Isaac Díaz Pardo Sold at Auction Prices

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    • ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner.
      Sep. 12, 2024

      ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner.

      Est: €12,000 - €14,000

      ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner. Measurements: 48 x 80 cm; 67 x 100 cm (frame). The specialists define three stages within the painting of Isaac Diaz Pardo: the academic, another influenced by the renovators and the third called American. The one we are bidding here would correspond to the second stage, characterized by the influence of the group of the Galician Renovators, especially Maside and Colmeiro, as well as Renoir and Cezanne. Intellectual, painter, ceramist, designer, editor..., he was a rich and plural personality. In 2009, he received the Gold Medal for Merit in the Fine Arts of Spain. Son of the painter and set designer Camilo Díaz Baliño, in his house took place various meetings related to the Irmandades da Fala, of which Díaz Baliño was an active member and in which personalities such as Castelao, Vicente Risco, Otero Pedrayo, Ramón Cabanillas, Antón Villar Ponte, Eduardo Blanco Amor or Asorey participated. His father was shot by the rebels shortly after the beginning of the Spanish Civil War, which made Isaac had to hide at first at his uncle Indalecio's house, in La Coruña, and then to work as a sign maker in the same city. After the war, he obtained a scholarship from the Provincial Council of La Coruña, thanks to which he studied at the Real Academia de Bellas Artes de San Fernando, in Madrid, between 1939 and 1942. He then became a professor at the Real Academia Catalana de Bellas Artes de San Jorge in Barcelona and began to exhibit in Spain (La Coruña, Madrid and Vigo) and abroad (Europe and America). He later abandoned the plastic arts, turning to ceramics and founding with other partners the Cerámicas do Castro factory in Castro de Samoedo (Sada), testing with raw materials used in the primitive ceramics of Sargadelos (in Cervo, created in the 19th century by Antonio Raimundo Ibáñez Llano y Valdés), and obtaining high quality ceramics. In 1963, together with other prominent Galician artists, such as Luis Seoane, he set up the Laboratorio de Formas in Argentina, a precursor of other industrial and cultural activities such as the restoration of Sargadelos' ceramic production, in collaboration with Cerámicas do Castro (1963), the Carlos Maside Museum (1970), the Ediciós do Castro publishing house (1963), the restored Seminario de Estudos Galegos (1970), the Instituto Galego de Información, etc. It was the direction and administration of the Sargadelos Group, his best known facet and the one that would mark his last years. As a writer of essays and criticism, he wrote Xente do meu Rueiro, O ángulo de pedra, Galicia Hoy (together with Luis Seoane), Paco Pixiñas (with Celso Emilio Ferreiro), El Marqués de Sargadelos, Castelao, etc, as well as a large number of articles in newspapers, such as La Voz de Galicia.

      Setdart Auction House
    • ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner.
      May. 23, 2024

      ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner.

