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Peter Doig Sold at Auction Prices

Painter, b. 1959 -

(b Edinburgh, 1959) Scottish Painter. Peter Doig grew up in Canada and moved to London in 1979 to study at Wimbeldon School of Art and later St. Martin’s School of art where he received his BA in 1983. During this time, his homesickness for Canada became the subject of his paintings. Doig began searching for images to enshrine in oils, often poring over brochures in Canada House and such, to find not the Canada that one can see, but something truer, more direct, more evocative and somehow more accurate. He used his own photographs as well as those he found in brochures and other places as springboards, to add new layers of meaning, layers contained within the oils, within the imaginary, emphatically illusory space of the canvas itself, as well as within the image. This obsession with piecing together memories remains the subject of Doing’s work. In 2002, Doing moved to Trinidad, where he currently works. (Credit: Christie’s, New York, Post-War and Contemporary Evening Sale, November 12, 2008, Lot 28)

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          • Peter Doig (1959 Edinburgh – lebt auf Trinidad)
            Dec. 07, 2024

            Peter Doig (1959 Edinburgh – lebt auf Trinidad)

            Est: €700 - €900

            Ohne Titel (Winterszene). 2000. Farb-Aquatintaradierung auf Velin (Klappkarte). Unterhalb der Darstellung mit Bleistift signiert und nummeriert: Doig, 69/70. Blattmaß: 29,5 x 23,5 cm (zugeklappt).

            AaG Auktionshaus am Grunewald
          • Peter Doig (1959 Edinburgh – lebt auf Trinidad)
            Dec. 07, 2024

            Peter Doig (1959 Edinburgh – lebt auf Trinidad)

            Est: €600 - €800

            Black Palm. 2004. Farb-Aquatintaradierung auf Velin. Unterhalb der Darstellung mit Bleistift signiert und datiert: Doig, 04. Blattmaß: 53,5 x 37,8 cm. Unter Glas gerahmt: 60,5 x 43 cm.

            AaG Auktionshaus am Grunewald
          • Peter Doig (1959 Edinburgh – lebt auf Trinidad)
            Dec. 06, 2024

            Peter Doig (1959 Edinburgh – lebt auf Trinidad)

            Est: €4,000 - €6,000

            Black Palms. 2004. Sechs Farb-Aquatintaradierungen, jeweils auf Velin. Jeweils unterhalb der Darstellung mit Bleistift signiert und datiert: Doig, 04. Blattmaß jeweils: 53,5 x 38 cm. Einzeltitel: Pelican / Haus der Bilder / Figure by a River / Black Palm / Fisherman / Boathouse.

            AaG Auktionshaus am Grunewald
          • Peter Doig: Figures at Red House
            Nov. 27, 2024

            Peter Doig: Figures at Red House

            Est: €250,000 - €350,000

            DOIG, PETER 1959 Edinburgh Title: "Figures at Red House". Date: 1996. Technique: Oil on canvas. Measurement: 41 x 30cm. Notation: Signed, dated and titled verso upper right: PETER Doig 1996 (underlined) "Figures at Red House" . Here additionally illegibly inscribed as well as equipped with directional arrow. Provenance: - Contemporary Fine Arts, Berlin - Bremer Landesbank (1996 acquired from the previous owner 1996) - Paintings by the artist are rarely offered on the German auction market - Fascinating work that shows Doig's deep engagement with landscapes - Works from his early creative phase are among the most sought-after on the art market Painterly Explorations of a Subjective Visual Memory The Scottish artist Peter Doig is considered one of the most influential figurative painters of his generation. He spent his childhood on the Caribbean island of Trinidad, in Canada and in London. Against the background of this eventful life, which continues to this day, a multi-perspective approach can also be seen in Doig's production of images, which draws on a wide range of cultural and art historical influences. Doig's paintings are created as painterly collages from postcards, photos, film stills, magazine illustrations and other found visual material on a variety of subjects. Templates from individual and collective visual culture - the dense forests of Canada, observations from the studio window, a record cover by the Allman Brothers - serve as a starting point and stimulus for the painterly exploration of his subjective visual memory. Doig has internalised the canon of painting history; in his works, the artist adeptly absorbs and cites painterly techniques and forms of expression in order to deepen his own impressions. Doig's intensive examination of the paint and its effects brings out its abstract quality. In this open, fluid space of painting, a narrative moment can appear, albeit only selectively. Doig transforms effects such as reflections, haze and fog into points of light, spots and clouds, using these painterly disruptions to halt the narration of the scenes and obscure the interpretation of the subject of the painting. Instead, its fleeting existence as an apparition that suddenly arises and then disappears again becomes the immanent subject of the painting. Imaginative spaces and elementary gaps In Doig's work, external pictorial stimuli interpenetrate with fleeting fantasies and internal dream images, coalescing into atmospherically charged mood pieces whose persistent indeterminacy often touches on the uncanny. Beyond the creation of an illusion of reality, painting is the driving force here to open up spaces that venture into the realm of the imagination, releasing ephemeral visions and memories. With fleeting brushstrokes in reduced colourfulness and a loose brushstroke, a landscape with people is set against the pale pink brightness of the painting ground. This gives the painting ‘Figures at Red House’ an almost sketch-like appearance. Like the expressionists, Doig undertakes a chromatic re-evaluation of the motif, transforming his subject into a vibrant structure of coloured surfaces and lines. The triad of red, blue and green determines the composition, at the centre of which stands a multiform constellation of figures on a curved path. At the end of this path stands the house described in the title as an undefined colour field. A slender tree aligned on the left-hand edge of the picture frames the depicted section. With Matisse-like elegance, Doig dissolves the object into colour and surface, taking it to the edge of abstraction. The lack of depth makes the subject of the painting appear shadowy. At the same time, the emptiness that fills the pictorial space deprives the scene of any narrative context, leaving it as a loose collection of symbolic settings that remain in ambiguity - as mere suggestion. Here, the emptiness is not a flaw, but a defining element of the composition. What is left out, omitted, plays a central role in Doig's works: ‘When you start, a picture emerges by adding something over and over again. You feel that you have to build it up, from the beginning to the end, and it is finished when it is built. Over time, you realise that what you leave out is what matters. Every artist has to see and feel that this point has been reached.’ (Peter Doig in: exhib. cat. Peter Doig, Schirn Kunsthalle 2008/9, p. 129 ff) Bettina Haiss This lot will be sold under standard taxation (Condition of Sale §V5.1) Explanations to the Catalogue Peter Doig Scotland Figurative Art Contemporary Art Post War 1990s Abstract Painting Oil Urban life Estimated shipping costs for this lot: Arrangement after the auction.

