Mae Engron Sold at Auction Prices

b. 1942 - d. 2007

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    • Mae Alice Engron, 1933-2007, untitled
      Dec. 14, 2024

      Mae Alice Engron, 1933-2007, untitled

      Est: $800 - $1,200

      Mae Alice Engron 1933-2007 untitled 1970-1980 acrylic on canvas 38-1/4 x 35-1/8 inches signed with monogram

      Black Art Auction
    • Mae Alice Engron, American (20th/21st Century), 3 ladies, oil on canvas, 41 1/2"H x 35 1/2"W(sight), 43 3/4"H x 37 3/4"W(frame)
      Dec. 14, 2024

      Mae Alice Engron, American (20th/21st Century), 3 ladies, oil on canvas, 41 1/2"H x 35 1/2"W(sight), 43 3/4"H x 37 3/4"W(frame)

      Est: $2,500 - $3,500

      Mae Alice Engron American, (20th/21st Century) 3 ladies oil on canvas Signed with monogram to lower right.

      Ripley Auctions
    • Mae Alice Engron, American (20th/21st Century), abstract, oil on canvas, 28 3/4"H x 34 1/2"W(sight), 30 1/2"H x 36 1/2"W(frame)
      Dec. 14, 2024

      Mae Alice Engron, American (20th/21st Century), abstract, oil on canvas, 28 3/4"H x 34 1/2"W(sight), 30 1/2"H x 36 1/2"W(frame)

      Est: $1,000 - $2,000

      Mae Alice Engron American, (20th/21st Century) abstract oil on canvas Mae Alice Engron American (20th/21st Century) abstract oil on canvas Signed with monogram to lower right. Mae Alice Engron Indiana (1933-2007) abstract oil on canvas Initialed to lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate. 28 3/4"H x 34 1/2"W(sight), 30 1/2"H x 36

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 41 3/4"H x 31 3/4"W(sight), 43 1/4"H x 33 1/4"W(frame)
      Dec. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 41 3/4"H x 31 3/4"W(sight), 43 1/4"H x 33 1/4"W(frame)

      Est: $3,000 - $5,000

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Initialed to lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 31"H x 28"W (sight), 32 1/2" H x 29 1/2"W (frame)
      Dec. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 31"H x 28"W (sight), 32 1/2" H x 29 1/2"W (frame)

      Est: $1,000 - $2,000

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 36"H x 28"W
      Dec. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 36"H x 28"W

      Est: $1,500 - $3,000

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 40"H x 42"W (sight), 43"H x 45"W (frame)
      Dec. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 40"H x 42"W (sight), 43"H x 45"W (frame)

      Est: $2,000 - $4,000

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower left. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 25 1/2"H x 21 1/2"W, 28 1/4"H x 24 1/4"W (frame)
      Dec. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 25 1/2"H x 21 1/2"W, 28 1/4"H x 24 1/4"W (frame)

      Est: $1,200 - $1,800

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 33 1/2"H x 52"W, 38"H x 56"W (frame)
      Dec. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 33 1/2"H x 52"W, 38"H x 56"W (frame)

      Est: $2,000 - $4,000

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), seated female nude portrait, oil on canvas, 26 1.2"H x 26"W (sight), 29"H x 28 1/2" (frame)
      Dec. 04, 2024

      Mae Alice Engron, Indiana (1933-2007), seated female nude portrait, oil on canvas, 26 1.2"H x 26"W (sight), 29"H x 28 1/2" (frame)

      Est: -

      Mae Alice Engron Indiana, (1933-2007) seated female nude portrait oil on canvas Signed with initials lower left. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 23 3/4"H x 30"W (sight), 27 1/4"H x 33 1/2"W (frame)
      Dec. 04, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 23 3/4"H x 30"W (sight), 27 1/4"H x 33 1/2"W (frame)

      Est: -

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 25 1/2"H x 19 1/2"W, 28 1/2"H x 22 1/4"W (frame)
      Dec. 04, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 25 1/2"H x 19 1/2"W, 28 1/2"H x 22 1/4"W (frame)

      Est: -

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), floral abstract, mixed media with foil on canvas, 19 1/2"H x 15 1/2"W, 22 3/4"H x 18 3/4"W (frame)
      Dec. 04, 2024

      Mae Alice Engron, Indiana (1933-2007), floral abstract, mixed media with foil on canvas, 19 1/2"H x 15 1/2"W, 22 3/4"H x 18 3/4"W (frame)

