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Ray (1912) Eames Sold at Auction Prices

b. 1912 - d. 1988

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  • Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988),
    Jan. 28, 2025

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988),

    Est: £400 - £600

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), an 'EA 208' swivel office chair, 58.5cm wide 54cm deep 85cm high, seat 51cm high

    Sworders
  • Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988),
    Jan. 28, 2025

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988),

    Est: £400 - £600

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), an 'EA 208' swivel office chair, 58.5cm wide 54cm deep 85cm high, seat 51cm high

    Sworders
  • CHARLES (1907-1978) & RAY EAMES (1912-1988) Paire de fauteuils Lounge Chair
    Jan. 21, 2025

    CHARLES (1907-1978) & RAY EAMES (1912-1988) Paire de fauteuils Lounge Chair

    Est: €3,000 - €5,000

    CHARLES (1907-1978) & RAY EAMES (1912-1988) Paire de fauteuils Lounge Chair Création en 1956 Edition Herman Miller Etiquette de l'éditeur Palissandre de Madagascar, métal et cuir Paar leunstoelen 'Lounge Chair' Ontwerp 1956 Uitvoering Herman Miller Gemerkt door de fabrikant Madagascar palissander, metaal en leder A labeled pair of 'Lounge Chairs' in Madagascar rosewood, metal and leather by Charles and Ray Eames designed in 1956 and edited by Herman Miller. Chacun/elk : H: 82,5 cm. (32.1/2in.); L: 87 cm. (34.1/4in.); P: 87 cm. (34.1/4in.)

    Bonhams
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018.

    Est: €1,200 - €1,300

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA. LCW" chair, design 1945. Press-molded and strip-cut ash veneer. Minimal signs of wear. Produced by Vitra with label in 2018. Measurements: 67 x 56 x 65 cm. Seat height 39 cm. The LWC chair grew out of Charles and Ray Eames' experimentation with wood molding techniques. Their discoveries led them to be commissioned by the U.S. Navy to produce several heat and pressure molded pieces, which were successfully used in World War II. It is an ergonomic chair whose structure adapts perfectly to the human body. It was originally published and distributed by Herman Miller, but in 1957 Vitra signed a licensing agreement and began producing the LCW chair in Europe and the Middle East. Charles and Ray Ames, married and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery. Designed in 1958.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery. Designed in 1958.

    Est: €2,400 - €2,600

    CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery, backside with black hopsak, armrests and five-star base in clome-plated aluminium, with castors. Designed in 1958. Slight traces of wear. Measurements: 102/115 x 58 x 58 cm; 43/56 cm. (seat height). Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather.

    Est: €10,000 - €12,000

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather. Swivel base and armrests in chromed aluminium. Made at Vitra, with labels. Slight marks of use. Measurements: 85 x 58 x 58 cm. The Soft Pad office chair by Charles and Ray Eames was created in 1969 for Vitra. It has an argonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the fifties and sixties. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Soft-Pad high back office chair, model EA-219.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Soft-Pad high back office chair, model EA-219.

    Est: €2,800 - €3,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. Soft-Pad high back office chair, model EA-219. Polished aluminum base and armrests, black leather upholstery, backrest with hopak, five-axis foot with casters. Adjustable height and tilt function. Made in Vitra 2006, with label. It has slight marks of use. Measurements: Height 100-115 cm. Width 58 cm. Dep. 43 cm. Seat height 44-59 cm. The Soft Pad office chair by Charles and Ray Eames was created in 1958 for Vitra. It features an argonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label.

    Est: €600 - €800

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented coffee table. Top in black varnished ash tree, chromed aluminium legs. Produced by Vitra, with label. Measurements: Height 45 cm. Diam. 70 cm. In 1964, Charles and Ray Eames developed a system of base elements that enables many different table sizes and shapes, resulting in the elegant Eames Segmented Tables. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label.

    Est: €2,600 - €3,000

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label. Measurements: 72 x 270 x 130 cm. In 1964, Charles and Ray Eames developed a system of base elements that enables many different table sizes and shapes, resulting in the elegant Eames Segmented Tables. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass.
    Jan. 20, 2025

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass.

    Est: €1,200 - €1,300

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for Modernica, Los Angeles. Pair of chairs model DSR, design 1948. Chromed steel frame. Seat in cream-colored fiberglass. Reissued by Modernica, Los Angeles. With stamped stamp. Edition 2000. In good condition. Measurements: 80 x 47 x 50 cm. The DSR (or "Shell" or "Shell" chair) is a range of chairs whose shell has been made in a single molded piece, designed to adapt to the contours of the human body, and is combined with an intricate and elegant design that interweaves in an exceptional way three basic concepts within interior design: lightness, elegance and structural strength. Charles and Ray Ames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988)
    Jan. 14, 2025

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988)

    Est: £100 - £150

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988) a collection of three 'DSX' chairs, orignially designed in 1950, manufactured by Vitra for Herman Miller, the formed plastic seat raised on four bent metal legs, one upholstered in red leather, the other two examples in black and orange felt, stamped 'Herman Miller', 48cm wide 52cm deep 78cm high, seat 45cm high (3) Condition Report: The red example with some surface marks to the leather an scratches to the underside of the plastic seat. The felt upholstered examples with some marks and bobbling, with scratches to the underside of the plastic seat. Otherwise all structurally sound.

