John Charles Dollman Paintings & Artwork for Sale | John Charles Dollman Art Value Price Guide

May. 15, 2024
John Charles Dollman
Est: $1,500 - $2,500
British, 1851-1934 Tigers and Lion and Lioness: Two Each signed J. C. Dollman (lr) Watercolor on paper Sight of each 9 7/8 x 24 3/8 inches (25 x 62 cm) Provenance: Sale, Eldred's, East Dennis, MA, Jul. 26, 1991, lot 145 Bianco Gallery, Buckingham, PA Qty: (2)
DOYLE Auctioneers & Appraisers
Feb. 14, 2024
JOHN CHARLES DOLLMAN, (1851 - 1934), Warranted Quiet to Ride or Drive, 1886, 46 x 71 cm (frame: 70 x 93 x 2 cm)
Est: $150 - $250
JOHN CHARLES DOLLMAN (1851 - 1934) Warranted Quiet to Ride or Drive, 1886 lithograph on canvas
Lawsons
Nov. 10, 2023
JOHN CHARLES DOLLMAN (UK, 1851-1934)
Est: $700 - $900
"Dog Chasing Two Cats", watercolor on paper, initialed lower left, dated 1881, titled on Christopher Wood of London label verso, notation of price of 350 pounds top back; in a water gilt molded frame, matted and glazed, OS: 28 1/2" x 22 1/2", SS: 19" x 14". Good condition. From the Northeast Harbor estate of Brooke Astor.
Thomaston Place Auction Galleries
Oct. 17, 2023
John Charles Dollman (British, 1851-1934) The Intruder (Pointers at Rest), 1894
Est: $20,000 - $30,000
John Charles Dollman (British, 1851-1934) The Intruder (Pointers at Rest), 1894 oil on canvas signed J.C. Dollman and dated (lower right) 40 1/4 x 49 3/4 inches. Property from the Collection of Frances G. Scaife Literature: William Secord, Dog Painting, 1840-1940 : A Social History of the Dog in Art, Woodbridge, 1992, pl. 74, p. 155, illus. (as Pointers at Rest) The attribution of human emotions to pets enters into all aspects of dog imagery of the Victorian period, including into what otherwise might be straightforward portraiture. The present painting of three English pointers, only by the addition of a poetic title and the inclusion of a small black kitten, becomes a narrative of an encounter between unlike creatures. Without this title, the artwork would appear more to be a casual portrait of skilled hunting animals, but is instead imbued with humor and sentiment.
Hindman
Sep. 13, 2023
JOHN CHARLES DOLLMAN (1851-1934) Polo, 1890 Litografía Medidas: 45 x 80 cm
Est: -
Buen estado de conservación . Procedencia: Colección particular.
Lefebre Subastas
Dec. 14, 2022
'A Very Gallant Gentleman' (Captain L.E.G. Oates walking out to his death in the blizzard, on Captain Scott's return journey from the South Pole, March 1912)
Est: £20,000 - £30,000
Property from a British Private Collection John Charles Dollman British 1851 - 1934 'A Very Gallant Gentleman' (Captain L.E.G. Oates walking out to his death in the blizzard, on Captain Scott's return journey from the South Pole, March 1912) signed J.C. Dollman lower right oil on canvas Unframed: 77 by 57cm., 30¼ by 22½in. Framed: 89.2 by 69cm., 35 by 27in. Bid on Sotheby's
Sotheby's
Dec. 07, 2022
John Charles Dollman (British, 1851-1934) The Intruder (Pointers at Rest), 1894
Est: $30,000 - $50,000
John Charles Dollman (British, 1851-1934) The Intruder (Pointers at Rest), 1894 oil on canvas signed J.C. Dollman and dated (lower right) 40 1/4 x 49 3/4 inches. Property from the Collection of Frances G. Scaife Literature: William Secord, Dog Painting, 1840-1940 : A Social History of the Dog in Art, Woodbridge, 1992, p. 155, pl. 74, illus. (as Pointers at Rest) The attribution of human emotions to pets enters into all aspects of dog imagery of the period, including into what otherwise might be straightforward portraiture. The present painting of three English pointers, only by the addition of a poetic title and the inclusion of a small black kitten, becomes a narrative of an encounter between unlike creatures. Without this title, the artwork would appear more to be a casual portrait of skilled hunting animals, but is instead imbued with humor and sentiment.