            Van Ham Kunstauktionen
          • Peter Doig: Study for Ski Jacket
            Nov. 27, 2024

            Peter Doig: Study for Ski Jacket

            Est: €350,000 - €450,000

            DOIG, PETER 1959 Edinburgh Title: "Study for Ski Jacket". Date: 1996. Technique: Oil on paper. Measurement: 64 x 48cm. Notation: Titled, dated and signed twice verso upper centre: "STUDY FOR SKI-JACKET" 1996 Peter Doig PETER m DOIG. Frame/Pedestal: Framed. Provenance: - Contemporary Fine Arts, Berlin - Bremer Landesbank (acquired from the previous owner 1996) - Doig is one of the most sought-after Scottish artists on the art market - Subtle and beguiling colors with a dreamlike, almost surreal effect - Doig was already shortlisted for the famous Turner Prize in 1994 Spaces of association rooted in reality Peter Doig's works often feature solitary protagonists, introverted figures in an alien setting. The Scottish artist, who originally wanted to become a stage designer, arranges mysterious scenarios in which the pictorial action is not defined in more detail. The tension-filled ambivalence between the actors and their surroundings reflects the defining artistic theme of Peter Doig: the interplay between figurative representation and purely painterly abstraction. ‘You are looking for a method for pure painting. Painting should develop into a kind of abstraction; it should slowly dissolve into something else, through continued work, by engaging with things. Narrative themes become redundant over time.’ (Peter Doig in: exhib. cat. Peter Doig, Schirn Kunsthalle 2008/9, p. 129 ff) The starting point for his pictorial ideas comes from a variety of sources, such as his own photographs and found visual material from different thematic contexts such as record covers, film sequences, newspaper clippings, magazine pages. Doig's pictorial inventions do not revolve around a faithful reproduction of the original. Rather, the artist distances himself from the original image source in order to open up a scope for interpretation in which references and associations are obscured. Motivic references thus serve merely as a visual stimulus for the development of a painterly freedom and the exploration of associative potential. Doig uses the heterogeneous motifs to explore his own pictorial ideas, alienating them through superimposition and the free combination of set pieces. In this volatile complexity, oscillating between objective observation and subjective perception, echoes of memory and dream interact in a tense way. Doig transforms the concrete shape of the object into an abstracted manifestation, whose suggestive power encounters hidden layers of pictorial memory and releases emotional content. His pictorial worlds thus embody the movement between representational observation and painterly treatment, and visualise the dynamic process of creative transformation, the pictorial genesis in its fragility itself. Between motif and painting In Doig's atmospherically charged images, a misty haze sometimes covers the surface of a lake broken up into numerous highlights, while at other times, glistening sunlight extinguishes the colourful foliage of a tropical forest. In the work on paper ‘Study for Ski Jacket’, motifs of an external reality and purely painterly, imagined appearances also blur. The all-over surface in a diffuse ice-blue colour is interrupted in many places by small-scale, condensed settings in a slightly darker tone. The subtle shift in nuance through structuring short strokes, dabs and colour sprinkles results in a seemingly even pattern that evokes associations with a snow-covered mountain landscape. In this highly abstracted scenario, viewed from a great height, groups of trees and people engaged in winter sports emerge delicately from the snow flurry that envelops everything in a blur. Doig's attention is focused not on reproducing a view, but rather on the material and painterly quality of the snow. The landscape representation takes a back seat to the open possibilities for interpretation in terms of painting and motif: perhaps we are looking at a cloudy view through a window with an icy surface covered in crystalline deposits? Bettina Haiss This lot will be sold under standard taxation (Condition of Sale §V5.1) Explanations to the Catalogue Peter Doig Scotland Figurative Art Contemporary Art Post War 1990s Framed Winter Works on paper Oil Sports Estimated shipping costs for this lot: Arrangement after the auction.

