditions exist to explain this, but the one most commonly held by Orthodox Christians is that the icon was stabbed by a soldier in Nicaea during the period of Byzantine iconoclasm under the Emperor Theophilus (829–842). According to tradition, when the icon was stabbed, blood miraculously flowed out of the wound. The original in Iveron is encased in a chased riza of silver and gold covering almost all the figures except the faces, as is common with the most venerated icons. 2) Peter Carl Fabergé, also known as Karl Gustavovich Fabergé (Russian: Карл Гу́ставович Фаберже́, Karl Gustavovich Faberzhe; 30 May 1846 – 24 September 1920), was a Russian jeweller best known for the famous Fabergé eggs made in the style of genuine Easter eggs, but using precious metals and gemstones rather than more mundane materials. He was one of the sons of the founder of the famous jewelry legacy House of Fabergé.
Carl Faberge Style Imperial Cranberry Sprig, in rosewood box, rock crystal jasper nephrite & purpurine topiary Note: Made for the Hermitage Shop Russia. (BECK537)(MS)
H 3,2 cm - Dia.: 10,9 cm With the Russian inscription 'War 1914' & 'K. Fabergé'. In support of the soldiers in the First World War. Ref.: - Christie's, London, Nov. 27, 2017, lot 219, for a similar example. (sold GBP 2.000) (link)
Carl FABERGÉ (1846-1920). Rare kovch en vermeil 88 zolotniks (916 millièmes) émaillé polychrome cloisonné sur fond bleu marine, blanc et violet à décor de motifs géométriques, de fleurs, de losanges et de rinceaux stylisés de style néo-russe. De forme traditionnelle, la proue à décor d’une scène émaillée en plein figurant une vue du Kremlin depuis la Moskova. Très bon état. Moscou, 1908-1917. Orfèvre : Feodor RÜCKERT pour Carl FABERGÉ. Numéro d'inventaire gravé de la Maison Fabergé : 31572. Poids brut : 162,40 g. H. 9 x L. 11,5 x D. 7 cm. Provenance Collection particulière française. Œuvres en rapport - Une boîte rectangulaire figurant exactement la même scène émaillée en plein est conservée dans la Royal Collection Trust (RCIN 32474), mesurant 3,1 x 7,9 x 5 cm, offerte au roi George V (1865-1936) en octobre 1920 par la fille de la Grande-Duchesse Maria Alexandrovna (1853-1920). - Un étui à cigarettes figurant également la même scène émaillée en plein que notre kovch, mesurant 9 cm, a été vendu chez Jackson’s Auctioneers, le 15 novembre 2011, lot n°236 (adjugé 60.000 $). - Un étui à cigarettes figurant également la même scène émaillée en plein, conservé dans une collection privée et illustré dans l’ouvrage Feodor Rückert - Karl Fabergé, Moscou, 2016, p.77. - Un coffret figurant une vue similaire du Kremlin depuis la Moskova, mesurant 18 cm, a été vendu chez Sotheby’s Londres, le 26 novembre 2019, lot n°404 (adjugé 200.000 £). Historique Feodor Rückert a commencé à collaborer avec la maison Fabergé à partir de 1887 en imposant un style parfaitement reconnaissable. En effet, véritable virtuose de la technique des émaux cloisonnés, Rückert sublime chaque objet par des émaux qui rendent son style unique. A la fin du XIXe siècle, il s’attache plutôt à développer une technique des émaux aux nuances pastel puis, dès 1908, l’avènement des motifs néo-russes et l’usage des couleurs sombres et froides marque un tournant dans la production de l’orfèvre. Par le biais de la technique de l’émail sur filigranes d’argent, Rückert révolutionne la technique des émaux et de l’orfèvrerie, les cloisons ne servant plus uniquement à compartimenter mais comme un décor à part entière à travers des motifs de style Art Nouveau. Ce fin travail des émaux cloisonnés servait de cadre et de faire-valoir à des scènes émaillées en plein à l’aspect mat dont seul Rückert avait le secret, permettant de faire ressortir la couleur et la brillance des émaux. Les scènes choisies étaient toutes des copies d’après des tableaux réalisés au début du XXe siècle en lien avec l’ère de « boyarmania » qui débute dès 1880 et qui prospère jusqu’au Tricentenaire, en 1913, de la dynastie des Romanov où l’aristocratie russe s’empare des traditions passées pour faire renaître les fastes d’une vielle Russie oubliée. L’atelier de Fabergé de Moscou, à la différence de celui de Saint-Pétersbourg, symbolisait par sa production l’âme russe et répondait à une demande plus nationaliste et tournée vers des références propres à la tradition slave. Les tableaux les plus populaires sont les ceux de Makovsky, Vasnetsov ou Solomko mais dans le cas précis de notre kovch, la scène émaillée met en lumière un des monuments les plus emblématiques de l’histoire et l’architecture