Hindman
Jul. 28, 2022
Pencil Signed Golf Putting Print by John Charles Dollman, 1901
Est: $1,200 - $1,450
This is a 1901 photogravure of an original 1900 painting by renowned English artist John Charles Dollman. Dollman (1851-1934) painted a handful of golf related scenes near the end of the 19th century, subsequently leading to prints. Pictured in this print are two golfers and their young caddies, putting on the 18th hole. This print was published by Frost & Reed, and their copyright is engraved at center top, â€œFrost & Reed, Printsellers, Bristol and Clifton, 1901, Copyright registered.â€ The print is signed in pencil at bottom left corner, â€œJ. C. Dollmanâ€.
The Great Republic
Oct. 30, 2021
"Polo" A Period Print by J.C. Dollman [139644]
Est: $400 - $600
Published by J. P. Mendoza, printseller and publisher to H. M. the Queen in 1891, this print shows the intense action of a polo match. Framed in wood 38 x 28 inches. John Charles Dollman, (British, 1851-1934), also produced bold compositions of animals and people such as Robinson Crusoe and His Man Friday. Date: 1890 Country (if not USA): State: City: Provenance:
Holabird Western Americana
Jul. 09, 2021
JOHN CHARLES DOLLMAN (UK, 1851-1934)
Est: $700 - $900
"Dog Chasing Two Cats", watercolor on paper, initialed lower left, dated 1881, titled on Christopher Wood of London label verso, notation of price of 350 pounds top back; in a water gilt molded frame, matted and glazed, OS: 28 1/2" x 22 1/2", SS: 19" x 14". Good condition.
Thomaston Place Auction Galleries
Jul. 08, 2021
J.C. Dollman 'Dogs At The Stable' Oil on Canvas
Est: $800 - $1,200
John Charles Dollman, U.K. (1851-1934). Oil on canvas signed lower left, carved gilt ornate frame. Measures 24.5"H x 34.75"W framed; 20"H x 30"W unframed. Condition report: tiny pinhole middle left, some wear to gilt on top of frame, please see photos. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. This lot cannot be shipped in house. For an instant guaranteed third party shipping quote through Quality Packing and Shipping visit: https://www.qualitypackship.com/abington-copy-1 or contact our other third party shippers.
Abington Auction Gallery
May. 20, 2021
J.C. Dollman The Stymie Golf Color Photoengraving J.C. Dollman "The Stymie" Golf Color Photoengravi
Est: $200 - $300
J.C. Dollman The Stymie Golf Color Photoengraving J.C. Dollman "The Stymie" Golf Color Photoengraving. Signed in bottom right corner "J.C. Dollman", English artist (1851-1934). Piece measures 15 inches high x 24 inches wide, framed measures 25 inches high x 34.5 inches wide.
Greenwich Auction
Oct. 29, 2020
Pencil Signed Golf Putting Print by John Charles Dollman, 1901
Est: $950 - $1,200
This is a 1901 photogravure of an original 1900 painting by renowned English artist John Charles Dollman. Dollman (1851-1934) painted a handful of golf related scenes near the end of the 19th century, subsequently leading to prints. Pictured in this print are two golfers and their young caddies, putting on the 18th hole. This print was published by Frost & Reed, and their copyright is engraved at center top, “Frost & Reed, Printsellers, Bristol and Clifton, 1901, Copyright registered.” The print is signed in pencil at bottom left corner, “J. C. Dollman”.