            Van Ham Kunstauktionen
          • PETER DOIG (B. 1959) - High-Way 2
            Nov. 22, 2024

            PETER DOIG (B. 1959) - High-Way 2

            Est: $200,000 - $300,000

            PETER DOIG (B. 1959) High-Way 2 oil and watercolor on paper 16 ½ x 23 3⁄8 in. (42 x 59.4 cm.)

            Christie's
          • PETER DOIG (B. 1959) - The Painter's Lake
            Nov. 22, 2024

            PETER DOIG (B. 1959) - The Painter's Lake

            Est: $220,000 - $280,000

            PETER DOIG (B. 1959) The Painter's Lake oil on canvas 9 ½ x 11 ¾ in. (24 x 30 cm.)

            Christie's
          • PETER DOIG (B. 1959) - Fisherman, from Black Palms
            Nov. 19, 2024

            PETER DOIG (B. 1959) - Fisherman, from Black Palms

            Est: $1,000 - $1,500

            PETER DOIG (B. 1959) Fisherman, from Black Palms Sheet: 34 5⁄8 x 27 ¼ in. (879 x 692 mm.)

            Christie's
          • Peter Doig (1959 Edinburgh) – Maracas
            Nov. 18, 2024

            Peter Doig (1959 Edinburgh) – Maracas

            Est: €1,000 - €1,500

            Farbige Radierung mit Aquatinta auf Velin. (20)04. Ca. 29,5 x 19,5 cm (Blattgröße ca. 53,5 x 38 cm). Eines von 120 nummerierten Exemplaren. Signiert unten rechts. Herausgegeben von Text zur Kunst, Berlin. Winzige Druckstelle oben rechts, sonst sehr guter Erhaltungszustand. Taxation: differenzbesteuert (VAT: Margin Scheme)

            Karl & Faber
          • Peter Doig, Canoe, signierte Farbaquatinta-Radierung von 2008
            Nov. 08, 2024

            Peter Doig, Canoe, signierte Farbaquatinta-Radierung von 2008

            Est: €1,000 - €1,500

            Peter Doig, Canoe, signierte Farbaquatinta-Radierung von 2008 Peter Doig, *1959 Edinburgh, schottischer Maler, Canoe, Farbaquatinta-Radierung, 59 x 74 cm, signiert, dat. (20)08, nummeriert 270/500, o. Rahmen Zum Künstler: Doig studierte in London an der Wimbledon School of Art und von 1980 bis 1983 an der St Martin’s School of Art. Er gilt als einer der maßgeblichen und international einflussreichsten figurativen Künstler der Gegenwart. Doig war derweil von 1995 bis 2000 im künstlerischen Aufsichtsrat der Tate Gallery in London und von 2005 bis 2017 als Professor für Malerei an der Kunstakademie Düsseldorf tätig. Peter Doig, Canoe, signed colour aquatint etching from 2008 Peter Doig, *1959 Edinburgh, Scottish painter, Canoe, colour aquatint etching, 59 x 74 cm, signed, dated. (20)08, numbered 270/500, without frame About the artist: Doig studied in London at the Wimbledon School of Art and from 1980 to 1983 at St Martin's School of Art. He is considered one of the most authoritative and internationally influential figurative artists of the present day. Doig was on the artistic board of the Tate Gallery in London from 1995 to 2000 and was Professor of Painting at the Kunstakademie Düsseldorf from 2005 to 2017.