      Est: €12,000 - €14,000

      ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner. Measurements: 48 x 80 cm; 67 x 100 cm (frame). The specialists define three stages within the painting of Isaac Diaz Pardo: the academic, another influenced by the renovators and the third called American. The one we are bidding here would correspond to the second stage, characterized by the influence of the group of the Galician Renovators, especially Maside and Colmeiro, as well as Renoir and Cezanne. Intellectual, painter, ceramist, designer, editor..., he was a rich and plural personality. In 2009, he received the Gold Medal for Merit in the Fine Arts of Spain. Son of the painter and set designer Camilo Díaz Baliño, in his house took place various meetings related to the Irmandades da Fala, of which Díaz Baliño was an active member and in which personalities such as Castelao, Vicente Risco, Otero Pedrayo, Ramón Cabanillas, Antón Villar Ponte, Eduardo Blanco Amor or Asorey participated. His father was shot by the rebels shortly after the beginning of the Spanish Civil War, which made Isaac had to hide at first at his uncle Indalecio's house, in La Coruña, and then to work as a sign maker in the same city. After the war, he obtained a scholarship from the Provincial Council of La Coruña, thanks to which he studied at the Real Academia de Bellas Artes de San Fernando, in Madrid, between 1939 and 1942. He then became a professor at the Real Academia Catalana de Bellas Artes de San Jorge in Barcelona and began to exhibit in Spain (La Coruña, Madrid and Vigo) and abroad (Europe and America). He later abandoned the plastic arts, turning to ceramics and founding with other partners the Cerámicas do Castro factory in Castro de Samoedo (Sada), testing with raw materials used in the primitive ceramics of Sargadelos (in Cervo, created in the 19th century by Antonio Raimundo Ibáñez Llano y Valdés), and obtaining high quality ceramics. In 1963, together with other prominent Galician artists, such as Luis Seoane, he set up the Laboratorio de Formas in Argentina, a precursor of other industrial and cultural activities such as the restoration of Sargadelos' ceramic production, in collaboration with Cerámicas do Castro (1963), the Carlos Maside Museum (1970), the Ediciós do Castro publishing house (1963), the restored Seminario de Estudos Galegos (1970), the Instituto Galego de Información, etc. It was the direction and administration of the Sargadelos Group, his best known facet and the one that would mark his last years. As a writer of essays and criticism, he wrote Xente do meu Rueiro, O ángulo de pedra, Galicia Hoy (together with Luis Seoane), Paco Pixiñas (with Celso Emilio Ferreiro), El Marqués de Sargadelos, Castelao, etc, as well as a large number of articles in newspapers, such as La Voz de Galicia.

      Setdart Auction House
    • ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012) "Still life". Oil on canvas. Signed in the lower left corner. It has a label from the Montenegro Gallery in Vigo on the back.
      Feb. 19, 2024

      ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012) "Still life". Oil on canvas. Signed in the lower left corner. It has a label from the Montenegro Gallery in Vigo on the back.

      Est: €8,000 - €9,000

      ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012) "Still life". Oil on canvas. Signed in the lower left corner. It has a label from the Montenegro Gallery in Vigo on the back. Measures: 66 x 78.5 cm; 83 x 97 cm (frame). This painting, executed at an early stage in the life of the versatile artist Isaac Díaz Pardo, shows two albarelos of a pharmacy between a draped white cloth and an ashtray. The painting is executed using a realist technique, seeking the incidence of light on the white cloth, toning down its intensity in the glazed ceramic and leaving the edges of the room in semi-darkness, and is part of a fertile period in which the artist was making forays into still life and raising it to the highest heights. Collecting in the wake of the Spanish and Flemish Baroque painters, in whom the still life genre was established with its own personality, Díaz Pardo renews it in concept and treatment. Intellectual, painter, ceramist, designer, editor..., he was a rich and plural personality. In 2009, he received the Gold Medal for Merit in the Fine Arts of Spain. Son of the painter and scenographer Camilo Díaz Baliño, in his house took place various meetings related to the Irmandades da Fala, of which Díaz Baliño was an active member and in which personalities such as Castelao, Vicente Risco, Otero Pedrayo, Ramón Cabanillas, Antón Villar Ponte, Eduardo Blanco Amor or Asorey took part. His father was shot by the rebels shortly after the beginning of the Spanish Civil War, which meant that Isaac had to hide at first at his uncle Indalecio's house in La Coruña, and then to work as a sign-maker in the same city. When the war ended, he obtained a scholarship from the Diputación Provincial de La Coruña, thanks to which he studied at the Real Academia de Bellas Artes de San Fernando, in Madrid, between 1939 and 1942. He then took up a teaching post at the San Jorge Royal Academy of Fine Arts in Barcelona and began to exhibit in Spain (La Coruña, Madrid and Vigo) and abroad (Europe and America). He then abandoned the plastic arts, turning to ceramics and founding with other partners the Cerámicas do Castro factory in Castro de Samoedo (Sada), testing with raw materials used in the primitive ceramics of Sargadelos (in Cervo, created in the 19th century by Antonio Raimundo Ibáñez Llano y Valdés), and obtaining high quality ceramics. In 1963, together with other prominent Galician artists, such as Luis Seoane, he set up the Laboratorio de Formas in Argentina, a precursor of other industrial and cultural activities such as the restoration of Sargadelos' ceramic production, in collaboration with Cerámicas do Castro (1963), the Carlos Maside Museum (1970), the publishing house Ediciós do Castro (1963), the restored Seminario de Estudos Galegos (1970), the Instituto Galego de Información (1970), etc. It was the management and administration of the Sargadelos Group, his best known facet and the one that would mark his last years. As a writer of essays and criticism, he wrote Xente do meu Rueiro, O ángulo de pedra, Galicia Hoy (together with Luis Seoane), Paco Pixiñas (with Celso Emilio Ferreiro), El Marqués de Sargadelos, Castelao, etc, as well as a large number of articles in newspapers, such as La Voz de Galicia.