    Sworders
  • Charles Eames (1907-1978) e Ray Eames (1912-1988) Armchair and footrest model "670 e 671". Produced by Vitra, Basel, disegno del 1956, produzione recente. Plywood shells, dark brown leather upholstered cushions, black painted die-cast alumi...
    Dec. 19, 2024

    Charles Eames (1907-1978) e Ray Eames (1912-1988) Armchair and footrest model "670 e 671". Produced by Vitra, Basel, disegno del 1956, produzione recente. Plywood shells, dark brown leather upholstered cushions, black painted die-cast alumi...

    Est: €2,500 - €3,000

    Armchair and footrest model "670 e 671". Produced by Vitra, Basel, disegno del 1956, produzione recente. Plywood shells, dark brown leather upholstered cushions, black painted die-cast aluminum bases. Marked under the seat. (armchair cm 84x88x85; footrest cm 65x42x55) IT Poltrona e poggiapiedi modello "670 e 671". Produzione Vitra, Basilea, disegno del 1956, produzione recente. Gusci in compensato, cuscini rivestiti in pelle color testa di moro, basi in alluminio pressofuso verniciato nero. Marcati sotto la seduta. (poltrona cm 84x88x85; poggiapiedi cm 65x42x55)

    Il Ponte Auction House
  • Charles Eames (1907-1978) e Ray Eames (1912-1988) Armchair model “670/B” and footrest model “671/B”. Produced by Herman Miller, Usa, 1950s/1960s. Wood-plated curved plywood shells, leather-covered cushions, cast aluminum bases. Footrest bea...
    Dec. 19, 2024

    Charles Eames (1907-1978) e Ray Eames (1912-1988) Armchair model “670/B” and footrest model “671/B”. Produced by Herman Miller, Usa, 1950s/1960s. Wood-plated curved plywood shells, leather-covered cushions, cast aluminum bases. Footrest bea...

    Est: €1,800 - €2,000

    Armchair model “670/B” and footrest model “671/B”. Produced by Herman Miller, Usa, 1950s/1960s. Wood-plated curved plywood shells, leather-covered cushions, cast aluminum bases. Footrest bearing manufacturer's adhesive label. (armchair cm 80x84.5x70.5; footrest cm 64.5x44.5x53.5) (defects and restorations) IT Poltrona modello "670/B" e poggiapiedi modello "671/B". Produzione Herman Miller, USA, anni '50/'60. Gusci in compensato curvo placcati in legno, cuscini rivestiti in pelle, basi in fusione di alluminio. Poggiapiedi recante etichetta adesiva del produttore. (poltrona cm 80x84,5x70,5; poggiapiedi cm 64,5x44,5x53,5) (difetti e restauri)

    Il Ponte Auction House
  • Charles (1907-1978) and Ray (1912-1988) Eames RAR Rocking chair Lacquered metal and zenaloy Edited by Herman Miller & Zenith Plastic..
    Dec. 17, 2024

    Charles (1907-1978) and Ray (1912-1988) Eames RAR Rocking chair Lacquered metal and zenaloy Edited by Herman Miller & Zenith Plastic..

    Est: €2,000 - €3,000

    Charles (1907-1978) and Ray (1912-1988) Eames RAR Rocking chair Lacquered metal and zenaloy Edited by Herman Miller & Zenith Plastics Model created in 1950 First edition H 68,5 × L 62 × W 69 cm Note: This type of feet was only produced for a few months at the beginning of the production of the RAR model. Bibliography: C. and P. Fiell, "1000 chairs", Ed. Taschen, Cologne, 2022, more recent model p. 212 The Red Orange hull was produced for a short time because the colour paled quickly.The trace of the label on the underside of the hull corresponds to the ‘Zenith Full Checkboard' label (the only square one). Charles (1907-1978) et Ray (1912-1988) Eames RAR Fauteuil à bascule Métal laqué et zenaloy Édition Herman Miller & Zenith Plastics Modèle créé en 1950 Première édition H 68,5 × L 62 × P 69 cm Note : Ce piètement a été produit seulement pendant quelques mois au début de la production des RAR. Bibliographie : C. et P. Fiell, "1000 chairs", Ed. Taschen, Cologne, 2022, modèle plus récent p. 212 La coque Rouge Orange a ete produite peu de temps parce que la couleur palissait rapidement. La trace de l'étiquette sous la coque correspond a l'étiquette 'Zenith Full Checkboard' (la seule de forme carree)

    Piasa
  • CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label.
    Dec. 11, 2024

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label.

