Benjamin Osro Eggleston Paintings & Artwork for Sale | Benjamin Osro Eggleston Art Value Price Guide

Aug. 25, 2024
BENJAMIN OSRO EGGLESTON (NY/MN, 1867-1937)
Est: $2,000 - $2,500
BENJAMIN OSRO EGGLESTON (NY/MN, 1867-1937) "Fishing Boats, Monhegan", oil on academy board, signed lower right, signed and titled verso, in vintage gold leaf matched corner frame, OS: 15 1/2" x 19 1/2", SS: 8" x 12".
Thomaston Place Auction Galleries
Apr. 27, 2024
Benjamin Osro Eggleston (American 1867-1937), Woman with a water jug walking on a path, 1888, Oil on canvas, Signed and dated lower right "Benj. Eggleston '88", 10" x 12"
Est: $800 - $1,200
Benjamin Osro Eggleston (American 1867-1937) Woman with a water jug walking on a path, 1888 Oil on canvas Signed and dated lower right "Benj. Eggleston '88" 10" x 12"
Nadeau's Auction Gallery
Oct. 31, 2023
Eggleston, O/C "View Of Old Lyme"
Est: $50 - $5,000
Benjamin Osro Eggleston (Am. 1867-1937). Frame size: 15 1/4" high, 19 3/8" wide. Frame painted gold.
Schwenke Auctioneers
Jun. 04, 2023
B. EGGLESTON PAINTING - SEASCAPE
Est: $200 - $300
Oil painting on canvas of waves breaking on rocks signed B. Eggleston. 16 x 20, framed 19 x 23. (Benjamin Osro Eggleston 1867 - 1937 was active/lived in New York, Minnesota).
Americana Auctions
May. 19, 2023
Benjamin Osro Eggleston (American, 1867-1937) Oil On Masonite, Ca. 1930s, Portrait Of Mrs. William Dodge Frost, H 18'' W 15''
Est: $200 - $400
Faintly signed in the lower right. Depicting Mrs. Frost holding a bouquet of peonies. Having a giltwood frame, H 23", W 20". Provenance: Collection of Dr. William Dodge Frost, by descent to the family.
DuMouchelles
May. 19, 2023
Benjamin Osro Eggleston (American, 1867-1937) Oil On Board, Ca. 1930s, "Extra Work", H 9.5'' W 7.5''
Est: $100 - $200
Depicting a gentleman darning his sock by the lamp light. Unsigned. Notation on verso "'Extra Work' By Ben Eggleston sometime in the 1930s. Hung in W.D. Frost's house 1010 Grant St. Madison, Wis. Framed 9-15-75 by J.W. Frost". Having a giltwood frame, H 17.5", W 15.75". Provenance: Collection of Dr. William Dodge Frost, by descent to the family.
DuMouchelles
May. 19, 2023
Benjamin Osro Eggleston (American, 1867-1937) Oil On Board, "Fishing Boats - Monhegan", H 8'' W 13.5''
Est: $200 - $400
Signed in the lower right. Signed and titled on verso. Depicting a man and a woman with two fishing boats at the shores of Monhegan, Maine. Having a giltwood frame, H 16", W 21.5". Provenance: Collection of Dr. William Dodge Frost, by descent to the family.
DuMouchelles
May. 19, 2023
Benjamin Osro Eggleston (American, 1867-1937) Oil On Canvas, 1896, "Time Passes", H 38'' W 26''
Est: $400 - $600
Signed an dated in the lower left. "Time Passes" on the gravestone in the lower right. Depicting three muses with Father Time standing behind them. Having a giltwood frame, H 46", W 34". Provenance: Collection of Dr. William Dodge Frost, by descent to the family.
DuMouchelles
May. 19, 2023
Benjamin Osro Eggleston (American, 1867-1937) Oil On Masonite, Young Boys At The Beach, H 35'' W 47''
Est: $1,000 - $2,000
Signed "Benjamin Eggleston From Photo" in the lower right. Depicting four young boys at the beach, one with a toy boat. Having a carved wood frame, H 39", W 51". Provenance: Collection of Dr. William Dodge Frost, by descent to the family.
DuMouchelles
May. 02, 2023
Benjamin Osro Eggleston (1867-1937) Portrait of George Washington (1732-1799)
Est: $1,000 - $2,000
Benjamin Osro Eggleston (1867-1937) Portrait of George Washington (1732-1799) Signed, "Egg/les/ton," l.r., colored pencil and graphite on paper, framed. (9 1/2 x 7 1/2 in. (sight)) Qty: (1) Provenance A Virginia collector.
Freeman's | Hindman
Apr. 09, 2023
Benjamin Eggleston (NY,MN,1867-1937) oil painting antique
Est: $700 - $950
ARTIST: Benjamin Egglestin (New York, Minnesota, 1867 - 1937) NAME: Manor House MEDIUM: oil on canvas CONDITION: Some paint losses mostly along right edge. Some craquelure. Some minor scattered inpaintings mostly along right edge. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm FRAME SIZE: 23 x 27 inches / 58 x 68 cm SIGNATURE: lower left SKU#: 118290 US Shipping $75 + insurance. BIOGRAPHY: Benjamin Osro Eggleston, born at Belvidere, Minnesota on January 22, 1867 was the son of Hubert Newberry Eggleston, a Union Army sergeant, and Caroline Nelson Eggleston. His father received a soldier's homestead tract in Redwood County, Minnesota. During his elementary years, Benjamin demonstrated talent and he was encouraged through high school. Later, he moved to Red Wing, a picturesque town about forty miles from Minneapolis, on the Mississippi River, to open a studio for teaching and for painting portraits. After having saved some money, Eggleston enrolled in the recently organized Minneapolis School of Fine Art where he studied under the portrait and history painter Douglas Volk (1856-1935), the son of the sculptor Leonard Wells Volk (1828-1895). Douglas Volk came to Minneapolis in 1868 as first director of the Minneapolis School of Art, which was organized by the recently founded Minneapolis Society of Fine Arts. Volk remained as director and teacher until 1893 when he returned to New York to teach at the Art Students League. With some experience in draftsmanship and academic painting, Eggleston landed a job as staff artist for the Minneapolis Tribune (1886-87), and learned to sketch rapidly in order to seize the immediate impression of a scene or event. After about two years he became extremely ill and found it necessary to join his parents on their farmstead in Geneva, Ohio, for convalescence. In 1890 he moved to Brooklyn, where he continued to paint. Eggleston exhibited two figure subjects at the National Academy of Design in 1890 and at the Brooklyn Art Association in 1891, of which he became a member.In 1894, Eggleston sailed for Europe. He was in Paris in the mid-1890s when impressionism was still an influential movement. The impact proved inspirational. Eggleston's technique matured rapidly; indeed, eventually it resembled the late work of Edouard Manet in terms of his enthusiasm for the candid depiction of the Parisian bourgeoisie and for contemporary genre. Though at times his mannered realism was somewhat non-academic, Eggleston was not yet ready to adopt impressionism fully. He became apt at painting women in the juste milieu manner, focusing upon the coy pleasantries of ladies in their intimate environments. One such picture was shown in the Paris Salon of 1896, Le temps qui passe. Upon his return to Brooklyn in late 1896 or early 1897, Eggleston also exhibited his well known Soup Kitchen, Paris, at the National Academy. Shortly afterwards his Dreamy Summer became the property of the Boston Art Club. In addition, his Portrait of Miss E. was reproduced in the American Art Annual of 1898.Eggleston's studio was at various locations on East 32nd Street near Vanderveer Park. He made frequent sketching trips outside Brooklyn and most of his finished landscapes and portraits were executed in oil. Eggleston's reputation grew within the East Coast art community. In 1903 he was elected a member of the Salmagundi Club and president of the Brooklyn Artists Club, a post he held for nearly twenty-five years; other activities included memberships in the American Federation of Arts and the Allied Artists of America. Eggleston was also a charter member of the Brooklyn Ten, which later became the Society of Brooklyn Painters to avoid confusion with the Ten American Painters in New York. Eggleston's productivity as a landscapist appears to have increased between 1900 and 1910. Most of his landscapes derived from sketching trips in New England. In addition, he visited the Old Lyme art colony in the summer months. Eggleston's work was frequently handled by the Louis Katz Art Galleries in New York. Typical works from this period reveal a greater influence of impressionism on his rather conservative manner. One sees in it the spontaneous application of high-keyed pigment, which may be linked to a greater subjectivity, becoming luminous moodiness at times, however his work was by no means technically impressionistic. Eggleston was capable of expressing a feeling of loneliness in these late works. After the Brooklyn Artists Club was renamed the Brooklyn Society of Artists in 1917, Eggleston became its vice-president in the early 1920s. He bought an old grist mill near Stockbridge in the early 1930s and remained there for a brief period, but the facts concerning his artistic productivity during this latest period are quite vague. He died in Brooklyn, New York on February 15, 1937.