      Setdart Auction House
    • ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner.
      Feb. 19, 2024

      ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner.

      Est: €12,000 - €14,000

      ISAAC DÍAZ PARDO (Santiago de Compostela, 1920 - Coruña, 2012). "Nude characters", 1950. Oil on canvas. Signed and dated in the lower left corner. Measurements: 48 x 80 cm; 67 x 100 cm (frame). The specialists define three stages within the painting of Isaac Diaz Pardo: the academic, another influenced by the renovators and the third called American. The one we are bidding here would correspond to the second stage, characterized by the influence of the group of the Galician Renovators, especially Maside and Colmeiro, as well as Renoir and Cezanne. Intellectual, painter, ceramist, designer, editor..., he was a rich and plural personality. In 2009, he received the Gold Medal for Merit in the Fine Arts of Spain. Son of the painter and set designer Camilo Díaz Baliño, in his house took place various meetings related to the Irmandades da Fala, of which Díaz Baliño was an active member and in which personalities such as Castelao, Vicente Risco, Otero Pedrayo, Ramón Cabanillas, Antón Villar Ponte, Eduardo Blanco Amor or Asorey participated. His father was shot by the rebels shortly after the beginning of the Spanish Civil War, which made Isaac had to hide at first at his uncle Indalecio's house, in La Coruña, and then to work as a sign maker in the same city. After the war, he obtained a scholarship from the Provincial Council of La Coruña, thanks to which he studied at the Real Academia de Bellas Artes de San Fernando, in Madrid, between 1939 and 1942. He then became a professor at the Real Academia Catalana de Bellas Artes de San Jorge in Barcelona and began to exhibit in Spain (La Coruña, Madrid and Vigo) and abroad (Europe and America). He later abandoned the plastic arts, turning to ceramics and founding with other partners the Cerámicas do Castro factory in Castro de Samoedo (Sada), testing with raw materials used in the primitive ceramics of Sargadelos (in Cervo, created in the 19th century by Antonio Raimundo Ibáñez Llano y Valdés), and obtaining high quality ceramics. In 1963, together with other prominent Galician artists, such as Luis Seoane, he set up the Laboratorio de Formas in Argentina, a precursor of other industrial and cultural activities such as the restoration of Sargadelos' ceramic production, in collaboration with Cerámicas do Castro (1963), the Carlos Maside Museum (1970), the Ediciós do Castro publishing house (1963), the restored Seminario de Estudos Galegos (1970), the Instituto Galego de Información, etc. It was the direction and administration of the Sargadelos Group, his best known facet and the one that would mark his last years. As a writer of essays and criticism, he wrote Xente do meu Rueiro, O ángulo de pedra, Galicia Hoy (together with Luis Seoane), Paco Pixiñas (with Celso Emilio Ferreiro), El Marqués de Sargadelos, Castelao, etc, as well as a large number of articles in newspapers, such as La Voz de Galicia.

      Setdart Auction House
    • Still life with bottles
      Mar. 31, 2015

      Still life with bottles

      Est: £1,000 - £1,500

      Still life with bottles incised 'Isaac Diaz' (lower left) oil on canvas 64.5 x 80cm (25 3/8 x 31 1/2in).

      Bonhams
    • Isaac Diaz Pardo (Spanish, 1920-2012)
      Jun. 12, 2013

      Isaac Diaz Pardo (Spanish, 1920-2012)

      Est: -

      Still Life oil on canvas 64.5 x 79cm (25 3/8 x 31 1/8in).

      Bonhams
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