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Paolozzi Eduardo Sold at Auction Prices

Sculptor, Lithographer, b. 1924 - d. 2005

Sir Eduardo Luigi Paolozzi CBE RA (7 March 1924 – 22 April 2005) was a Scottish sculptor and artist. He is widely considered to be one of the pioneers of pop art. Eduardo Paolozzi was born on 7 March 1924, in Leith in north Edinburgh, Scotland, and was the eldest son of Italian immigrants. In June 1940, when Italy declared war on the United Kingdom, Paolozzi was interned (along with most other Italian men in Britain). During his three-month internment at Saughton prison his father, grandfather and uncle, who had also been detained, were among the 446 Italians who drowned when the ship carrying them to Canada, the Arandora Star, was sunk by a German U-boat.

Paolozzi studied at the Edinburgh College of Art in 1943, briefly at Saint Martin's School of Art in 1944, and then at the Slade School of Fine Art at University College London from 1944 to 1947, after which he worked in Paris. While in Paris from 1947 to 1949, Paolozzi became acquainted with Alberto Giacometti, Jean Arp, Constantin Brâncu?i, Georges Braque and Fernand Léger. This period became an important influence for his later work. For example, the influence of Giacometti and many of the original Surrealists he met in Paris can be felt in the group of lost-wax sculptures made by Paolozzi in the mid-1950s. Their surfaces, studded with found objects and machine parts, were to gain him recognition.

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                    • EDUARDO PAOLOZZI (BRITISH, 1924-2005) FOR WEDGWOOD AND ROSENTHAL
                      Dec. 12, 2024

                      EDUARDO PAOLOZZI (BRITISH, 1924-2005) FOR WEDGWOOD AND ROSENTHAL

                      Est: £200 - £300

                      EDUARDO PAOLOZZI (BRITISH, 1924-2005) FOR WEDGWOOD AND ROSENTHAL 'Hommage to George Orwell 1984' limited edition plate (3000/0758), 1984, by Rosenthal, printed title, date and signature, printed marks verso, 26cm diameter, with original box, 'Quetzalotal' limited edition (36 of 750) plate, by Wedgwood, 27cm diameter, with original box and certificate, along with a Paolozzi decorated miniature black teapot by TIMO SARPANEVA FOR ROSENTHAL, limited edition 285 of 999, printed and painted marks to underside of each piece (lacking cover), 6.5cm high. (3)

                      Chiswick Auctions
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), BONE STUDIES
                      Dec. 12, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), BONE STUDIES

                      Est: £300 - £500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)BONE STUDIES Pen Signed and dated 1946 (lower right), inscribed Slade School (lower left)28.5 x 38cm (11 x 14¾ in.)Provenance:Freda Paolozzi and by descentThe present lot was drawn while studying at the Slade. Paolozzi felt that the Art School was dominated by middle-class, ex-officer type attitudes with which he was unable to identify and which in his view favoured half-baked, gutless art. Oxford, the focal point of elitist and polite notions of culture made matters worse. (F. Whitford, Eduardo Paolozzi, Exhibition Catalogue, London, Tate Gallery, 22 September - 31 October 1971, p.7) The present work depicting old bones may be a witty swipe at the antiquated, dry ethos of the Slade in the 1940s.Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts.

                      Dreweatts 1759 Fine Sales
                    • Eduardo Paolozzi - Bash - 2007 Offset Lithograph 23" x 19"
                      Dec. 10, 2024

                      Eduardo Paolozzi - Bash - 2007 Offset Lithograph 23" x 19"

                      Est: $50 - $75

                      "Bash" by Eduardo Paolozzi, 2007 Unsigned Offset Lithograph. Paper size is 23 x 19 inches, with an image size of 19.75 x 13.75 inches. The Offset Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details:

                      DUMBO Auctions
                    • Annual plate 1978, Rosenthal, studio-line, designed by Eduardo Paolozzi (19
                      Dec. 07, 2024