Broward Auction Gallery LLC
Feb. 18, 2023
Benjamin Osro Eggleston (1867-1937), Collection of Six Artworks
Est: $600 - $900
Benjamin Osro Eggleston (1867-1937) Collection of Six Artworks A Dead Aim pen and ink on paper 3 x 6 1/4 inches 7 x 10 1/4 inches (mat) unframed signed lower right: BENJAMIN EGGLESTON titled lower left mat: A DEAD AIM Boy Thinking pen and ink on paper 3 1/2 x 5 inches 7 3/4 x 9 1/4 inches (mat) unframed signed lower right: BENJAMIN EGGLESTON titled lower left mat: BOY THINKING verso: titled Buffalo Skull pen and ink on paper 3 1/2 x 5 inches 7 1/2 x 9 inches (mat) unframed signed lower right: BENJAMIN EGGLESTON titled lower left mat: BUFFALO SKULL verso: titled Crows pen and ink on paper 2 1/4 x 7 1/4 inches 6 1/2 x 11 1/2 inches (mat) unframed signed lower left: BENJAMIN EGGLESTON titled lower left mat: CROWS verso: titled Digging Potatoes pen and ink on paper 3 x 6 1/2 inches 6 3/4 x 10 1/4 inches (mat) unframed signed lower right: BENJAMIN EGGLESTON titled lower left mat: DIGGING POTATOES verso: titled Learning to Hunt pen and ink on paper 2 1/2 x 6 inches 6 1/2 x 10 1/4 inches (mat) unframed signed lower right: BENJAMIN EGGLESTON titled lower left mat: LEARNING TO HUNT
Jackson Hole Art Auction
Feb. 18, 2023
Benjamin Osro Eggleston (1867-1937), Collection of Two Artworks
Est: $200 - $400
Benjamin Osro Eggleston (1867-1937) Collection of Two Artworks Sod Shanty, or Half Dugout pen and ink on paper 2 3/4 x 6 inches 7 3/4 x 10 1/4 x 1 1/2 inches (frame) signed lower right: BENJAMIN EGGLESTON verso: titled Westline School House in the 80s pen and ink on paper 2 3/4 x 6 inches 7 3/4 x 10 3/4 x 1/2 inches (frame) signed lower right: BENJAMIN EGGLESTON verso: titled
Jackson Hole Art Auction
Feb. 18, 2023
Benjamin Osro Eggleston (1867-1937), Collection of Three Artworks
Est: $400 - $600
Benjamin Osro Eggleston (1867-1937) Collection of Three Artworks The Blamed Calf pen and ink on paper 2 1/2 x 5 1/2 inches 7 3/4 x 10 1/4 x 1/2 inches (frame) signed lower right: BENJAMIN EGGLESTON verso: titled Prairie Fire pen and ink on paper 3 1/2 x 5 1/2 inches 7 3/4 x 10 3/4 x 1/2 inches (frame) signed lower right: BENJAMIN EGGLESTON verso: titled Shooting Prairie Hens pen and ink on paper 2 1/2 x 5 3/4 inches 7 3/4 x 10 1/4 x 1/2 inches (frame) signed lower right: BENJAMIN EGGLESTON verso: titled
Jackson Hole Art Auction
Feb. 18, 2023
Benjamin Osro Eggleston (1867-1937),Winter Twilight
Est: $1,000 - $2,000
Benjamin Osro Eggleston (1867-1937) Winter Twilight oil on board 3 1/2 x 10 1/2 inches 11 1/4 x 17 1/4 x 1 1/4 inches (frame) signed lower right mat: BENJAMIN EGGLESTON titled lower left mat: WINTER TWILIGHT
Jackson Hole Art Auction
Feb. 18, 2023
Benjamin Osro Eggleston (1867-1937), Boy With Ducks, Out of Powder
Est: $400 - $600
Benjamin Osro Eggleston (1867-1937) Boy With Ducks, Out of Powder oil on board 10 x 8 inches 17 3/4 x 15 3/4 x 2 inches (frame) signed lower right: BENJAMIN EGGLESTON verso: titled
Jackson Hole Art Auction
Feb. 18, 2023
Benjamin Osro Eggleston (1867-1937), Stuck
Est: $1,000 - $2,000
Benjamin Osro Eggleston (1867-1937) Stuck oil on board 4 3/4 x 10 1/2 inches 11 1/4 x 17 1/4 x 1 1/4 inches (frame) signed lower right mat: BENJAMIN EGGLESTON titled lower left mat: “STUCK” verso: signed and titled
Jackson Hole Art Auction
Feb. 18, 2023
Benjamin Osro Eggleston (1867-1937), The Country Doctor
Est: $500 - $700
Benjamin Osro Eggleston (1867-1937) The Country Doctor oil on board 4 1/2 x 10 3/4 inches 9 3/4 x 16 3/4 x 1 /2 inches (framed) verso: signed and titled
Jackson Hole Art Auction
Feb. 01, 2023
Benjamin Osro Eggleston (American, 1867-1937) Autumnal landscape 5 x 8in (12.7 x 20.3cm)
Est: $1,000 - $1,500
Benjamin Osro Eggleston (American, 1867-1937) Autumnal landscape signed 'Eggleston' (lower left) oil on canvas affixed to board 5 x 8in (12.7 x 20.3cm)
Bonhams
Jan. 02, 2023
Benjamin Eggleston (NY,MN,1867-1937) oil painting antique
Est: $750 - $950
ARTIST: Benjamin Egglestin (New York, Minnesota, 1867 - 1937) NAME: Manor House MEDIUM: oil on canvas CONDITION: Some paint losses mostly along right edge. Some craquelure. Some minor scattered inpaintings mostly along right edge. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm FRAME SIZE: 23 x 27 inches / 58 x 68 cm SIGNATURE: lower left SKU#: 118290 US Shipping $75 + insurance. BIOGRAPHY: Benjamin Osro Eggleston, born at Belvidere, Minnesota on January 22, 1867 was the son of Hubert Newberry Eggleston, a Union Army sergeant, and Caroline Nelson Eggleston. His father received a soldier's homestead tract in Redwood County, Minnesota. During his elementary years, Benjamin demonstrated talent and he was encouraged through high school. Later, he moved to Red Wing, a picturesque town about forty miles from Minneapolis, on the Mississippi River, to open a studio for teaching and for painting portraits. After having saved some money, Eggleston enrolled in the recently organized Minneapolis School of Fine Art where he studied under the portrait and history painter Douglas Volk (1856-1935), the son of the sculptor Leonard Wells Volk (1828-1895). Douglas Volk came to Minneapolis in 1868 as first director of the Minneapolis School of Art, which was organized by the recently founded Minneapolis Society of Fine Arts. Volk remained as director and teacher until 1893 when he returned to New York to teach at the Art Students League. With some experience in draftsmanship and academic painting, Eggleston landed a job as staff artist for the Minneapolis Tribune (1886-87), and learned to sketch rapidly in order to seize the immediate impression of a scene or event. After about two years he became extremely ill and found it necessary to join his parents on their farmstead in Geneva, Ohio, for convalescence. In 1890 he moved to Brooklyn, where he continued to paint. Eggleston exhibited two figure subjects at the National Academy of Design in 1890 and at the Brooklyn Art Association in 1891, of which he became a member.In 1894, Eggleston sailed for Europe. He was in Paris in the mid-1890s when impressionism was still an influential movement. The impact proved inspirational. Eggleston's technique matured rapidly; indeed, eventually it resembled the late work of Edouard Manet in terms of his enthusiasm for the candid depiction of the Parisian bourgeoisie and for contemporary genre. Though at times his mannered realism was somewhat non-academic, Eggleston was not yet ready to adopt impressionism fully. He became apt at painting women in the juste milieu manner, focusing upon the coy pleasantries of ladies in their intimate environments. One such picture was shown in the Paris Salon of 1896, Le temps qui passe. Upon his return to Brooklyn in late 1896 or early 1897, Eggleston also exhibited his well known Soup Kitchen, Paris, at the National Academy. Shortly afterwards his Dreamy Summer became the property