The Great Republic
Sep. 23, 2020
John Charles Dollman RWS RI ROI (1851-1934)
Est: £7,000 - £10,000
John Charles Dollman RWS RI ROI (1851-1934) John Charles Dollman RWS RI ROI (1851-1934) 'A Very Gallant Gentleman' - Captain Lawrence Oates pen, ink and watercolour heightened with white 59 x 99cm Provenance: John Charles Dollman was born in Hove, Sussex, on 6th May 1851; his family were booksellers there. He lived at Hove House, Ditchling, where he painted many of his South Downs Landscape works. The present painting was given to the Thompson family, Beacon House, Ditchling Beacon, Underhill Lane, Sussex, by Ruth Dollman (Mrs Maurice Webb), Dollman's daughter, who lived in Ditchling until her death aged 90 in 1965. This is the original sketch by Dollman for his finished painting which hangs in the Cavalry Club, London. In the present sketch Captain Oates, as he walked to his death, has poles, and in the painting widely seen he just has mittens. The painting was commissioned by Officers of the Inniskilling Dragoons in 1913, and was exhibited at the Royal Academy in 1914. A smaller preparatory sketch is in the Scott Polar Research Institute, at the University of Cambridge. Lawrence Edward Grace 'Titus' Oates (1880-1912) is remembered as a member of the ill-fated expedition to the South Pole, led by Captain Scott. In order to ensure that his colleagues had a better chance of survival when he found himself incapacitated by frostbite and gangrene, Oates deliberately walked out of his tent into a blizzard, having uttered the celebrated words: ' I am just going out and I may be some time.' Oates was born in Putney to a well-to-do family; his uncle Frank Oates was a naturalist and explorer. Oates attended both Wellington School and then Eton, subsequently obtaining an army commission. He saw active service in the Boer War, during the course of which he sustained a shattered thigh bone and was recommended for the Victoria Cross. In 1906 Oates was promoted to the rank of captain and became known by the soubriquet of 'Titus' after the seventeenth century priest of the same surname. Following tours of duty in Ireland, Egypt and India, Oates volunteered for Scott's Antarctic expedition of November 1911. Oates came with glowing army references and was described as 'a man of fine physique, full of pluck, energy and spirit.' Oates was accepted mainly on the strength of his experience with horses - his role was to look after the 19 ponies that Scott intended to use for sledge hauling during the initial food depot-laying stage and the first half of the trip to the South Pole. Scott eventually selected him as one of the five-man party who would travel the final distance to the Pole The outgoing journey of 895 miles across Antarctica through the snow and ice took 79 days. Finally reaching the South Pole on 18th January 1912, the party was disappointed to discover that it had been forestalled by the rival Norwegian explorer Roald Amundsen 35 days earlier. 'We are not a very happy party tonight' reported Oates. 'Scott is taking his defeat better than I expected.' 'Now for the run home and a desperate struggle', recorded Scott, 'I wonder if we can do it.' Plagued by frostbite and inclement weather, with temperatures dropping as low as minus 40 degrees Celsius, the little group struggled on painfully. 'Titus's toes are blackening and his nose and cheeks are dead yellow,' noted a companion. By 6th March, the harsh conditions, compounded by malnutrition, had taken their inexorable toll. Scott noted, 'Poor Oates is unable to pull. He sits on the sledge when we are track searching - he is wonderfully plucky, his feet must be giving him great pain ... ' On 15th March, Oates said he could go no further. By this point, with advanced frostbite on his hands and feet, it would take him two hours just to put on his footwear. He suggested to the others that they left him in his sleeping bag which they refused to do and urged him to struggle on. Realising his existence was proving a liability to his companions, that night Oates walked out of the tent into a blizzard. Scott recorded in his diary: 'We knew that poor Oates was walking to his death, but though we tried to dissuade him, we knew it was the act of a brave man and an English gentleman.' The remaining trio struggled on for another 20 miles where their frozen bodies were eventually discovered by a search party on 12th November 1912. Oates's body was never found. A cairn and inscribed cross were erected by the search party near to where he was presumed to have died. Oates's reindeer-skin sleeping bag was recovered and is now at the Scott Polar Research Institute in Cambridge. There is an Oates Museum at Gilbert White's House, Selborne, Hampshire. The Royal Dragoon Guards, the successor to the 6th (Inniskilling) Dragoons, have a regimental day to remember Oates, and in 1913 his brother officers erected a brass memorial plaque to him in the parish church of St Mary the Virgin in Gestingthorpe, Essex, which his mother, Caroline, faithfully polished weekly for the rest of her life. The church is opposite his family home of Gestingthorpe Hall. For further information, see Sue Limb and Patrick Cordingley, 'Captain Oates, Soldier and Explorer', published by B T Batsford, 1982.
