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Scott Everingham Sold at Auction Prices

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Nov. 03, 2016
SCOTT EVERINGHAM, STALK, oil on canvas, 12 ins x 12 ins; 30.5 cms x 30.5 cms
Est: -
SCOTT EVERINGHAMSTALKoil on canvassigned, titled and dated 2009 on the reverse 12 ins x 12 ins; 30.5 cms x 30.5 cms Provenance:Private Collection, TorontoEstimate: $1,000–1,200
Waddington's
Nov. 03, 2016
SCOTT EVERINGHAM, NOWHERE IF NOT HERE, oil on canvas, 12 ins x 12 ins; 30.5 cms x 30.5 cms
Est: -
SCOTT EVERINGHAMNOWHERE IF NOT HEREoil on canvassigned, titled and dated 2009 on the reverse 12 ins x 12 ins; 30.5 cms x 30.5 cms Provenance:Private Collection, TorontoEstimate: $1,000–1,200
Waddington's
Sep. 23, 2014
SCOTT EVERINGHAM, WET METEOR FALLOUT, oil on canvas, 36 ins x 36 ins; 91.4 cms x 91.4 cms
Est: $4,000 - $6,000
SCOTT EVERINGHAMWET METEOR FALLOUToil on canvassigned, titled and dated 2009 on the reverse, unframed 36 ins x 36 ins; 91.4 cms x 91.4 cms Provenance:Private Collection, TorontoLiterature:Everingham, Scott. Studio Visit: Scott Everingham, Painter. Feb. 7, 2014. http://www.studio-beat.com/studio-visit/scott-everingham-painter/Note:Scott Everingham is a painter based in Toronto. Holding a BFA from NSCAD and an MA from the University of Waterloo, Everingham is a three-time finalist in the RBC Canadian Painting Competition and is the recipient of numerous awards from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council. In his own words, Everingham discusses his process, "I work on one painting at a time. A lot of my previous work was heavily influenced by what I was reading. I would create a body of work based on a text or fictional novel and the paintings would become like short stories too. Now, I'm not interested in tying my paintings together with a narrative. I'm more interested in tying them together with the process, the colour and paint itself." In Wet Meteor Fallout (2009), Everingham immediately engages the viewer in the process of the work, unfinished objects and gestures scattered across the canvas draw the viewer to his deftly constructed vision suggesting both an environment built and yet to be built. In other words, the work carries the possibilities and ambiguities of the moments and process of creation.
Waddington's

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