            K&K – Auktionen in Heidelberg
          • Peter Doig, Metropolitain, handsigniertes Ausstellungsplakat 2004
            Nov. 08, 2024

            Peter Doig, Metropolitain, handsigniertes Ausstellungsplakat 2004

            Est: €300 - €500

            Peter Doig, Metropolitain, handsigniertes Ausstellungsplakat 2004 Peter Doig, *1959 Edinburgh, Metropolitain, Ausstellungsplakat Kestnergesellschaft Hannover 2004, 84 x 59,5 cm, handsigniert Peter Doig, Metropolitain, hand-signed exhibition poster 2004 Peter Doig, *1959 Edinburgh, Metropolitain, exhibition poster Kestnergesellschaft Hannover 2004, 84 x 59.5 cm, hand-signed

            K&K – Auktionen in Heidelberg
          • Peter Doig (b.1959) Brixton Ritzy
            Oct. 24, 2024

            Peter Doig (b.1959) Brixton Ritzy

            Est: £1,500 - £2,000

            Peter Doig (b.1959) Brixton Ritzy Digital pigment print in colours, 2023, signed in white pencil, numbered from the edition of 150, published by Paul Stolper Gallery, London, on photo rag wove paper, the full sheet printed to the edges, sheet 1015 x 7150mm (40 x 28 1/4in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

            Forum Auctions - UK
          • Peter Doig (b.1959) Cyril's Bay
            Oct. 24, 2024

            Peter Doig (b.1959) Cyril's Bay

            Est: £1,500 - £2,000

            Peter Doig (b.1959) Cyril's Bay Giclée print in colours with screenprinted varnish, 2008, signed and dated in pencil, numbered from the edition of 500, published by The Tate Gallery, London, on wove paper, the full sheet printed to the edges, sheet 513 x 390mm (20 1/4 x 15 3/8in) This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

            Forum Auctions - UK
          • Peter Doig (né en 1959). Sans titre. huile sur papier 72 x 57 cm. Réalisé e
            Oct. 17, 2024

            Peter Doig (né en 1959). Sans titre. huile sur papier 72 x 57 cm. Réalisé e

            Est: €80,000 - €120,000

            Peter Doig (né en 1959). Sans titre. huile sur papier 72 x 57 cm. Réalisé en 2012..

            Christie's
          • Peter Doig, Guest House
            Oct. 16, 2024

            Peter Doig, Guest House

            Est: $3,000 - $5,000

            Peter Doig Guest House 2002 etching with spit-bite and sugar lift aquatint in colors image: 15.375 h x 9.875 w in (39 x 25 cm) sheet: 24.5 h x 17.875 w in (62 x 45 cm) Signed, dated and numbered to lower edge '19/25 Peter Doig 02' with printer's and publisher's blindstamps. This work is number 19 from the edition of 25 printed by Dena Schuckit and published by Crown Point Press, San Francisco. This work will ship from Lambertville, New Jersey.

            Rago Arts and Auction Center
          • PETER DOIG (B. 1959). Untitled. oil and watercolour on paper 30 x 22in. (76
            Oct. 10, 2024

            PETER DOIG (B. 1959). Untitled. oil and watercolour on paper 30 x 22in. (76

            Est: £100,000 - £150,000

            PETER DOIG (B. 1959). Untitled. oil and watercolour on paper 30 x 22in. (76.2 x 55.8cm.).

            Christie's
          • PETER DOIG (B. 1959). Bather. oil on acetate mounted on paper 25 ¼ x 20 1⁄8
            Oct. 10, 2024

            PETER DOIG (B. 1959). Bather. oil on acetate mounted on paper 25 ¼ x 20 1⁄8

            Est: £50,000 - £70,000

            PETER DOIG (B. 1959). Bather. oil on acetate mounted on paper 25 ¼ x 20 1⁄8in. (64 x 51cm.).

            Christie's
          • Peter Doig (1959 Edinburgh – lebt auf Trinidad)
            Sep. 21, 2024

            Peter Doig (1959 Edinburgh – lebt auf Trinidad)

            Est: €300 - €400

            The Wonders of Ski-ing. Vorzugsausgabe. 2007. Vorzugsausgabe mit beiliegndem Ex Libris (Offsetdruck auf Papier). Am unteren Blattrand mit Bleistift signiert und nummeriert: Doig, 193/300. Blattmaß: 12,6 x 9,7 cm. Maß Buch: 28 x 22,5 cm. Hrsg. von: Salon Verlag, Köln.

            AaG Auktionshaus am Grunewald
          • Peter Doig (1959 Edinburgh – lebt auf Trinidad)
            Sep. 20, 2024

            Peter Doig (1959 Edinburgh – lebt auf Trinidad)

            Est: €3,000 - €4,000

            Curious. 2005. Farb-Aquatinta und Kaltnadelradierung auf Bütten. Unterhalb der Darstellung mit Bleistift signiert, datiert und nummeriert: Doig, 05, 24/35. Blattmaß: 57 x 45 cm. Im Objektrahmen freigestellt und unter Glas gerahmt: 63,5 x 52 cm.

