Antonio Dumlao Paintings & Artwork for Sale | Antonio Dumlao Art Value Price Guide

Jul. 27, 2024
Antonio Dumlao (1912 - 1983)
Est: ₱12,000 - ₱15,600
a.) Portrait signed and dated 1979 (lower right) watercolor on paper 11 1/2” x 8 1/2” (29 cm x 22 cm) b.) Still Life signed and dated 1979 (lower right) watercolor on paper 11 1/2” x 8 1/2” (29 cm x 22 cm)
Leon Gallery
Jul. 27, 2024
Antonio Dumlao (1912 - 1983)
Est: ₱50,000 - ₱65,000
R. Hidalgo signed and dated 1978 (lower right) oil on canvas 24" x 36" (61 cm x 91 cm) PROVENANCE Luz Gallery
Leon Gallery
Jul. 27, 2024
Antonio Dumlao (1912-1983)
Est: ₱30,000 - ₱39,000
Sabongero signed and dated 1956 (lower right) pastel on paper 30" x 21 1/2" (76 cm x 55 cm)
Leon Gallery
Jan. 20, 2024
Antonio Dumlao (1912 - 1983)
Est: ₱12,000 - ₱15,600
a.) Portrait signed and dated 1979 (lower right) watercolor on paper 11 1/2” x 8 1/2” (29 cm x 22 cm) b.) Still Life signed and dated 1979 (lower right) watercolor on paper 11 1/2” x 8 1/2” (29 cm x 22 cm)
Leon Gallery
Oct. 21, 2023
Antonio Dumlao (1912 - 1983)
Est: ₱10,000 - ₱13,000
a.) Portrait signed and dated 1979 (lower right) watercolor on paper 11 1/2” x 8 1/2” (29 cm x 22 cm) b.) Still Life signed and dated 1979 (lower right) watercolor on paper 11 1/2” x 8 1/2” (29 cm x 22 cm)
Leon Gallery
Jul. 29, 2023
Antonio Dumlao (1912 - 1983)
Est: ₱10,000 - ₱13,000
Portrait of a Lady signed (lower right) charcoal on paper 24 1/4” x 17 3/4” (61 cm x 45 cm)
Leon Gallery
Jul. 29, 2023
Antonio Dumlao (1912 - 1983)
Est: ₱200,000 - ₱260,000
Untitled signed and dated 1963 (lower right) oil on canvas 48” x 66” (122 cm x 168 cm)
Leon Gallery
Jan. 21, 2023
Antonio Dumlao (1912 - 1983)
Est: ₱15,000 - ₱19,500
Antonio Dumlao (1912 - 1983) Angono, Rizal signed and dated 1966 (lower right); dedicated ‘To Atty. J. Fernandez’ (lower left) watercolor on paper 11 1/2” x 21 1/2” (29 cm x 55 cm)
Leon Gallery
Jan. 21, 2023
Antonio Dumlao (1912 - 1983)
Est: ₱15,000 - ₱19,500
Antonio Dumlao (1912 - 1983) Landscape signed and dated 1962 (lower right); dedicated ‘To Mrs. P. Fernandez’ (lower right) watercolor on paper 15” x 27 3/4” (38 cm x 70 cm)
Leon Gallery
Oct. 22, 2022
Antonio Dumlao (1912 - 1983)
Est: ₱8,000 - ₱10,400
Antonio Dumlao (1912 - 1983) Sabong signed and dated 1962 (lower right) oil on canvas 24” x 29” (61 cm x 74 cm)
Leon Gallery
Jan. 29, 2022
Antonio Dumlao (1912 - 1983)
Est: ₱10,000 - ₱13,000
Antonio Dumlao (1912 - 1983) Landscape signed and dated 1971 (lower right) watercolor on paper 12” x 19” (30 cm x 48 cm)
Leon Gallery
Oct. 16, 2021
Antonio Dumlao (1912 - 1983) Landscape
Est: ₱10,000 - ₱13,000
Antonio Dumlao (1912 - 1983) Landscape signed and dated 1971 (lower right) watercolor on paper 12” x 19” (30 cm x 48 cm)
Leon Gallery
Jul. 16, 2021
Antonio Dumlao (1912 - 1983) - Flower Vendor
Est: ₱80,000 - ₱104,000
PROPERTY FROM THE ERLINDA ENRIQUEZ PANLILIO COLLECTION Antonio Dumlao (1912 - 1983) Flower Vendor signed and dated 1961 (lower left) oil on canvas 48” x 24” (122 cm x 61 cm)
Leon Gallery
Jul. 16, 2021
Antonio Dumlao (1912 - 1983) - Untitled (Portrait)
Est: ₱12,000 - ₱15,600
