Adolf DeMeyer Sold at Auction Prices

Baron Adolf de Meyer (1868-1946): Sarah Berdhardt

Gelatin silver print with handcoloring on a mount, signed and dated 1893, with variously inscribed label on the reverse; together with 19th Century School: Portrait of Georgiana Houghton (Triptych), three gelatin silver prints, 1873, unsigned, all dated and variously inscribed on the reverse; 19th Century School: Portrait of Two Gentlemen, gelatin silver print on a mount, unsigned; and 20th Century School: Portrait of An Officer, photogravure with handcoloring, 1919, indistinctly signed and dated. 7 3/4 x 5 3/4 in. (image), 17 1/2 x 13 5/8 in. (frame), Portrait of Georgiana Houghton (Triptych), all 3 3/8 x 2 1/4 in. (sight), 14 5/8 x 17 5/8 in. (framed together), 11 x 9 1/8 in. (image), 20 1/2 x 17 1/2 in. (frame), 8 1/2 x 6 7/8 in. (image), 12 3/4 x 10 1/2 in. (frame).

DE MEYER, BARON ADOLPH (1868-1949) [Marchesa Luisa Casati], circa 1912, printed 1940.

DE MEYER, BARON ADOLPH (1868-1949) [Marchesa Luisa Casati], circa 1912, printed 1940. Gelatin silver print, 14 x 11 inches (355 x 280 mm), printed on recessed sheet, signed in pencil in the margin, the verso with the Kodak enlargement stamp and a pencilled notation "278A." Image in fine condition, no defects noted, minor soiling to the reverse of the sheet. Luisa, Marchesa Casati Stampa di Soncino, was a patron of the arts and a notable beauty of the period, and was the subject of several photographs by De Meyer, of which the present is iconic, in large part because it was published in Camera Work. The present print is one of a group that de Meyer prepared for a 1940 exhibition held at the home of the actor Edward G. Robinson (a noteworthy collector of modern art). Unable to locate vintage examples of many of his images, de Meyer prepared enlargements from his negatives on large sheets of Eastman Kodak paper, hence the Kodak stamp on the verso. The quality of Kodak printing is excellent, and the resulting print is far larger than most of the photographer's vintage work, while preserving its aesthetic qualities. This image was presented as a photogravure in Camera Work Number 40 (October 1912), plate III. See also International Center of Photography De Meyer: A Singular Elegance, p. 59; Knopf De Meyer, p. 37. Provenance: Christie's, Photographs, April 8 1998, lot 248; to Norma and Martin Stevens. Norma Stevens represented Richard Avedon for thirty years, and her husband Martin (d. 2016) was an art and creative director for Revlon and other agencies. C Collection of Norma and Martin Stevens

DE MEYER, BARON ADOLPH (1868-1949) [Portrait of Rita de Acosta Lydig], about 1900, probably vintage.

DE MEYER, BARON ADOLPH (1868-1949) [Portrait of Rita de Acosta Lydig], about 1900, probably vintage. Platinum print (unmounted), 9 1/2 x 7 1/2 inches (242 x 190 mm), unsigned, annotated in pencil on verso with the name of the subject. Minor wear to the edge of the print, slight fading from old mount tabs at the head, verso with trace of old mounts. Few of De Meyer's images from this period survive, as he destroyed many in a fit of despondency following the death of his wife. Rita Hernandez de Alba de Acosta Stokes Lydig had a coterie that included Degas, Rodin, Tolstoy, Debussy and others. A feminist, she supported the cause of women's suffrage. Other images from this session with de Meyer exist, see for example https://upload.wikimedia.org/wikipedia/commons/f/fb/Rita-lydig-pic.jpg. With Robert Klein Galleries. Norma Stevens represented Richard Avedon for thirty years, and her husband Martin (d. 2016) was an art and creative director for Revlon and other agencies. C Collection of Norma and Martin Stevens

Adolf DeMeyer (1868-1949): Helen Gahagan Douglas

Adolf DeMeyer 1868-1949 Helen Gahagan Douglas silver gelatin print pencil signed "DeMeyer" in margin lower right

BARON ADOLPH DE MEYER (1868-1946) Count Étienne de Beaumont at one of his masquerade balls.