      Est: -

      Mae Alice Engron Indiana, (1933-2007) floral abstract mixed media with foil on canvas Signed with initials lower left. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, mixed media on canvas, 31 1/2"H x 28 1/2"W (sight), 33 1/2"H x 30 1/2"W (frame)
      Dec. 04, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, mixed media on canvas, 31 1/2"H x 28 1/2"W (sight), 33 1/2"H x 30 1/2"W (frame)

      Est: -

      Mae Alice Engron Indiana, (1933-2007) abstract mixed media on canvas Signed with initials upper center. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), figural abstract, oil on canvas, 36 1/4"H x 42 1/4"W(sight), 39"H x 44 3/4"W(frame)
      Dec. 04, 2024

      Mae Alice Engron, Indiana (1933-2007), figural abstract, oil on canvas, 36 1/4"H x 42 1/4"W(sight), 39"H x 44 3/4"W(frame)

      Est: -

      Mae Alice Engron Indiana, (1933-2007) figural abstract oil on canvas Signed with initials lower left. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), female nude, oil on canvas, 21 1/2"H x 21"W (sight), 24"H x 23 1/2"W (frame)
      Dec. 04, 2024

      Mae Alice Engron, Indiana (1933-2007), female nude, oil on canvas, 21 1/2"H x 21"W (sight), 24"H x 23 1/2"W (frame)

      Est: -

      Mae Alice Engron Indiana, (1933-2007) female nude oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract in red and purple, oil on unstretched canvas, 30" x 38"
      Oct. 09, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract in red and purple, oil on unstretched canvas, 30" x 38"

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract in red and purple oil on unstretched canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), female figures, oil on unstretched canvas, 45"H x 60"W
      Oct. 09, 2024

      Mae Alice Engron, Indiana (1933-2007), female figures, oil on unstretched canvas, 45"H x 60"W

      Est: $300 - $400

      Mae Alice Engron Indiana, (1933-2007) female figures oil on unstretched canvas Signed lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as Pepsico and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator jill moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by jill moniz, phd, curator of the artist's estate

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 45 1/2"H x 45 1/2"W (sight), 49"H x 49"W (frame)
      Oct. 09, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 45 1/2"H x 45 1/2"W (sight), 49"H x 49"W (frame)

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), geometric abstract, oil on unstretched canvas, 38 1/2"H x 44"W
      Oct. 09, 2024

      Mae Alice Engron, Indiana (1933-2007), geometric abstract, oil on unstretched canvas, 38 1/2"H x 44"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) geometric abstract oil on unstretched canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract seated female nude, oil on unstretched canvas, 41"H x 39 1/2"W
      Oct. 09, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract seated female nude, oil on unstretched canvas, 41"H x 39 1/2"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract seated female nude oil on unstretched canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 39 1/2"H x 45 1/2"W (sight), 41 1/2"H x 47 1/2"W (frame)
      Oct. 05, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 39 1/2"H x 45 1/2"W (sight), 41 1/2"H x 47 1/2"W (frame)

      Est: $2,000 - $4,000

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), Go With the Flow, abstract landscape, 1990, oil on canvas, 36" x 50" (canvas), 38" x 52" (frame)
      Oct. 05, 2024

      Mae Alice Engron, Indiana (1933-2007), Go With the Flow, abstract landscape, 1990, oil on canvas, 36" x 50" (canvas), 38" x 52" (frame)

      Est: $4,000 - $6,000

      Mae Alice Engron Indiana, (1933-2007) Go With the Flow, abstract landscape, 1990 oil on canvas Signed with initials lower right, artist label verso. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), 3 female figures, oil on canvas, 45"H x 51"
      Oct. 05, 2024

      Mae Alice Engron, Indiana (1933-2007), 3 female figures, oil on canvas, 45"H x 51"

      Est: $800 - $1,200

      Mae Alice Engron Indiana, (1933-2007) 3 female figures oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), three abstract figures, oil on canvas, 47 1/2" H x 39"W (sight), 50"H x 42" W (frame)
      Oct. 05, 2024

      Mae Alice Engron, Indiana (1933-2007), three abstract figures, oil on canvas, 47 1/2" H x 39"W (sight), 50"H x 42" W (frame)