Antonio Dumlao(1912 - 1983) Untitled (Portrait) signed (lower right) charcoal on paper 24” x 18” (61 cm x 46 cm)
Leon Gallery
Apr. 09, 2021
Antonio Dumlao (1912 - 1983)
Est: ₱10,000 - ₱13,000
Antonio Dumlao (1912 - 1983) Urduja I and II a) signed and dated 1952 (lower left) graphite and charcoal on paper 17 1/2” x 14 1/2” (44 cm x 37 cm) b) signed and dated 1954 (lower right) graphite and charcoal on paper 17 1/2” x 12” (44 cm x 30 cm)
Leon Gallery
Apr. 09, 2021
Antonio Dumlao (1912 - 1983)
Est: ₱20,000 - ₱26,000
Antonio Dumlao (1912 - 1983) Landscape signed and dated 1971 (lower right) watercolor 12” x 19” (30 cm x 48 cm)
Leon Gallery
Jan. 23, 2021
Antonio Dumlao (1912 - 1983) Portrait (Datu)
Est: ₱8,000 - ₱10,400
Antonio Dumlao (1912 - 1983) Portrait (Datu) signed and dated 1979 (lower right) 8” x 7 1/2” (20 cm x 19 cm)
Leon Gallery
Jul. 18, 2020
Antonio Dumlao (1912 - 1983) - Binangonan, Rizal
Est: ₱10,000 - ₱13,000
Antonio Dumlao (1912 - 1983) Binangonan, Rizal signed and dated 1970 (lower right) watercolor 22” x 14 1/2” (56 cm x 37 cm) Estimate: USD $200-$260 Euros €166.66-€216.66
Leon Gallery
Jun. 02, 2020
Antonio Dumlao (Philippines 1912 - 1983) "Philippine Man"
Est: €800 - €1,000
"Philippine Man" Pastel Signed 54 x 28 cm
Goya Subastas
Jun. 02, 2020
Antonio Dumlao (Philippines 1912 - 1983) "Philippine Woman"
Est: €800 - €1,000
"Philippine Woman" Pastel Signed 54 x 28 cm
Goya Subastas
May. 30, 2020
Antonio Dumlao (1912-1983) - Portrait
Est: ₱25,000 - ₱32,500
Antonio Dumlao (1912-1983) Portrait signed and dated 1955 (lower right) oil on canvas 18” x 14” (46 cm x 36 cm)
Leon Gallery
Jan. 18, 2020
Antonio Dumlao (1912 - 1983) - Datu (Chieftain)
Est: ₱15,000 - ₱19,500
Antonio Dumlao (1912 - 1983) Datu (Chieftain) signed and dated 1982 (lower right) pastel on paper 24” x 18” (61 cm x 46 cm)
Leon Gallery
Nov. 30, 2019
Untitled
Est: ₱400,000 - ₱520,000
A contemporary of Fernando Amorsolo and Vicente Manansala who reigned during the half of the 20th century, Antonio Dumlao concocted his own craft in the art circle fueled by his ingenuity and restless inner drive. Despite being self-taught, he possessed the technical dexterity to produce remarkable large figurative works. The lucidity and precision of detail down to the delicacy of the fabric patterns are subsumed under a grand pictorial design in which it appears distinctly as a whole. Labeled as a figurative painter but was generally considered by art patrons as a muralist, portrait painter, and stained glass artist, Dumlao was tasked in 1960 to repair and restore Juan Luna’s monumental Spoliarium. He developed an art that he named “sculpture glass” using pounded varicolored glass braced with a polymer in a wrought-iron frame; it has an effect similar to stained glass windows. In this untitled piece, Dumlao, staying true to his reputation, showcases a breathtaking piece depicting a northern indigenous tribe, a subject that is often underrepresented within its time period.
Leon Gallery
Oct. 17, 2019
Antonio Dumlao (Filipino, 1912-1982) Portrait of Crystal Milans
Est: $2,000 - $4,000
Antonio Dumlao (Filipino, 1912-1982) Portrait of Crystal Milans oil on canvas 72 x 50 inches.