of the Boston Art Club. In addition, his Portrait of Miss E. was reproduced in the American Art Annual of 1898.Eggleston's studio was at various locations on East 32nd Street near Vanderveer Park. He made frequent sketching trips outside Brooklyn and most of his finished landscapes and portraits were executed in oil. Eggleston's reputation grew within the East Coast art community. In 1903 he was elected a member of the Salmagundi Club and president of the Brooklyn Artists Club, a post he held for nearly twenty-five years; other activities included memberships in the American Federation of Arts and the Allied Artists of America. Eggleston was also a charter member of the Brooklyn Ten, which later became the Society of Brooklyn Painters to avoid confusion with the Ten American Painters in New York. Eggleston's productivity as a landscapist appears to have increased between 1900 and 1910. Most of his landscapes derived from sketching trips in New England. In addition, he visited the Old Lyme art colony in the summer months. Eggleston's work was frequently handled by the Louis Katz Art Galleries in New York. Typical works from this period reveal a greater influence of impressionism on his rather conservative manner. One sees in it the spontaneous application of high-keyed pigment, which may be linked to a greater subjectivity, becoming luminous moodiness at times, however his work was by no means technically impressionistic. Eggleston was capable of expressing a feeling of loneliness in these late works. After the Brooklyn Artists Club was renamed the Brooklyn Society of Artists in 1917, Eggleston became its vice-president in the early 1920s. He bought an old grist mill near Stockbridge in the early 1930s and remained there for a brief period, but the facts concerning his artistic productivity during this latest period are quite vague. He died in Brooklyn, New York on February 15, 1937.
Broward Auction Gallery LLC
Oct. 09, 2022
Benjamin Eggleston (NY,MN,1867-1937) oil painting antique
Est: $800 - $1,000
ARTIST: Benjamin Egglestin (New York, Minnesota, 1867 - 1937) NAME: Manor House MEDIUM: oil on canvas CONDITION: Some paint losses mostly along right edge. Some craquelure. Some minor scattered inpaintings mostly along right edge. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm FRAME SIZE: 23 x 27 inches / 58 x 68 cm SIGNATURE: lower left SKU#: 118290 US Shipping $75 + insurance. BIOGRAPHY: Benjamin Osro Eggleston, born at Belvidere, Minnesota on January 22, 1867 was the son of Hubert Newberry Eggleston, a Union Army sergeant, and Caroline Nelson Eggleston. His father received a soldier's homestead tract in Redwood County, Minnesota. During his elementary years, Benjamin demonstrated talent and he was encouraged through high school. Later, he moved to Red Wing, a picturesque town about forty miles from Minneapolis, on the Mississippi River, to open a studio for teaching and for painting portraits. After having saved some money, Eggleston enrolled in the recently organized Minneapolis School of Fine Art where he studied under the portrait and history painter Douglas Volk (1856-1935), the son of the sculptor Leonard Wells Volk (1828-1895). Douglas Volk came to Minneapolis in 1868 as first director of the Minneapolis School of Art, which was organized by the recently founded Minneapolis Society of Fine Arts. Volk remained as director and teacher until 1893 when he returned to New York to teach at the Art Students League. With some experience in draftsmanship and academic painting, Eggleston landed a job as staff artist for the Minneapolis Tribune (1886-87), and learned to sketch rapidly in order to seize the immediate impression of a scene or event. After about two years he became extremely ill and found it necessary to join his parents on their farmstead in Geneva, Ohio, for convalescence. In 1890 he moved to Brooklyn, where he continued to paint. Eggleston exhibited two figure subjects at the National Academy of Design in 1890 and at the Brooklyn Art Association in 1891, of which he became a member.In 1894, Eggleston sailed for Europe. He was in Paris in the mid-1890s when impressionism was still an influential movement. The impact proved inspirational. Eggleston's technique matured rapidly; indeed, eventually it resembled the late work of Edouard Manet in terms of his enthusiasm for the candid depiction of the Parisian bourgeoisie and for contemporary genre. Though at times his mannered realism was somewhat non-academic, Eggleston was not yet ready to adopt impressionism fully. He became apt at painting women in the juste milieu manner, focusing upon the coy pleasantries of ladies in their intimate environments. One such picture was shown in the Paris Salon of 1896, Le temps qui passe. Upon his return to Brooklyn in late 1896 or early 1897, Eggleston also exhibited his well known Soup Kitchen, Paris, at the National Academy. Shortly afterwards his Dreamy Summer became the property of the Boston Art Club. In addition, his Portrait of Miss E. was reproduced in the American Art Annual of 1898.Eggleston's studio was at various locations on East 32nd Street near Vanderveer Park. He made frequent sketching trips outside Brooklyn and most of his finished landscapes and portraits were executed in oil. Eggleston's reputation grew within the East Coast art community. In 1903 he was elected a member of the Salmagundi Club and president of the Brooklyn Artists Club, a post he held for nearly twenty-five years; other activities included memberships in the American Federation of Arts and the Allied Artists of America. Eggleston was also a charter member of the Brooklyn Ten, which later became the Society of Brooklyn Painters to avoid confusion with the Ten American Painters in New York. Eggleston's productivity as a landscapist appears to have increased between 1900 and 1910. Most of his landscapes derived from sketching trips in New England. In addition, he visited the Old Lyme art colony in the summer months. Eggleston's work was frequently handled by the Louis Katz Art Galleries in New York. Typical works from this period reveal a greater influence of impressionism on his rather conservative manner. One sees in it the spontaneous application of high-keyed pigment, which may be linked to a greater subjectivity, becoming luminous moodiness at times, however his work was by no means technically impressionistic. Eggleston was capable of expressing a feeling of loneliness in these late works. After the Brooklyn Artists Club was renamed the Brooklyn Society of Artists in 1917, Eggleston became its vice-president in the early 1920s. He bought an old grist mill near Stockbridge in the early 1930s and remained there for a brief period, but the facts concerning his artistic productivity during this latest period are quite vague. He died in Brooklyn, New York on February 15, 1937.