moscovite dont les origines remontent au XIe siècle. Véritable forteresse et résidence des tsars jusqu’au XVIIIe siècle, il incarne le berceau de la Vieille Russie à un moment de l’histoire où le pouvoir est encore installé à Saint-Pétersbourg. Au regard des divers objets d’orfèvrerie réalisés par Rückert décorés de cette même scène du Kremlin vu depuis la Moskova, il semble aisé de reconnaître qu’elle a connu un certain succès dans la production de Rückert. Toutefois, elle orne pour la première fois un kovch, pièce emblématique de l’orfèvrerie russe, en devenant un véritable bijou d’orfèvrerie encore inconnu du marché et des ouvrages de références. Cette incroyable découverte met une nouvelle fois en lumière la virtuosité et l’excellence jusqu’ici inégalées du travail de l’émail par Feodor Rückert pour la célèbre maison Fabergé tout en participant à l’enrichissement de l’histoire de l’art. Карл ФАБЕРЖЕ (1846-1920). Редкий ковч из позолоченного серебра 88 золотников, полихромная перегородчатая эмаль на темно-синем, бело-фиолетовом фоне, украшенная геометрическими узорами, цветами, ромбами и стилизованной листвой в неорусском стиле. Традиционно оформленная внешняя часть ковша украшена сплошным эмалевым изображением с видом на Кремль со стороны Москвы-реки. Очень хорошее состояние. Москва, 1908-1917 гг. Ювелир: Федор РЮКЕРТ для Карла ФАБЕРЖЕ. Выгравированный инвентарный номер Дома Фаберже: 31572. Вес брутто: 162,4 г. В. 9 x Л. 11,5 x Г. 7 см. Происхождение Частая французское коллекция. Сопутствующие произведения - Прямоугольная коробка с точно такой же эмалевой сценой хранится в Королевском коллекционном фонде (RCIN 32474) размером 3,1 x 7,9 x 5 см, подаренная королю Георгу V (1865-1936) в октябре 1920 года дочерью Великой княгини Марии Александровны (1853-1920). - Портсигар размером 9 см, покрытый эмалью с изображением такого же рисунка что и на ковше, был продан на аукционе Jackson’s Auctioneers 15 ноября 2011 года, лот No 236 (продан на аукционе за 60 000 долларов). - Портсигар, также полностью повторяющий узор нашего ковша, хранится в частной коллекции и проиллюстрирован в книге Федора Рюкерта - Карл Фаберже, Москва, 2016, с.77. - Шкатулка размером 18 см, с идентичным видом Кремля со стороны Москвы-реки, была продана на лондонском аукционе Sotheby's 26 ноября 2019 года, лот No 404 (продан на аукционе за 200000 фунтов стерлингов). История Федор Рюкерт начал сотрудничать с домом Фаберже в 1887 году, создавая свой собственный неповторимый стиль. Он прославился своей неподражаемой техникой перегородчатой эмали, в которой, ему не было равных. Эта техника в ювелирном искусстве - одна из самых давних и считалась вершиной прикладного искусства Киевской Руси. В конце XIX века Рюкерт использовал глазури пастельных оттенков, но к 1908 году его палитра стала преображаться и на смену пастельным тонам пришли глубокие темные и холодные цвета, поводом тому послужило посвемествое распространение неорусского стиля, это время стало поворотным в творчестве мастера. Используя технику эмали на серебряной филиграни, Рюкерт произвел настоящую революцию в ювелирном искусстве, перегородки больше не служат для разделения частей, но являются самостоятельными элементами узора, воплощающие новый стиль Модерн. Все выбранные сцены были копиями картин, созданных в начале 20 века в связи с эпохой «боярмании», которая началась в 1880 году и процветала до трехсотлетия династии Романовых в 1913 году, когда Русская аристократия чтит старые традиции, чтобы возродить былое величие России. Мастерская Фаберже в Москве, в отличие от петербургской, символизировала своим производством русскую душу и отвечала более националистическим запросам и обращалась к сюжетам более близким славянской традиции. Самые популярные сюжеты - это картины Маковского, Васнецова или Соломко, но в конкретном случае нашего ковша эмалированная сцена воспевает один из самых знаковых памятников истории и московской архитектуры, истоки которого восходят к XI веку. Кремль являлся крепостью и резиденцией царей до XIII века, он олицетворяет колыбель Древней Руси. Этот вид Кремля был популярен для оформления изделий Рюкерта, что указывает на популярность данного образа. Однако Кремль здесь впервые украшает такое изделие как ковш, символ русского ювелирного искусства. Такое новое для рынка искусства произведение, является уникальным в своем роде. Это невероятное открытие еще раз проливает свет на беспрецедентную виртуозность и совершенство эмалевых работ Федора Рюкерта для знаменитого Дома Фаберже и вносит вклад во всемирную историю искусства.