      Est: $1,500 - $2,000

      Mae Alice Engron Indiana, (1933-2007) three abstract figures oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), geometric abstract, oil on unstretched canvas, 47" x 38"
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), geometric abstract, oil on unstretched canvas, 47" x 38"

      Est: $300 - $500

      Mae Alice Engron Indiana, (1933-2007) geometric abstract oil on unstretched canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), seated female nude with red curtains, oil on unstretched canvas, 40 1/2"H x 32 1/2"W
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), seated female nude with red curtains, oil on unstretched canvas, 40 1/2"H x 32 1/2"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) seated female nude with red curtains oil on unstretched canvas Signed lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract seated female figures, oil on canvas, 36" H x 45" W (sight), 39"H x 47"W (frame)
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract seated female figures, oil on canvas, 36" H x 45" W (sight), 39"H x 47"W (frame)

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract seated female figures oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), architectural abstract with #3 / om, oil on unstretched canvas, 32"H x 33"W
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), architectural abstract with #3 / om, oil on unstretched canvas, 32"H x 33"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) architectural abstract with #3 / om oil on unstretched canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), cityscape with piano and guitar, oil on canvas, 43"H x 37"W
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), cityscape with piano and guitar, oil on canvas, 43"H x 37"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) cityscape with piano and guitar oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate. This lot requires third party shipping or local pickup. Please contact us for a list of preferred shippers.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract in red, oil on canvas, 38 1/2"H x 31 1/2"W (sight), 41"H x 34"W (frame)
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract in red, oil on canvas, 38 1/2"H x 31 1/2"W (sight), 41"H x 34"W (frame)

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract in red oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract street scene, oil on canvas, 29 1/2"H x 26 1/4"W (sight), 32"H x 29"W (frame)
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract street scene, oil on canvas, 29 1/2"H x 26 1/4"W (sight), 32"H x 29"W (frame)

      Est: $300 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract street scene oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), shoal of fish, oil on canvas, 44"H x 54"W
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), shoal of fish, oil on canvas, 44"H x 54"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) shoal of fish oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), still life with bowl of oranges and vase, oil on canvas, 25 1/2"H x 25"W, 28"H x 27"W (frame)
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), still life with bowl of oranges and vase, oil on canvas, 25 1/2"H x 25"W, 28"H x 27"W (frame)

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) still life with bowl of oranges and vase oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract portrait, oil on canvas, 32 1/2"H x 30 1/4"W (sight), 35 3/4"H x 33 1/2"W (frame)
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract portrait, oil on canvas, 32 1/2"H x 30 1/4"W (sight), 35 3/4"H x 33 1/2"W (frame)

      Est: $140 - $250

      Mae Alice Engron Indiana, (1933-2007) abstract portrait oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), postmodern conceptual portrait, oil on canvas, 30"H x 25"W
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), postmodern conceptual portrait, oil on canvas, 30"H x 25"W

      Est: $140 - $250

      Mae Alice Engron Indiana, (1933-2007) postmodern conceptual portrait oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), 3 seated female nude figures, 2002, oil on canvas, 42" H x 54"W
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), 3 seated female nude figures, 2002, oil on canvas, 42" H x 54"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) 3 seated female nude figures, 2002 oil on canvas Signed bottom right, dated verso. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 30 1/2"H x 36 3/4"W (sight), 33 3/4"H x 40"W (frame)
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 30 1/2"H x 36 3/4"W (sight), 33 3/4"H x 40"W (frame)

      Est: $300 - $500

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract portrait, oil on burlap, 33"H x 27"W (sight), 37 1/2"H x 31 1/2"W (frame)
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract portrait, oil on burlap, 33"H x 27"W (sight), 37 1/2"H x 31 1/2"W (frame)

      Est: $200 - $300

      Mae Alice Engron Indiana, (1933-2007) abstract portrait oil on burlap Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), 3 seated nude female figures, 2002, oil on canvas, 40"H x 47"W
      Sep. 18, 2024

      Mae Alice Engron, Indiana (1933-2007), 3 seated nude female figures, 2002, oil on canvas, 40"H x 47"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) 3 seated nude female figures, 2002 oil on canvas Signed with initials lower left. Signed and dated verso. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 32 1/2"H x 37 1/2"W (sight), 36 1/2"H x 40"W (frame)
      Aug. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 32 1/2"H x 37 1/2"W (sight), 36 1/2"H x 40"W (frame)