Broward Auction Gallery LLC
Oct. 03, 2022
Benjamin Osro Eggleston (American, 1867-1937) Autumnal landscape 5 x 8in (12.7 x 20.3cm)
Est: $1,000 - $1,500
Benjamin Osro Eggleston (American, 1867-1937) Autumnal landscape signed 'Eggleston' (lower left) oil on canvas affixed to board 5 x 8in (12.7 x 20.3cm) For further information on this lot please visit the Bonhams website
Bonhams
Jul. 03, 2022
Benjamin Eggleston (NY,MN,1867-1937) oil painting antique
Est: $850 - $1,100
ARTIST: Benjamin Egglestin (New York, Minnesota, 1867 - 1937) NAME: Manor House MEDIUM: oil on canvas CONDITION: Some paint losses mostly along right edge. Some craquelure. Some minor scattered inpaintings mostly along right edge. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm FRAME SIZE: 23 x 27 inches / 58 x 68 cm SIGNATURE: lower left SKU#: 118290 US Shipping $75 + insurance. BIOGRAPHY: Benjamin Osro Eggleston, born at Belvidere, Minnesota on January 22, 1867 was the son of Hubert Newberry Eggleston, a Union Army sergeant, and Caroline Nelson Eggleston. His father received a soldier's homestead tract in Redwood County, Minnesota. During his elementary years, Benjamin demonstrated talent and he was encouraged through high school. Later, he moved to Red Wing, a picturesque town about forty miles from Minneapolis, on the Mississippi River, to open a studio for teaching and for painting portraits. After having saved some money, Eggleston enrolled in the recently organized Minneapolis School of Fine Art where he studied under the portrait and history painter Douglas Volk (1856-1935), the son of the sculptor Leonard Wells Volk (1828-1895). Douglas Volk came to Minneapolis in 1868 as first director of the Minneapolis School of Art, which was organized by the recently founded Minneapolis Society of Fine Arts. Volk remained as director and teacher until 1893 when he returned to New York to teach at the Art Students League. With some experience in draftsmanship and academic painting, Eggleston landed a job as staff artist for the Minneapolis Tribune (1886-87), and learned to sketch rapidly in order to seize the immediate impression of a scene or event. After about two years he became extremely ill and found it necessary to join his parents on their farmstead in Geneva, Ohio, for convalescence. In 1890 he moved to Brooklyn, where he continued to paint. Eggleston exhibited two figure subjects at the National Academy of Design in 1890 and at the Brooklyn Art Association in 1891, of which he became a member.In 1894, Eggleston sailed for Europe. He was in Paris in the mid-1890s when impressionism was still an influential movement. The impact proved inspirational. Eggleston's technique matured rapidly; indeed, eventually it resembled the late work of Edouard Manet in terms of his enthusiasm for the candid depiction of the Parisian bourgeoisie and for contemporary genre. Though at times his mannered realism was somewhat non-academic, Eggleston was not yet ready to adopt impressionism fully. He became apt at painting women in the juste milieu manner, focusing upon the coy pleasantries of ladies in their intimate environments. One such picture was shown in the Paris Salon of 1896, Le temps qui passe. Upon his return to Brooklyn in late 1896 or early 1897, Eggleston also exhibited his well known Soup Kitchen, Paris, at the National Academy. Shortly afterwards his Dreamy Summer became the property of the Boston Art Club. In addition, his Portrait of Miss E. was reproduced in the American Art Annual of 1898.Eggleston's studio was at various locations on East 32nd Street near Vanderveer Park. He made frequent sketching trips outside Brooklyn and most of his finished landscapes and portraits were executed in oil. Eggleston's reputation grew within the East Coast art community. In 1903 he was elected a member of the Salmagundi Club and president of the Brooklyn Artists Club, a post he held for nearly twenty-five years; other activities included memberships in the American Federation of Arts and the Allied Artists of America. Eggleston was also a charter member of the Brooklyn Ten, which later became the Society of Brooklyn Painters to avoid confusion with the Ten American Painters in New York. Eggleston's productivity as a landscapist appears to have increased between 1900 and 1910. Most of his landscapes derived from sketching trips in New England. In addition, he visited the Old Lyme art colony in the summer months. Eggleston's work was frequently handled by the Louis Katz Art Galleries in New York. Typical works from this period reveal a greater influence of impressionism on his rather conservative manner. One sees in it the spontaneous application of high-keyed pigment, which may be linked to a greater subjectivity, becoming luminous moodiness at times, however his work was by no means technically impressionistic. Eggleston was capable of expressing a feeling of loneliness in these late works. After the Brooklyn Artists Club was renamed the Brooklyn Society of Artists in 1917, Eggleston became its vice-president in the early 1920s. He bought an old grist mill near Stockbridge in the early 1930s and remained there for a brief period, but the facts concerning his artistic productivity during this latest period are quite vague. He died in Brooklyn, New York on February 15, 1937.