Carl FABERGÉ (1846-1920). Boîte octogonale en vermeil 88 zolotniks (916 millièmes) émaillé polychrome cloisonné sur fond brun et vert à décor de motifs géométriques, de rinceaux et de feuilles de style néo-russe. Le couvercle s’ouvrant à charnière à décor d’une scène émaillée en plein d’après l’œuvre de Sergueï Sergeevich Solomko (1867-1928) intitulée Scribe datant de 1910. Très bon état. Moscou, 1910-1917. Orfèvre : Feodor RÜCKERT pour Carl FABERGÉ. Numéro d'inventaire gravé de la Maison Fabergé : 26468. Poids brut : 82,10 g. H. 2,3 x L. 5 x P. 5 cm. Provenance Collection particulière, Paris. Historique Feodor Rückert a commencé à collaborer avec la maison Fabergé à partir de 1887 en imposant un style parfaitement reconnaissable. En effet, véritable virtuose de la technique du cloisonné, Rückert sublime chaque objet par des émaux qui rendent son style unique. À la fin du XIXe siècle, il s’attache plutôt à développer une technique des émaux aux nuances pastel puis, dès 1908, l’avènement des motifs néo-russes et l’usage des couleurs sombres et froides marque un tournant dans la production de l’orfèvre. Par le biais de la technique de l’émail sur filigranes d’argent, Rückert révolutionne la technique des émaux de manière générale et de l’orfèvrerie, les cloisons ne servant plus uniquement à compartimenter mais comme un décor à part entière à travers des motifs de style Art Nouveau. Serguey Sergueevich Solomko (1867-1928) Reconnu par ses pairs comme un des meilleurs aquarellistes et illustrateur de la fin du XIXe siècle, ses œuvres sont aujourd’hui principalement connues grâce aux cartes postales éditées par la communauté Sainte-Eugénie et grâce aux journaux de l’époque « Niva » ou « Le Soleil de Russie » qu’il illustre largement aux côtés d’Élizabeth Boehm (1843-1914). A eux deux, ils révolutionnent ce nouveau domaine des Beaux-Arts et inscrivent ainsi leur art à rebours de la production de leurs contemporains. Solomko aime à dépeindre la Russie fastueuse et passée de l’époque des Boyards à travers un style symboliste et une palette délicate. Ces scènes empreintes de féerie seront très appréciées par la Maison Fabergé et orneront les couvercles de coffrets et autres objets recouverts d’émaux cloisonnés, à l’instar de notre ravissante boîte dont la forme octogonale et le sujet sont totalement inédits. Карл ФАБЕРЖЕ (1846-1920). Восьмигранная декоративная коробочка в 88 золотниках, покрытая полихромной перегородчатой эмалью и украшенная геометрическим орнаментом в неорусском стиле. Откидывающаяся на петлях крышка коробочки украшена орнаментом и сценой по произведению Сергея Сергеевича Соломко (1867-1928) «Писец», 1910 года. Очень хорошее состояние. Москва, 1910-1917 гг. Ювелир: Федор РЮКЕРТ для Карла ФАБЕРЖЕ. Выгравированный инвентарный номер Дома Фаберже: 26468. Вес брутто: 162,40 г. 9 х 11,5 х 7 см. Происхождение Частная коллекция, Париж. История Федор Рюкерт начал сотрудничать с домом Фаберже в 1887 году, создавая свой собственный неповторимый стиль. Он прославился своей неподражаемой техникой перегородчатой эмали, в которой, ему не было равных. Эта техника в ювелирном искусстве - одна из самых давних и считалась вершиной прикладного искусства Киевской Руси. В конце XIX века Рюкерт использовал глазури пастельных оттенков, но к 1908 году его палитра стала преображаться и на смену пастельным тонам пришли глубокие темные и холодные цвета, поводом тому послужило посвемествое распространение неорусского стиля, это время стало поворотным в творчестве мастера. Используя технику эмали на серебряной филиграни, Рюкерт произвел настоящую революцию в ювелирном искусстве, перегородки больше не служат для разделения частей, но являются самостоятельными элементами узора, воплощающие новый стиль Модерн. Сергей Сергеевич Соломко (1867-1928) Один из лучших акварелистов и иллюстраторов конца XIX века, Сергей Сергеевич Соломко приобрел славу, в основном благодаря открыткам, изданным сообществом Сент-Эжени, а также газетам периода «Нива» или « Le Soleil de Russie », которую он иллюстрировал вместе с Элизабет Бём (1843-1914). Вместе они эволюционируют эту новую область изящных искусств и, таким образом, противопоставляют свое искусство произведениям своих современников. Соломко любит изображать роскошь России прошедших времен, используя для этого символистский стиль. Эти очаровательные сцены будут высоко оценены Домом Фаберже и украсят многочисленные предметы ювелирного искусства с использованием перегородчатой эмали, такие как наша прекрасная коробочка.