    Est: €2,600 - €3,000

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. White laminate top with black rubber edge, cromed steel base. Produced by Vitra, with label. Measurements: 72 x 270 x 130 cm. In 1964, Charles and Ray Eames developed a system of base elements that enables many different table sizes and shapes, resulting in the elegant Eames Segmented Tables. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. Office chair, model EA-117. Designed in 1958.
    Dec. 11, 2024

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. Office chair, model EA-117. Designed in 1958.

    Est: €2,000 - €2,500

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. Office chair, model EA-117. Designed in 1958. Black leather 'Full leather'. Latest generation with chrome ring, polished aluminum frame, rotating stem and five-step foot with wheels, black leather covering both front and rear, tilting function, height adjustable with gas cartridge. Manufactured by Vitra. It has slight marks of use. Measurements: 82/93 cm (height); 43/55 cm (seat height). The model EA-117 office chair by Charles and Ray Eames was launched in 1958 for Vitra. It has an ergonomic shape that easily adapts to the contours of the body, and is in line with the elegant language developed by the Eames couple in the 1950s and 1960s. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine arts and cinema, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio tackling residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, directing the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his Cranbrook colleague, Ray Kaiser. Together they settled in Los Angeles, where they will remain for the rest of their lives. In the late 1940s, Ray and Charles together designed their home, known as the “Eames House,” considered today a masterpiece of modern architecture. In the 1950s, the couple continued working in architecture and furniture design, being pioneers in the use of new techniques and materials such as fiberglass or plastic resin for the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. Round top in black lasered oak, with black rubber edge, cromed steel base. Produced by Vitra, with label.
    Dec. 11, 2024

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. Round top in black lasered oak, with black rubber edge, cromed steel base. Produced by Vitra, with label.

    Est: €2,000 - €2,400

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Segmented table. Round top in black lasered oak, with black rubber edge, cromed steel base. Produced by Vitra, with label. The label is placed at the top of the base, not visible when the top is placed. Measurements: 74 cm. Diam. 210 cm. In 1964, Charles and Ray Eames developed a system of base elements that enables many different table sizes and shapes, resulting in the elegant Eames Segmented Tables. Charles and Ray Eames, a husband and wife artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Armchair with ottoman with molded seat and backrest in santos rosewood veneer and plywood, upholstered in F50 premium black leather
    Dec. 11, 2024

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Armchair with ottoman with molded seat and backrest in santos rosewood veneer and plywood, upholstered in F50 premium black leather

    Est: €7,500 - €8,000

    CHARLES EAMES (USA, 1907 - 1978) AND RAY EAMES (USA, 1912 - 1988) for VITRA. Armchair with ottoman with molded seat and backrest in santos rosewood veneer and plywood, upholstered in F50 premium black leather (new from Vitra), five-star armchair swivel base in black painted polished aluminum, ottoman with four-star base. New dimensions. Designed in 1956. Produced by Vitra, with labels. With F50 premium black leather, (new from Vitra). New and unused. Comes in original box. Measurements: 89 x 81 x 90 cm. Seat height: 40 cm. Ottoman: 40 x 66 x 54 cm. Charles and Ray Eames created The Lounge Chair in the 1950s with the vision of uniting aesthetic elegance with unparalleled comfort. An artistic married couple, Charles and Ray Eames worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, and then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. There he would end up teaching, heading the industrial design department. Together with Eero Saarinen, son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married fellow Cranbrook artist Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. EA-117 chair from the "Aluminium Group" series, design 1958.
    Dec. 11, 2024

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. EA-117 chair from the "Aluminium Group" series, design 1958.

    Est: €1,800 - €2,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. EA-117 chair from the "Aluminium Group" series, design 1958. Chrome-plated aluminium frame. Upholstery in green wool. Swivel base, with castors. With Vitra stamp. Measurements: 80 cm (height). Now considered a classic of 20th century design, the Aluminium Chair by Charles and Ray Eames was created in 1958 and has been in continuous production ever since. It was created for a private home in Columbus, USA, built by architects Saarinen and Girard. In the Aluminium Chair, the Eameses adapted the shape of the seat to the actual structure of the chair by stretching the fabric or leather between the two parts of the structure, thus making it rigid while maintaining its elasticity. This elastic form allows it to adapt easily to the contours of the body, gradually, thus increasing the comfort of the seat. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery. Designed in 1958.
    Dec. 11, 2024

    CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery. Designed in 1958.