Hindman
Apr. 13, 2019
Antonio G. Dumlao , Batis , signed and dated 1977 (lower right) , acrylic o
Est: ₱30,000 - ₱39,000
Antonio G. Dumlao , Batis , signed and dated 1977 (lower right) , acrylic on canvas 37 1/2” x 28” (95 cm x 71 cm)
Leon Gallery
Dec. 01, 2018
Antonio G. Dumlao (1912-1983) Copy of the Spoliarium
Est: ₱1,000,000 - ₱1,300,000
Antonio G. Dumlao (1912-1983) Copy of the Spoliarium ca.1960 signed (lower right) oil on canvas 48” x 82 1/2” (122 cm x 210 cm) Antonio G. Dumlao was a very accomplished artist in his own right having said to have made better watercolor works than his very good friend Vicente Manansala. He was a shy artist who shunned publicity and relied on his patron Don Andres Soriano for introductions to his friends and acquaintances. At this time, he was the art director of San Miguel Corporation of which the Sorianos owned and did numerous murals for San Miguel and Philippine Air Lines offices here and abroad. He also did murals for the Far Eastern University, as well as numerous other homes and institutions. The Spoliarium by Juan Luna that is now in the National Museum of the Philippines was a gift by the Franco Government in Spain in 1958. Unfortunately, because of its size, the painting was sliced into three pieces before it was crated and brought to the country. The painting was later restored by Antonio G. Dumlao before it was unveiled again in 1962. The painting remained at the DFA before it was transferred to the National Museum where it can be seen today. There can be no other artist who could do a better copy of the Spoliarium than one who has studied and matched the actual colors, strokes, and the anatomy of Juan Luna's most important work than Antonio G. Dumlao. Describing Dumlao’s version would be no different in visually describing Luna’s masterpiece: Its subject is drawn from classical antiquity, specifically the period of imperial Rome, when bloody gladiator combats were hailed as public entertainment. The gladiators who fought in the arena were often captive kings, nobles and warriors from the territories conquered by Rome. “Spoliarium” was the name given to the basement hall of the Roman Coliseum to which, after the bloody ordeal in the arena, the dying or dead combatants were dragged, there to be despoiled of their last worldly belongings, and where relatives and friends went to claim the bodies and those abandoned were put to the torch. At the center of the painting, two dead gladiators are seen being dragged by arrogant Romans across the space of the stone floor to be dumped in a dark corner along with other bodies. On the left, two elderly scavengers in Roman costume, hunched like vultures, greedily eye the dead men’s effects; leather boots and straps, protective metal linings, talismans, and other accessories, while beside them another Roman raises his fist in protest at the inhuman spectacle. On the right, a woman seated on the ground with her head bowed and her back to the viewer mourns a loved one, while nearby an old man with a torch searches for the body of his son amid the smoky haze. The vast hall of the Spoliarium is suggested by the massive stone walls and the dimly espied steps on the left where the crowd pours in from the arena into the hall. The composition of Spoliarium is basically triangular, with emphasis on diagonal lines for dynamic effect: Luna moved from the smooth, marmoreal style of the classical academy to a more spontaneous approach. The influence of baroque and romanticism is seen in the looser brushwork leaving flecks of color, the sense of movement and turmoil in the vociferous gestures and straining muscles of the figures, the chiaroscuro in the flickering highlights and transparent layers of darkness, and in the deep emotional tone which contrasts harsh stentorian voices with deep, elegiac mourning. The drama of the work arises from its contrasting moods, i.e. the noisy, avid crowd on the left and the grieving figures on the right. In the portrayal of the two groups is brought out the relationship between dominant and dominated, victor and victim. As such, this painting of imperial Roman cruelty has been interpreted as an allegory of Spain in the Philippines.
Leon Gallery
Oct. 19, 2018
Antonio G. Dumlao
Est: ₱18,000 - ₱23,400
Seascape and Skysafe signed and dated 1967 (upper left) oil on canvas 16” x 12” (41 cm x 30 cm)
Leon Gallery
Jun. 09, 2018
Bountiful Harvest
Est: ₱400,000 - ₱520,000
Bountiful Harvest
Leon Gallery
Jul. 29, 2017
ANTONIO DUMLAO (1912 - 1983) Tree
Est: ₱3,000 - ₱3,900
ANTONIO DUMLAO (1912 - 1983) Tree signed and dated 1970 (lower right) Watercolor on paper 1970
Leon Gallery