FABERGE PETER CARL: (1846-1920) Russian Jeweller, known for his Faberge eggs. Appointed Goldsmith and Jeweller to the Russian Imperial Court in 1885. A rare D.S., C. Faberge, in Cyrillic, one page, 8vo, n.p., 31st October 1916. The partially printed document, in Cyrillic, is a receipt issued to Otto Ottovich Bauer for his purchase of six shares of stock in Faberge's company at a cost of 5,000 rubles each, totalling 30,000 rubles, and states that the receipt will be 'exchanged for genuine shares once they have been printed by the State Printing Office'. With a partial revenue stamp affixed to the left edge. Some very light, extremely minor age wear, VG In 1916 the House of Faberge became a joint-stock company with a capital of three million rubles. Following the outbreak of the October Revolution the following year the business was taken over by a Committee of the Employees of the Company K. Faberge and in 1918 the House of Faberge was seized by the Bolsheviks. In early October the stock was confiscated and the House of Faberge was no more.
Verrerie Paire de bougeoirs en cristal et verre moulé pressé satiné à décor de colombe signé *FABERGE I.* (Igor Carl ) (1906-1982) H:23cm Glassware: Pair of crystal candlesticks and pressed molded satin glass with dove decoration signed FABERGE Igor Carl
ATTRIBUE A CARL FABERGE (1846-1920) Rare bol à caviar à boîte à musique, 1893 En argent et argent vermeil, finement ciselé de frises florales et arabesques, la couverte sommée d'un amour à la lyre, la coupe et le fût central rehaussés d'émaux cloisonnés, le pied circulaire retenant une boîte à musique. Plaque commémorative gravée et ornée d'émail polychrome. Porte plusieurs poinçons "Fabergé et daté 1893". Dimensions : h. 40 cm Music box - Caviar bowl Silver and vermeil silver caviar bowl, finely chiseled with floral and arabesque friezes, the cover topped with a love with a lyre, the cup and the central barrel enhanced with partitioned enamels, the circular base holding a music box. Many hallmarks "Fabergé and dated 1893". Attributed.
