Loading Spinner

Giuseppe Enrie Sold at Auction Prices

Photographer

See Artist Details

0 Lots

Sort By:

Categories

    Auction Date

    Seller

    Seller Location

    Price Range

    to
    • Giuseppe Enrie (1886-1961) - Ostensione della S. Sindone, 1931
      Dec. 18, 2024

      Giuseppe Enrie (1886-1961) - Ostensione della S. Sindone, 1931

      Est: €400 - €600

      Gelatin silver print mouted on original cardboard cm 6,2 x 22,8 (cm 19,7 x 34,3 cardboard) | 2.4 x 9 in. (7.7 x 13.5 in. cardboard) Photographer's credit blindstamp on the image Framed

      Finarte
    • Giuseppe Enrie (1886-1961) - Ostensione della S. Sindone, 1931
      Jun. 17, 2024

      Giuseppe Enrie (1886-1961) - Ostensione della S. Sindone, 1931

      Est: €400 - €600

      Vintage gelatin silver print, mounted on original cardboard cm 10,7 x 39,4 (cm 28 x 45,8 cardboard) | 4.2 x 15.5 in. (11 x 18 in. cardboard) Photographer's credit blindstamp on the image

      Finarte
    • Enrie, Giuseppe: Santo volto del Divin Redentore (Detail of the Shroud of Turin)
      Jun. 14, 2023

      Enrie, Giuseppe: Santo volto del Divin Redentore (Detail of the Shroud of Turin)

      Est: €1,500 - €1,800

      "Santo volto del Divin Redentore" (Detail of the Shroud of Turin - negative). 1931. Vintage gelatin silver print. 29 x 23 cm. Photographer's and reproduction limitation blindstamp in lower left/right corners, mounted to original board (corners bumped, small loss in upper left corner), with title and date printed above/below the image on the mount (41,5 x 31,5 cm). -- -- The Shroud of Turin is believed to bear the imprint of the face and wounds of Christ. The first historical record of the Shroud goes back to the 15th century when it was given to the House of Savoy by a French noblewoman. Since the 17th century, it has been housed in a chapel connected to Turin’s cathedral. The first photograph of the Shroud was made during its public display in 1898 by the amateur photographer Secondo Pia. Because that photograph was produced with the Shroud under its protective glass, its use as evidence was increasingly questioned. Thus, when the Shroud was displayed publicly in 1931, in honor of the wedding of Umberto II to the Belgian princess Maria José, a new set of photographs was commissioned. -- Accompanied by a French scientist, a priest and Secondo Pia, Enrie made twelve negatives of the Shroud. He recorded his methodology in great detail, which was published in 1933. Enrie’s photographs of the Shroud were widely distributed. The print offered here includes its original mount, which features printed signatures and insignia of church officials, attesting to the official sanction of the image. – A few scuff/scratch marks in upper left as well as light silvering in edges, more visible at an angle, one stronger dent to left of face, retouched spot in upper right corner, otherwise in very good condition. -- -- Lit.: Maria Bugli/Cristina Gardini. Fotografia Italian dell Ottocento, Milan 1979, ill. p. 118. -- - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.

      Bassenge Auctions
    • Giuseppe Enrie (1886-1961) - Ostensione della S. Sindone, 1931
      May. 09, 2023

      Giuseppe Enrie (1886-1961) - Ostensione della S. Sindone, 1931

      Est: €400 - €600

      Gelatin silver print mouted on original cardboard cm 6,2 x 22,8 (cm 19,7 x 34,3 cardboard) | 2.4 x 9 in. (7.7 x 13.5 in. cardboard) Photographer's credit blind stamp on the image For a long time the Shroud, the controversial sheet presented as the original shroud of Jesus Christ's body, was described in words, honored for its supposed sacredness, reproduced in drawings, observed at public outreaches. Everything changed with the advent of photography: it was the Piedmontese Secondo Pia in 1898 who first photographed it in an elaborate session where lighting bulbs were used for one of the first times. In 1931, at that year's extension, another Piedmontese, Giuseppe Enrie, was able to photograph the sheet without the obstacle of the shrine preserving it. Interestingly, it all took place inside the Turin Cathedral where a darkroom had also been set up. Even in this second case, the photographers pointed out that the object has the characteristics of a photographic negative.

      Finarte
    • Giuseppe Enrie (1886-1961) - Il sacro volto, particolare della Sacra Sindone, 1931
      Nov. 16, 2022

      Giuseppe Enrie (1886-1961) - Il sacro volto, particolare della Sacra Sindone, 1931

      Est: €500 - €800

      Gelatin silver print, printed later 11.7 x 9.4 in. Photographer's credit stamp on the verso

      Finarte
    • Giuseppe Enrie - Holy Shroud
      Jun. 18, 2020

      Giuseppe Enrie - Holy Shroud

      Est: €600 - €900

      Photographer's credit blind stamp on the image Work realized for the ostension of the Holy Shroud for the wedding between Umberto II of Savoy and princess Maria Josè in 1931

      Finarte
    • Enrie, Giuseppe: Santo volto del Divin Redentore (Detail of the Shroud of Turin)
      Jun. 10, 2020

      Enrie, Giuseppe: Santo volto del Divin Redentore (Detail of the Shroud of Turin)