            AaG Auktionshaus am Grunewald
          • Peter Doig (British 1959-), Cyril's Bay', 2008
            Sep. 18, 2024

            Peter Doig (British 1959-), Cyril's Bay', 2008

            Est: £800 - £1,200

            Peter Doig (British 1959-), Cyril's Bay', 2008, giclee print in colours with screen printed varnish on wove paper, signed, dated and numbered from an edition of 500 in pencil, published by Tate Gallery; sheet: 51 x 39.5cm (framed) ARR

            Tate Ward Auctions
          • Peter Doig (British 1959-), 'Night Studio, Study, 2011', 2023
            Sep. 18, 2024

            Peter Doig (British 1959-), 'Night Studio, Study, 2011', 2023

            Est: £600 - £800

            Peter Doig (British 1959-), 'Night Studio, Study, 2011', 2023, archival digital pigment print on 300gsm Somerset Photo Rag Paper, signed and numbered from an edition of 200, printed by King & McGaw; sheet: 55.2 x 42 cm ARR

            Tate Ward Auctions
          • Peter Doig, Night Studio, study, 2023
            Sep. 18, 2024

            Peter Doig, Night Studio, study, 2023

            Est: $900 - $1,200

            Peter Doig (Scottish, b. 1959) Night Studio, study, 2023 archival digital pigment print on 300gsm Somerset photo rag paper, edition 52 of 200 graphite editioned lower left: 52/200 graphite signed and dated lower right: Peter Doig '23

            Santa Fe Art Auction
          • Peter Doig, Cyril's Bay, 2008; 
            Sep. 04, 2024

            Peter Doig, Cyril's Bay, 2008; 

            Est: £1,800 - £2,200

            Peter Doig, British b.1959- Cyril's Bay, 2008;  giclée print in colours with screenprinted varnish on wove paper, signed, dated and numbered from an edition of 500 in pencil, published by The Tate Gallery, London, sheet: 51.2 x 39.3 cm,  (unframed) (ARR)

            Roseberys
          • Peter Doig, King's Cross Mosquito;
            Sep. 04, 2024

            Peter Doig, King's Cross Mosquito;

            Est: £800 - £1,200

            Peter Doig, British b.1959- King's Cross Mosquito; drypoint etching in colours on wove, signed in pencil and numbered 5/90, sheet: 30.5 x 40.5 cm, (framed)

            Roseberys
          • Peter Doig, Canoe, 2000;
            Sep. 04, 2024

            Peter Doig, Canoe, 2000;

            Est: £1,500 - £2,000

            Peter Doig, British b.1959- Canoe, 2000; screenprint in colours on wove, signed and numbered 107/300 (verso), sheet: 73 x 100 cm, (framed) (ARR)

            Roseberys
          • Peter Doig Pelican Island. Farbaquatintaradierung auf Velin. 29,6 x 19,6 cm (52,5 x 38,2 cm). - In a
            Aug. 18, 2024

            Peter Doig Pelican Island. Farbaquatintaradierung auf Velin. 29,6 x 19,6 cm (52,5 x 38,2 cm). - In a

            Est: -

            Britische Moderne Peter Doig Pelican Island. Farbaquatintaradierung auf Velin. 29,6 x 19,6 cm (52,5 x 38,2 cm). - In ausgesprochen gutem Zustand. Prachtvoller, farbfrischer Druck mit breitem Rand und Schöpfrand an der rechten Seite. Colour aquatint on wove paper. - In very good condition. Splendid, freshly coloured impression with wide margins and scooped edges at the right side. - From an unlimited edition. - Ed. by Ateliers d'Art de la Rmn-GP, Saint-Denis. Aus einer unbegrenzten Auflagenhöhe. - Hg. von Ateliers d'Art de la Rmn-GP, Saint-Denis. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% or 19% VAT on the final invoice amount in the European Union only.

            Jeschke Jádi Auctions Berlin GmbH
          • Peter Doig, Echo Lake (from the Cubitt portfolio)
            Aug. 14, 2024

            Peter Doig, Echo Lake (from the Cubitt portfolio)

            Est: $1,500 - $2,000

            Peter Doig Echo Lake (from the Cubitt portfolio) 2000 etching and aquatint image: 7.625 h x 6.5 w in (19 x 17 cm) sheet: 10 h x 8.125 w in (25 x 21 cm) Signed and numbered to lower edge '61/100 PD'. This work is number 61 from the edition of 100 printed by Hope (Sufferance) Press, London and published by Cubitt Studios and Gallery, London. This work will ship from Lambertville, New Jersey.

            Wright
          • PETER DOIG (b. 1959). Untitled (Unité). graphite on paper 11 ¼ x 14 ¼ in. (
            Jul. 17, 2024

            PETER DOIG (b. 1959). Untitled (Unité). graphite on paper 11 ¼ x 14 ¼ in. (

            Est: $25,000 - $35,000

            PETER DOIG (b. 1959). Untitled (Unité). graphite on paper 11 ¼ x 14 ¼ in. (28.6 x 36.2 cm.).