BARON ADOLPH DE MEYER (1868-1946) Count Étienne de Beaumont at one of his masquerade balls. Silver bromide print, the image measuring 9 3/8x7 1/4 inches (23.8x18.4 cm.), triple mounted, the largest 18x12 inches (45.7x30.5 cm.), with de Meyer's stylized signature in pencil on mount recto. Early 1920s Provenance: A Private Normandy Collection, by agent A friend of Jean Cocteau and one of the most important patrons of the avant-garde, Count Étienne de Beaumont's Parisian balls were legendary. They were documented by de Meyer as well as Man Ray, and described by the former as "fêtes of unsurpassed magnificence."

ADOLF GAYNE DE MEYER, BARON OF MEYER. "Guitar player of Seville".

Photogravure On the back, signed, located in Seville and with inscription identifying the model, Luis López. The negative was first published in "Camera work" in the October 1908 issue (sheet VI). Provenance: Sotheby's, New York, circa 1974 36x27 cm.

Baron Adolf de Meyer (1868-1946) 14 épreuves au charbon

Baron Adolf de Meyer (1868-1946) Princesse Astrid, reine des Belges. Maurice Rostand, poète, romancier et auteur dramatique français. Huguette Duflos, pensionnaire de la Comédie Française et actrice de cinéma. Femme à l’écharpe d’hermine. Jeunes femmes en buste et de profil. Homme barbu debout. Femme au chapeau à épingle. Scène champêtre, femme cueillant des brindilles. Otto Klemperer, chef d’orchestre et compositeur allemand, c. 1920-1930. 14 épreuves au charbon, platine, bromoil et argentiques d’époque, certaines contrecollées sur cartons. Dates (2) manuscrites sur le montage. Tampon « Demeyer » aux versos des montages ou des épreuves (11). Formats des images : de 23 x 17 à 57 x 43,5 cm Formats des feuilles : de 25,5 x 19 à 61 x 50 cm Figure marquante du courant pictorialiste, Adolf de Meyer devient en 1903 membre du Linked Ring avant de rencontrer Alfred Stieglitz et de rejoindre le mouvement de la Photo Sécession. Il expose d’ailleurs à trois reprises ses œuvres à la Galerie 291 de New York. En 1910, Condé Montrose Nast lui propose de travailler au sein de la rédaction de Vogue où il deviendra l’une des figures pionnières de la photographie de mode. Maître des techniques pigmentaires et excellent portraitiste, personnage fantasque et mondain, anobli par Frédéric-Auguste III de Saxe, Adolf de Meyer réalise tout au long de sa carrière de nombreux portraits de personnages du monde artistique, intellectuel, ainsi que de la bonne société de ce tournant du siècle. Baron Adolf de Meyer (1868-1946) Princess Astrid, Queen of the Belgians. Maurice Rostand, French poet, novelist and playwright. Huguette Duflos, resident of the Comédie Française and film actress. Woman with an ermine scarf. Young women in bust and in profile. Bearded man standing. Woman with a pin hat. Country scene, woman picking twigs. Otto Klemperer, German conductor and composer, c. 1920-1930. 14 carbon, platinum, bromoil and gelatin silver prints. Some mounted on cardboard. Dates (2) on the mount. "Demeyer" stamp on recto or verso (11). Images dimensions : from 23 x 17 to 57 x 43.5 cm Sheet dimensions : from 25.5 x 19 to 61 x 50 cm

Adolf Gayne De Meyer (1868-1946)

Adolf Gayne De Meyer (1868-1946) UNKNOWN MODEL, vintage silver gelatin print, image size, 241 x 178mm, archivally mounted

Adolf De Meyer, fashion photograph

Adolf Gayne De Meyer (German, 1868-1946), Model Dressed for Winter, 1918, gelatin silver print laid on card stock, 9.5"h x 7.25"w (sheet), 12"h x 11"w (total)

BARON ADOLPH DE MEYER (1868–1946) Olga de Meyer, c. 1900 stamped photographer's credit and numbered '202' in pencil (verso) image/sheet: 9 3/8 x 5 3/4 in. (23.8 x 14.6 cm.) mount: 9 1/2 x 6 in. (24.1 x 15.2 cm.)

BARON ADOLPH DE MEYER (1868–1946) Olga de Meyer, c. 1900 platinum print, mounted on paper stamped photographer's credit and numbered '202' in pencil (verso) image/sheet: 9 3/8 x 5 3/4 in. (23.8 x 14.6 cm.) mount: 9 1/2 x 6 in. (24.1 x 15.2 cm.)