                      Annual plate 1978, Rosenthal, studio-line, designed by Eduardo Paolozzi (19

                      Est: -

                      Annual plate 1978, Rosenthal, studio-line, designed by Eduardo Paolozzi (1924 Leith, Edinburgh - 2005 London), example number 1666/3000, square bisque porcelain plate in relief, gold stamp mark on the reverse, embossed artist's signature on the front bottom left, dimensions 34.5x34.5cm *2466/2856/001 (internal) Jahresteller 1978, Rosenthal, studio-line, Entwurf Eduardo Paolozzi (1924 Leith, Edinburgh - 2005 London), Exemplarnummer 1666/3000, reliefierter quadratischer Teller aus Bisquitporzellan, rückseitig goldene Stempelmarke, vorderseitig unten links geprägte Künstlersignatur, Maße 34,5x34,5cm *2466/2856/001 (intern)

                      Auktionshaus am See
                    • Eduardo Paolozzi (1924 Edinburgh - London 2005) – Richard Rogers as Newton (Richard Rogers as Newton)
                      Dec. 05, 2024

                      Eduardo Paolozzi (1924 Edinburgh - London 2005) – Richard Rogers as Newton (Richard Rogers as Newton)

                      Est: €25,000 - €35,000

                      Bronze with black patina. 1990 C. 41 x 50.5 x 36 cm. One of only 6 numbered copies. With incised signature, date, the foundry mark "Kittl Düsseldorf" and the personal dedication "FOR RUDI" on the base.

                      Karl & Faber
                    • Eduardo Paolozzi, Watch Out for Miracles New Hope for Better Babies from General Dynamic F.U.N. Portfolio, Photolithograph
                      Dec. 02, 2024

                      Eduardo Paolozzi, Watch Out for Miracles New Hope for Better Babies from General Dynamic F.U.N. Portfolio, Photolithograph

                      Est: $550 - $750

                      Artist: Eduardo Paolozzi, British (1924 - 2005), Title: Watch Out for Miracles New Hope for Better Babies from General Dynamic F.U.N. Portfolio, Year: 1970, Medium: Photolithograph, stamp signed verso, Edition: 350, Size: 15 in. x 10 in. (38.1 cm x 25.4 cm)

                      RoGallery
                    • Eduardo Paolozzi, Notes on Organisation of Paradise from General Dynamic F.U.N. Portfolio, Photolithograph
                      Dec. 02, 2024

                      Eduardo Paolozzi, Notes on Organisation of Paradise from General Dynamic F.U.N. Portfolio, Photolithograph

                      Est: $550 - $750

                      Artist: Eduardo Paolozzi, British (1924 - 2005), Title: Notes on Organisation of Paradise from General Dynamic F.U.N. Portfolio, Year: 1970, Medium: Photolithograph, stamp signed verso, Edition: 350, Size: 15 in. x 10 in. (38.1 cm x 25.4 cm)

                      RoGallery
                    • Eduardo Paolozzi, Twenty Traumatic Twinges from General Dynamic F.U.N. Portfolio, Photolithograph
                      Dec. 02, 2024

                      Eduardo Paolozzi, Twenty Traumatic Twinges from General Dynamic F.U.N. Portfolio, Photolithograph

                      Est: $550 - $750

                      Artist: Eduardo Paolozzi, British (1924 - 2005), Title: Twenty Traumatic Twinges from General Dynamic F.U.N. Portfolio, Year: 1970, Medium: Photolithograph, stamp signed verso, Edition: 350, Size: 15 in. x 10 in. (38.1 cm x 25.4 cm)

                      RoGallery
                    • (ARR)EDUARDO PAOLOZZI (1924 Leith/Edinburgh - 2005 London)
                      Dec. 01, 2024

                      (ARR)EDUARDO PAOLOZZI (1924 Leith/Edinburgh - 2005 London)

                      Est: -

                      monochrome Serigrafie, "Inkwells Loco-motif", unten rechts in Bleistift signiert "Eduardo Paolozzi", Ex. 37/300, Druckmaß ca. 24x35,5cm, gerahmt (41x61cm), Papier gebräunt

                      Auktionshaus Rotherbaum OHG
                    • Eduardo Paolozzi
                      Nov. 29, 2024

                      Eduardo Paolozzi

                      Est: €240 - €480

                      (1924 Edinburgh - 2005 London) "Where Reality lies". Originaltitel Farbserigraphie/Papier, 1982. Sign. und dat. 1982, nummeriert 24/1000 sowie mit Blindstempel HÖRZU. Nach der in größerem Format 1981 erschienenen, hand-kolorierten Serigrafie. Darstellung ca. 57,5 cm x 41,4 cm. Rahmen. Screenprint in colours on paper, 1982. Hand-signed, numbered 24/1000 and with blindstamp HÖRZU.

                      Kunstauktionshaus Schloss Ahlden
                    • Eduardo Paolozzi (1924-2005) Untitled
                      Nov. 27, 2024

                      Eduardo Paolozzi (1924-2005) Untitled

                      Est: £100 - £150

                      Eduardo Paolozzi (1924-2005) Untitled Etching, 1976, signed and dated in pencil, from the edition of unknown size, on wove paper, with margins, sheet 590 x 190mm (23 1/4 x 7 1/2in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

                      Forum Auctions - UK
                    • Eduardo Paolozzi (1924-2005) Untitled, from Six Artists: The Royal College of Art Portfolio 1992
                      Nov. 27, 2024

                      Eduardo Paolozzi (1924-2005) Untitled, from Six Artists: The Royal College of Art Portfolio 1992

                      Est: £500 - £700

                      Eduardo Paolozzi (1924-2005) Untitled, from Six Artists: The Royal College of Art Portfolio 1992 Etching with hand-colouring, 1992, signed and dated, and inscribed 'ap VIII' in pencil, an artist's proof aside from the edition of 50, printed by the Printmaking Workshop of The Royal College of Art, published by the Royal College of Art, London, on Somerset wove paper, with full margins, sheet 575 x 755mm (22 5/8 x 29 3/4in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

                      Forum Auctions - UK
                    • § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005)
                      Nov. 26, 2024

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005)

                      Est: £300 - £500

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005) SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005) Head plaster 8 cm. (3 1/8 in.) high Provenance The estate of the artist, from whom acquired by the present owner

                      Chiswick Auctions
                    • § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005)
                      Nov. 26, 2024

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005)

                      Est: £400 - £600

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005) SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005) Two Plaster Feet Large foot plaster 7.7 x 14 cm. (3 x 5 1/2 in.) Together with; Small Foot plaster 7.7 x 12 cm. (3 x 4 3/4 in.) (2) Provenance The estate of the artist, from whom acquired by the present owner

                      Chiswick Auctions
                    • § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005)
                      Nov. 26, 2024

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005)

                      Est: £400 - £600

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005) SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005) Bust plaster 13 cm. (5 1/8 in.) high Provenance The estate of the artist, from whom acquired by the present owner

                      Chiswick Auctions
                    • § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH, 1924-2005)
                      Nov. 26, 2024

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH, 1924-2005)

                      Est: £1,000 - £1,500

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH, 1924-2005) SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH, 1924-2005) Foot bronze with a green patina 7.6 x 13 cm. (3 x 5 1/8 in.) Provenance The estate of the artist, from whom acquired by the present owner

                      Chiswick Auctions
                    • § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005)
                      Nov. 26, 2024

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005)

                      Est: £1,000 - £1,500

                      § SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005) SIR EDUARDO PAOLOZZI, C.B.E., R.A. (BRITISH 1924-2005) Untitled gouache 28.5 x 21 cm. (11 1/4 x 8 1/4 in.) Provenance The estate of the artist, from whom acquired by the present owner

                      Chiswick Auctions
                    • EDUARDO PAOLOZZI (1924-2005);'VARIATIONS ON A GEOMETRIC THEME' PLATES; DESIGNED IN 1971
                      Nov. 21, 2024

                      EDUARDO PAOLOZZI (1924-2005);'VARIATIONS ON A GEOMETRIC THEME' PLATES; DESIGNED IN 1971

                      Est: £1,000 - £1,500

                      EDUARDO PAOLOZZI (1924-2005)'VARIATIONS ON A GEOMETRIC THEME' - SET OF SIX PLATES; MADE BY WEDGWOOD; DESIGNED IN 1971Bone china, polychrome with gilt, geometric banded decoration. One of a limited edition of 200 sets produced; accompanied by an original pink Lucite storage box, each plate with pink fabric sleeves.Each plate with printed Wedgwood mark, title, and Paolozzi facsimile signature.Each plate; 26.8cm (10½ in.) diameterProvenance:Freda Paolozzi and by descent.

                      Dreweatts 1759 Fine Sales
                    • Sir Eduardo Paolozzi CBE RA, Words from 'Calcium light night', 1977
                      Nov. 21, 2024

                      Sir Eduardo Paolozzi CBE RA, Words from 'Calcium light night', 1977

                      Est: £500 - £700

                      Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005, Words from 'Calcium light night', 1977; screenprint on wove, signed and dated in pencil and numbered 187/200, sheet: 99 x 69 cm, (framed) (ARR)

                      Roseberys
                    • Sir Eduardo Paolozzi CBE RA, Variations on Geometry
                      Nov. 21, 2024

                      Sir Eduardo Paolozzi CBE RA, Variations on Geometry

                      Est: £400 - £500

                      Sir Eduardo Paolozzi CBE RA, Scottish 1924-2005 Variations on Geometry; screenprint in colours on wove, sheet: 80 x 55 cm, (framed) (ARR)

                      Roseberys
                    • Sir Eduardo Paolozzi (British, 1924-2005) Hermes/Mondrian Head 30 cm. (11 3/4 in.) high
                      Nov. 20, 2024

                      Sir Eduardo Paolozzi (British, 1924-2005) Hermes/Mondrian Head 30 cm. (11 3/4 in.) high

                      Est: £12,000 - £18,000

                      Sir Eduardo Paolozzi (British, 1924-2005) Hermes/Mondrian Head signed, numbered, dated and stamped with Livingston foundry mark '1994 E PAOLOZZI A/C' (on the back of the figure) bronze with a black patina 30 cm. (11 3/4 in.) high

                      Bonhams
                    • Sir Eduardo Paolozzi (British, 1924-2005) The Head - For Man Himself - His Brain & His Machines (Man Smoking) 15 cm. (5 7/8 in.) high
                      Nov. 20, 2024

                      Sir Eduardo Paolozzi (British, 1924-2005) The Head - For Man Himself - His Brain & His Machines (Man Smoking) 15 cm. (5 7/8 in.) high

                      Est: £7,000 - £10,000

                      Sir Eduardo Paolozzi (British, 1924-2005) The Head - For Man Himself - His Brain & His Machines (Man Smoking) bronze with a black patina 15 cm. (5 7/8 in.) high

                      Bonhams
                    • Paolozzi, Eduardo. Who's afraid of Sugar Pink and Lime Green? Farbserigraphie auf festem Papi
                      Nov. 16, 2024

                      Paolozzi, Eduardo. Who's afraid of Sugar Pink and Lime Green? Farbserigraphie auf festem Papi

                      Est: €350 - €500

                      Paolozzi, Eduardo. Who's afraid of Sugar Pink and Lime Green? Farbserigraphie auf festem Papier. Am unteren Rand signiert, datiert und bezeichnet "A/P". 1971. Blattmaße: 154 x 112 cm. "Artist Proof"-Blatt außerhalb der nummerierten Auflage von 100. - Leicht gebräunt, die äußersten Kanten stärker und mit wenigen Papierstauchungen, etwas kratzspurig und berieben, sowie punktuell schmutzfleckig und partiell knickspurig, auf der Rückseite mit kleinen Stockfleckchen.

                      Nosbüsch & Stucke GmbH
                    • Paolozzi, Eduardo. Ohne Titel. (Komposition.) Farbserigraphie auf Bütten. Signiert, datiert u
                      Nov. 16, 2024

                      Paolozzi, Eduardo. Ohne Titel. (Komposition.) Farbserigraphie auf Bütten. Signiert, datiert u

                      Est: €200 - €300

                      Paolozzi, Eduardo. Ohne Titel. (Komposition.) Farbserigraphie auf Bütten. Signiert, datiert und nummeriert. Exemplar: 244/300. 1974. Motivmaße: 84 x 61 cm. Blattmaße: 94 x 69 cm. Herausgegeben von der Kestner Gesellschaft, Hannover. - In sehr gutem Zustand.

                      Nosbüsch & Stucke GmbH
                    • EDUARDO PAOLOZZI, HOW TO SPEND TIME IN HOLLYWOOD FROM GENERAL DYNAMIC F.U.N. PORTFOLIO, PHOTOLITHOGRAPH
                      Nov. 15, 2024

                      EDUARDO PAOLOZZI, HOW TO SPEND TIME IN HOLLYWOOD FROM GENERAL DYNAMIC F.U.N. PORTFOLIO, PHOTOLITHOGRAPH

                      Est: $550 - $750

                      Artist: Eduardo Paolozzi, British (1924 - 2005) Title: How to Spend Time in Hollywood from General Dynamic F.U.N. Portfolio Year: 1970 Medium: Photolithograph, stamp signed verso Edition: 350 Size: 15 in. x 10 in. (38.1 cm x 25.4 cm) Description: Bathed in a pink wash, a playfully-rendered couple reflect the unification of Surrealist tenets and Pop Art elements in Paolozzi's oeuvre.

                      RoGallery
                    • EDUARDO PAOLOZZI, 59 VARIETIES OF PARADISE FROM GENERAL DYNAMIC F.U.N. PORTFOLIO, PHOTOLITHOGRAPH
                      Nov. 15, 2024

                      EDUARDO PAOLOZZI, 59 VARIETIES OF PARADISE FROM GENERAL DYNAMIC F.U.N. PORTFOLIO, PHOTOLITHOGRAPH

                      Est: $550 - $750

                      Artist: Eduardo Paolozzi, British (1924 - 2005) Title: 59 Varieties of Paradise from General Dynamic F.U.N. Portfolio Year: 1970 Medium: Photolithograph, stamp signed verso Edition: 350 Size: 15 in. x 10 in. (38.1 cm x 25.4 cm)

                      RoGallery
                    • EDUARDO PAOLOZZI (1924-2005), ''C
                      Nov. 15, 2024

                      EDUARDO PAOLOZZI (1924-2005), ''C

                      Est: -

                      Eduardo Paolozzi (1924-2005), ''Catalogue for Harmony'', 1974, large color silkscreen on firm wove paper, signed and dated lower right, numbered 46/125 lower left, 90 x 65 cm

                      Historia Auctionata
                    • § EDUARDO PAOLOZZI (BRITISH, 1924-2005)
                      Nov. 12, 2024

                      § EDUARDO PAOLOZZI (BRITISH, 1924-2005)

                      Est: £300 - £500

                      § EDUARDO PAOLOZZI (BRITISH, 1924-2005) EDUARDO PAOLOZZI (BRITISH, 1924-2005) A group of three works plaster each approximatley 15 x 11 cm. (5 7/8 x 4 1/4 in.) (3)

                      Chiswick Auctions
                    • ANNUAL PLATE 1978, ROSENTHAL, STU
                      Nov. 12, 2024

                      ANNUAL PLATE 1978, ROSENTHAL, STU

                      Est: -

                      Annual plate 1978, Rosenthal, Studio-Line, designed by Eduardo Paolozzi (Leith/Edinburgh 1924 - 2005 London), signed, various anonymous machine parts 1978, white bisque, limited edition, 796/3000, 34.5 x 34.5 cm

                      Historia Auctionata
                    • § Sir Eduardo Paolozzi CBE (1924-2005)
                      Oct. 25, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005)

                      Est: £200 - £400

                      § Sir Eduardo Paolozzi CBE (1924-2005) Unikat - Studies on Wittgenstein signed and dated 'Eduardo Paolozzi 1994' (lower right); inscribed 'for Elisabeth & Edward' (lower left) silkscreen 75 x 55cm

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (Scottish 1924-2005)
                      Oct. 25, 2024

                      § Sir Eduardo Paolozzi CBE (Scottish 1924-2005)

                      Est: £400 - £600

                      § Sir Eduardo Paolozzi CBE (Scottish 1924-2005) Studies for forms II, circa 1960s ink, ball point pen and crayon 25 x 17.5cm Provenance: Gifted by the artist Sale; Sotheby's, Made in Britain, 28 September, 2016, lot 6

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005)
                      Oct. 25, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005)

                      Est: £400 - £600

                      § Sir Eduardo Paolozzi CBE (1924-2005) Studies for forms I, circa 1960s pencil, crayon and coloured pencil 25 x 17.5cm Provenance: Gifted by the artist Sale; Sotheby's, Made in Britain, 28 September, 2016, lot 6

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), three cast plaster reliefs,
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), three cast plaster reliefs,

                      Est: £500 - £1,000

                      § Sir Eduardo Paolozzi CBE (1924-2005), three cast plaster reliefs, comprising: Newton (after Blake), 1992, with blue highlighting, signed and dated to reverse, 19 x 23.5cm; Ear, (after Michelangelo's David), traces of signature in red pencil to reverse, 22 x 15cm; and Lip, (after Michelangelo's David), signed to reverse, 9 x 16cm (3) Provenance: Bonhams, Prints Sale, 30 November 2010, Lot 186

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), Untitled (Masked Head),
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), Untitled (Masked Head),

                      Est: £300 - £500

                      § Sir Eduardo Paolozzi CBE (1924-2005), Untitled (Masked Head), a plaster model of an abstracted masked head, unsigned 23cm high

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), Bust,
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), Bust,

                      Est: £200 - £400

                      § Sir Eduardo Paolozzi CBE (1924-2005), Bust, a plaster bust of a cubist style male head, unsigned 21cm high

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), Newton (after Blake), 1995,
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), Newton (after Blake), 1995,

                      Est: £300 - £600

                      § Sir Eduardo Paolozzi CBE (1924-2005), Newton (after Blake), 1995, plaster relief, signed, dated and titled to reverse, 15.5 x 21cm; together with two plaster forearms clenching batons attributed to Paolozzi, 14cm long; and a plaster model of a shell to an integral rectangular plinth base with recessed well, also attributed to Paolozzi, 15.5cm wide (4)

                      Cheffins
                    • § Sir Eduardo Paolozzi CBE (1924-2005), Pigeon, 1996,
                      Oct. 24, 2024

                      § Sir Eduardo Paolozzi CBE (1924-2005), Pigeon, 1996,

                      Est: £300 - £500

                      § Sir Eduardo Paolozzi CBE (1924-2005), Pigeon, 1996, a plaster relief of a bird, signed with initials and dated, 13.5 x 16 x 5.5cm; together with a plaster model of a rabbit by the same hand, unsigned, 8 x 17 x 7cm (2)

                      Cheffins
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), UNTITLED, HISTORY OF NOTHING
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), UNTITLED, HISTORY OF NOTHING

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)UNTITLED, HISTORY OF NOTHING Collage Signed (lower right)Image: 21.5 x 16cm (8¼ x 6¼ in.)Executed in 1960.Provenance:Freda Paolozzi and by descentLiterature:J. Drew, Photographer as Printmaker: 140 Years of Photographic Printmaking, London, 1981M. Middleton, Eduardo Paolozzi, London, 1963, illustrated (page unnumbered) Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), WELCOME PROFESSOR RUHRBERG
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), WELCOME PROFESSOR RUHRBERG

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)WELCOME PROFESSOR RUHRBERGCollage Signed (lower right)Image: 21.5 x 15.5cm (8¼ x 6 in.)Executed in 1960.Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 71 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), FOGGIA
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), FOGGIA

                      Est: £1,000 - £1,500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)FOGGIA Collage Signed (lower right)19 x 14cm (7¼ x 5½ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 70 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), OTTO MASCHENFABRIK (LUCIAN BERNHARD)
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), OTTO MASCHENFABRIK (LUCIAN BERNHARD)

                      Est: £1,000 - £1,500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)OTTO MASCHENFABRIK Collage Signed (lower right)12 x 14.5cm (4½ x 5½ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 59 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), HARP
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), HARP

                      Est: £1,000 - £1,500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)HARP (COLLECTION OF G.A. REISNER)Collage Signed (lower right)Image: 15.2 x 12.7cm (5 x 5 in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 57 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), BEDROOM WITH PORTRAIT
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), BEDROOM WITH PORTRAIT

                      Est: £1,500 - £2,500

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)BEDROOM WITH PORTRAIT Collage Signed (lower right)Image 17.8 x 16cm (7 x 6¼ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 47 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), TABLE OF CHARYBDIS (ARCHITEKT CARL BEYERLEN - BERLIN)
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), TABLE OF CHARYBDIS (ARCHITEKT CARL BEYERLEN - BERLIN)

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)TABLE OF CHARYBDIS Collage Signed (lower right)16 x 13.5cm (6¼ x 5¼ in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 55 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), RUST AND HUMOUR
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), RUST AND HUMOUR

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)RUST AND HUMOUR Collage Signed (lower right)Image: 20 x 16cm (7¾ x 6¼ in.)Executed in 1960.Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 75 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), SPIRIT OF THE MOTHERLAND
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), SPIRIT OF THE MOTHERLAND

                      Est: £3,000 - £5,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)SPIRIT OF THE MOTHERLAND Collage Signed (lower right)22 x 13cm (8½ x 5 in.)Provenance:Freda Paolozzi and by descentLiterature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 25 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), RACHEL'S TOMB, NEAR BETHLEHEM, PALESTINE
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), RACHEL'S TOMB, NEAR BETHLEHEM, PALESTINE

                      Est: £3,000 - £5,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)RACHEL'S TOMB, NEAR BETHLEHEM, PALESTINECollage Signed (lower right)Image: 20.2 x 25cm (7¾ x 9¾ in.)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
                    • λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), THE CITADEL, CAIRO, EGYPT
                      Oct. 23, 2024

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005), THE CITADEL, CAIRO, EGYPT

                      Est: £2,000 - £3,000

                      λ SIR EDUARDO PAOLOZZI (BRITISH 1924-2005)THE CITADEL, CAIRO, EGYPT Collage Signed (lower right)20 x 25.5cm (7¾ x 10 in.)Executed in 1960.Provenance:Freda Paolozzi and by descent. Exhibited:London, Anthony D'Offay, Eduardo Paolozzi, Collages and Drawings, 23 March - 22 April 1977.Literature:E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 99 (illus)Created in 1962 the History of Nothing is a twelve minute film of changing sepia and black and white stills put to an equally seemingly random soundtrack of locomotives, aircraft, barking dogs, church bells and Kabuki theatre. It is fundamentally a `Surrealist collage in time'`The materials from which Paolozzi made these collages... were collected over ten years. At their basis is the idea that in the relationships of such diverse subjects and materials there are always poetic possibilities.The sources of the collages are pages from the 1920s and 1930s German furniture catalogues, travel magazines, exhibition catalogues of ethnic art, and manuals of machinery.' (E. Paolozzi and J. Reichardt, The History of Nothing and Other Excursions, London, 1977/2023, p. 10)I am interested above all, in investigating the golden ability of the artists to achieve a metamorphosis of quite ordinary things into something wonderful and extraordinary that is neither nonsensical nor morally edifying (E. Roditi, Eduardo Paolozzi, Dialogues on Art, London, 1960, pp.153-54)

                      Dreweatts 1759 Fine Sales
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