    Est: €2,400 - €2,600

    CHARLES EAMES (USA, 1907 – 1978) AND RAY EAMES (USA, 1912 – 1988) for VITRA. A high-back office armchair, model EA-119. Height adjustable and with tilt function. Original black leather upholstery, backside with black hopsak, armrests and five-star base in clome-plated aluminium, with castors. Designed in 1958. Slight traces of wear. Measurements: 102/115 x 58 x 58 cm; 43/56 cm. (seat height). Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He would eventually teach there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Award, given by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they would remain for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House," now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fiberglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather.
    Dec. 11, 2024

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather.

    Est: €10,000 - €12,000

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of eight Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered black leather. Swivel base and armrests in chromed aluminium. Made at Vitra, with labels. Slight marks of use. Measurements: 85 x 58 x 58 cm. The Soft Pad office chair by Charles and Ray Eames was created in 1969 for Vitra. It has an argonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the fifties and sixties. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988)
    Dec. 11, 2024

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988)

    Est: £200 - £300

    Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988) a collection of four 'DSW' chairs, originally designed in 1950, manufactured by Vitra for Herman Miller, the formed plastic seat raised on four wooden dowel shaped legs on a metal 'x' frame, two upholstered in orange and blue felt, the other two examples in charcoal and black plastic, stamped 'Herman Miller', 48cm wide 50.5cm deep 83.5cm high, seat 45.5cm high (4) Condition Report: The two felt upholstered examples with some small holes marks to the fabric throughout. The plastic seat with some scratches. The two plastic examples with marks and scratches throughout.

    Sworders
  • CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of six Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered cognac coloured aniline leather.
    Nov. 21, 2024

    CHARLES EAMES (USA, 1907 – 1978) & RAY EAMES (USA, 1912 – 1988) for VITRA Editor. A set of six Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with newly upholstered cognac coloured aniline leather.

    Est: €8,000 - €10,000

    CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. A set of six Soft Pad armchairs, model EA-208. Designed in 1969. Full-leather edition with seat and backrest newly upholstered in cognac coloured aniline leather. Swivel base and armrests in chromed aluminium. Made at Vitra, with labels. Slight marks of use. Measurements: 83 x 58 x 60 cm. The Soft Pad office chair by Charles and Ray Eames was created in 1969 for Vitra. It has an argonomic shape that adapts easily to the contours of the body, and is in keeping with the elegant language developed by the Eames couple in the fifties and sixties. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

    Setdart Auction House
  • CHARLES (1907-1978) & RAY EAMES (1912-1988) - HERMAN MILLER (PUBLISHER) Pair of swivel office chairs, "EA 205" or "Soft Pad" model created in 1969
    Nov. 14, 2024

    CHARLES (1907-1978) & RAY EAMES (1912-1988) - HERMAN MILLER (PUBLISHER) Pair of swivel office chairs, "EA 205" or "Soft Pad" model created in 1969