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), patterned spheres, oil on unstretched canvas, 30 1/4"H x 29 1/4"W
      Aug. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), patterned spheres, oil on unstretched canvas, 30 1/4"H x 29 1/4"W

      Est: $200 - $300

      Mae Alice Engron Indiana, (1933-2007) patterned spheres oil on unstretched canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 36 1/2" x 40 1/2" (sight), 39 1/2" x 43 1/2" (frame)
      Aug. 14, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 36 1/2" x 40 1/2" (sight), 39 1/2" x 43 1/2" (frame)

      Est: $400 - $600

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract portrait, oil on canvas, 32 1/2"H x 30 1/4"W (sight), 35 3/4"H x 33 1/2"W (frame)
      Jul. 10, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract portrait, oil on canvas, 32 1/2"H x 30 1/4"W (sight), 35 3/4"H x 33 1/2"W (frame)

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract portrait oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 26"H x 29"W
      Jul. 10, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 26"H x 29"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), conceptual collage portrait painting, mixed media, 16 1/2"H x 15 1/2"W (sight), 20"H x 18 1/2"W (frame)
      Jul. 10, 2024

      Mae Alice Engron, Indiana (1933-2007), conceptual collage portrait painting, mixed media, 16 1/2"H x 15 1/2"W (sight), 20"H x 18 1/2"W (frame)

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) conceptual collage portrait painting mixed media Unsigned. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), patterned spheres, oil on unstretched canvas, 30 1/4"H x 29 1/4"W
      Jul. 10, 2024

      Mae Alice Engron, Indiana (1933-2007), patterned spheres, oil on unstretched canvas, 30 1/4"H x 29 1/4"W

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) patterned spheres oil on unstretched canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
    • Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 26 3/4"H x 27 3/4"W (sight), 28 1/2"H x 29 1/2"W (frame)
      Jul. 10, 2024

      Mae Alice Engron, Indiana (1933-2007), abstract, oil on canvas, 26 3/4"H x 27 3/4"W (sight), 28 1/2"H x 29 1/2"W (frame)

      Est: $200 - $400

      Mae Alice Engron Indiana, (1933-2007) abstract oil on canvas Signed with initials lower right. Biography from the Archives of askART: Mae Alice Engron was born, raised and died in Indianapolis, Indiana. After injuries sustained working as a civil servant, she attended Herron School of Art, receiving a Bachelor of Fine Arts degree in 1984, at the age of 42. She was an abstract painter who primarily painted with oil on canvas, although early in her practice, she also painted on foil to reflect light. Inspired by organic forms and patterns drawn from nature, her works center on floral abstractions, nudes, and traditional geometric abstraction and her own unique understanding of color. Mae's signature on her pieces – MAE – is as recognizable as her work. Mae was a featured artist in many exhibitions in Indianapolis, Indiana, specifically the Indiana State Museum, Indiana Black Expo, Indiana Art League, Indianapolis, Public School Business Center. Her work is in the collection of the Smithsonian American Art Museum, the Indiana State Museum, as well as PepsiCo and in private collections throughout the US and Germany. In 1991, Mae was included in "There But for the Grace: a tribute to pathfinders and visionaries", a group show of national artists at Gallery Tanner in Los Angeles. The inclusion in Gallery Tanner's exhibition on groundbreaking artists situates Mae as a seminal figure in abstraction. At the height of her career, she was one of few black women painters in pure abstraction following the death of Alma Thomas in 1978. She said, "I paint the way I feel. When my life is in order and everything is running smoothly, I paint the geometric. When I am down, I paint lines. When I feel love, I paint flowers. When I am feeling easy, I paint flowing paintings…" Her imagery resembles tradition African American textiles as well as highlights an iconography of shape made more significant and expressive through rich color palettes. There is also a palpable sense of humor in Mae's work. Her mood paintings are a culmination of her understanding of the color, the medium and of herself. In November 2016, Quotidian, an LA roving gallery, mounted "Mae Engron: No Date No Title." As part of the exhibition programming, Tavis Smiley and curator Jill Moniz had a conversation about Mae's practice and her emotionally charged abstracts. Quotidian produced the No Date No Title catalog, the only catalog to date of Engron's work. Written and submitted by Jill Moniz, phd, curator of the artist's estate.

      Ripley Auctions
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