Broward Auction Gallery LLC
Apr. 17, 2022
Benjamin Eggleston (NY,MN,1867-1937) oil painting antique
Est: $900 - $1,150
ARTIST: Benjamin Egglestin (New York, Minnesota, 1867 - 1937) NAME: Manor House MEDIUM: oil on canvas CONDITION: Some paint losses mostly along right edge. Some craquelure. Some minor scattered inpaintings mostly along right edge. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm FRAME SIZE: 23 x 27 inches / 58 x 68 cm SIGNATURE: lower left SKU#: 118290 US Shipping $75 + insurance. BIOGRAPHY: Benjamin Osro Eggleston, born at Belvidere, Minnesota on January 22, 1867 was the son of Hubert Newberry Eggleston, a Union Army sergeant, and Caroline Nelson Eggleston. His father received a soldier's homestead tract in Redwood County, Minnesota. During his elementary years, Benjamin demonstrated talent and he was encouraged through high school. Later, he moved to Red Wing, a picturesque town about forty miles from Minneapolis, on the Mississippi River, to open a studio for teaching and for painting portraits. After having saved some money, Eggleston enrolled in the recently organized Minneapolis School of Fine Art where he studied under the portrait and history painter Douglas Volk (1856-1935), the son of the sculptor Leonard Wells Volk (1828-1895). Douglas Volk came to Minneapolis in 1868 as first director of the Minneapolis School of Art, which was organized by the recently founded Minneapolis Society of Fine Arts. Volk remained as director and teacher until 1893 when he returned to New York to teach at the Art Students League. With some experience in draftsmanship and academic painting, Eggleston landed a job as staff artist for the Minneapolis Tribune (1886-87), and learned to sketch rapidly in order to seize the immediate impression of a scene or event. After about two years he became extremely ill and found it necessary to join his parents on their farmstead in Geneva, Ohio, for convalescence. In 1890 he moved to Brooklyn, where he continued to paint. Eggleston exhibited two figure subjects at the National Academy of Design in 1890 and at the Brooklyn Art Association in 1891, of which he became a member.In 1894, Eggleston sailed for Europe. He was in Paris in the mid-1890s when impressionism was still an influential movement. The impact proved inspirational. Eggleston's technique matured rapidly; indeed, eventually it resembled the late work of Edouard Manet in terms of his enthusiasm for the candid depiction of the Parisian bourgeoisie and for contemporary genre. Though at times his mannered realism was somewhat non-academic, Eggleston was not yet ready to adopt impressionism fully. He became apt at painting women in the juste milieu manner, focusing upon the coy pleasantries of ladies in their intimate environments. One such picture was shown in the Paris Salon of 1896, Le temps qui passe. Upon his return to Brooklyn in late 1896 or early 1897, Eggleston also exhibited his well known Soup Kitchen, Paris, at the National Academy. Shortly afterwards his Dreamy Summer became the property of the Boston Art Club. In addition, his Portrait of Miss E. was reproduced in the American Art Annual of 1898.Eggleston's studio was at various locations on East 32nd Street near Vanderveer Park. He made frequent sketching trips outside Brooklyn and most of his finished landscapes and portraits were executed in oil. Eggleston's reputation grew within the East Coast art community. In 1903 he was elected a member of the Salmagundi Club and president of the Brooklyn Artists Club, a post he held for nearly twenty-five years; other activities included memberships in the American Federation of Arts and the Allied Artists of America. Eggleston was also a charter member of the Brooklyn Ten, which later became the Society of Brooklyn Painters to avoid confusion with the Ten American Painters in New York. Eggleston's productivity as a landscapist appears to have increased between 1900 and 1910. Most of his landscapes derived from sketching trips in New England. In addition, he visited the Old Lyme art colony in the summer months. Eggleston's work was frequently handled by the Louis Katz Art Galleries in New York. Typical works from this period reveal a greater influence of impressionism on his rather conservative manner. One sees in it the spontaneous application of high-keyed pigment, which may be linked to a greater subjectivity, becoming luminous moodiness at times, however his work was by no means technically impressionistic. Eggleston was capable of expressing a feeling of loneliness in these late works. After the Brooklyn Artists Club was renamed the Brooklyn Society of Artists in 1917, Eggleston became its vice-president in the early 1920s. He bought an old grist mill near Stockbridge in the early 1930s and remained there for a brief period, but the facts concerning his artistic productivity during this latest period are quite vague. He died in Brooklyn, New York on February 15, 1937.
Broward Auction Gallery LLC
Mar. 27, 2022
1885 Benjamin Eggleston Woman with Dove Drawing
Est: $400 - $600
EGGLESTON, Benjamin, (American, 1867-1937): Early work from Eggleston, portrait of a woman and dove, Graphite/Paper, signed and dated '85 lower right, Christie's labels verso, sight size 11.75" x 9", framed 18.5" x 15.5". Condition: Foxing and toning. Purchased at Christie's, lot 77, March 1986, sold with copy of receipt. From the Estate of Dennis Smith, firefighter, author, founder of Firehouse magazine, and avid art collector.
Amero Auctions
Feb. 05, 2022
Benjamin Osro Eggleston (American, 1867-1937)
Est: $4,000 - $6,000
Benjamin Osro Eggleston (American, 1867-1937) Interior Scene with a Seated Woman oil on canvas signed and dated "Benjamin Eggleston, 94" (lower left) 35 x 29 inches (frame) 21 1/2 x 15 1/2 inches (sight)
Fontaine's Auction Gallery
Jan. 02, 2022
Benjamin Eggleston (NY,MN,1867-1937) oil painting antique
Est: $950 - $1,200
ARTIST: Benjamin Egglestin (New York, Minnesota, 1867 - 1937) NAME: Manor House MEDIUM: oil on canvas CONDITION: Some paint losses mostly along right edge. Some craquelure. Some minor scattered inpaintings mostly along right edge. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm FRAME SIZE: 23 x 27 inches / 58 x 68 cm SIGNATURE: lower left SKU#: 118290 US Shipping $75 + insurance. BIOGRAPHY: Benjamin Osro Eggleston, born at Belvidere, Minnesota on January 22, 1867 was the son of Hubert Newberry Eggleston, a Union Army sergeant, and Caroline Nelson Eggleston. His father received a soldier's homestead tract in Redwood County, Minnesota. During his elementary years, Benjamin demonstrated talent and he was encouraged through high school. Later, he moved to Red Wing, a picturesque town about forty miles from Minneapolis, on the Mississippi River, to open a studio for teaching and for painting portraits. After having saved some money, Eggleston enrolled in the recently organized Minneapolis School of Fine Art where he studied under the portrait and history painter Douglas Volk (1856-1935), the son of the sculptor Leonard Wells Volk (1828-1895). Douglas Volk came to Minneapolis in 1868 as first director of the Minneapolis School of Art, which was organized by the recently founded Minneapolis Society of Fine Arts. Volk remained as director and teacher until 1893 when he returned to New York to teach at the Art Students League. With some experience in draftsmanship and academic painting, Eggleston landed a job as staff artist for the Minneapolis Tribune (1886-87), and learned to sketch rapidly in order to seize the immediate impression of a scene or event. After about two years he became extremely ill and found it necessary to join his parents on their farmstead in Geneva, Ohio, for convalescence. In 1890 he moved to Brooklyn, where he continued to paint. Eggleston exhibited two figure subjects at the National Academy of