Sworders
Jan. 22, 2020
JOHN CHARLES DOLLMAN 1851 / 1934 - "El mejor amigo del hombre"
Est: -
JOHN CHARLES DOLLMAN 1851 / 1934 "El mejor amigo del hombre" Firmado en el ángulo inferior izquierdo 35 x 53 cm Impresion
Ansorena
Mar. 12, 2019
John Charles Dollman (1851-1934) 'How d'ye do' 11.5 x 15.5in.
Est: £700 - £1,000
John Charles Dollman (1851-1934) oil on board ''How d''ye do'' signed and dated 1875 11.5 x 15.5in.
Gorringes
Mar. 04, 2019
John Charles Dollman RWS RI ROI (British, 1851-1934) THE COURSE OF TRUE LOVE NEVER DID RUN SMOOTH, 1878
Est: €10,000 - €15,000
signed and dated lower left
Whyte's
Sep. 19, 2018
John Charles Dollman (British 1851-1934)/Spaniel with Dead Hare and Pheasant/signed and dated/oil on canvas, 61.5cm x 74.5cm/see illustration
Est: £800 - £1,200
John Charles Dollman (British 1851-1934)/Spaniel with Dead Hare and Pheasant/signed and dated/oil on canvas, 61.5cm x 74.5cm/see illustration
Chorley's
Sep. 05, 2018
John Charles Dollman (1851-1934) British. The Travelling Circus, with Trailers, an Elephant and Horses, with an Industrial Town in the distance, Watercolour, Signed, 8" x 14.5".
Est: £500 - £800
John Charles Dollman (1851-1934) British. The Travelling Circus, with Trailers, an Elephant and Horses, with an Industrial Town in the distance, Watercolour, Signed, 8" x 14.5".
John Nicholson's Fine Art Auctioneers & Valuers
Oct. 29, 2017
John Charles Dollman (1851-1934) English, After, Owner has no Further Use 1857 Handcoloured photgraveur
Est: $80 - $120
John Charles Dollman (1851-1934) English, After, Owner has no Further Use 1857 Handcoloured photgraveur 28.5 x 43 cm
Theodore Bruce Auctioneers & Valuers
Oct. 25, 2017
J.C. Dollman, British (1851-1934) "Polo" Color Engraving on Paper.
Est: $100 - $150
J.C. Dollman, British (1851-1934) "Polo" Color Engraving on Paper. Published 1st Nov 1891. Good condition. Measures 24-1/2 x 36-1/4" W, frame measures 28"" H x 40" W. Shipping: Third party. (estimate $100-$150)
Kodner Galleries
Aug. 27, 2017
John Charles Dollman (1851-1934) English, After, Owner has no Further Use 1857 Handcoloured photgraveur
Est: $80 - $120
John Charles Dollman (1851-1934) English, After, Owner has no Further Use 1857 Handcoloured photgraveur 28.5 x 43 cm
Theodore Bruce Auctioneers & Valuers
Jul. 30, 2017
John Charles Dollman (1851-1934) English, After, Owner has no Further Use 1857 Handcoloured photgraveur
Est: $80 - $120
John Charles Dollman (1851-1934) English, After, Owner has no Further Use 1857 Handcoloured photgraveur 28.5 x 43 cm
Theodore Bruce Auctioneers & Valuers
Jun. 18, 2015
John Charles Dollman 1851-1934, oil on canvas, Young Ma
Est: £1,000 - £2,000
John Charles Dollman 1851-1934, oil on canvas, Young Man and his horse with an old gentleman opening a door with spaniel inset, 60cm x 40cm, dated 1894. Provenance: from a private estate.