      Est: €1,200 - €1,500

      "Santo volto del Divin Redentore" (Detail of the Shroud of Turin - positive). 1931. Vintage sepia-toned gelatin silver print. 47,5 x 37,5 cm. Photographer's and reproduction limitation blindstamp in lower left/right corners, mounted in upper and lower edges to board (minimal foxing/soiling), annotated in Italian in ink and dated Torino 27 Maggio 1931 below the image on the mount (52 x 37,5 cm), annotated in pencil on mount verso. The Shroud of Turin is believed to bear the imprint of the face and wounds of Christ. The first historical record of the Shroud goes back to the 15th century when it was given to the House of Savoy by a French noblewoman. Since the 17th century, it has been housed in a chapel connected to Turin’s cathedral. The first photograph of the Shroud was made during its public display in 1898 by the amateur photographer Secondo Pia. Because that photograph was produced with the Shroud under its protective glass, its use as evidence was increasingly questioned. Thus, when the Shroud was displayed publically in 1931 in honor of the wedding of Umberto II to the Belgian princess Maria José, a new set of photographs was commissioned. Accompanied by a French scientist, a priest and Secondo Pia, Enrie made twelve negatives of the Shroud. He recorded his methodology in great detail which was published in 1933. Enrie’s photographs of the Shroud were widely distributed. Such larger sizes of this image are not as common as smaller ones. – Slightly buckled in upper and lower portion from mounting, a few handling marks and one stronger crease to left of Christ's head, a few light surface scuff marks, otherwise in very good condition. - Sollten Sie detailliertere Zustandsberichte wünschen, kontaktieren Sie uns bitte. / Should you need more detailed condition reports, please contact us.

      Bassenge Auctions
    • Giuseppe Enrie La Sacra Sindone di Torino, Volto 1931
      Dec. 12, 2019

      Giuseppe Enrie La Sacra Sindone di Torino, Volto 1931

      Est: €500 - €600

      (1886 - 1961) La Sacra Sindone di Torino, Volto 1931 Vintage gelatin silver print, mounted on original cardboard. Work accompanied by the original photographer's envelope. 16.46 x 12.52 in. IT La Sacra Sindone di Torino, Volto 1931 Stampa fotografica vintage alla gelatina sali d'argento, montata su cartoncino originale realizzato in occasione dell'ostensione del 1931 con scritte a stampa. Opera accompagnata da busta originale del fotografo. cm 41,8 x 31,8

      Il Ponte Auction House
    • Giuseppe Enrie, Santo Volto del Divin Redentore (Particolare della S. Sindone), Torino, 1931
      Nov. 29, 2019

      Giuseppe Enrie, Santo Volto del Divin Redentore (Particolare della S. Sindone), Torino, 1931

      Est: €3,000 - €4,000

      Photographer's blindstamps lower left and lower right. Mounted to original card, illegibly inscribed in ink below the image on the mount.

      Kunsthaus Lempertz KG
    • Giuseppe ENRIE (1886-1961)
      Mar. 29, 2017

      Giuseppe ENRIE (1886-1961)

      Est: €3,000 - €4,000

      Giuseppe ENRIE (1886-1961) Le Saint Suaire de Turin (positif), 1931 Tirage argentique monte sur carton Tampon sec du photographe dans le coin inferieur gauche de l' image 47 x 38 cm

      Marc Arthur Kohn Paris
    • Giuseppe ENRIE (1886-1961)
      Mar. 29, 2017

      Giuseppe ENRIE (1886-1961)

      Est: €400 - €500

      Giuseppe ENRIE (1886-1961) Le Saint Suaire de Turin (La Santa Sindone) positif et negatif, 1931 Tirage argentique avec legende realise en 1933 21,5 x 33 cm

      Marc Arthur Kohn Paris
    • Giuseppe ENRIE (1886-1961)
      Jan. 27, 2017

      Giuseppe ENRIE (1886-1961)

      Est: €800 - €1,000

      Giuseppe ENRIE (1886-1961) Ostensione della S. Sindone. Turin, 1931 Tirage argentique signe du timbre sec en bas a gauche, encolle sur montage d origine (30 x 52,5 cm). Legende et date imprimees sur le montage. Dans son enveloppe d origine. 10,5 x 40 cm. Gelatin silver print 4,13 x 15,74 in

      Leclere - Maison de ventes
    • Giuseppe Enrie (1886-1961) Ostension du Saint-Suaire de Turin, mai 1931.
      Nov. 16, 2014

      Giuseppe Enrie (1886-1961) Ostension du Saint-Suaire de Turin, mai 1931.

      Est: €1,000 - €1,500

      Giuseppe Enrie (1886-1961) Ostension du Saint-Suaire de Turin, mai 1931. Vue d'ensemble (négative). Épreuve argentique d'époque contrecollée sur carton. Timbre sec du photographe en bas à gauche. Carton de montage officiel réalisé à l'occasion du mariage du prince du Piémont, Umberto II. 12,7 x 47,5 cm

      Ader
    • Giuseppe Enrie (1886-1961) Ostension du Saint-Suaire de Turin, mai 1931.
      Nov. 16, 2014

      Giuseppe Enrie (1886-1961) Ostension du Saint-Suaire de Turin, mai 1931.

      Est: €1,500 - €2,000

      Giuseppe Enrie (1886-1961) Ostension du Saint-Suaire de Turin, mai 1931. Santo Volto (négatif). Épreuve argentique d'époque contrecollée sur carton. Timbre sec du photographe en bas à gauche. Carton de montage de la commission en charge de la sortie du Saint Suaire. 29 x 23 cm. On joint La Santa Sidone, Rivelata dalla Fotografia, ouvrage réalisé par Giuseppe Enrie en 1933 qui contextualise ses épreuves et les conditions de leur réalisation. Le portrait présenté ici illustre la couverture de l'ouvrage.

      Ader
    Lots Per Page: