Ursula Edgcumbe Sold at Auction Prices

Painter, Sculptor

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    • § Ursula Edgcumbe (1900-1985)
      Oct. 25, 2024

      § Ursula Edgcumbe (1900-1985)

      Est: £150 - £250

      § Ursula Edgcumbe (1900-1985) Study for The Finding of Moses pencil and ink 37.5 x 24.5cm Provenance: The collection of Quentin Stevenson The present work is a sketch used for the completion of a sculptural relief carved from Hopton Wood stone and currently held in a private collection. The Finding of Moses was Edgcumbe's first sculpture.

      Cheffins
    • § Ursula Edgcumbe (1900-1985), The Flower Pickers, 1933,
      Oct. 24, 2024

      § Ursula Edgcumbe (1900-1985), The Flower Pickers, 1933,

      Est: £800 - £1,200

      § Ursula Edgcumbe (1900-1985), The Flower Pickers, 1933, a Hopton Wood stone figure group of two relief carved figures stooping to pick flowers, mounted to oak plinth base, incised date and signature to the reverse 29.5 x 29.5 x 9.5cm inclusive of base Exhibited: London, The Leger Gallery, 1936 Provenance: The collection of Quentin Stevenson

      Cheffins
    • § Ursula Edgcumbe (1900-1985), The Majorcan Boy,
      Oct. 24, 2024

      § Ursula Edgcumbe (1900-1985), The Majorcan Boy,

      Est: £400 - £600

      § Ursula Edgcumbe (1900-1985), The Majorcan Boy, a carved brown marble bust of a young man, mounted to integral oak plinth base the bust 14.5cm high; 30.5cm high overall Exhibited: London, The Leger Gallery, 1936 Provenance: The collection of Quentin Stevenson

      Cheffins
    • § Ursula Edgcumbe (1900-1985), Classical Figures,
      Oct. 24, 2024

      § Ursula Edgcumbe (1900-1985), Classical Figures,

      Est: £400 - £600

      § Ursula Edgcumbe (1900-1985), Classical Figures, an alabaster carved sculpture of two figures standing back-to-back with heads turned towards one another, mounted to later plinth base 19cm high overall Exhibited: London, The Leger Gallery, 1936 Provenance: The collection of Quentin Stevenson

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    • § Ursula Edgcumbe (1900-1985), Country Group, 1939,
      Oct. 24, 2024

      § Ursula Edgcumbe (1900-1985), Country Group, 1939,

      Est: £500 - £800

      § Ursula Edgcumbe (1900-1985), Country Group, 1939, a carved mahogany figural group of four women, one holds a small bird in her hand, another holds a basket, carved date and signature to underside 45 x 34 x 19.5cm Exhibited: Bournemouth, The Russell-Cotes Gallery, 1948 Provenance: The collection of Quentin Stevenson

      Cheffins
    • § Ursula Edgcumbe (1900-1985), Carriers,
      Oct. 24, 2024

      § Ursula Edgcumbe (1900-1985), Carriers,

      Est: £400 - £600

      § Ursula Edgcumbe (1900-1985), Carriers, an impressionistically modelled bronze figural maquette for a larger work, mounted to oak plinth base 10.5cm high exclusive of base Provenance: The collection of Quentin Stevenson

      Cheffins
    • • URSULA EDGCUMBE (1900-1985)
      Apr. 21, 2022

      • URSULA EDGCUMBE (1900-1985)

      Est: £150 - £250

      • URSULA EDGCUMBE (1900-1985) UP AN ESTUARY Initialled l.l. ~U.E.~ Oil on board Image size: 46 x 58.5cm. (18 x 23in.) Framed size: 56 x 74cm. (22 x 29in.)

      Olympia Auctions
    • § Ursula Edgcumbe (British 1900-1985)
      Oct. 28, 2021

      § Ursula Edgcumbe (British 1900-1985)

      Est: £100 - £200

      § Ursula Edgcumbe (British 1900-1985) The conversation pencil drawing 23 x 30cm Provenance: The present lot was executed by the artist on a visit to Majorca in 1923/24

      Cheffins
    • Ursula Edgcumbe - Conversation Between Lay Figures
      Sep. 23, 2010

      Ursula Edgcumbe - Conversation Between Lay Figures

      Est: £500 - £800

      Ursula Edgcumbe (British, 1900-1985) Conversation Between Lay Figures, 1939 oil on board h:35 w: 46 cm

      Cheffins
    • Ursula Edgcumbe (British, 1900-1985) Majorcan Conversation
      Sep. 23, 2010

      Ursula Edgcumbe (British, 1900-1985) Majorcan Conversation

      Est: £300 - £400

      Ursula Edgcumbe (British, 1900-1985) Majorcan Conversation pencil h:23 w: 31 cm Other Notes: As the daughter of a father with artistic interests himself, Ursula Edgcumbe's inclination towards sculpture was encouraged from a young age. Before winning a scholarship to the Slade School of Fine Art in 1918, she worked with Welsh sculptor James Havard Thomas (1854 - 1921) in his studio. She studied at the Slade from 1918 until 1921 and, on completion of her course, turned from modelling to direct carving. Her work was much admired and, in 1922, she was commissioned to sculpt the granite group of Shadrach, Meshach and Abednego for the war memorial in Zennor, Cornwall. She joined the National Society of Painters, Sculptors, Engravers and Potters when it was first established in 1929, and, as a member, she exhibited annually. Shortly before abandoning sculpture altogether in 1940, because of bad health and general disillusionment due to a dearth of commissions, Edgcumbe developed an interest in woodcarving. Edgcumbe's talent was wide-ranging: as well as sculpting and carving, she painted - indeed, during the war years, painting was her primary artistic interest.

      Cheffins
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