Peter Carl Faberge 1846 St. Petersburg – 1920 Pully b. Lausanne Gift for the 50th anniversary of Rud. Sack, manufacturer for agricultural machinery in Leipzig-Plagwitz, by Dr. Walter Lessing, director of "Rabotnik", collective for agricultural machinery, Moscow. Silver, 88 zolotnik, parcel-gilt. Hull-shaped corpus, the front segment with the sculptural figure of a falconer in historical robes on a galloping horse, flanked by additional falconers. On top of his right raised arm a falcon. Large "J"-shaped handle, on either side an ornamental relief, showing a fox and a rabbit. The rear of the body with the engraved dedication "Dem Hause "Rudolf Sack", die dankbare Act.-Ges. "Rabotnik"" and on the opposite side: "5. Mai 1863–1913". At the bottom marked "K. Faberge" in cyrillic letters, above the two-headed eagle. Besides with the mark of the district administration of Moscow (oval and circle) as well as with the engraved inventory number "21601". Compare Goldberg, T.: Verzeichnis der russischen Gold- und Silbermarken, Muenchen 1971, no. 870, 1938, 1941. We thank Dr. Juliane Gohla, great-granddaughter of Rudolph Sack, for kind advice. We thank Mrs Sabine Lessing, wife of Dr. Walter Lessing s grandson, for kind advice. L. ca. 50 cm, h. 28 cm, weight approx. 4,8 kg. Faberge The kovsh, a traditional Russian drinking vessel with the shape of a ship s hull has been in use since the Middle Ages until the 19th century throughout all levels of society. Originally a kovsh was made from wood and used as a mere basic commodity for serving food and drinks. At the beginning of the 18th century the tsar ordered gilded kovshs to give away for special merits for the country. During the 19th and beginning of the 20th century gold- and silversmiths like Faberge created exceptional and frequently monumental kovshs of the highest quality on customer order for representation. In 1887 Faberge opened a branch in Moscow on Kuznetsky Most Street, a most famous boulevard. From 1900 onwards Faberge manufactured all large silver objects in Moscow. At that time the city could be regarded as the centre of Russian silversmith business where all major companies had their headquarters and the country’s best silversmiths gathered. Another feature of the Moscow branch was the specialization on the Neo-Russian style. Russian-folkloristic themes and the recollection of Russian history became popular during the second half of the 19th century. Depiction of heroes, elements of fairy tales, epics or historical facts and personalities were seized on. Those motifs were formed three-dimensionally or placed on objects as reliefs. Faberge designed several monumental kovshs with the bogatyr topic, the heroes from the legends of the medieval Kievan Rus. Likewise the theme of the falconer is deeply rooted in the Russian medieval history. Falconry was regarded as one of the most popular pastimes of the Russian aristocracy, especially the boyars. The figurative part of the kovsh can be traced back to the sculpture "The tsar s falconer" (1872) by the Russian sculptor Eugeny Alexandrovich Lanceray (1848–1886). A monumental version was presented during the All-Russia Exhibition 1882 in Moscow, where Faberge participated for the first time and obtained a gold medal. According to the current research status, two further similar versions of falconer kovshs are known besides the one being offered. One comparable kovsh with slightly differing body form, handle and smaller divergent details with the inventory number "24682" belonged to the Swedish Nobel-family, an important customer of Faberge. Especially Emanuel Nobel, Swedish-Russian oil magnate of the Branobel Company ordered several objects (further provenance: 20th May 1997 Sotheby s Geneva, lot 290/ 26th November 2012 Christie s London, lot 284). Another kovsh, less elaborate and not expressly attributed to
London, New York, Toronto, Sydney, 1949. Bainbridge G. C. Goldsmith and jeweller at the Russian Imperial court and a leading supplier to crowned heads of Europe: His life and work. London, New York, Toronto, Sydney, 1949. - XXIV, 170 p., [75] p. Il., 1 p. front.; 30х23,5 cm. In English. Numerous illustrations on separate sheets, including full-color plates, with K. Faberge’s masterpieces. The edition was printed in two de Luxe versions, on hand-made paper in a semi-leather binding and as a Library edition, on plain paper in a cloth binding with a gold-embossed coat of arms on the top lid. Our copy belongs to the second variant. Number of copies of the Library edition-1000 copies for sale in the UK, 750-in the US. КАРЛ ФАБЕРЖЕ Bainbridge H.C. Peter Carl Faberge: Goldsmith and jeweller to the Russian imperial court and the principal Crowned Heads of Europe: His life and work; with a forew. by Sacheverell Sitwell. London, New York, Toronto, Sydney, 1949. Бейнбридж Г.Ч. Золотых дел мастер и ювелир при русском Императорском дворе и ведущий поставщик коронованных особ Европы: Его жизнь и деятельность. Лондон, Нью-Йорк, Торонто, Сидней, 1949. - XXIV, 170 c., [75] л. ил., 1 л. фронт.; 30х23,5 см. На английском языке. Многочисленные иллюстрации на отдельных листах, в том числе полноцветные, с изделиями К. Фаберже. Издание было отпечатано в двух вариантах - de Luxe, на бумаге ручной работы в полукожаном переплёте, и Library edition, на обычной бумаге в тканевом переплёте с золототиснёным гербом на верхней крышке. Наш экземпляр относится ко второму варианту. Тираж Library edition - 1000 экз. для продажи в Великобритании, 750 - в США.
(ATTRIBUTED TO) CARL FABERGÉ (1846-1920), AUTOMATIC PENCIL Bicolor gold with guilloched decoration and red enamel. Top with cabochon cut moonstone. Marked. Retains the original pencil. Piece of collection. Length: 12.7 cm.