DE MEYER, BARON ADOLPH (1868-1949) [Windows on the Bosphorus], circa 1911.

DE MEYER, BARON ADOLPH (1868-1949) [Windows on the Bosphorus], circa 1911. Vintage platinum print, 3 5/8 x 2 3/4 inches (94 x 72 mm), taken circa 1911. Image in generally fine condition. Hinged to mount and framed. De Meyer's photograph Windows on the Bosphorus was published as a photogravure in Camera Work, XL, 1912 and subsequently appeared in Vanity Fair, May 1915. The present platinum print is a reduced cropping and, judging by differences in the reflections in the water (the facade is identically lit), may indeed come from another plate prepared by De Meyer at roughly the same time. From Anne Horton's note from a silver print of the Camera Work image "This photograph shows de Meyer's 'crumbling old house on the Asiatic side of the Bosphorus.'" C The Collection of Anne Horton

DE MEYER, BARON ADOLPH (1868-1949) [Baroness Olga de Meyer in a dark hat], about 1915.

DE MEYER, BARON ADOLPH (1868-1949) [Baroness Olga de Meyer in a dark hat], about 1915. Vintage platinum print on original (?) black paper mount, 8 1/8 x 3 1/2 inches (206 x 88 mm), unsigned and unannotated. Minor toning to the edge of the print A very fine Pictorialist depiction of Olga de Meyer. When she died in about 1931, he destroyed many of his prints while in a fit of deep depression, so vintage de Meyer images are relatively difficult to obtain. De Meyer himself had to borrow his own vintage prints from clients for exhibition in later years. This image is illustrated in Alexandra Anderson-Spivy Of Passions and Tenderness: Portraits of Olga by Baron De Meyer, 1993. C The Collection of Anne Horton

Adolf De Meyer, fashion photograph

Adolf Gayne De Meyer (German, 1868-1946), Model Dressed for Winter, 1918, gelatin silver print laid on card stock, 9.5"h x 7.25"w (sheet), 12"h x 11"w (total)

DE MEYER, ADOLPH (1868-1949) Dining room in the Vaneau, Paris.

DE MEYER, ADOLPH (1868-1949) Dining room in the Vaneau, Paris. Gelatin silver print, 14 x 11 inches (354 x 280 mm), taken 1920s, printed 1940, signed in pencil in the margin, Eastman Kodak enlargement stamp and title in pencil on the verso. Image and mount in fine condition, archival cloth hinges and a tiny mounted label on verso. The present print is one of a group that de Meyer prepared for a 1940 exhibition held at the home of the actor Edward G. Robinson (a noteworthy collector of modern art). Unable to locate vintage examples of many of his images, de Meyer prepared enlargements from his negatives on large sheets of Eastman Kodak paper, hence the Kodak stamp on the verso. The quality of the printing is excellent, and the resulting print is far larger than most of the photographer's vintage work, while preserving its aesthetic qualities. C 

BARON ADOLF DE MEYER (FRENCH, 1868-1949) PORTRAIT OF THE ACTRESS ANITA LOUISE, C

Baron Adolf de Meyer (French, 1868-1949) Portrait of the actress Anita Louise, circa 1940 Gelatin silver 9-1/2 x 7 inches (24.1 x 17.8 cm) The photographer's stamp on verso. HID04901242017

BARON ADOLF DE MEYER (FRENCH, 1868-1949) VIEW OF VENICE GELATIN SILVER 5-1/4 X 8

Baron Adolf de Meyer (French, 1868-1949) View of Venice Gelatin silver 5-1/4 x 8 inches (13.3 x 20.3 cm) PROVENANCE: G. Ray Hawkins Gallery, Los Angeles. HID04901242017

Adolph de Meyer (1868-1946) - Dolores, 1918

Gelatin silver print, titled, dated and credited in pencil and black ink in unknown hand with 'The American Dust Company' stamp on card margin, 19.2 x 24cm (7 1/2 x 9 1/2in) Provenance: Christie's New York, Photographs From The Estate of Thomas T. Solley, 14 February 2007, lot 239 This print was taken for Vogue and was illustrated in the September 1, 1918 issue, page 40.

ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford In Her Wedding Dress 1920 photogravure

ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford In Her Wedding Dress 1920 photogravure signed print verso 27.5 x 21.5cm

ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford In Her Wedding Dress 1920 photogravure

ADOLF DE MEYER (FRENCH, 1868-1946) Mary Pickford In Her Wedding Dress 1920 photogravure signed print verso 27.5 x 21.5cm

Adolphe de Meyer, Ballet Dancer, 2 Signed Photos, c. 1900

Vintage gelatin silver prints on double-weight paper, toned France, c. 1900 Baron Adolphe de Meyer (1868-1946) – French art collector, painter and important photographer of the early 20th century Both photographs are verso signed in pencil ‘DEMEYER’ Sheet size: 17.8 x 12.3 cm Good condition Provenance: Private collection Hamburg, Germany Two charming images of a young dancer; De Meyer's photographs of ballet dancers fetch over 70,000 euros at international auctions Object is regular taxed. Differential taxation is not possible. These two photographs by Baron Adolphe de Meyer were shot around 1900. They depict the same young ballet dancer wearing a gorgeous tutu and posing for the photographer in his studio. De Meyer is primarily known for his portraits of celebrities and fashion photographs but the world of ballet always fascinated him. Thus he portrayed, for instance, the most virtuoso dancers of the early 20th century, Vaslav Nijinsky, in numerous photographs. The two photographs are overall in good condition. The vertical format picture shows a minimal abrasion in raking light. There are retouchings on the negative to the girl’s armpits. The photo is taped to the mat along the upper margin. The second photo shows marginal blemishes, especially on the left edge, where the upper corner is missing and the surface is damaged. The sheet is mounted with photo corners under a mat. The verso of both photos shows traces of previous mounting, they are signed on the verso in pencil ‘DEMEYER’. The dimensions are 17.8 x 12.3 cm. The mounts measure 30 x 24 and 40 x 50 cm respectively. Adolphe de Meyer (1868-1946) Adolphe de Meyer, the son of a Parisian banker, initially took private drawing and painting lessons with Claude Monet. In the following years however, he devoted himself more and more to portrait photography. His early works were published in Alfred Stieglitz’s journal Camera Work. In 1910 he created his first fashion shots for Vogue magazine. De Meyer was a pioneer in the field of fashion photography in New York and became the first staff photographer employed by Vogue and Vanity Fair. Cecil Beaton gave him the nickname ‘the Debussy of photography’. De Meyer has inspired numerous photographers of the next generation such as the ones of Edward Steichen. Today only few of the photographer’s works are preserved for most were destroyed during the Second World War. Some of his photographs are held in the Metropolitan Museum of Art in New York as well as the National Portrait Gallery and the Victoria & Albert Museum in London. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

ADOLPH DE MEYER

ADOLPH DE MEYER (1868-1946) Still life, 1908 Photogravure, printed 1908 for Camera Work 24 LITERATURE: Alfred Stieglitz, Camera Work, The Complete Illustrations 1903-1917, Cologne 1997, p. 432.

ADOLPH DE MEYER

ADOLPH DE MEYER (1868-1946) Chanel, Paris 1928 Gelatin silver print, mounted on original Chanel christmas card dating from 1928 12 x 8,7 cm Signed by the photographer in pencil in the image lower right

Adolf Gayne de Meyer

Adolf Gayne de Meyer , French 1868-1946, (Baron de Meyer), ''Nijinsky and Karsavina in Costume'', silver print, 13x8cm. (may be subject to Droit de Suite) (VAT charged on hammer price) Provenance: It has been suggested that this photograph was taken on stage at the party which followed the Gala Performance followed by the Diaghalev Russian Ballet at Covent Garden 26th June 1911. See P. Julian De Meyer, London, 1976

Adolf Gayne de Meyer , French 1868-1946, (Baron de

Adolf Gayne de Meyer , French 1868-1946, (Baron de Meyer), "Nijinsky and Karsavina in Costume", silver print, 13x8cm. (may be subject to Droit de Suite) (VAT charged on hammer price) Provenance: It has been suggested that this photograph was taken on stage at the party which followed the Gala Performance followed by the Diaghalev Russian Ballet at Covent Garden 26th June 1911. See P. Julian De Meyer, London, 1976