    Est: €600 - €800

    CHARLES (1907-1978) & RAY EAMES (1912-1988) - HERMAN MILLER (PUBLISHER) Pair of swivel office chairs, "EA 205" or "Soft Pad" model created in 1969 Chrome-plated cast-aluminum frame, seat and back cushions covered in havana leather, resting on a cruciform base. Publisher's label. H. 84 cm, W. 52 cm, D. 54 cm H. 33 1/8 in, W. 20 1/2 in, D. 21 1/4 in. (Used condition, rubbing) A pair of "EA 205" swiveling desk chairs, designed in 1969, chromed cast aluminum structure, brown leather upholstery. Producer's label. CHARLES (1907-1978) & RAY EAMES (1912-1988) - HERMAN MILLER (ÉDITEUR) Paire de chaises de bureau pivotantes, modèle « EA 205 » dit « Soft Pad » créé en 1969 Structure en fonte d'aluminium chromé, coussins d'assise et de dossier recouvert de cuir havane, reposant sur un piètement cruciforme. Étiquette de l'éditeur. H. 84 cm, L. 52 cm, P. 54 cm H. 33 1/8 in., W. 20 1/2 in., D. 21 1/4 in. (État d'usage, frottements) A pair of « EA 205 » swiveling desk chairs, designed in 1969, chromed cast aluminum structure, brown leather upholstery. Producer's label. CHARLES (1907-1978) & RAY EAMES (1912-1988) - HERMAN MILLER (EDITOR) Pareja de sillas de oficina giratorias, modelo "EA 205" o "Soft Pad" creado en 1969 Armazón de aluminio fundido cromado, cojines de asiento y respaldo tapizados en cuero havana, apoyados sobre una base cruciforme. Etiqueta del editor. H. 84 cm, ancho 52 cm, fondo 54 cm H. 33 1/8 in, W. 20 1/2 in, D. 21 1/4 in. (Estado usado, roces) Un par de sillas de escritorio giratorias " EA 205 ", diseñadas en 1969, estructura de aluminio fundido cromado, tapicería de cuero marrón. Etiqueta del fabricante. CHARLES (1907-1978) & RAY EAMES (1912-1988) - HERMAN MILLER (VERLEGER) Paar drehbare Bürostühle, Modell "EA 205", genannt "Soft Pad", entworfen 1969. Gestell aus verchromtem Aluminiumguss, Sitz- und Rückenkissen mit havannabraunem Lederbezug, auf einem kreuzförmigen Fußkreuz stehend. Etikett des Herausgebers. H. 84 cm, B. 52 cm, T. 54 cm. H. 33 1/8 in., W. 20 1/2 in., D. 21 1/4 in. (Gebrauchter Zustand, Reibungen) A pair of "EA 205" swiveling desk chairs, designed in 1969, chromed cast aluminum structure, brown leather upholstery. Producer's label. CHARLES (1907-1978) & RAY EAMES (1912-1988) - HERMAN MILLER (EDITORE) Coppia di sedie girevoli per ufficio, modello "EA 205" o "Soft Pad", creato nel 1969. Struttura in fusione di alluminio cromato, cuscini del sedile e dello schienale rivestiti in pelle avana, poggiano su una base cruciforme. Etichetta dell'editore. H. 84 cm, L. 52 cm, P. 54 cm H. 33 1/8", L. 20 1/2", P. 21 1/4". (Stato usato, sfregamenti) Coppia di sedie da scrivania girevoli "EA 205", design 1969, struttura in fusione di alluminio cromato, rivestimento in pelle marrone. Etichetta del produttore. 查尔斯(1907-1978)和雷-伊姆斯(1912-1988) - 赫尔曼-米勒(出版商) 一对办公转椅,"EA 205 "或 "软垫 "型,1969 年制造 镀铬铸铝框架、哈瓦那皮座垫和靠垫、十字形底座。 出版商标签。 H.84 厘米,宽 52 厘米,长 54 厘米 H.33 1/8 英寸,宽 20 1/2 英寸,长 21 1/4 英寸。 (二手状态,有摩擦) 一对 " EA 205 " 旋转办公椅,设计于 1969 年,镀铬铸铝结构,棕色皮革内饰。生产商标签。

    Aguttes
  • (2) EAMES STYLE TAN LEATHER LOUNGE CHAIR & OTTOMAN
    Nov. 08, 2024

    (2) EAMES STYLE TAN LEATHER LOUNGE CHAIR & OTTOMAN

    Est: $800 - $1,500

    (pair) Mid-century modern style lounge chair and ottoman, in the manner of Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), 20th c., each in button-tufted tan leather upholstery, including: (1) lounge chair, approx 32"h, 32.5"w, 33"d, seat height: approx 16"h, (1) ottoman/ footstool, approx 17"h, 25"w, 20"d

    Austin Auction Gallery
  • (2) EAMES STYLE TAN LEATHER LOUNGE CHAIR & OTTOMAN
    Nov. 08, 2024

    (2) EAMES STYLE TAN LEATHER LOUNGE CHAIR & OTTOMAN

    Est: $800 - $1,500

    (pair) Mid-century modern style lounge chair and ottoman, in the manner of Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), 20th c., each in button-tufted tan leather upholstery, including: (1) lounge chair, approx 32"h, 32.5"w, 33"d, seat height: approx 16"h, (1) ottoman/ footstool, approx 17"h, 25"w, 20"d

    Austin Auction Gallery
  • (2) EAMES STYLE BLACK LEATHER LOUNGE CHAIR & OTTOMAN
    Nov. 08, 2024

    (2) EAMES STYLE BLACK LEATHER LOUNGE CHAIR & OTTOMAN

    Est: $800 - $1,500

    (lot of 2) Mid-century modern style lounge chair and ottoman, in the manner of Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), 20th c., each in button-tufted black leather upholstery, including: (1) lounge chair, approx 32.5"h, 34.5"w, 33"d, seat height: approx 15"h, (1) ottoman/ footstool, approx 17"h, 26.5"w, 20"d

    Austin Auction Gallery
  • (2) EAMES STYLE BLACK LEATHER LOUNGE CHAIR & OTTOMAN
    Nov. 08, 2024

    (2) EAMES STYLE BLACK LEATHER LOUNGE CHAIR & OTTOMAN

    Est: $800 - $1,500

    (lot of 2) Mid-century modern style lounge chair and ottoman, in the manner of Charles Eames (American, 1907-1978) and Ray Eames (American, 1912-1988), 20th c., each in button-tufted black leather upholstery, including: (1) lounge chair, approx 31"h, 33.5"w, 32"d, seat height: approx 15"h, (1) ottoman/ footstool, approx 17"h, 26.5"w, 20"d