Ewbank's
Mar. 22, 2015
After Dollman "Tipperary", Color Lithograph, 1915
Est: $150 - $300
After John Charles Dollman (English, 1851-1934), "Tipperary: "It's a long, long way to Tipperary", color lithograph on paper, published and copyrighted by Frost and Reed Ltd., Bristol, England in 1915 after the artist's original painting. The title derives from a popular British war anthem sung by soldiers on their way to the Western Front in World War I. Sight size approximately 20.75" x 30.5".
Ahlers & Ogletree Inc.
Dec. 05, 2014
John Charles Dollman, (British, 1851-1934), The Dandy, 1972
Est: $500 - $700
John Charles Dollman (British, 1851-1934) The Dandy, 1972 oil on canvas signed J. C. Dollman and dated (lower right) 15 x 21 inches.
Hindman
Nov. 05, 2014
After George Algernon Fothergill The Sporting Sale
Est: £300 - £400
Descended from Edward Longshanks, depicting Major Michael Rimington, polo player from Vanity Fair chromolithograph, published by Vincent, Brooks, Day and Son 39 x 23cm (15 3/8 x 9 1/16in). together a print After J.C. Dollman and 9 further prints of polo, one unframed (11)
Bonhams
Sep. 18, 2014
John Charles Dollman (British, 1851-1934) - Portrait of FT Ch. Dash II, an English Setter, his lead and books (3)
Est: £8,000 - £12,000
John Charles Dollman (British, 1851-1934) Portrait of Dash, FT Ch. Dash II (KCSB 4039), an English Setter, with another setter behind him, flushing grouse on moorland, with sportsmen behind signed lower right "J C Dollman '77" oil on canvas, sold together with his red hessian collar "Dash, May 4 1877", his metal chain lead and three related books which feature Dash (4) h:90 w: 125 cm Provenance: George William Brewis, Dash's owner, of Horseheath Lodge, Cambridgeshire and later at Chesterford Park, Saffron Walden, Essex, and by descent within the Brewis family. Literature: The Dogs of the British Islands, by J H Walsh, edited by Stonehenge, 3rd edition, 1878, illus. frontispiece, "Mr G Brewis' English Setter "Dash II". Field Trials Champion Dash II was born in 1874, bred by John Armstrong of Lucknow Castle, Stranraer, Wigtonshire and was by Laverack's Blue Prince out of Old Kate who was by Laverack's Old Blue Dash out of Edward Armstrong's Kate The greatest field trial endurance test ever recorded in Great Britain was between the two celebrated field trial setters, Armstrong's Llewellin champion "Dash II" and MacDonna's English setter dog champion "Ranger". The following is a Press report of the competition for the Kennel Club champion cup for the best setter or pointer, 1877: Mr Brewis has a grand dog in "Dash II" who has now won all four all-age stakes out of five, being a good second to "Ranger" in the fifth. Between the two it is a near thing, as the two judges must have thought when they gave them three hours and twenty minutes trial, after seeing them down an hour together the night before. My opinion is that "Ranger" goes the fastest, as for pace no setter has been bred that can beat it, but "Dash" is the better worker; he goes to his game with more method and he is so beautifully broken that it is a pleasure to see him work for his owner. I cannot believe that one is better than the other as regards nose, for both are perfect in this respect, and as for stoutness, one would have to follow them for a month before one could get to the end of either. "Dash" is by far the best looking one that has ever been brough out at field trails. He is very powerfully built, being twice the size of his sire, Mr Laverack's "Blue Prince". Then for blood he cannot be surpassed for he is rather more than three quarters Laverack blood, whilst his grand dam "Kate" was own sister to Barclay Field's "Duke", the sire of Mr. Llewellin's famous "Dan". I have held a strong opinion that "Dash" is the best setter in England, and I would rather breed to him than any other. Perhaps I may say that after Mr Llewellin purchased this dog from Mr Brewis at one of the highest prices ever paid at that time for a setter, it was chiefly from this dog and his "Countess Bear", winner of the first Kennel Club Derby 1875, from which he founded his Bondhu family". In the ownership of his breeder, Dash II won the Open class at Belfast in 1875 and was second in the Setter Puppy Stakes at the Shrewsbury field trial. He was then sold at a very high figure to George Brewis of Horseheath Lodge, Linton. Brewis was described as "a sportsman of the highest degree and whose sole interest in dogs was the pleasure he derived from the sport." Family legend has it that George Brewis' son used to ride on the dog's back. For many year Brewis allowed the Kennel Club Field Trial to be held over his estate at Horseheath and it was on his ground in 1875 that the Field Trial Derby was inaugurated. Dash II won four firsts, four seconds and thirds in field trials and having gained his Field Trial Championship R. Purcell Llewellin is reputed to have paid £1,200 for him in 1878, which was one of the highest prices paid for a setter in Great Britain. George Brewis was a founding member of the Kennel Club and he sat on their first committee - Mr Brewis' grandson used to ride on Dash's back. John Charles Dollman (1851-1934) studied art at the Royal College of Art and the Royal Academy schools where he won prizes for drawing from life. The blue book (2nd edition) inscribed on the flyleaf "George Brewis, Kennel Club, 1876". "Stonehenge on The Dog", London, pub. Longmans, 1872, also inscribed on the flyleaf "George Brewis, Kennel Club, 1876". We are grateful to Nick Waters for his help with the catalogue entry.