            Christie's
          • Peter Doig, 1959, Maracas
            Jun. 26, 2024

            Peter Doig, 1959, Maracas

            Est: CHF800 - CHF1,200

            117/120. Signed and dated. Editor: Texte zur Kunst, Berlin.

            Germann Auction House Ltd
          • Peter Doig *1959
            Jun. 19, 2024

            Peter Doig *1959

            Est: CHF50,000 - CHF70,000

            Peter Doig *1959 Untitled (Unité Exterior 2), 1999 Öl auf Papier 55 x 69 cm (Lichtmass) *For this lot VAT of 8,1% will also be charged on the hammer price.

            Artcurial Beurret Bailly Widmer
          • Peter Doig, The Fisherman
            Jun. 04, 2024

            Peter Doig, The Fisherman

            Est: $1,000 - $1,500

            Peter Doig The Fisherman 2014 digital pigment print on Somerset 34.375 h x 27.25 w in (87 x 69 cm) Signed, dated and numbered to lower edge '138/500 P. Doig 2014'. This work is number 138 from the edition of 500 published by the Montreal Museum of Fine Art. This work will ship from Lambertville, New Jersey.

            Rago Arts and Auction Center
          • Peter Doig Edinburgh 1959 – lives in Trinidad - ”BLIZZARD '77”. 1997
            May. 31, 2024

            Peter Doig Edinburgh 1959 – lives in Trinidad - ”BLIZZARD '77”. 1997

            Est: €25,000 - €35,000

            Peter Doig Edinburgh 1959 – lives in Trinidad ”BLIZZARD '77”. 1997 8 etchings with aquatint in original portfolio 7 5/8 × 5 3/8 in. and 6 1/2 × 7 5/8 in. (19 3/8 × 15 3/8. 3/4 in.) Signed in the imprint as well as on each sheet

            Grisebach
          • Peter Doig Edinburgh 1959 – lives in Trinidad - Untitled. 1997
            May. 31, 2024

            Peter Doig Edinburgh 1959 – lives in Trinidad - Untitled. 1997

            Est: €18,000 - €24,000

            Peter Doig Edinburgh 1959 – lives in Trinidad Untitled. 1997 Watercolour, gouache, pencil and etching on clad paper 5 3/4 × 8 1/4 in. Signed and dated in pencil in the lower left: Peter DOIG '97. On the reverse dedicated, signed, inscribed and dated in pencil: FOR [...] THANKS A LOT Peter SALZAU 8.97

            Grisebach
          • Peter Doig Edinburgh 1959 – lives in Trinidad - ”Country Rock”. 1997
            May. 31, 2024

            Peter Doig Edinburgh 1959 – lives in Trinidad - ”Country Rock”. 1997

            Est: €8,000 - €12,000

            Peter Doig Edinburgh 1959 – lives in Trinidad ”Country Rock”. 1997 Colour aquatint on wove paper 18 7/8 × 25 1/4 in. (21 1/8 × 27 in.) Signed

            Grisebach
          • Peter DOIG
            May. 28, 2024

            Peter DOIG

            Est: €1,000 - €1,500

            Peter DOIG Imaginary Boys – 2013 Impression digitale en couleurs Signée, datée et numérotée « 464/500 » 86,2 × 63,5 cm - à pleine page Pigment print in colors; signed, dated and numbered 63.50 × 25 in. Peter DOIG

            Artcurial
          • Peter Doig (born 1959); Ten to One is Murder;
            May. 23, 2024

            Peter Doig (born 1959); Ten to One is Murder;

            Est: $3,000 - $5,000

            Peter Doig (born 1959) Ten to One is Murder, 2018 Digital pigment print in colors on wove paper, initialed in pencil on the front and numbered 45/75, also signed in pencil and dated on the reverse, published by Tramps Multiples, New York, the full sheet. sheet 23 3/4 x 18 1/8in (60.3 x 46cm)

            Bonhams
          • Peter Doig (b. 1959), UNTITLED (THROUGH THE WOODS), 2000
            May. 16, 2024

