Agnolo di Polo Sold at Auction Prices

b. 1470 - d. 1498

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      • ITALIAN ATTRIBUTED TO AGNOLO DI POLO DEI VETRI 1470-1528 BUST OF ST LUKE ?
        Jun. 04, 2022

        ITALIAN ATTRIBUTED TO AGNOLO DI POLO DEI VETRI 1470-1528 BUST OF ST LUKE ?

        Est: $3,000 - $6,000

        Attributed To Agnolo di Polo dei Vetri 1470-1528 Terra Cotta Bust Of Saint Luke. St. Luke, also called Saint Luke the Evangelist, (flourished 1st century ce; feast day October 18), in Christian tradition, the author of the Gospel According to Luke and the Acts of the Apostles, a companion of St. Paul the Apostle, and the most literary of the New Testament writers. St. Luke is believed to be the author of the Gospel that bears his name as well as of the Acts of the Apostles. According to Eusebius, he was probably born in Antioch , Syria of a prosperous Greek family and was trained as a physician. Measure 15.5" X 13.5" X 6". This, and many lots forthcoming were found at the massive central Florida estate of a true antiquarian who amassed his magnificent collection over a lifetime spent in global travel. Please carefully read our terms of sale, shipping information, and request any condition reports or photos prior to placing a bid. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. RBFineArts CFL INC. shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Please email for a condition report and photos, if desired. Emails should be received at least 48 hours in advance of the date of the auction.

        RB Fine Arts
      • Agnolo di POLO Florence, 1470 – Arezzo, 1528 San Nicolo da Tolentino Terre cuite peinte et dorée
        Jun. 10, 2021

        Agnolo di POLO Florence, 1470 – Arezzo, 1528 San Nicolo da Tolentino Terre cuite peinte et dorée

        Est: €6,000 - €8,000

        Agnolo di POLO Florence, 1470 – Arezzo, 1528 San Nicolo da Tolentino Terre cuite peinte et dorée Hauteur : 57 cm (22,44 in.) (Restaurations) Repose sur un socle en bois peint et doré Hauteur totale : 68 cm (26,77 in.) San Nicolo da Tolentino, painted and gilded terracotta, by A. di Polo Bibliographie : en rapport : Giorgio Vasari, 'Le vite de' piu' eccellenti pittori, scultori et architettori', Florence, 1568, ed. de P. Della Pergola, L.Grassi et G.Previtali, III, Novara, 1967, p. 232 Giancarlo Gentilini, " La scultura fiorentina in terracotta del Rinascimento :tecniche e tipologie " , in M.G. Vaccari (dir.), 'La scultura in terracotta. Tecniche e conservazione', Florence, 1996, p. 91-92 Alessandro Cecchi, in cat. exp. 'L'officina della Maniera. Varietà e fierezza nell'arte fiorentina del Cinquecento fra le due Repubbliche 1494-1530', Florence, 1996, p. 180, n° 52 Lorenzo Lorenzi, 'Agnolo di Polo, scultura in terracotta dipinta nella Firenze di fine Quattrocento', Ferrare, 1998 Linda Pisani, " Appunti su Agnolo di Polo ", in 'Zbornik za umetnostno zgodovino', Nova Vrsta Series Nova XL, Ljubljana, 2004, p. 114-126 Commentaire : Cette sculpture en terre cuite polychromée représente 'Saint Nicolas de Tolentino' vêtu de la bure noire ornée du soleil typique des ermites de saint Augustin, tenant le livre de la Règle et un lys dans les mains. Il a été reconnu par l'expert Alfredo Bellandi comme une œuvre d'Agnolo di Polo, célèbre artiste florentin, élève de Verrocchio (communication écrite du 31 août 2007). Le visage ascétique aux traits doux et juvéniles correspond à l'image du saint transmise par l'hagiographie et dont la représentation et le culte ont connu une grande diffusion après sa canonisation en 1446 par le pape Eugène IV. Commissionnée sans doute par un représentant de l'ordre de saint Augustin et probablement destinée à la dévotion privée comme le suggèrent ses dimensions, l'œuvre est un remarquable témoignage de la production en terre cuite si réputée des ateliers florentins de la Renaissance. La sculpture présente des affinités stylistiques avec les œuvres de Benedetto Buglioni et Giovanni della Robbia. Ainsi le traitement simplifié des drapés de la tunique du saint, la position de ses pieds, ses mains grandes et longues s'apparentent au 'Saint Roch' de l'autel Spadari à Arezzo, dernière œuvre documentée de l'artiste et influencée par Benedetto Buglioni et Giovanni della Robbia dans l'atelier desquels il a travaillé. Agnolo di Polo a en effet abandonné le style de Verrocchio et s'est familiarisé avec la culture classicisante du début du 'Cinquecento' qui a influencé sa production plus tardive et que nous retrouvons dans cette sculpture des années 1510-1520. Estimation 6 000 - 8 000 €

        Artcurial
      • Attributed to Agnolo di Polo (1470-1528), late 15th century
        Jan. 30, 2013

        Attributed to Agnolo di Polo (1470-1528), late 15th century

        Est: $80,000 - $120,000

        Attributed to Agnolo di Polo (1470-1528), late 15th century Saint John the Baptist Depicted bust length, with a cloak over his shoulder and his hands clasped at his waist terracotta 29½ in. (75 cm.) high, 17½ in. (44.5 cm.) wide, 11 in. (28 cm.) deep

        Christie's
      • AN ITALIAN TERRACOTTA BUST OF A BISHOP SAINT, BY AGNOLO DI POLO (1470-1528), LATE 15TH CENTURY
        Jan. 26, 2012

        AN ITALIAN TERRACOTTA BUST OF A BISHOP SAINT, BY AGNOLO DI POLO (1470-1528), LATE 15TH CENTURY

        Est: $100,000 - $150,000

        36 1/2 in.; 92.7 cm.

        Sotheby's
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