Cheffins
Jul. 25, 2014
John Charles Dollman, (British, 1851-1934), The Dandy, 1972
Est: $500 - $700
John Charles Dollman (British, 1851-1934) The Dandy, 1972 oil on canvas signed J. C. Dollman and dated (lower right) 15 x 21 inches.
Hindman
Oct. 17, 2013
John Charles Dollman (1851-1934) Wood-engraving of
Est: £400 - £600
John Charles Dollman (1851-1934) Wood-engraving of the Oxford-Cambridge Boat Race, with hand-colouring, originally supplied as a supplement to The Graphic, April 5 1879, 350 x 990 mm. (13 3/4 x 39 in), unframed.
Dreweatts 1759
Jun. 13, 2013
Dollman, John Charles, 1851-1934, United Kingdom, Hunting Dogs. Oil on Canvas.
Est: $1,000 - $1,500
Dollman, John Charles, 1851-1934, United Kingdom, Hunting Dogs. Oil on Canvas. Signed and dated "JC Dollman 1873" in lower right. h:19.50 w:30 in.
Alderfer Auction
Mar. 28, 2013
John Charles Dollman (1851–1934) 'A very gallant gentleman' ... Captain Oates, overall 21 x 29in.
Est: £300 - £500
John Charles Dollman (1851–1934) colour print, 'A very gallant gentleman' ... Captain Oates, overall 21 x 29in.
Gorringes
Dec. 06, 2012
John Charles Dollman (1851- 1934) signedGolfing
Est: £1,000 - £1,500
John Charles Dollman (1851- 1934) signedGolfing Scene signed engraving published by Frost & Reed Printers Bristol & Clifton 1901 Copyright - from the original dated 1900 and signed in pencil to the border J C Dollman - the scene depicts a match putting out on the 18th green both distinguished players with boy caddies image 6.75 x 9.75" mf& g 18.5 x 22.5"
Mullocks Specialist Auctioneers
Oct. 25, 2012
John Charles Dollman (1851-1934) Sheep on the South Downs, 12.5 x 20.5in.
Est: £200 - £300
John Charles Dollman (1851-1934) watercolour, Sheep on the South Downs, signed, 12.5 x 20.5in.
Gorringes
Sep. 16, 2012
JOHN CHARLES DOLLMAN (British, 1851-1934);
Est: $800 - $1,200
Oil on panel illustration of a Viking ship returning home, 1908 (framed); Signed and dated; 10 1/2" x 14 3/4"
Rago Arts and Auction Center
Dec. 13, 2011
John Charles Dollman, R.W.S, R.I., R.O.I. (1851-1934)
Est: £800 - £1,200
John Charles Dollman, R.W.S, R.I., R.O.I. (1851-1934) In the desert signed 'J. C. Dollman' (lower right) oil on canvas 18 x 32 in. (45.7 x 81.3 cm.)