            Peter Doig (b. 1959), UNTITLED (THROUGH THE WOODS), 2000

            Est: $2,000 - $3,000

            Peter Doig (b. 1959), Scottish UNTITLED (THROUGH THE WOODS), 2000 Fuji Crystal Archive chromogenic print on PE-paper signed, dated, and numbered 8/12 verso image 26.5 x 40 in — 67.3 x 101.6 cm Provenance: Greenberg Van Doren Fine Art, New York, NY Private Collection, Toronto, ON Note: Well known for his large landscape paintings and mesmerizing portraits, Peter Doig could be described as a son of the Commonwealth. (1) Born in Edinburgh, Scotland, he spent his first years in Trinidad before moving to Canada. Doig spent his early years raised between the Baie-D'Urfé, Montreal’s West Island and Toronto between 1966 and 1978, before settling in London in 1979. He now lives and works in Trinidad. Doig prefers to paint inside his studio. His photographic practice, which helps the artist to construct his paintings, is all the more important, though examples are rare to the market. The two images “Through the Woods” and “Across the Lake” are two of the 12 scarce examples of this practice. “Across the Lake” is notable for its nod to his Canadian roots. “Through the Woods,” produced in 2002, has deep significance for the artist. This photograph is one of the images that form the source of the “Boiler House” (2) painting and can be considered as a part of his “Concrete Cabins” series. This image features Le Corbusier’s abandoned Unité d’Habitation at Briey-en-Fôret in Northern France. Doig first visited this Unité d’Habitation at Briey in 1991 before he began working on his Concrete Cabins for the next decade, making this production a milestone in his career. Subtitled “Through the Woods,” it reflects Doig’s intent: “I was trying to depict the movement of an eye – not to paint a still. The eye never sees a “still.”” (3) (1) https://canadianart.ca/features/peter-doig-continental-drifter/ (2) The painting “Boiler House” was sold at Christies in 2020 for GBP 13,895,500: https://www.christies.com/en/lot/lot-6285717 (3) R. Shiff, ‘Incidents’, in Peter Doig, exh. cat., Tate Britain, London, 2008, p. 39 Estimate: $2,000—3,000

            Waddington's
          • Peter Doig (b. 1959), UNTITLED (ACROSS THE LAKE), 2000
            May. 16, 2024

            Peter Doig (b. 1959), UNTITLED (ACROSS THE LAKE), 2000

            Est: $2,000 - $3,000

            Peter Doig (b. 1959), Scottish UNTITLED (ACROSS THE LAKE), 2000 Fuji Crystal Archive chromogenic print on PE-paper signed, dated, and numbered 8/12 verso image 26.5 x 40 in — 67.3 x 101.6 cm Provenance: Greenberg Van Doren Fine Art, New York, NY Private Collection, Toronto, ON Note: Well known for his large landscape paintings and mesmerizing portraits, Peter Doig could be described as a son of the Commonwealth. (1) Scottish, born in Edinburgh, Scotland, he spent his first years in Trinidad before moving to Canada. Doig spent his early years raised between the Baie-D'Urfé, Montreal’s West Island and Toronto between 1966 and 1978, before settling in London in 1979. He now lives and works in Trinidad. Doig prefers to paint inside his studio. His photographic practice, which helps the artist to construct his paintings, is all the more important, though examples are rare to the market. The two images “Through the Woods” and “Across the Lake” are two of the 12 scarce examples of this practice. “Across the Lake” is notable for its nod to his Canadian roots. “Through the Woods,” produced in 2002, has deep significance for the artist. This photograph is one of the images that form the source of the “Boiler House” (2) painting and can be considered as a part of his “Concrete Cabins” series. This image features Le Corbusier’s abandoned Unité d’Habitation at Briey-en-Fôret in Northern France. Doig first visited this Unité d’Habitation at Briey in 1991 before he began working on his Concrete Cabins for the next decade, making this production a milestone in his career. Subtitled “Through the Woods,” it reflects Doig’s intent: “I was trying to depict the movement of an eye – not to paint a still. The eye never sees a “still.”” (3) (1) https://canadianart.ca/features/peter-doig-continental-drifter/ (2) The painting “Boiler House” was sold at Christies in 2020 for GBP 13,895,500: https://www.christies.com/en/lot/lot-6285717 (3) R. Shiff, ‘Incidents’, in Peter Doig, exh. cat., Tate Britain, London, 2008, p. 39 Estimate: $2,000—3,000

            Waddington's
          • Peter Doig, Canoe Island
            May. 15, 2024

            Peter Doig, Canoe Island

            Est: $3,000 - $5,000

            Peter Doig Canoe Island 2000 screenprint in colors on Somerset 29 h x 39.25 w in (74 x 100 cm) Signed and numbered to verso 'Peter Doig 168/300'. This work is number 168 from the edition of 300 published by Counter Editions, London. This work will ship from Los Angeles, California.

            Los Angeles Modern Auctions
          • PETER DOIG (b. 1959) Rainbow Wheel oil on canvas 78 x 73 in. (198.1 x 185.4
            May. 14, 2024

            PETER DOIG (b. 1959) Rainbow Wheel oil on canvas 78 x 73 in. (198.1 x 185.4

            Est: $5,000,000 - $7,000,000

            PETER DOIG (b. 1959) Rainbow Wheel oil on canvas 78 x 73 in. (198.1 x 185.4 cm.)