Design in 1890 and at the Brooklyn Art Association in 1891, of which he became a member.In 1894, Eggleston sailed for Europe. He was in Paris in the mid-1890s when impressionism was still an influential movement. The impact proved inspirational. Eggleston's technique matured rapidly; indeed, eventually it resembled the late work of Edouard Manet in terms of his enthusiasm for the candid depiction of the Parisian bourgeoisie and for contemporary genre. Though at times his mannered realism was somewhat non-academic, Eggleston was not yet ready to adopt impressionism fully. He became apt at painting women in the juste milieu manner, focusing upon the coy pleasantries of ladies in their intimate environments. One such picture was shown in the Paris Salon of 1896, Le temps qui passe. Upon his return to Brooklyn in late 1896 or early 1897, Eggleston also exhibited his well known Soup Kitchen, Paris, at the National Academy. Shortly afterwards his Dreamy Summer became the property of the Boston Art Club. In addition, his Portrait of Miss E. was reproduced in the American Art Annual of 1898.Eggleston's studio was at various locations on East 32nd Street near Vanderveer Park. He made frequent sketching trips outside Brooklyn and most of his finished landscapes and portraits were executed in oil. Eggleston's reputation grew within the East Coast art community. In 1903 he was elected a member of the Salmagundi Club and president of the Brooklyn Artists Club, a post he held for nearly twenty-five years; other activities included memberships in the American Federation of Arts and the Allied Artists of America. Eggleston was also a charter member of the Brooklyn Ten, which later became the Society of Brooklyn Painters to avoid confusion with the Ten American Painters in New York. Eggleston's productivity as a landscapist appears to have increased between 1900 and 1910. Most of his landscapes derived from sketching trips in New England. In addition, he visited the Old Lyme art colony in the summer months. Eggleston's work was frequently handled by the Louis Katz Art Galleries in New York. Typical works from this period reveal a greater influence of impressionism on his rather conservative manner. One sees in it the spontaneous application of high-keyed pigment, which may be linked to a greater subjectivity, becoming luminous moodiness at times, however his work was by no means technically impressionistic. Eggleston was capable of expressing a feeling of loneliness in these late works. After the Brooklyn Artists Club was renamed the Brooklyn Society of Artists in 1917, Eggleston became its vice-president in the early 1920s. He bought an old grist mill near Stockbridge in the early 1930s and remained there for a brief period, but the facts concerning his artistic productivity during this latest period are quite vague. He died in Brooklyn, New York on February 15, 1937.
Broward Auction Gallery LLC
Oct. 10, 2021
Benjamin Eggleston (NY,MN,1867-1937) oil painting antique
Est: $1,000 - $1,300
ARTIST: Benjamin Egglestin (New York, Minnesota, 1867 - 1937) NAME: Manor House MEDIUM: oil on canvas CONDITION: Some paint losses mostly along right edge. Some craquelure. Some minor scattered inpaintings mostly along right edge. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm FRAME SIZE: 23 x 27 inches / 58 x 68 cm SIGNATURE: lower left SKU#: 118290 US Shipping $75 + insurance. BIOGRAPHY: Benjamin Osro Eggleston, born at Belvidere, Minnesota on January 22, 1867 was the son of Hubert Newberry Eggleston, a Union Army sergeant, and Caroline Nelson Eggleston. His father received a soldier's homestead tract in Redwood County, Minnesota. During his elementary years, Benjamin demonstrated talent and he was encouraged through high school. Later, he moved to Red Wing, a picturesque town about forty miles from Minneapolis, on the Mississippi River, to open a studio for teaching and for painting portraits. After having saved some money, Eggleston enrolled in the recently organized Minneapolis School of Fine Art where he studied under the portrait and history painter Douglas Volk (1856-1935), the son of the sculptor Leonard Wells Volk (1828-1895). Douglas Volk came to Minneapolis in 1868 as first director of the Minneapolis School of Art, which was organized by the recently founded Minneapolis Society of Fine Arts. Volk remained as director and teacher until 1893 when he returned to New York to teach at the Art Students League. With some experience in draftsmanship and academic painting, Eggleston landed a job as staff artist for the Minneapolis Tribune (1886-87), and learned to sketch rapidly in order to seize the immediate impression of a scene or event. After about two years he became extremely ill and found it necessary to join his parents on their farmstead in Geneva, Ohio, for convalescence. In 1890 he moved to Brooklyn, where he continued to paint. Eggleston exhibited two figure subjects at the National Academy of Design in 1890 and at the Brooklyn Art Association in 1891, of which he became a member.In 1894, Eggleston sailed for Europe. He was in Paris in the mid-1890s when impressionism was still an influential movement. The impact proved inspirational. Eggleston's technique matured rapidly; indeed, eventually it resembled the late work of Edouard Manet in terms of his enthusiasm for the candid depiction of the Parisian bourgeoisie and for contemporary genre. Though at times his mannered realism was somewhat non-academic, Eggleston was not yet ready to adopt impressionism fully. He became apt at painting women in the juste milieu manner, focusing upon the coy pleasantries of ladies in their intimate environments. One such picture was shown in the Paris Salon of 1896, Le temps qui passe. Upon his return to Brooklyn in late 1896 or early 1897, Eggleston also exhibited his well known Soup Kitchen, Paris, at the National Academy. Shortly afterwards his Dreamy Summer became the property of the Boston Art Club. In addition, his Portrait of Miss E. was reproduced in the American Art Annual of 1898.Eggleston's studio was at various locations on East 32nd Street near Vanderveer Park. He made frequent sketching trips outside Brooklyn and most of his finished landscapes and portraits were executed in oil. Eggleston's reputation grew within the East Coast art community. In 1903 he was elected a member of the Salmagundi Club and president of the Brooklyn Artists Club, a post he held for nearly twenty-five years; other activities included memberships in the American Federation of Arts and the Allied Artists of America. Eggleston was also a charter member of the Brooklyn Ten, which later became the Society of Brooklyn Painters to avoid confusion with the Ten American Painters in New York. Eggleston's productivity as a landscapist appears to have increased between 1900 and 1910. Most of his landscapes derived from sketching trips in New England. In addition, he visited the Old Lyme art colony in the summer months. Eggleston's work was frequently handled by the Louis Katz Art Galleries in New York. Typical works from this period reveal a greater influence of impressionism on his rather conservative manner. One sees in it the spontaneous application of high-keyed pigment, which may be linked to a greater subjectivity, becoming luminous moodiness at times, however his work was by no means technically impressionistic. Eggleston was capable of expressing a feeling of loneliness in these late works. After the Brooklyn Artists Club was renamed the Brooklyn Society of Artists in 1917, Eggleston became its vice-president in the early 1920s. He bought an old grist mill near Stockbridge in the early 1930s and remained there for a brief period, but the facts concerning his artistic productivity during this latest period are quite vague. He died in Brooklyn, New York on February 15, 1937.