Christie's
Apr. 17, 2011
AFTER JOHN CHARLES DOLLMAN, REPRODUCTION PRINT,
Est: $100 - $150
AFTER JOHN CHARLES DOLLMAN, REPRODUCTION PRINT, 16" X 29": BRITISH 1851-1934: Framed size, 35" x 47". 1st published by J.P. Mendoza.
DuMouchelles
Feb. 27, 2011
JOHN CHARLES DOLLMAN (1851-1934), 'Leopard',
Est: £100 - £200
JOHN CHARLES DOLLMAN (1851-1934), 'Leopard', watercolour, 24.5cm x 34.5cm, signed, framed.
Lots Road Auctions
Jan. 15, 2011
After JOHN CHARLES DOLLMAN (British, 1851-1934),
Est: -
After JOHN CHARLES DOLLMAN (British, 1851-1934), The Sabbath Breakers", photogravure, signed and dated 1896 in print l/r, titled printed along bottom, image 15"h, 24"w; some foxing."
South Bay Auctions Inc
Nov. 17, 2010
John Charles Dollman (British, 1851-1934) Polo Color aquatint engraving, signed in the plate lower right J. C. Dollman and dated 1890 [not inspected out of the frame] 15 3/4 x 29 3/4in (40 x 75.5cm) image
Est: $600 - $800
Polo Color aquatint engraving, signed in the plate lower right J. C. Dollman and dated 1890 [not inspected out of the frame] 15 3/4 x 29 3/4in (40 x 75.5cm) image
Bonhams
Oct. 29, 2009
Sporting Memorabilia: After John Charles Dollman
Est: £500 - £700
Sporting Memorabilia: After John Charles Dollman (1851-1934) THE STYMIE an 1899 photogravure depicting a foursome at Old Berwick in the Forties, framed & glazed, 36 by 24cm., 14 by 24in.
Graham Budd Auctions
Oct. 29, 2009
Sporting Memorabilia: After John Charles Dollman
Est: £500 - £700
Sporting Memorabilia: After John Charles Dollman (1851-1934) THE SABBATH BREAKERS an 1893 photogravure depicting John Henrie and Pat Rogie playing 'gowff' on the Sabbath on Leith Links in 1592 and being discovered by two clergymen, slight foxing, framed & glazed, 38 by 61cm., 15 by 24in.
Graham Budd Auctions
Jun. 02, 2009
John Charles Dollman, R.W.S. (1851-1934)
Est: £600 - £800
John Charles Dollman, R.W.S. (1851-1934) The conversion of St. Hubert signed 'J.C. Dollman' (lower right) pencil and watercolour heightened with touches of bodycolour, with scratching out 13 x 21 in. (33 x 53.4 cm.)
Christie's
Oct. 28, 2008
John Charles Dollman R.W.S , British 1851-1934 lions resting oil on canvas
Est: £3,000 - £5,000
signed l.r.: J. C. Dollman oil on canvas
Sotheby's
Aug. 26, 2008
John Charles Dollman R.W.S , 1851-1934 lord rosebery, admiral fleming, the duke of buccleuch and lord charles hope with their respective caddies at north berwick oil on canvas
Est: £100,000 - £150,000
signed l.r.: J. C. Dollman oil on canvas
Sotheby's
Mar. 01, 2008
John Charles Dollman (1851-1934) Continental
Est: £200 - £300
John Charles Dollman (1851-1934) Continental fishing boats in port Signed watercolour, 26x37cm
Shapes Auctioneers & Valuers
Mar. 14, 2006
John Charles Dollman (1851-1934) Downs near Lewes, 12.5 x 21 ins.
Est: £200 - £300
John Charles Dollman (1851-1934) watercolour, Downs near Lewes, signed, 12.5 x 21 ins. Estimate £200-300 Slightly faded, slight acid staining around the mount but basically good condition. Old card mount and white moulded frame.
Gorringes
Feb. 07, 2006
John C. Dollman (British, 1851-1934)
Est: -
Richmond Bridge, signed, watercolour, 29.3 x 51cm (11 1/2 x 20 1/8in)
Bonhams