    Austin Auction Gallery
  • Charles and Ray Eames (1907-1978 and 1912-1988), Eames lounge chair and ottoman for Herman Miller, 1978
    Oct. 15, 2024

    Charles and Ray Eames (1907-1978 and 1912-1988), Eames lounge chair and ottoman for Herman Miller, 1978

    Est: $2,000 - $4,000

    Y Charles and Ray Eames (1907-1978 and 1912-1988) Eames lounge chair and ottoman for Herman Miller, 1978 Designed 1956 Each marked for Herman Miller on plaque and with dated paper tags to underside The chair with molded plywood and powder-coated and brushed aluminum frame, rubber shock mounts, and black leather tufted upholstery, en suite with matching ottoman 2 pieces

    John Moran Auctioneers
  • CHARLES EAMES - RAY EAMES. Meeting table for ICF under license HERMAN MILLER
    Oct. 08, 2024

    CHARLES EAMES - RAY EAMES. Meeting table for ICF under license HERMAN MILLER

    Est: €2,500 - €3,500

    CHARLES EAMES (Sant Louis 1907-1978) - RAY EAMES (Sacramento 1912-1988). Large meeting table with chromed and painted metal legs and oak top. ICF production under HERMAN MILLER license. 1960s. Signs of wear and tear. CHARLES EAMES (Sant Louis 1907-1978) - RAY EAMES (Sacramento 1912-1988). Grande tavolo da riunione con gambe in metallo cromato e verniciato e piano in rovere. Produzione ICF su licenza HERMAN MILLER. Anni '60. Segni di usure del tempo.

    Viscontea Casa d'Aste s.r.l.
  • CHARLES EAMES - RAY EAMES. Eight EA 108 chairs for ICF under license from HERMAN MILLER
    Oct. 08, 2024

    CHARLES EAMES - RAY EAMES. Eight EA 108 chairs for ICF under license from HERMAN MILLER

    Est: €1,500 - €2,500

    CHARLES EAMES (Sant Louis 1907-1978) - RAY EAMES (Sacramento 1912-1988). Eight EA 108 chairs in aluminum and red hopsack fabric. ICF production under license from HERMAN MILLER. With manufacturer labels under the seat. 1980s. Signs of wear and tear. CHARLES EAMES (Sant Louis 1907-1978) - RAY EAMES (Sacramento 1912-1988). Otto sedie EA 108 in alluminio e tessuto hopsack rosso. Produzione ICF su licenza HERMAN MILLER. Con etichette del produttore sotto la seduta. Anni '80. Segni di usura del tempo.

    Viscontea Casa d'Aste s.r.l.
  • CHARLES EAMES - RAY EAMES. Six white chairs EA 117 for ICF
    Oct. 08, 2024

    CHARLES EAMES - RAY EAMES. Six white chairs EA 117 for ICF

    Est: €1,000 - €1,500

    CHARLES EAMES (Sant Louis 1907-1978) - RAY EAMES (Sacramento 1912-1988). Six EA 117 five-star swivel chairs with steel armrests and white fabric seat and back. ICF production. 1970s-1980s. Signs of wear and tear. CHARLES EAMES (Sant Louis 1907-1978) - RAY EAMES (Sacramento 1912-1988). Sei sedie girevoli EA 117 a cinque razze con braccioli in acciaio e seduta e schienale in tessuto bianco. Produzione ICF. Anni '70-'80. Segni di usura del tempo.

    Viscontea Casa d'Aste s.r.l.
  • Set of 6 Eames DCM Chairs
    Sep. 21, 2024

    Set of 6 Eames DCM Chairs

    Est: $300 - $600

    Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller- 6 DCM dining chairs, Zeeland, Michigan, 1950s 19 3/4"w x 22"d x 29 1/2"h

    Rachel Davis Fine Arts
  • Charles & Ray Eames (American, 1907-1978 | 1912-1988) Pair of Aluminum Group Chairs Herman Miller, USA
    Aug. 22, 2024

    Charles & Ray Eames (American, 1907-1978 | 1912-1988) Pair of Aluminum Group Chairs Herman Miller, USA

    Est: $600 - $900

    Charles & Ray Eames (American, 1907-1978 | 1912-1988) Pair of Aluminum Group Chairs Herman Miller, USA aluminum, leather, enameled steel 31-34 h × 23 w × 23 d in

    Freeman’s | Hindman
  • Charles and Ray Eames (1907-1978 and 1912-1988), A pair of "MAX" lounge armchairs for Herman Miller, 1950-1954
    Aug. 13, 2024