Broward Auction Gallery LLC
Sep. 19, 2021
BENJAMIN EGGLESTON "TONAL LANDSCAPE" OIL / CANVAS 20" X 24"
Est: $1,000 - $2,000
BENJAMIN EGGLESTON "TONAL LANDSCAPE" OIL / CANVAS 20" X 24"
Carlsen Gallery, Inc.
Jul. 04, 2021
Benjamin Eggleston (NY,MN,1867-1937) oil painting antique
Est: $1,000 - $1,300
ARTIST: Benjamin Egglestin (New York, Minnesota, 1867 - 1937) NAME: Manor House MEDIUM: oil on canvas CONDITION: Some paint losses mostly along right edge. Some craquelure. Some minor scattered inpaintings mostly along right edge. SIGHT SIZE: 20 x 24 inches / 50 x 60 cm FRAME SIZE: 23 x 27 inches / 58 x 68 cm SIGNATURE: lower left SKU#: 118290 US Shipping $75 + insurance. BIOGRAPHY: Benjamin Osro Eggleston, born at Belvidere, Minnesota on January 22, 1867 was the son of Hubert Newberry Eggleston, a Union Army sergeant, and Caroline Nelson Eggleston. His father received a soldier's homestead tract in Redwood County, Minnesota. During his elementary years, Benjamin demonstrated talent and he was encouraged through high school. Later, he moved to Red Wing, a picturesque town about forty miles from Minneapolis, on the Mississippi River, to open a studio for teaching and for painting portraits. After having saved some money, Eggleston enrolled in the recently organized Minneapolis School of Fine Art where he studied under the portrait and history painter Douglas Volk (1856-1935), the son of the sculptor Leonard Wells Volk (1828-1895). Douglas Volk came to Minneapolis in 1868 as first director of the Minneapolis School of Art, which was organized by the recently founded Minneapolis Society of Fine Arts. Volk remained as director and teacher until 1893 when he returned to New York to teach at the Art Students League. With some experience in draftsmanship and academic painting, Eggleston landed a job as staff artist for the Minneapolis Tribune (1886-87), and learned to sketch rapidly in order to seize the immediate impression of a scene or event. After about two years he became extremely ill and found it necessary to join his parents on their farmstead in Geneva, Ohio, for convalescence. In 1890 he moved to Brooklyn, where he continued to paint. Eggleston exhibited two figure subjects at the National Academy of Design in 1890 and at the Brooklyn Art Association in 1891, of which he became a member.In 1894, Eggleston sailed for Europe. He was in Paris in the mid-1890s when impressionism was still an influential movement. The impact proved inspirational. Eggleston's technique matured rapidly; indeed, eventually it resembled the late work of Edouard Manet in terms of his enthusiasm for the candid depiction of the Parisian bourgeoisie and for contemporary genre. Though at times his mannered realism was somewhat non-academic, Eggleston was not yet ready to adopt impressionism fully. He became apt at painting women in the juste milieu manner, focusing upon the coy pleasantries of ladies in their intimate environments. One such picture was shown in the Paris Salon of 1896, Le temps qui passe. Upon his return to Brooklyn in late 1896 or early 1897, Eggleston also exhibited his well known Soup Kitchen, Paris, at the National Academy. Shortly afterwards his Dreamy Summer became the property of the Boston Art Club. In addition, his Portrait of Miss E. was reproduced in the American Art Annual of 1898.Eggleston's studio was at various locations on East 32nd Street near Vanderveer Park. He made frequent sketching trips outside Brooklyn and most of his finished landscapes and portraits were executed in oil. Eggleston's reputation grew within the East Coast art community. In 1903 he was elected a member of the Salmagundi Club and president of the Brooklyn Artists Club, a post he held for nearly twenty-five years; other activities included memberships in the American Federation of Arts and the Allied Artists of America. Eggleston was also a charter member of the Brooklyn Ten, which later became the Society of Brooklyn Painters to avoid confusion with the Ten American Painters in New York. Eggleston's productivity as a landscapist appears to have increased between 1900 and 1910. Most of his landscapes derived from sketching trips in New England. In addition, he visited the Old Lyme art colony in the summer months. Eggleston's work was frequently handled by the Louis Katz Art Galleries in New York. Typical works from this period reveal a greater influence of impressionism on his rather conservative manner. One sees in it the spontaneous application of high-keyed pigment, which may be linked to a greater subjectivity, becoming luminous moodiness at times, however his work was by no means technically impressionistic. Eggleston was capable of expressing a feeling of loneliness in these late works. After the Brooklyn Artists Club was renamed the Brooklyn Society of Artists in 1917, Eggleston became its vice-president in the early 1920s. He bought an old grist mill near Stockbridge in the early 1930s and remained there for a brief period, but the facts concerning his artistic productivity during this latest period are quite vague. He died in Brooklyn, New York on February 15, 1937.
Broward Auction Gallery LLC
Feb. 23, 2021
BENJAMIN EGGLESTON - MANOR HOUSE O/C
Est: $250 - $450
Benjamin Eggleston, American, 1867-1973, "Manor House with Figures", Oil on Canvas, signed (DSEI4430)(WT)
Litchfield Auctions
Feb. 13, 2021
Benjamin Osro Eggleston (N.Y. / MN. 1867-1937)
Est: $200 - $400
Painting: Benjamin Osro Eggleston (N.Y. / MN. 1867-1937), portrait of a woman, signed LLC. Oil on canvas, 21" x 17", frame overall 25 1/2" x 21 1/2".
Copake Auction Inc.
Feb. 10, 2021
Benjamin Eggleston "Sunset on the Prairie" Oil on Panel
Est: $800 - $1,200
Benjamin Osro Eggleston (American, 1867-1937). Oil on panel titled "Sunset on the Prairie" depicting a man with a dog in the prairie at sunset. Titled and signed on separate pieces of paper matted together with this piece. Provenance: Distinguished corporate collection, Minnesota. Image; height: 7 1/2 in x width: 9 1/4 in. Framed; height: 14 in x width: 15 1/2 in x depth: 1 in.
Revere Auctions
Feb. 10, 2021
Benjamin Eggleston "Moonlight on the Prairie" Oil on Panel
Est: $800 - $1,200
Benjamin Osro Eggleston (American, 1867-1937). Oil on panel titled "Moonlight on the Prairie" depicting a figure stepped outside of his prairie home to witness the bright full moon. Titled and signed on separate pieces of paper matted together with this piece. Provenance: Distinguished corporate collection, Minnesota. Image; height: 7 1/2 in x width: 9 1/4 in. Framed; height: 14 in x width: 15 1/2 in x depth: 1 in.
Revere Auctions
Jan. 30, 2021
BENJAMIN OSRO EGGLESTON (American, 1867-1937)
Est: $300 - $500
BENJAMIN OSRO EGGLESTON (American, 1867-1937), rower at sunset, oil on canvas, signed lower right. Stretcher marks, scattered inpaint. Canvas 12''h, 16''w.