            Christie's
          • PETER DOIG (B. 1959) Ski Jacket oil on canvas 18 x 20 in. (45.7 x 50.8 cm.)
            May. 14, 2024

            PETER DOIG (B. 1959) Ski Jacket oil on canvas 18 x 20 in. (45.7 x 50.8 cm.)

            Est: $800,000 - $1,200,000

            PETER DOIG (B. 1959) Ski Jacket oil on canvas 18 x 20 in. (45.7 x 50.8 cm.)

            Christie's
          • PETER DOIG (B. 1959) Zermatt D1 (1-6) Image & Sheet 1140 x 800 mm. (five sh
            Mar. 26, 2024

            PETER DOIG (B. 1959) Zermatt D1 (1-6) Image & Sheet 1140 x 800 mm. (five sh

            Est: £20,000 - £30,000

            PETER DOIG (B. 1959) Zermatt D1 (1-6) Image & Sheet 1140 x 800 mm. (five sheets) Image & Sheet 1140 x 900 mm. (one sheet) Framed 1230 x 885 mm. (and similar) (6)

            Christie's
          • Doig, Peter (geb. 1959 in Edinburgh)
            Mar. 23, 2024

            Doig, Peter (geb. 1959 in Edinburgh)

            Est: €150 - €180

            Studio Film Club (2005). Farbserigraphie (verso Klebereste alter Montage), re. u. mit Bleistift sign. und dat. (20)05 sowie li. u. Ex. 16/45. Blattmaß ca. 76x 59 cm.

            Dannenberg
          • Peter Doig (British b.1959), Untitled, 2013, Aquatint etching, edition 8/20, Initialed lower right PD, 13 7/8" x 9 7/8", Provenance: Purchased from Two Palms Gallery, June 25, 2019 (2,747 GBP)
            Jan. 27, 2024

            Peter Doig (British b.1959), Untitled, 2013, Aquatint etching, edition 8/20, Initialed lower right PD, 13 7/8" x 9 7/8", Provenance: Purchased from Two Palms Gallery, June 25, 2019 (2,747 GBP)

            Est: $500 - $1,000

            Peter Doig (British b.1959) Untitled, 2013 Aquatint etching, edition 8/20 Initialed lower right PD 13 7/8" x 9 7/8" Provenance: Purchased from Two Palms Gallery, June 25, 2019 (2,747 GBP)

            Nadeau's Auction Gallery
          • Peter Doig Pelican Island. Farbaquatintaradierung …
            Jan. 14, 2024

            Peter Doig Pelican Island. Farbaquatintaradierung …

            Est: -

            Online_Modern and Contemporary Art Doig, Peter Pelican Island. Farbaquatintaradierung auf Velin. 29,6 x 19,6 cm (52,5 x 38,2 cm). - In ausgesprochen gutem Zustand. Prachtvoller, farbfrischer Druck mit breitem Rand und Schöpfrand an der rechten Seite. Aus einer unbegrenzten Auflagenhöhe. - Hg. von Ateliers d'Art de la Rmn-GP, Saint-Denis. Colour aquatint on wove paper. - In very good condition. Splendid, freshly coloured impression with wide margins and scooped edges at the right side. - From an unlimited edition. - Ed. by Ateliers d'Art de la Rmn-GP, Saint-Denis. This work is subject to under the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and inside the EU 7% (Books) and 19% (Art, Autographs and Manuscripts) VAT on the final invoice amount.

            Jeschke Jádi Auctions Berlin GmbH
          • Peter Doig (British 1959-), Cyril's Bay', 2008
            Dec. 07, 2023

            Peter Doig (British 1959-), Cyril's Bay', 2008

            Est: £800 - £1,200

            Peter Doig (British 1959-), Cyril's Bay', 2008, giclee print in colours with screen printed varnish on wove paper, signed, dated and numbered from an edition of 500 in pencil, published by Tate Gallery; sheet: 51 x 39.5cm ARR

            Tate Ward Auctions
          • Peter Doig, 1959, Poster. Zermatt, Kunsträume Winter 21/22
            Nov. 29, 2023

            Peter Doig, 1959, Poster. Zermatt, Kunsträume Winter 21/22

            Est: CHF300 - CHF400

            88/100. Signed.

            Germann Auction House Ltd
          • Peter Doig, Canoe, 2008;
            Nov. 23, 2023

            Peter Doig, Canoe, 2008;

            Est: £1,000 - £1,500

            Peter Doig, Scottish b.1959- Canoe, 2008; aquatint in colours on wove, signed, dated and numbered 325/500 in pencil, published by Librairie du Musee d'art Modern, Paris, sheet: 75 x 59.2 cm, (unframed) (ARR)

            Roseberys
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