    Charles and Ray Eames (1907-1978 and 1912-1988), A pair of "MAX" lounge armchairs for Herman Miller, 1950-1954

    Est: $600 - $800

    Charles and Ray Eames (1907-1978 and 1912-1988) A pair of "MAX" lounge armchairs for Herman Miller, 1950-1954 Designed 1950 Each unmarked The molded fiberglass armchairs set on a steel base with rubber bumpers, raised on black powder-coated steel legs 2 pieces

    John Moran Auctioneers
  • Charles and Ray Eames (1907-1978 and 1912-1988), An "FSW" folding screen for Herman Miller, 1946-1955
    Aug. 13, 2024

    Charles and Ray Eames (1907-1978 and 1912-1988), An "FSW" folding screen for Herman Miller, 1946-1955

    Est: $800 - $1,200

    Charles and Ray Eames (1907-1978 and 1912-1988) An "FSW" folding screen for Herman Miller, 1946-1955 Designed 1946 Unmarked The molded plywood screen of undulating wavy form

    John Moran Auctioneers
  • CHARLES & RAY EAMES, 6 ARMLEHNSTÜHLE "ALUMINIUM CHAIR CONFERENCE"
    Jun. 25, 2024

    CHARLES & RAY EAMES, 6 ARMLEHNSTÜHLE "ALUMINIUM CHAIR CONFERENCE"

    Est: CHF2,000 - CHF4,000

    (1907 St. Louis 1978) (Sacramento 1912–1988 Los Angeles) Entwurf 1958, Ausführung von Vitra, Weil am Rhein. Verchromtes Aluminiumgestell mit 4-strahligem Fuss. Schwarze Netzbespannung. 5 Aluminium Chairs "Modell EA 108" (drehbar), 1 Aluminium Chair "Modell EA 107" (nicht drehbar). Herstelleretikett und Seriennummer. Sitzhöhe 40 cm. 58x59x83 cm. - Leichte Alters- und Gebrauchsspuren.

    Schuler Auktionen
  • Charles (1907-1978) & Ray (1912-1988) EAMES Suite de six fauteuils modèle La Fonda à structure en fonte d'aluminium et coque en fibre de verre.
    Jun. 22, 2024

    Charles (1907-1978) & Ray (1912-1988) EAMES Suite de six fauteuils modèle La Fonda à structure en fonte d'aluminium et coque en fibre de verre.

    Est: €800 - €1,200

    Charles (1907-1978) & Ray (1912-1988) EAMES Suite de six fauteuils modèle La Fonda à structure en fonte d'aluminium et coque en fibre de verre. Garniture de tissu orange. 87 x 65 x 40 cm environ

    Carvajal SVV
  • CHARLES & RAY EAMES, 6 ARMLEHNSTÜHLE "ALUMINIUM CHAIR CONFERENCE"
    Jun. 12, 2024

    CHARLES & RAY EAMES, 6 ARMLEHNSTÜHLE "ALUMINIUM CHAIR CONFERENCE"

    Est: CHF2,000 - CHF4,000

    (1907 St. Louis 1978) (Sacramento 1912–1988 Los Angeles) Entwurf 1958, Ausführung von Vitra, Weil am Rhein. Verchromtes Aluminiumgestell mit 4-strahligem Fuss. Schwarze Netzbespannung. 5 Aluminium Chairs "Modell EA 108" (drehbar), 1 Aluminium Chair "Modell EA 107" (nicht drehbar). Herstelleretikett und Seriennummer. Sitzhöhe 40 cm. 58x59x83 cm. - Leichte Alters- und Gebrauchsspuren.

    Schuler Auktionen
  • D'APRES CHARLES EAMES (1907-1978) & RAY EAMES (1912-1988) Ottoman en bois peint
    Apr. 23, 2024

    D'APRES CHARLES EAMES (1907-1978) & RAY EAMES (1912-1988) Ottoman en bois peint

    Est: €500 - €700

    D'APRES CHARLES EAMES (1907-1978) & RAY EAMES (1912-1988) Ottoman en bois peint Beschilderde houten voetenbank. Painted wooden ottoman. H.43 cm L.67 cm P.60 cm

    Bonhams
  • RAY (1907-1958) AND CHARLES (1912-1988) EAMES
    Apr. 22, 2024

    RAY (1907-1958) AND CHARLES (1912-1988) EAMES

    Est: €300 - €400

    Ray (1907-1958) and Charles (1912-1988) EAMES Suite of six DSX chairs, circa 1970 seats with beige fibreglass shells and chromed metal base rust pittings H : 81 cm W : 48.5 cm

    Haynault
  • Charles (1907-1978) and Ray (1912-1988) Eames Lounge Chair and Ottoman, Design for Herman Miller, Models 670 and 671, Introduced 1956, Circa 1999
    Apr. 12, 2024

    Charles (1907-1978) and Ray (1912-1988) Eames Lounge Chair and Ottoman, Design for Herman Miller, Models 670 and 671, Introduced 1956, Circa 1999

    Est: $2,000 - $3,000

    Charles (1907-1978) and Ray (1912-1988) Eames Lounge Chair and Ottoman Design for Herman Miller, Models 670 and 671, Introduced 1956, Circa 1999 Black leather upholstered mahogany laminate and powder-coated steel construction; undersides with black elongated label with maker's mark and herman miller ®. Property from a Private Collection

    Weschler's
  • Charles and Ray Eames (American, 1907-1978 and 1912-1988) Aluminium Group Chair, designed 1958, height 86 cm width 57 cm depth 61cm
    Mar. 17, 2024

    Charles and Ray Eames (American, 1907-1978 and 1912-1988) Aluminium Group Chair, designed 1958, height 86 cm width 57 cm depth 61cm

    Est: $600 - $800

    Charles and Ray Eames (American, 1907-1978 and 1912-1988) Aluminium Group Chair, designed 1958 cast aluminium and enameled steel, grey leather, some wear (A/F)

    Shapiro Auctioneers
  • Charles and Ray Eames (American, 1907-1978 and 1912-1988) Time Life Stool, Model 411, designed 1960/2006, height 38cm diameter 33cm
    Mar. 17, 2024

    Charles and Ray Eames (American, 1907-1978 and 1912-1988) Time Life Stool, Model 411, designed 1960/2006, height 38cm diameter 33cm

    Est: $600 - $900

    Charles and Ray Eames (American, 1907-1978 and 1912-1988) Time Life Stool, Model 411, designed 1960/2006 manufactured by Herman Miller, solid turned walnut with concave top and bottom, comes with Certificate of Authenticity

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  • Charles & Ray EAMES (1907-1978 & 1912-1988) Paire de chaises "EA 105"- modèle créé en 1958
    Mar. 13, 2024

    Charles & Ray EAMES (1907-1978 & 1912-1988) Paire de chaises "EA 105"- modèle créé en 1958

    Est: €600 - €800

    Charles & Ray EAMES (1907-1978 & 1912-1988) Paire de chaises "EA 105"- modèle créé en 1958 Piètement en acier chromé, assise et dossier recouverts de cuir bleu marine Édition Herman Miller Étiquette de l'éditeur 84,5 × 53 × 54 cm Estimation 600 - 800 €

    Artcurial
  • Charles (1907-1978) et Ray (1912-1988) EAMES Vitra Editeur Mo
    Mar. 09, 2024

    Charles (1907-1978) et Ray (1912-1988) EAMES Vitra Editeur Mo

    Est: €500 - €600

    Charles (1907-1978) et Ray (1912-1988) EAMES Vitra Editeur Modèle « Segmented » Table de conférence à plateau ovale en mélaminé, piètement en métal noir Etiquette de l’éditeur Plateau non fixé 72 x 200 x 96 cm

    Osenat
  • Charles (1907-1978) et Ray (1912-1988) EAMES Herman Miller Editeur
    Mar. 09, 2024

    Charles (1907-1978) et Ray (1912-1988) EAMES Herman Miller Editeur

    Est: €500 - €800

    Charles (1907-1978) et Ray (1912-1988) EAMES Herman Miller Editeur Modèle « Lobby chair » ES 104 Fauteuil pivotant en cuir marron, structure en fonte d’aluminium, piétement cruciforme reposant sur des roulettes Etiquette de l’éditeur Usures, décoloration, oxydation, déchirure au cuir 87 x 68 x 62 cm

    Osenat
  • Charles (1907-1978) et Ray (1912-1988) EAMES Mobilier International
    Mar. 09, 2024

    Charles (1907-1978) et Ray (1912-1988) EAMES Mobilier International

    Est: €200 - €300

    Charles (1907-1978) et Ray (1912-1988) EAMES Mobilier International pour Hermann Miller Editeur Modèle "La Fonda", créé en 1961 Paire de fauteuils coque en polyester garni de drap de laine de couleur marron sur un piétement en fonte d’aluminium Etiquette de l’éditeur. Usures au tissu, coutures décousues. 86 x 66 x 50 cm Bibliographie : - 1000 Chairs, Ed. Taschen, reproduit page 388. - Leslie Pina, Classic Hermann Miller, Ed. Schiffer, 1998, reproduit pages 48/49. - Jerryll Habegger & Joseph H.Osman, Source book of modern Furniture, Edition Norton & Company, 2005, p.182. - Revue Domus, 1970-1974, Tome VII, Edition Taschen, 2006, p.33. Provenance : -INSEAD, Fontainebleau

    Osenat
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