Carl Faberge, Attributed, Large Imperial Hand Seal in Topaz, Rectangular form with tapered canted corners, top of seal has an oval beveled top, there are two imperial eagles and the coat of arms has two crowns, measures 3" x 1 3/4", oval seal is 1 3/8", small chip at base with four chips at top of seals faceted head.
Peter Carl Fabergé (FRENCH/RUSSIAN, 1846–1920) "Elephant" St. Petersburg, Firm of Carl Faberge. Highly Stylized Elephant with rose cut diamond eyesrecalls in the shape a Japanese ojime. Measures Approx 1 1/2 inch. Total Weight 6.9 grams.
Peter Carl Fabergé (FRENCH/RUSSIAN, 1846–1920) Miniature Enamel And Gilt - Silver 88 Icon, Moscow. Measures 4 inches high x 2 1/2 inches wide. Total Weight 115.9 grams.
Carl Faberge Russian Jeweled Silver Kovsh. Large size kovsh has a serpentine rectangular form with rounded corners, hand chased filigree decorated body with 9 colorful bezel set gemstone cabochons and has an imperial double eagle figural handle. Stamped with Peter Carl Faberge hallmark in Cyrillic, under the imperial eagle mark and 84 zol. silver purity and kokoshnik mark with assayers initials for Ivan Sergeyevich Lebedkin of Moscow. 5 in. high x 11.75 in. wide x 7.75 in. deep. Weight: 37.49 oz. (34.17 ozt).
Limited edition Franklin Mint Official reproduction of the Carl Faberge Firebird egg. Features a blue, guilloche, enamel egg decorated with floral studded tree branches set with natural red gems. The egg stands on a .925 sterling base with gold overlay, which has four scrolling feat with faux pearls on either side of each. The egg opens to a gold tone phoenix while playing music, and is lined in red velvet. The underside is marked "The Faberge Firebird Egg, House of Igor Carl Faberge, c. .87 FM., .925 Sterling". Measures 6 1/2" x 4". weighs 820 grams. Good / fair overall condition with the egg a bit wobbly on base. Some damage to enamel at the base of the egg. One of the closure arms is cracked and does not hold the egg closed. No box included. Hill Auction Gallery In house USA continental shipping $45 plus insurance
Duchess of Marlborough Pink Serpent egg clock by Vivian Alexander Company, late 20th c., inspired by similar pieces of Peter Carl Faberge (Russian, 1846-1920), battery powered, not operating, 13"h, 5.25"w, 5"d Start Price: $150.00
[FABERGE PETER CARL]: (1846-1920) Russian Jeweller, known for his Faberge eggs. Appointed Goldsmith and Jeweller to the Russian Imperial Court in 1885. Faberge's attractive visiting card, unsigned, the oblong 12mo card printed in light brown and bearing the printed name and words C. Faberge, Joaillier de la Cour, St. Petersbourg, Moscou - Odessa within an attractive decorative border featuring ribbons and foliage branches to the head and foot. With gilt edges. Engraved and printed by Stern of Paris. About EX
CARL & HENRIK FABERGE & WIGSTROM Deux perruches sur leurs perchoir Sculpture en argent, vermeil, néphrite, émail guilloché, rubis, grenats, et rhodonite rose de l’Oural dite pierre des Tsars. Les perruches sont représentées se tenant sur leur perchoir en néphrite, posé sur une base circulaire en rhodonite rose veiné cerclée au-dessous avec un liseré en argent souligné de croisillons en vermeil et finissant par quatre pieds boule. Plusieurs poinçons sous les queues des perroquets, sur le sommet du fût les initiales HW, sur le cercle autour de l’émail et le poinçon Fabergé sous le cercle qui entoure la base en marbre. En 1900 à l’Exposition Universelle de Paris les objets de Fabergé, on y déclarait : « Ses œuvres touche la limite de la perfection ». On retrouve des œuvres du même sujet au Musée « The Walters Art Museum ». Dimensions : h. 18 cm. Diamètre 11,8 cm
![[FABERGE PETER CARL]: (1846-1920) Russian Jeweller, known for his Faberge eggs. Appointed Goldsmith and Jeweller to the Russian Imperial Court in 1885. Faberge's attractive visiting card, unsigned, the oblong 12mo card printed in light brown and bearing the printed name and words C. Faberge, Joaillier de la Cour, St. Petersbourg, Moscou - Odessa within an attractive decorative border featuring ribbons and foliage branches to the head and foot. With gilt edges. Engraved and printed by Stern of Paris. About EX](https://stageimg.invaluable.com/housePhotos/International_Autograph_Auctions/05/625905/H3882-L144463901.jpg)