Adolf Gayne de Meyer , French 1868-1946, (Baron de

Adolf Gayne de Meyer , French 1868-1946, (Baron de Meyer), ''Nijinsky and Karsavina in Costume'', silver print, 13x8cm. (may be subject to Droit de Suite) (VAT charged on hammer price) Provenance: It has been suggested that this photograph was taken on stage at the party which followed the Gala Performance followed by the Diagalev Russian Ballet at Covent Garden 26th June 1911. See P. Julian De Meyer, London, 1976

Adolf Gayne de Meyer , French 1868-1946, (Baron de

Adolf Gayne de Meyer , French 1868-1946, (Baron de Meyer), ''Nijinsky and Karsavina in Costume'', silver print, 13x8cm. (may be subject to Droit de Suite) (VAT charged on hammer price) Provenance: It has been suggested that this photograph was taken on stage at the party which followed the Gala Performance followed by the Diagalev Russian Ballet at Covent Garden 26th June 1911. See P. Julian De Meyer, London, 1976

ADOLPH DE MEYER (1868-1946)

ADOLPH DE MEYER (1868-1946) 'Guitar Player of Seville', 1908

Adolf Gayne de Meyer , French 1868-1946, (Baron de

Adolf Gayne de Meyer , French 1868-1946, (Baron de Meyer), "Nijinsky and Karsavina in Costume", silver print, 13x8cm. (may be subject to Droit de Suite) (VAT charged on hammer price) Provenance: It has been suggested that this photograph was taken on stage at the party which followed the Gala Performance followed by the Diagalev Russian Ballet at Covent Garden 26th June 1911. See P. Julian De Meyer, London, 1976 VAT charged on hammer price

Adolf Gayne de Meyer, French 1868-1946, (Baron de

Adolf Gayne de Meyer, French 1868-1946, (Baron de Meyer), "Nijinski on Stage" circa 1911, photographs, silver prints, two in shared mount and frame, both bear inscription on the reverse, 13x7cm and 13x8cm, (may be subject to Droit de Suite) (VAT charged on hammer price) VAT charged on hammer price

Fahsion Photography, Adolf Gayne De Meyer

Adolf Gayne De Meyer (German, 1868-1946), Fashion Model (for Harpers Bazaar), c.1926, gelatin silver print, unsigned, sheet: 9.125"h x 7.625". Provenance: The Estate of Reynaldo Luza

ADOLPH DE MEYER (1868-1946) The Shadows on the Wall, Chrysanthemums, c. 1907 bromoil print credit and affixed label with notation '123' in an unknown hand in pencil/ink (on the reverse of the flush-mount) image/flush-mount: 18½ x 14¼in. (47 x 36.1cm.)

Nellie MELBA. Photographie par le baron Adolf de

Nellie MELBA. Photographie par le baron Adolf de Meyer (1868-1946), avec dédicace autographe signée, 1921; 24 x 18,5 cm, montée sur carte 29,7 x 22,7 cm.Belle épreuve...

Baron Adolph de MEYER (1868-1949) Enfant aux fleurs, années 1920

Baron Adolph de MEYER (1868-1949) Enfant aux fleurs, années 1920 Épreuve gélatino-argentique d'époque sur papier mat. Signée à la mine de plomb sur le montage. 24 x 17 cm.

Baron Adolf De Meyer (French, 1868-1949); Portrait of Elsie Ferguson;

Portrait of Elsie Ferguson, 1920s Gelatin silver print, signed in pencil on the paper mount; dedication in ink and signed by Elsie Ferguson on secondary mount, framed. Elsie Louise Ferguson (1883 – 1961) was an American stage and film actress. 9 1/2 x 7 1/4in

Photograph

Photographs: Meyer, Baron Adolf de 1868 Dresden - 1949 Los Angeles "Still Life". 1908. Photogravure. Japan paper. Original backing board. Mat. From Camera Work, October 1908. 21,3 x 15,3cm. The original backing board verso stamped. Image in perfect condition. Published in: Alfred Stieglitz. Camera Work. The Complete Illustrations 1903-1917. Köln: Taschen, 1997. Ill. plate 430.

DE MEYER, BARON ADOLPH (1868-1949) Woman with Plumed Hat (Marthe Regnier).