South Bay Auctions Inc
Nov. 01, 2020
Benjamin O. Eggleston, American Minnesota/New York (1867 - 1937), "Lady with Strawberries," oil
Est: $400 - $800
Benjamin O. Eggleston, American Minnesota/New York (1867 - 1937), "Lady with Strawberries," oil on board, signed upper right, titled on a plaque, measures 20.50 x 14.50 inches unframed, 26 x 21 inches framed in an arts and crafts reproduction frame made by Hackman Frames (Columbus, Ohio). CONDITION: Good. A landscape painter in the tonal style, Benjamin Osro Eggleston was born in Belvidere, MN and studied art at the Minneapolis School of Fine Arts under Douglas Volk. He also traveled to Paris where he completed additional studies. Upon his return he established a studio in Brooklyn from which he worked and traveled. From 1900 to 1920 he summered at the Old Lyme Art Colony and in the 1930's he spent his time in West Stockbridge, Massachusetts. He was a Member of the Salmagundi Club, Brooklyn Society of Artists, All American Artists and was President of the Brooklyn Art Club. He exhibited at the National Academy, Art Institute of Chicago, Pennsylvania Academy, Boston Art Club, Paris Salons, the Carnegie Institute, Brooklyn Art Association and other venues.
Huntington Museum of Art
Oct. 15, 2020
Benjamin Osro Eggleston (American, 1867-1937)
Est: $600 - $900
Benjamin Osro Eggleston (American, 1867-1937) Trees in a Landscape oil on canvas signed Benjamin Eggleston (lower left) 9 1/4 x 15 inches. Provenance: Hawkins Art Gallery, West Palm Beach, Florida Property from the Collection of Harry Peterson, Lantana, Florida
Hindman
Sep. 16, 2020
Benjamin Osro Eggleston (1867 - 1937) Oil.
Est: $4,000 - $7,000
"The Marble Bench". 36" x 48" Oil on Canvas in a Spectacular Frame. The Frame Alone is probably worth $3000++. Signed and Dated 1910. Relined with restoration noted. Magnificent Painting combined with Frame makes a very attractive piece for aLarge Wall. NOTE: Extrememly heavy piece, would require professional crating and freight delivery.
Weiss Auctions
Jul. 11, 2020
Benjamin Eggleston O/C, Autumn in the Woods
Est: $400 - $500
Benjamin Eggleston (American, 1867-1937) oil on canvas tonal impressionist painting titled "Autumn in the Woods," depicting a woman sitting on a rock in a wooded landscape while a child plays at her feet. Rendered in deep shades of gold and umber with a thick impasto technique. Signed lower left with artist's name and title en verso. Housed in a giltwood molded frame with label en verso for Art Framing Co. Inc., New York City. Canvas - 12" H x 16" W. Framed - 15" H x 19" W. Private Middle Tennessee collection, by descent from Mr. and Mrs. John and Bessie Murray of Long Island, New York. Biography: Minnesota born Tonalist painter Benjamin Osro Eggleston trained at the Minneapolis School of Fine Arts under Douglas Volt and studied Impressionism in France in the 1890s. Once back in the U.S., he established a studio in Brooklyn. He summered at the Old Lyme Art Colony from 1900-1920. He was a Member of the Salmagundi Club, Brooklyn Society of Artists, All American Artists and was President of the Brooklyn Art Club. His work was exhibited at the National Academy, Art Institute of Chicago, Pennsylvania Academy, Boston Art Club, Paris Salons, the Carnegie Institute, and Brooklyn Art Association. (Source: Askart).
Case Antiques, Inc. Auctions & Appraisals
Jan. 26, 2020
Benjamin Osro Eggleston, (1867-1937 Brooklyn, NY), Portrait of a woman, Oil on canvas laid to masonite, 15.75" H x 11.5" W
Est: $700 - $900
Signed lower left: Benjamin Eggleston
John Moran Auctioneers
Nov. 01, 2019
Benjamin Eggleston "September at Old Lyme Connecticut" Oil on Board
Est: $400 - $600
Benjamin Eggleston (1867-1937). Oil on board titled "Spetember at Old Lyme, Connecticut." Signed along the lower left. Unframed; height: 8 in x width: 12 in. Framed; height: 13 3/4 in x width: 17 5/8 in. SKU: 02860 Follow us on Instagram: @revereauctions
Revere Auctions
Nov. 01, 2019
Benjamin Eggleston "Moonlight on the Lieutenant" Oil on Canvas
Est: $400 - $600
Benjamin Eggleston (1867-1937). Oil on canvas titled "Moonlight on the Lieutenant." Signed and dated 1915 along the lower right. Unframed; height: 12 1/4 in x width: 16 in. Framed; height: 13 3/4 in x width: 17 5/8 in. SKU: 02861 Follow us on Instagram: @revereauctions
Revere Auctions
Oct. 17, 2019
Benjamin Osro Eggleston (American, 1867-1937) (American, 1867-1937) Untitled (Reclining Nude)
Est: $2,000 - $4,000
Benjamin Osro Eggleston (American, 1867-1937) (American, 1867-1937) Untitled (Reclining Nude) oil on canvas signed Benjamin Eggleston (lower left) 12 x 15 ¾ inches.
Hindman
Jul. 18, 2019
Benjamin Eggleston Landscape Oil on Canvas
Est: $1,000 - $1,500
Benjamin Eggleston (1867-1937). Oil on canvas depicting a pastoral landscape. Signed along the lower left. Unframed; height: 16 in x width: 24 in. Framed; height: 21 1/2 in x width: 29 1/2 in. SKU: 01190 Follow us on Instagram: @revereauctions
Revere Auctions
Jan. 26, 2019
Benjamin Eggleston (AM 1867-1937
Est: $100 - $200
Benjamin Eggleston (AM 1867-1937) Indigenous man in a canoe litho by AW Elson & Co Boston. 11 x 20"
Merrill's Auctioneers & Appraisers
Dec. 05, 2018
Benjamin Osro Eggleston American, 1867-1937 Birdsong
Est: $1,000 - $1,500
Benjamin Osro Eggleston American, 1867-1937 Birdsong Inscribed Benjamin Eggleston and as titled on the reverse Oil on panel 9 x 10 inches
DOYLE Auctioneers & Appraisers
Nov. 10, 2018
BENJAMIN OSRO EGGLESTON (American, 1867-1937). RURAL STREET SCENE, signed lower right. Oil on canvas.
Est: $2,000 - $3,000
BENJAMIN OSRO EGGLESTON (American, 1867-1937). RURAL STREET SCENE, signed lower right. Oil on canvas - Framed, 40 in. x 34 in.
Sloans & Kenyon
Sep. 08, 2018
Benjamin Eggleston (NY,MN,1867-1937) oil on board
Est: $600 - $675
ARTIST: Benjamin Eggleston (New York, Minnesota, 1867 - 1937) NAME: The Edge of the Dunes MEDIUM: oil on board CONDITION: Excellent. No visible inpaint under UV light. SIGHT SIZE: 8 x 10 inches / 20 x 25 cm FRAME SIZE: unframed SIGNED: Lower left SKU#: 113633 WARRANTY: 7 days returns accepted if item doesn't match description US Shipping $25 + insurance.
Broward Auction Gallery LLC