DE MEYER, BARON ADOLPH (1868-1949) Woman with Plumed Hat (Marthe Regnier). Gelatin silver print, 14 x 11 inches (354 x 280 mm), taken circa 1915, printed 1940, signed in pencil in the margin; Eastman Kodak enlargement stamp and title in pencil on the verso. Image and mount in fine condition, archival cloth hinges and a tiny mounted label on verso. The present print is one of a group that de Meyer prepared for a 1940 exhibition held at the home of the actor Edward G. Robinson (a noteworthy collector of modern art). Unable to locate vintage examples of many of his images, de Meyer prepared enlargements from his negatives on large sheets of Eastman Kodak paper, hence the Kodak stamp on the verso. The quality of Kodak's printing is excellent, and the resulting print is far larger than most of the photographer's vintage work, while preserving its aesthetic qualities.

DE MEYER, ADOLF (1868-1949) Group of 3 choice plates from Camera Work, Number 40.

DE MEYER, ADOLF (1868-1949) Group of 3 choice plates from Camera Work, Number 40. Photogravures, sizes ranging from 8 1/2x4 to 9 1/4x6 1/4 inches (21.6x10.2 to 23.5x15.9 cm.), on the original mounts. 1912

DE MEYER, ADOLF (1868-1946) Elizabeth Arden advertisement for her "Red Door Salon" (with an original photograph).

DE MEYER, ADOLF (1868-1946) Elizabeth Arden advertisement for her "Red Door Salon" (with an original photograph). Silver print, 7 1/2x5 1/2 inches (19.1x14 cm.), mounted to a silver presentation board with printed text. Circa 1925

DE MEYER, ADOLF (1868-1946) Untitled (Woman in a white coat).

DE MEYER, ADOLF (1868-1946) Untitled (Woman in a white coat). Platinum print, 7 1/4x9 1/2 inches (18.4x24.1 cm.), with de Meyer's stylized signature, in pencil, on mount recto and a hand stamp on print verso. Late 1920s-Early 1930s

ADOLPH DE MEYER (1868-1946)

ADOLPH DE MEYER (1868-1946) Portrait of the Marchesa Luisa Casati, 1912 gelatin silver print, printed c. 1940 signed in pencil (in the margin); numbered '040 A' in pencil and Artist Archive copyright stamp (on the verso) 14 x 11in. (35.6 x 27.9cm.)

Baron Adolphe de MEYER (1868-1946) - Composition

Baron Adolphe de MEYER (1868-1946) - Composition avec fleurs, 1920

Baron Adolf de Meyer , 1868-1949 'a new beige wall fabric from rodier'

large-format, flush-mounted to brown-paper-backed board, matted, 1927

Baron Adolf de Meyer , 1868-1949 the cup

flush-mounted to brown-paper-backed board, annotated in an unidentified hand in pencil on the reverse, affixed at the top edge only to another mount, inscribed 'Maria by Demeyer' in an unidentified hand in pencil on the mount, matted, circa 1910

Baron Adolf de Meyer , 1868-1949 mrs. rita de alba de acosta lydig

platinum print, annotated in an unidentified hand in ink and pencil on the reverse, matted, 1913

Baron Adolf de Meyer , 1868-1949 gertrude vanderbilt whitney

tipped at the top left corner only to heavy paper, the photographer's stylized signature in pencil on the mount, annotated in an unidentified hand in pencil on the reverse, matted, circa 1912

Baron Adolf de Meyer 1868-1949 , selected portraits

a group of 3 photographs, comprising Mrs. J. J. Astor (Alva Lady Ribbesdale), Olga de Meyer, and Arline Chase, the first two signed by the photographer in pencil in the margin, the first and third titled, possibly by the photographer, in pencil, and the second and third with the de Meyer Archive stamp, numbered in an unidentified hand in pencil, on the reverse, 1900-20s, the first two printed in 1940 ( Of Passions and Tenderness, Portraits of Olga by Baron de Meyer, p. 64) (3)

Selected images from Camera Work , October 1908; and October 1912

BARON ADOLPH DE MEYER (1868-1946) Selected images from Camera Work, October 1908; and October 1912 3 photogravures each approx. 6½ x 8½in. (16.5 x 21.6cm.) or the reverse (3)

Nijinsky in Le Spectre de la Rose , Paris, 1911

BARON ADOLF DE MEYER (1868-1946) Nijinsky in Le Spectre de la Rose , Paris, 1911 platinum print signed in pencil on mount 13 5/8 x 10½in. (34.6 x 26.7cm.)